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Books on the topic 'Cinéma – Langage'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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1

Le langage du cinéma narratif. Laval, Québec: 400 coups, 1995.

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2

Georges, Dagneau, ed. Le langage du cinéma narratif. 4th ed. [Montréal]: Éditions Somme toute, 2015.

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3

Chevrier, H. Paul. Le langage du cinéma narratif. Montréal: 400 coups, 2001.

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4

Baroni, Françoise, and Florence Roman. Perles de cinéma. Paris: First éditions, 2015.

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5

Marleau, Lucien. Le langage du cinéma et de la vidéo. Montréal, Qué: Éditions La Pratique, 1989.

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6

Grammaire du langage filmé: Encyclopédie de la mise en scène. 2nd ed. Paris: Dujarric, 1986.

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7

L' analyse de séquences. 2nd ed. Paris: Armand Colin, 2007.

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8

Ouellet, Marie Demers. Les médias et vous. Sainte-Foy: Éditions Le Griffon d'argile, 1992.

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9

Niney, François. L' épreuve à l'écran: Essai sur le principe de réalité documentaire. 2nd ed. Bruxelles: De Boeck, 2002.

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10

Les variations linguistiques dans la littérature et le cinéma français contemporains. Paris: Classiques Garnier, 2015.

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11

Dolly, Weber Elizabeth, and Martin Brigitte G, eds. Mise en scène: Cinéma et lecture. Upper Saddle River, NJ: Pearson Prentice Hall, 2005.

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12

Gauthier, Philippe. Le montage alterné avant Griffith: Le cas Pathé. Paris: Harmattan, 2008.

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13

André, Gaudreault, ed. Le montage alterné avant Griffith: Le cas Pathé. Paris: Harmattan, 2008.

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14

Buckland, Warren, and Daniel Fairfax, eds. Conversations with Christian Metz. NL Amsterdam: Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789089648259.

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From 1968 to 1991 the acclaimed film theorist Christian Metz wrote several remarkable books on film theory: Essais sur la signifi cation au cinéma, tome1 et 2; Langage et cinéma; Le signifiant imaginaire; and L’Enonciation impersonnelle. These books set the agenda of academic film studies during its formative period. Metz’s ideas were taken up, digested, refined,reinterpreted, criticized and sometimes dismissed, but rarely ignored. This volume collects and translates into English for the first time a series of interviews with Metz, who offers readable summaries,elaborations, and explanations of his sometimes complex and demanding theories of film. He speaks informally of the most fundamental concepts that constitute the heart of film theory as an academic discipline — concepts borrowed from linguistics, semiotics, rhetoric, narratology, and psychoanalysis. Within the colloquial language of the interview, we witness Metz’s initial formation and development of his film theory. The interviewers act as curious readers who pose probing questions to Metz about his books, and seek clarification and elaboration of his key concepts. We also discover the contents of his unpublished manuscript on jokes, his relation to Roland Barthes, and the social networks operative in the French intellectual community during the 1970s and 1980s.

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15

Rice, Anne-Christine. Cinema for French conversation =: Le cinéma en cours de français. 3rd ed. Newburyport, MA: Focus Pub./R. Pullins Co., 2007.

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16

Kevin, Jackson. The language of cinema. Chicago, Ill: Shelfmark, 2003.

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17

Kevin, Jackson. The language of cinema. New York: Routledge, 1998.

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18

Chateau, Dominique. Le cinéma comme langage. [Bruxelles]: Editions AISS-IASPA, 1986.

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19

Cinema for French conversation =: Le cinéma en cours de français. 2nd ed. Newburyport, MA: Focus Pub./R. Pullins Co., 2003.

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20

Cuando las películas votan: Lecciones de ciencias sociales a través del cine. Madrid: Catarata, 2013.

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21

Pinel, Vincent. Vocabulaire technique du cinéma. Paris: Nathan, 1996.

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22

Film language: A semiotics of the cinema. Chicago: University of Chicago Press, 1991.

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23

La sémiologie en question: Langage et cinéma. Paris: Editions du Cerf, 1987.

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24

Baranovskaja, Ivona. Film. Cinema. Screen. Focus on the English Language. Vilnius, Lithuania: Vilnius Gediminas Technical University, 2021. http://dx.doi.org/10.20334/2021-014-s.

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25

Tritapepe, Rodolfo. Le parole del cinema. Roma: Gremese editore, 1991.

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26

Cinema for French conversation =: Le cinema en cours de franca̳is. 3rd ed. Newburyport, MA: Focus Pub./R. Pullins Co., 2007.

