Relevant bibliographies by topics / Cinema screens

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Cinema screens'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2025

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Journal articles on the topic "Cinema screens"

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Kulkarni, Damini. "Screening Bodies." Interactive Film & Media Journal 2, no. 3 (2022): 23–38. http://dx.doi.org/10.32920/ifmj.v2i3.1507.

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As the COVID-19 pandemic continues to violently underscore the pre-eminence and precariousness of corporeality, the audiences’ bodily engagement with the screens on which they watch cinema is apt to undergo a range of shifts. When India implemented one of the strictest shutdowns in the world to control the spread of COVID-19, a population renowned for its fervent film fanbase, was forced away from film theatres. A privileged minority, however, was able to continue their pursuit of cinema by turning to the screens within their possession. This study engages with Indian women who have access to
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C. Pathak, Charu. "Feature Films in Theatres and OTT Platforms: A Study into Viewing Habits and Preferences." MediaSpace: DME Media Journal of Communication 3, no. 01 (2023): 20–22. http://dx.doi.org/10.53361/dmejc.v3i01.04.

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Films in theatres and on OTT platforms is a very different kind of an experience. The coming of OTT has transformed the audience preferences and ways of consumption of the media content and cinema to be specific in this case (Pandit, 2020). Before the advent of OTT cinema has undergone many other types of changes as well. These changes of the past have had a lot of influence on how the people perceived cinema and its contents. From the single screen to multiplex, audience has been witness to plenty of transformations. From black and white films to colour and from big screens to TV screens via
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Patronis, Eugene T. "Cinema sound system for unperforated screens." Journal of the Acoustical Society of America 93, no. 2 (1993): 1223. http://dx.doi.org/10.1121/1.405474.

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Dadar, Taraneh. "Screens and veils: Maghrebi women’s cinema." Transnational Cinemas 5, no. 1 (2014): 87–89. http://dx.doi.org/10.1080/20403526.2014.897890.

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Catalan, Cristobal. "Silver screens: cinema comes of age." Lancet Psychiatry 3, no. 5 (2016): 410–12. http://dx.doi.org/10.1016/s2215-0366(16)30049-9.

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Muhammad Yaqoub, Zhang Jingwu, Zhang Xuyao, and Raheela Firdous. "Future of Video Streaming Platforms and Mainstream Cinema: A Case Study of Fujian Province, China." Journal of Peace, Development & Communication V06, no. 02 (2022): 1–21. http://dx.doi.org/10.36968/jpdc-v06-i02-01.

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The pandemic has dramatically changed the current film-viewing landscape from cinema to streaming services. Video streaming platforms (VSPs) are hailed as the future of the Chinese Film & Entertainment industry. The COVID protocols, such as biometric surveillance and quarantine-driven isolation after a coronavirus scare, forced the cinema-goers to stay safe at home and enjoy the films, web series, and shows on mini-screen. In the time of streaming services, the cinema theatre is grappling with doing business. This study explores post-pandemic prospects, explaining why movie-lovers access a
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Bergen-Aurand, Brian. "Screening Expectation." Screen Bodies 3, no. 2 (2018): v—xii. http://dx.doi.org/10.3167/screen.2018.030201.

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Screen Bodies 3.2 engages with a wide variety of topics—fat studies, contemporary queer cinema, (pre)posterity, puzzle films, grief and truth in filmmaking, feminist materialism, digitized bodies, food and horror, and Maghrebi cinema. As well, the selection of articles in this issue represents studies of several media—tv programs, films, publicity stills, and photographs—from a number of locations around the globe—North America, Europe, Africa, and Asia. What holds this general issue together, though, is a concern over expectation, assumption, and supposition: what we suppose screens and bodie
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Widharma, Raya Dipodiputro, Huseini Martani, and Sakapurnama Eko. "Elasticity of Investment Financing Policy towards the Growth of Film Distribution Networks as an Effort to Redesign the Film Industry." International Journal of Current Science Research and Review 07, no. 03 (2024): 1804–13. https://doi.org/10.5281/zenodo.10846456.

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Abstract : This research aims to analyze the influence of investment financing policies on the growth of film distribution networks. Investment financing policy is seen from the aspect of setting investment credit interest rates in banking. Meanwhile, the growth of the film distribution network can be seen from the aspect of the number of cinema screens in Indonesia. This research uses several variables, such as: Investment Credit Interest Rates at Bank Persero, Regional Development Banks, National Private Banks and Foreign and Joint Venture Banks. The time range used in this research is from
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Fortuna Jr., Grzegorz. "Kino Bliskiego Wschodu na polskich ekranach." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 36, no. 45 (2024): 113–26. https://doi.org/10.14746/i.2024.36.45.6.

