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Books on the topic 'Cinéma coréen'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

Coppola, Antoine. Le cinema sud-coreen : du confuciannisme a l'avant-garde. L'Harmattan, 1997.

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2

Henrique, Klecius. José Dumont: Do cordel às telas de cinema. Cultura Fundação Padre Anchieta, 2005.

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3

Cordel, Lampiao e cinema na Terra do Sol. Author / Ferreira Studio, 2005.

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4

Roger Corman: Metaphysics on a shoestring. Silman-James Press, 2002.

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5

Le cinéma sud-coréen: Du confucianisme à l'avant-garde : Splendeurs et misères du réalisme dans le nouvel ordre spectaculaire. L'Harmattan, 1997.

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6

Hobbs, Simon. Cultivating Extreme Art Cinema. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427371.001.0001.

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The use of hard-core sex and brutal violence in films such as Antichrist, Romance and Irreversible has been branded by many as an unsophisticated attempt to attract audiences. These accusations of gimmickry have been directed towards a range of extreme art films, however they have rarely been explored in detail. This book therefore seeks to investigate the validity of these claims by considering the extent to which these often infamous sequences of extremity inform the commercial identity of the film. Through close textual analysis of various paratexts, the book examines how sleeve designs, bl

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7

Kornhaber, Donna. Silent Film: A Very Short Introduction. Oxford University Press, 2020. http://dx.doi.org/10.1093/actrade/9780190852528.001.0001.

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Silent Film: A Very Short Introduction covers the full span of the silent era, touching on films and filmmakers from every corner of the globe and focusing on how the public experienced these films. Silent film evolved during three main periods: early, transitional, and classical. First seen as a technological attraction, it rapidly grew into a medium for telling longer stories. Silent film was genuinely global, with countries around the world using cinema to tell stories and develop their own industries. Although sound was introduced to cinema in the late 1920s, elements of silent film persis

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8

Xiao, Ying. Chinese Rock ‘n’ Roll Film and Cui Jian on Screen. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0006.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. During the 1980s and 1990s, China experienced an explosion of films for youth, imbued with the aesthetic and ethic of rock ‘n’ roll. This chapter examines a variety of films, from the countercultural to the more mainstream, focusing on the voice, image, persona, and iconography of Cui Jian, and offering an audiovisual perspective on urban youth cinema and Chinese rock. The emergence and development of Chinese rock ‘n’ roll film from the late 1980s to the twen

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9

Richardson, John. The Neosurrealist Musical and Tsai Ming-Liang’s the Wayward Cloud. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0034.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. This chapter theorizes an important new development in auteur cinema, the neosurrealist metamusical, through Jan Assman’s idea of “figures of memory,” which are aspects of cultural memory that are differentiated from everyday experiences by their ritualized and temporally displaced nature. Musical numbers in this view become figures of memory that highlight reflectivity. Tsai Ming-Liang’sThe Wayward Cloud (Tian bian yi duo yun, 2005) is a classic example of a

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10

Kaduri, Yael, ed. The Oxford Handbook of Sound and Image in Western Art. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199841547.001.0001.

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This book examines different kinds of analogies, mutual influences, integrations, and collaborations of the audio and the visual in different art forms. The contributions, written by key theoreticians and practitioners, represent state-of-the-art case studies in contemporary art, integrating music, sound, and image with key figure of modern thinking constitute a foundation for the discussion. It thus emphasizes avant-garde and experimental tendencies, while analyzing them in historical, theoretical, and critical frameworks. The book is organized around three core subjects, each of which consti

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11

VanCour, Shawn. Making Radio Drama. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190497118.003.0005.

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This chapter analyzes methods of sonic storytelling and radio acting used in early broadcast drama. While accounting for a small percentage of period programming, dramatic productions formed a rich site for vernacular theorization of radio’s purportedly medium-specific properties and aesthetic possibilities. Dismissed by stage competitors as a hindrance to effective storytelling, radio’s aurality was embraced by proponents as the basis for a new dramatic art form that would be governed by five core principles: (1) emphasis on “natural” acting styles, (2) dialogue reduction through use of music

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12

Heins, Laura. Breaking Out of the Bourgeois Home: Domestic Melodrama. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037740.003.0004.

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This chapter examines the domestic melodrama and argues that it was used by the Nazis in a genre-contradictory manner to effect a departure from the nuclear family, in accordance with the antibourgeois antipathies of the regime's leadership. It contends that Nazi films, far from universally reinforcing traditional family structures, actually profit from an undermining of sexual taboos—the ultimate goal being an increased level of efficiency of production and reproduction. Seemingly prohibited desires actually formed the core of Nazi film melodramas; just as fascist Germany's “leading man” foun

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13

Silver, Alain, and James Ursini. Roger Corman: Metaphysics on a Shoestring. Silman-James Press, 2006.

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14

Nehring, Daniel, Gerardo Gómez Michel, and Magdalena López, eds. A Post-Neoliberal Era in Latin America? Policy Press, 2019. http://dx.doi.org/10.1332/policypress/9781529200997.001.0001.

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In the mid-1970s, Latin America entered a period of profound social and economic crisis, marked by the rise of brutal military dictatorships across much of the region and the near-collapse of some of Latin America’s largest economies, in Mexico and Brazil. In response to this crisis, governments across the region adopted neoliberal structural adjustment programmes from the 1980s onwards, under the auspices of international organisations, such as the International Monetary Fund and the World Bank. These reforms typically entailed sweeping cuts to public health and welfare programmes, the privat

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15

Trotter, David. The Literature of Connection. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198850472.001.0001.

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This book is about some of the ways in which the world got ready to be connected, long before the advent of the technologies and the concentrations of capital necessary to implement a global ‘network society’. It investigates the prehistory not of the communications ‘revolution’ brought about by advances in electronic digital computing from 1950 onwards, but of the principle of connectivity which was to provide that revolution with its justification and rallying cry. Connectivity’s core principle is that what matters most in any act of telecommunication, and sometimes all that matters, is the

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16

McDonough, Jeffrey K. Teleology. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190845711.001.0001.

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Teleology is the belief that some things happen, or exist, for the sake of other things. It is the belief that, for example, eyes are for seeing and gills are for breathing. It is the belief that people go to the cinema in order to see films and that salmon swim upstream in order to spawn. The core idea of teleology is thus intuitive enough. Nonetheless, difficult questions arise as we dig deeper into the concept. Is teleology intrinsic or extrinsic—that is, is teleology inherent in its subjects or is it imposed on them from the outside? Does teleology necessarily involve intentionality—that i

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17

Beezley, William H., ed. The Oxford Encyclopedia of Mexican History and Culture. Oxford University Press, 2018. http://dx.doi.org/10.1093/acref/9780190680893.001.0001.

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Over 120 scholarly articles This work provides a compendium of the best available scholarship on Mexico’s rich history and culture. An international group of leading authors, including well-known Mexican scholars, reveals new or little-known dimensions of this past or confirms with new sources previous interpretations of the Mexican experience. Themes include the expected topics of politics and economics, combined with powerful articles on biography, environment, gender, and culture, including music, art, and cinema. Unique to this work are the articles on digital sources, such as digitized ar

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