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27

La rencontre des langues dans le cinéma francophone: Québec, Afrique subsaharienne, France-Maghreb. Paris: Harmattan, 2010.

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28

Cinema and language loss: Displacement, visuality and the filmic image. New York: Routledge, 2012.

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29

L' italiano nel cinema muto. Firenze: F. Cesati, 2003.

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30

University), European Cinema Conference (1st 1984 Aston. European Cinema Conference papers. [Birmingham: AMLC Press], 1985.

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31

À la rencontre du cinéma français: Analyse, genre, histoire. New Haven: Yale University Press, 2010.

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32

M, Smalley Deana, and Haro María-Paz, eds. Cinema for Spanish conversation. 3rd ed. Newburyport, MA: Focus Pub./R. Pullins Co., 2010.

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33

Guiraud, Bernard. Glossaire bilingue du cinéma & de la vidéo: Français-anglais & anglais-français. Paris: Maison du dictionnaire, 2007.

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34

Colin, MacCabe. The eloquence of the vulgar: Language, cinema, and the politics of culture. London: BFI Publishing, 1999.

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35

Le langage des lignes et autres essais sur le cinéma d'animation. Montréal, Québec, Canada: 400 coups, 2006.

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36

Olga, Kagan, and Morozova Yuliya, eds. Cinema for Russian conversation. Newburyport, MA: Focus Pub./R. Pullins, 2005.

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37

Raffaelli, Sergio. Il cinema nella lingua di Pirandello. Roma: Bulzoni, 1993.

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38

Kundu, Gautam. Fitzgerald and the influence of film: The language of cinema in the novels. Jefferson, NC: McFarland & Company, Inc., Publishers, 2007.

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39

Pessis, Georges. Dictionnaire cinema, audiovisuel, multimedia, réseaux: Français-anglais/anglais-français = Dictionary cinema, video, sound, multimedia, electronic web : English-French/French-English. Paris: Dixit, 1997.

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40

Cosandey, Roland. Langages et imaginaire dans le cinéma suisse d'animation, avec un répertoire de la production 1977-1988. Etagnières: Groupement suisse du film d'animation, 1988.

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41

Canada. Dept. of Foreign Affairs and International Trade. Culture : exchange of notes between the government of Canada and the government of the French Republic constituting an agreement amending the Agreement concerning cinematographic relations, done in Ottawa on May 30, 1983, as amended, the agreement concerning promotion of film and video co-production projects in the field of animation, done in Paris on January 10, 1985, as amended, the agreement on television relations, done in Paris on July 11, 1983, as amended and the agreement regarding the development of French language audiovisual co-production projects for television, done in Ottawa on March 14, 1990 =: Culture : échange de notes entre le gouvernement du Canada et le gouvernement de la République Française constituant un Accord modifiant l'Accord sur les relations cinématographiques, signé à Ottawa le 30 mai 1983, tel que modifié, l'Accord relatif à la promotion de projets de coproduction cinématographique ou audiovisuelle dans le domaine de l'animation, signé à Paris le 10 janvier. Ottawa, Ont: Minister of Public Works and Government Services Canada = Ministre des travaux publics et services gouvernementaux Canada, 1998.

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42

Ruffin, Valentina. Dialoghi di regime: La lingua del cinema degli anni trenta. Roma: Bulzoni, 1997.

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43

Ruffin, Valentina. Dialoghi di regime: La lingua del cinema degli anni trenta. Roma: Bulzoni, 1997.

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44

Pinel, Vincent. Vocabulaire technique du cinéma. Paris: Nathan, 1996.

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45

Printing, London College of. BA Film and Video thesis 1990: New Arab Cinema The Route to Film Language. London: LCP, 1990.

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46

Bogucki, Łukasz. A relevance framework for constraints on cinema subtitling. Łodź: Wydawnictwo Uniwersytetu Łódzkiego, 2004.

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47

The multilingual screen: New reflections on cinema and linguistic difference. New York: Bloomsbury Academic, 2016.

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48

Zhou, Zhiping. Readings in contemporary Chinese cinema: A textbook of advanced modern Chinese. Princeton, NJ: Princeton University Press, 2007.

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49

Zhiping, Zhou. Readings in contemporary Chinese cinema: A textbook of advanced modern Chinese. Princeton, NJ: Princeton University Press, 2007.

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50

Zhiping, Zhou. Readings in contemporary Chinese cinema: A textbook of advanced modern Chinese. Princeton, NJ: Princeton University Press, 2007.

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