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In the article Middle Eastern Cinema on Polish Screens Grzegorz Fortuna Jr. analyzes the presence of films from the Middle East in Polish cinemas in 2002–2022. The author takes into account major productions from all Middle Eastern countries that have appeared on Polish screens in the last twenty years. The aim of the article is to check to what extent film criticism and research interest in cinematography in this area translates into the actual box office success of individual titles and what factors determined the possible success of Middle Eastern films in Polish cinemas. The author primari
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Lovatt, Philippa. "Cinema as Weather: Stylistic Screens and Atmospheric Change." Screen 56, no. 3 (2015): 387–90. http://dx.doi.org/10.1093/screen/hjv037.

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Dissertations / Theses on the topic "Cinema screens"

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Phillips, Wyatt D. "Stages, pages, and screens| The industrialization of genre and the early American cinema." Thesis, New York University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3602706.

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<p> This dissertation explores the development of genre in American cinema from its origins to 1914. Genre has long functioned as a structure of communication between artists and their audiences, organizing repetitions and variations among cultural products, but the Second Industrial Revolution, in the latter decades of the nineteenth century, transformed the role that genre played in the production and circulation of cultural goods. My work proposes a history of this "industrialization of genre" in correspondence with the development of practices and strategies for the emergent motion picture
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Jurgelaitytė, Žydrūnė. "Kino teatro lankomumo svyravimai Europos Sąjungoje 1990-2007 m." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2009~D_20140626_181357-25099.

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KINO TEATRO LANKOMUMO SVYRAVIMAI EUROPOS SĄJUNGOJE 1990 - 2007 m. Santrauka Nuo 1990 metų prasidėjo kino teatro lankomumo atgimimas, užbaigęs ankstesnį tris dešimtmečius trukusį kino teatro lankomumo mažėjimą. Naujieji amerikietiško tipo kino teatrai – multipleksai – turintys 8 ir daugiau kino sales bei rodantys įspūdingus, finansiniu požiūriu itin sėkmingus filmus, sugrąžino auditoriją į kino teatrus. Bet jau 2001 metais pagal kino teatrų skaičių Europos Sąjungos 15 šalių kino rinka, charakterizuojama kaip galutinai įsotinta ir kurios neįmanoma plėsti vien tik plečiant kino teatrų tinklą. Did
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Enning, Tang. "Can spectators become co-authors in the process of a story narrative." AUT University, 2009. http://hdl.handle.net/10292/819.

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This project explores the areas of human perception and story narrative in moving images. Engaged by the research question, “Can spectators become co-authors in the process of a story narrative?”, the research focuses on exploring the co-existence and contradiction between the values of spectators and an author in a process of a narrative by developing a new potential narrative approach with multiple perspectives. I hypothesise that spectators could participate with the story narrative process as co-authors. My key method is to engage with spectators’ participation within a narration (story) b
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Gray, Ros. "Ambitions of Cinema : Revolution, Event, Screen." Thesis, Goldsmiths College (University of London), 2007. http://eprints.gold.ac.uk/3080/.

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The thesis explored the theoretical implications of the African Revolution through an examination of its radical cinematic inventions. My research investigated points where the cinema screen became a site of radical gathering and ambitions of cinema emerged that expressed a revolutionary desire. The thesis mapped out a relational geography between different late liberation struggles of the 1970s and 1980s produced by cinema in the networks of connections lived out and constructed through radical drives. The exploration of aesthetics of liberation is the point of departure to investigate how sc
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Szabados, Luke. "Splat! Fragmented Space in Experimental Cinema." Ohio University Honors Tutorial College / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1461940887.

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Joseph, Rachel. "Screened states : representations of theatre within cinema /." May be available electronically:, 2009. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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Visona', Bianca <1988&gt. "Fundamentals on screen, tra architettura filmata e cinema esposto." Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6797.

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La tesi si pone come un’analisi di alcune installazioni presenti alla 14. biennale di architettura di Venezia nelle quali l'elemento filmico ha un peso rilevante. Il lavoro viene inquadrato attraverso il concetto di intermedialità come caratteristica intrinseca del cinema, che attraversa tutta la sua storia: dal cinema delle origini alla contemporaneità. Nello specifico si vedrà come la convergenza di cinema e architettura sia particolarmente significativa nel corso di tutta la storia del cinema e specialmente oggi. E’ sulla base di queste considerazioni che si prendono in esame alcuni frammen
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Gorini, F. M. "SHAKESPEARE AL CINEMA: HAMLET SECONDO KENNETH BRANAGH." Doctoral thesis, Università degli Studi di Milano, 2012. http://hdl.handle.net/2434/173515.

