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Books on the topic 'Cinéma africain – Aspect social'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

African cinema: Politics & culture. Bloomington: Indiana University Press, 1992.

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2

Viewing African cinema in the twenty-first century: Art films and the Nollywood video revolution. Athens: Ohio University Press, 2010.

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3

Le cinéma québécois. Montréal: Boréal, 2005.

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4

Tendances du cinéma contemporain. Laval: Les 400 coups, 1998.

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5

Kasongo Ibanda Ngozulu W. T. Le " cinéma pour africains": Acte d'influence à visée persuasive. Louvain-la-Neuve: CIACO, 1989.

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6

Hooks, Bell. Reel to real: Race, sex, and class at the movies. New York, NY: Routledge, 1996.

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7

Hooks, Bell. Reel to real: Race, class and sex at the movies. New York, NY: Routledge, 2008.

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8

Jean-Pierre, Bertin-Maghit, ed. Discours audiovisuels et mutations culturelles: Actes du colloque organisé par l'AFECCAV, Bordeaux, 28, 29, 30 septembre 2000. Paris: L'Harmattan, 2002.

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9

Engel, Dean W. USA: Votre guide de poche pour le marché africain : culture et savoir-vivre pour mieux négocier. Paris: Éditions d'Organisation, 1997.

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10

Screening truth to power: A reader on documentary activism. Montréal, Québec: Cinema Politica, 2014.

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11

Chanan, Michael. The Cuban image: Cinema and cultural politics in Cuba. London: BFI Pub., 1985.

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12

Film as social practice. London: Routledge, 1988.

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13

Film as social practice. 3rd ed. London: Routledge, 1999.

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14

Film as social practice. 4th ed. New York: Routledge, 2006.

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15

Film as social practice. 2nd ed. London: New York, 1993.

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16

Screens and veils: Maghrebi women's cinema. Bloomington: Indiana University Press, 2011.

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17

Le cinéma québécois. [Montréal]: Boréal, 1991.

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18

The cinema of baseball: Images of America, 1929-1989. Westport, CT: Meckler, 1991.

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19

Gilmore, Michael T. Differences in the dark: American movies and English theater. New York: Columbia University Press, 1998.

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20

Greene, Naomi. Landscapes of loss: The national past in postwar French cinema. Princeton, N.J: Princeton University Press, 1999.

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21

Barber, Karin. West African popular theatre. Bloomington: Indiana University Press, 1997.

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22

Mediated associations: Cinematic dimensions of social theory. Montreal: McGill-Queen's University Press, 2002.

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23

Life the movie: How entertainment conquered reality. 3rd ed. New York: Knopf, 1999.

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24

The Francophone film: A struggle for identity. Manchester: Manchester University Press, 2000.

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25

Reading race: Hollywood and the cinema of racial violence. London: SAGE, 2002.

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26

Hollywood shot by shot: Alcoholism in American cinema. New York: A. de Gruyter, 1991.

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27

Kerr, David. African popular theatre: From pre-colonial times to the present day. London: J. Currey, 1995.

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28

J, Rothman David, and Rothman Stanley 1927-, eds. Hollywood's America: Social and political themes in motion pictures. Boulder, Colo: Westview Press, 1996.

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29

Feminism without women: Culture and criticism in a postfeminist age. New York: Routledge, 1991.

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30

Ramonet, Ignacio. Propagandas silenciosas: Masas, televisión, cine. La Habana: Instituto Cubano del Libro, 2001.

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31

The matter of images: Essays on representations. London: Routledge, 1993.

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32

Geller, Peter G. Northern exposures: Photographing and filming the Canadian north, 1920-45. Vancouver: UBC Press, 2004.

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33

Make-believe media: The politics of entertainment. New York: St. Martin's Press, 1992.

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34

Dreaming in Canadian: South Asian youth, Bollywood, and belonging. Vancouver: UBC Press, 2010.

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35

Finkelstein, Joanne. The art of self invention: Image and identity in popular visual culture. London: I.B. Tauris, 2007.

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36

John, Belton. American cinema/American culture. 3rd ed. New York, NY: McGraw-Hill, 2009.

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37

American cinema/American culture. New York: McGraw-Hill, 1994.

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38

American cinema, American culture. 2nd ed. Boston: McGraw-Hill, 2005.

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39

American cinema/American culture. 3rd ed. New York, NY: McGraw-Hill, 2009.

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40

Stephens, Mitchell. The rise of the image, the fall of the word. New York: Oxford University Press, 1998.

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41

Stranded objects: Mourning, memory, and film in postwar Germany. Ithaca, N.Y: Cornell University Press, 1990.

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42

Enemies within: The Cold War and the AIDS crisis in literature, film, and culture. Urbana: University of Illinois Press, 2001.

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43

Nationalist African Cinema: Legacy and Transformations. Lexington Books/Fortress Academic, 2013.

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44

Hooks, Bell. Reel to Real: Race, Sex and Class at the Movies. Routledge, 2008.

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45

Ramonet, Ignacio. Propagandes silencieuses : Masses, télévision, cinéma. Gallimard, 2002.

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46

Khalil, Andrea. North African Cinema in a Global Context: Through the Lens of Diaspora. Routledge, 2008.

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47

North African Cinema in a Global Context: Through the Lens of Diaspora. Routledge, 2015.

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48

1942-, Moser Walter, and Lillo Gastón, eds. Cine, historia y sociedad: Cine argentino y brasileño desde los años 80 = Cinema, history and society : Argentinian and Brasilian cinema since the 80s. Ottawa: Legas, 2007.

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49

Cine, historia y sociedad: Cine argentino y brasileńo desde los ańos 80 = Cinema, history and society : Argentinian and Brasilian cinema since the 80s. Ottawa, ON: Legas, 2008.

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50

The Cuban Image: Cinema and Cultural Politics in Cuba. Indiana Univ Pr, 1986.

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