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This thesis focuses on the popularization on film of William Shakespeare’s plays. If the Shakespearean pictures shot in the silent era were more similar to filmed theatre performances than to adaptations, in the 1920s the Bard’s works start to be adapted for the cinema in order to reach a new and wider audience, thus triggering the phenomenon of the popularization of his plays. This process achieves a significant phase in the 1990s thanks to Kenneth Branagh’s adaptations, which cause a revival of the genre. Branagh’s experience is crucial in that he begins his artistic career in the theatre an
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Gaur, Meenu. "Kashmir on screen : region, religion and secularism in Hindi cinema." Thesis, SOAS, University of London, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.561285.

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The Kashmir dispute has led to two wars (1947-1948, 1965), serious military encounters (1999,2001) between India and Pakistan, as well as a militant and nonmilitant separatist movement seeking independence for Kashmir (1989- ). While this conflict has been subjected to sustained analysis by academics and journalists, Kashmir's centrality to the public culture ofIndia, explored here through a study of Hindi cinema, has received little to no attention in the considerable literature on the area. The articulations of Kashmir in Hindi cinema - as a paradise on earth, sacred site of Hinduism, home o
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Nichols, P. "The cinema of lost films : Ray Bradbury and the screen." Thesis, University of Liverpool, 2017. http://livrepository.liverpool.ac.uk/3009310/.

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This thesis examines the fiction and screenwriting of Ray Bradbury (1920-2012), the American author best known for novels and short stories in the genres of science fiction and fantasy. Bradbury’s screenwriting has previously received little critical attention, but is examined here in an archival study of four of his extended film-making projects, two of which came to fruition in completed films, and two of which remain unproduced. Moby Dick (John Huston, 1956) is a strong work of structural adaptation from Herman Melville’s novel, and the experience of adapting it is shown to have had a signi
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Books on the topic "Cinema screens"

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1959-, Lord Susan, and Marchessault Janine, eds. Fluid screens, expanded cinema. University of Toronto Press, 2007.

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Sacco, Vincenzo. Screens Wide Shut: Cinema e massoneria. Rogas edizioni, 2018.

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Leonard, David J. Screens fade to black: Contemporary African American cinema. Praeger Publishers, 2005.

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Spencer-Hall, Alicia. Medieval Saints and Modern Screens. Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462982277.

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This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention: consideration of hagiography as media. More precisely, hagiography is most productively understood as cinematic media. Medieval mystical episodes are made intelligible to modern audiences through reference to the filmic - the language, form, and lived experience of cinema. Similarly, reference to the realm of the mystical affords a means to express the
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Higgins, Teri, and Catherine Fowler. Epistolary Entanglements in Film, Media and the Visual Arts. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463729666.

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This collection departs from the observation that online forms of communication—the email, blog, text message, tweet—are actually haunted by old epistolary forms: the letter and the diary. By examining the omnipresence of writing across a variety of media, the collection adds the category of Epistolary Screens to genres of self-expression, both literary (letters, diaries, auto-biographies) and screenic (romance dramas, intercultural cinema, essay films, artists’ videos and online media). The category Epistolary encapsulates an increasingly paradoxical relation between writing and the self: fir
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Lefebvre, Martin, and Marc Furstenau. Special Effects on the Screen. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789462980730.

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Since the very first days of cinema, audiences have marveled at the special effects imagery presented on movie screens. While long relegated to the margins of film studies, special effects have recently become the object of a burgeoning field of scholarship. With the emergence of a digital cinema, and the development of computerized visual effects, film theorists and historians have been reconsidering the traditional accounts of cinematic representation, recognising the important role of special effects. Understood as a constituent part of the cinema, special effects are a major technical but
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Trifonova, Temenuga. Screening the Art World. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463724852.

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Unlike most studies of the relationship between cinema and art, which privilege questions of medium or institutional specificity and intermediality, Screening the Art World explores the ways in which artists and the art world more generally have been represented in cinema. Contributors address a rarely explored subject -art in cinema, rather than the art of cinema - by considering films across genres, historical periods and national cinemas in order to reflect on cinema’s fluctuating imaginary of ‘art’ and ‘the art world’. The book examines the intersection of art history with history in cinem
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1960-, Whelehan Imelda, ed. Screen adaptation: Impure cinema. Palgrave Macmillan, 2010.

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Khoo, Gaik Cheng, Thomas Barker, and Mary Ainslie, eds. Southeast Asia on Screen. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462989344.

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After the end of World War II when many Southeast Asian nations gained national independence, and up until the Asian Financial Crisis, film industries here had distinctive and colourful histories shaped by unique national and domestic conditions. Southeast Asia on Screen: From Independence to Financial Crisis (1945-1998) addresses the similar themes, histories, trends, technologies and sociopolitical events that have moulded the art and industry of film in this region, identifying the unique characteristics that continue to shape cinema, spectatorship and Southeast Asian filmmaking in the pres
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Deveny, Thomas G. Cain on screen: Contemporary Spanish cinema. Scarecrow Press, 1999.

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Book chapters on the topic "Cinema screens"

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Beattie, Keith. "The Truth of the Matter: Cinéma Vérité and Direct Cinema." In Documentary Screens. Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-62803-8_6.

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Kunapulli, Amrutha. "Streams, Screens, and Subtitles." In Worlding Tamil Cinema. Routledge, 2025. https://doi.org/10.4324/9781003501213-6.

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Soulez, Guillaume. "Moving Between Screens." In A Companion to Contemporary French Cinema. John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118585405.ch4.

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Chen, Hongwei, Yi Chen, Zhaoyu Zhu, and Yang Zhang. "Towards the Engine Cinema." In The Screens of Virtual Production. Routledge, 2025. https://doi.org/10.4324/9781003463139-23.

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Marchessault, Janine, and Susan Lord. "Introduction." In Fluid Screens, Expanded Cinema, edited by Janine Marchessault and Susan Lord. University of Toronto Press, 2007. http://dx.doi.org/10.3138/9781442684355-002.

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Marchessault, Janine. "1. Multi-Screens and Future Cinema: The Labyrinth Project at Expo 67." In Fluid Screens, Expanded Cinema, edited by Janine Marchessault and Susan Lord. University of Toronto Press, 2007. http://dx.doi.org/10.3138/9781442684355-003.

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Crocker, Stephen. "2. Sounds Complicated: What Sixties Audio Experiments Can Teach Us about the New Media Environments." In Fluid Screens, Expanded Cinema, edited by Janine Marchessault and Susan Lord. University of Toronto Press, 2007. http://dx.doi.org/10.3138/9781442684355-004.

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Wasson, Haidee. "3. The Networked Screen: Moving Images, Materiality, and the Aesthetics of Size." In Fluid Screens, Expanded Cinema, edited by Janine Marchessault and Susan Lord. University of Toronto Press, 2007. http://dx.doi.org/10.3138/9781442684355-005.

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Petty, Sheila. "4. The ‘Iterative Circle’: Transformation of Web Narrative in Amika." In Fluid Screens, Expanded Cinema, edited by Janine Marchessault and Susan Lord. University of Toronto Press, 2007. http://dx.doi.org/10.3138/9781442684355-006.

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Child, Abigail. "5. Handcrank That Globalism: A Digi-Dialogue." In Fluid Screens, Expanded Cinema, edited by Janine Marchessault and Susan Lord. University of Toronto Press, 2007. http://dx.doi.org/10.3138/9781442684355-007.

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Conference papers on the topic "Cinema screens"

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Long, Brian, Roger Schwenke, Peter Soper, and Glenn Leembruggen. "Further Investigations into the Interactions between Cinema Loudspeakers and Screens." In SMPTE Technical Conference. IEEE, 2012. http://dx.doi.org/10.5594/m001480.

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ELLIOTT, D., K. HOLLAND, and P. NEWELL. "THE AUDIBILITY OF COMB-FILTERING DUE TO PERFORATED CINEMA SCREENS." In IOA 40th Anniversary Conference 2014. Institute of Acoustics, 2023. http://dx.doi.org/10.25144/16264.

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ELLIOTT, D., K. HOLLAND, and P. NEWELL. "THE AUDIBILITY OF COMB-FILTERING DUE TO PERFORATED CINEMA SCREENS." In Reproduced Sound 2014. Institute of Acoustics, 2023. http://dx.doi.org/10.25144/16239.

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NEWELL, P., JG GARCÍA, and K. HOLLAND. "AN INVESTIGATION INTO THE ACOUSTIC EFFECT OF CINEMA SCREENS ON LOUDSPEAKER PERFORMANCE." In Reproduced Sound 2013. Institute of Acoustics, 2023. http://dx.doi.org/10.25144/16438.

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Salnikova, Ekaterina. "Evolution of the "Screen-on-Screen" Motif in the Cinema." In The 5th International Conference on Art Studies: Research, Experience, Education (ICASSEE 2021). Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789048557240/icassee.2021.020.

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"Single-Screen Cinema to Multiplex: The Cinema going Experience of Turkish and Russian Societies." In International Conference on Research in Humanities and Social Sciences. Acavent, 2018. http://dx.doi.org/10.33422/icrhs.2018.12.02.

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Турманидзе, Тамта. "РАЗВИТИЕ ОБРАЗА ИСКУССТВЕННОГО ИНТЕЛЛЕКТА В КИНО". У “Müasir incəsənət məkanında süni intellekt: problemlər və perspektivlər” Beynəlxalq elmi-nəzəri konfrans. İnformasiya Texnologiyaları İnstitutu, 2025. https://doi.org/10.25045/asucaai.2025.25.

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Today, when the development of artificial intelligence has reached an unprecedented scale, discussions about the benefits and possible risks associated with new technologies are becoming increasingly relevant. Cinema, which to a certain extent possesses the ability to anticipate and predict the future, is very sensitive to this topic. The report presents the evolution of the image of artificial intelligence on the cinema screen throughout the history of film. The first appearance of artificial intelligence on screen occurred back in 1927, in Fritz Lang's film Metropolis. In the same film, an i
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Miasnikova, Marina, and Alexandra Trukhina. "Character, Author, Viewer of Documentaries in the Public Space of New Media." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-54.

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Any screen message usually comprises three components: life drama in the form of a story about a real person as the character; the author’s intention to create an artistic world containing footprints of the creative personality and the author’s concept; and the viewer’s mindset regarding this world. Thus, a screen document is created by three participants of communication: character, author, viewer, though each of them differently manifests itself in turbulent conditions of ongoing media-transformations. Under the new direction named ‘real’, ‘actual’, ‘horizontal’ cinema, the documentary scree
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Cunningham, Stuart, and Jonathan Weinel. "Second screen comes to the silver screen: A technology feasibility study regarding mobile technologies in the cinema." In 2015 Internet Technologies and Applications (ITA). IEEE, 2015. http://dx.doi.org/10.1109/itecha.2015.7317400.

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Yu, Bin. "RECD: A Platform of Automated Encrypted Certificate Distribution in Cinema LED Screen." In EITCE 2024: 2024 8th International Conference on Electronic Information Technology and Computer Engineering. ACM, 2024. https://doi.org/10.1145/3711129.3711234.

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Reports on the topic "Cinema screens"

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Dabrovolskas, Audrius. In Search of Film Policy and Film Exhibition Model Based on Mission Economy: the Case of the Baltic Film Industries. Publishing House - Vilnius Business College, 2023. http://dx.doi.org/10.57005/ab.2023.1.2.

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In Europe film industries are regulated through film policies at national and supra-national levels. The biggest attention is paid to film production and distribution, because they are considered as the most crucial sectors regarding financial investment. Film exhibition on the other hand is more about whole commercial life of a film and since theatrical admissions in European Union increased by 5.3 % (in 2019) before covid-19 pandemic it demonstrates that theatrical release is still among one of the most important release windows. Yet Lithuanian, Latvian, and Estonian film exhibition trends a
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Bożek, Małgorzata. FILM PRODUCTION IN POLAND. STAGES: FROM AN IDEA TO THE SCREEN. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.50.11112.

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The Polish film system is characterized by a variety of forms. Michał Zabłocki, the author of the comprehensive study of the «Organization of the production of feature film in Poland», isolates two models of world cinema: a producer and a producer – director. The first one features the dominant role of the producer, which means the person who is responsible for the work of all the film departments – direction, cinematography, production management, scenography and costume design. The second one, the model which is still the most popular in Poland, assumes close cooperation between the producer
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Lichter, Amnon, Gopi K. Podila, and Maria R. Davis. Identification of Genetic Determinants that Facilitate Development of B. cinerea at Low Temperature and its Postharvest Pathogenicity. United States Department of Agriculture, 2011. http://dx.doi.org/10.32747/2011.7592641.bard.

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Botrytis cinerea is the postharvest pathogen of many agricultural produce with table grapes, strawberries and tomatoes as major targets. The high efficiency with which B. cinerea causes disease on these produce during storage is attributed in part due to its exceptional ability to develop at very low temperature. Our major goal was to understand the genetic determinants which enable it to develop at low temperature. The specific research objectives were: 1. Identify expression pattern of genes in a coldenriched cDNA library. 2. Identify B. cinerea orthologs of cold-induced genes 3. Profile pro
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