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Relevant bibliographies by topics / Cinema theater

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Academic literature on the topic 'Cinema theater'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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Journal articles on the topic "Cinema theater"

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Lieandra, Hansen, and Suwardana Winata. "BIOSKOP SEBAGAI WADAH SOSIAL DENGAN PENDEKATAN ARSITEKTUR KESEHARIAN DI KAWASAN SENEN, JAKARTA PUSAT." Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 4, no. 2 (2023): 1203–12. http://dx.doi.org/10.24912/stupa.v4i2.21815.

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Young and old have been enjoying watching movies in the cinema for a long time. Along with the development of the times, a lot has also happened to the cinema and always follows the times. Seeing the development of cinemas, there are step-by-step cinemas that can be enjoyed outdoors, drive-in cinemas that can be watched from the car, and there are exclusive seats in cinemas such as 3d theaters, love seats, premieres, and others. Not only a place to watch, but cinemas can also be used multifunctionally which we may have encountered, for example, concerts at the cinema, meet and greets at the ci

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Chinita, Fátima. "The Interweaving of Theater and Film." Aniki: Revista Portuguesa da Imagem em Movimento 10, no. 1 (2023): 259–64. http://dx.doi.org/10.14591/aniki.v10n1.981.

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Laura Sava’s Theatre Through the Camera Eye: The Poetics of an Intermedial Encounter (Edinburgh University Press, 2019) is an invaluable tool for Interarts Studies. The book focuses on the intermedial relationship between theater and cinema, exemplified through a corpus of thirteen metafilms (i.e., about the art of cinema).

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PATRON, Iryna. "THEATER AND CINEMA: SOME TOUCHES FOR COMPARISON." Bulletin of the Lviv University. Series of Arts Studies 199, no. 23 (2022): 95–103. http://dx.doi.org/10.30970/vas.23.2022.12198.

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The article analyzes the problems of correlation and comparison of Stage and screen arts; theater and film actor in the process of creating a play or film. With the help of a comparative analysis, conclusions were made about the differences and similarities that exiSt between theater and cinema in the Studied categories of time, space, acting and the viewer. Attention is drawn to theatrical convention and film reality. We have concluded about some differences and similarities that exist between theater and cinema in the Studied categories of time, space, acting and audience perception. Space a

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Qiu, Yacheng. "The Financial and Strategy Analysis of Cinema Industry, A Case Study of AMC." Advances in Economics, Management and Political Sciences 14, no. 1 (2023): 289–96. http://dx.doi.org/10.54254/2754-1169/14/20230839.

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This paper discusses the impact of Covid-19 on the movie theaters, as a representative of the conventional service/entertainment business, forecast the future trends of such cinematic enterprises in the post-pandemic period, and evaluate how effective cash management can boost the growth and survival of businesses in this area. This paper will specify the case study of AMC entertainment, an American movie theater chain that has the largest share of the U.S. theater market and use it as a representative of cinematic enterprise to evaluate the industry. This paper would start with an introductio

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Dima, Vlad. "Waiting for (African) Cinema: Jean-Pierre Bekolo’s Quest." African Studies Review 62, no. 1 (2018): 49–66. http://dx.doi.org/10.1017/asr.2017.153.

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Abstract:Throughout his career, Cameroonian director Jean-Pierre Bekolo has been searching for cinema; not African cinema, just Cinema. In order to explain properly this claim, the essay will first consider Bekolo’s work within the context of the ever-ongoing conversation regarding the framing and aesthetics of African and Third Cinemas. Second, for a closer perspective on what will be termed “neurotic cinema,” the essay will key on Bekolo’s latest effort, Naked Reality (2016), a purposely unfinished work that echoes absurdist theater, mimics frantic contemporary thought, and proposes that cin

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Lin, Geng, Hao Wu, Xiaoru Xie, Fiona Fan Yang, and Zuyi Lv. "Negotiation between modernity and local culture in moviegoing practice: A case study of a traditional movie theater in Guangzhou Metropolis." International Journal of Cultural Studies 24, no. 5 (2021): 707–30. http://dx.doi.org/10.1177/1367877921993819.

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As a medium for delivering modernity, movie theaters have faithfully recorded the dialogue between modernity and local daily lives. In contrast to modern movie theaters, traditional cinemas are distinguished by their long history, through which they reflect the changing connotations and social construction of modernity over time. Based on detailed analysis of the historical and social characteristics of Nanguan cinema, a 100-year-old movie theater in Guangzhou, China, we reach the following two conclusions: first, shaped by local traditional culture, the practice of moviegoing localizes modern

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Azizova, Amina. "The interaction of theater and cinematography in Uzbekistan culture in the first half of the xx century." Central Asian Journal of Art Studies 5, no. 4 (2020): 94–104. http://dx.doi.org/10.47940/cajas.v5i4.257.

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The form, typology, essence and causes of the interaction between theater and cinema in the world is one of the priorities in the field, and a number of scientific studies have been conducted on the subject. In world experience, during the development of cinematography, it has been used the help of theatrical figures in overcoming the problems of acting, directing and dramaturgy. The study of theater and cinema as the main types of artistic worldview, in which the relationship between the two independent arts, exchanges of actors, process of interaction, individual characteristics were assesse

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Sovgyra, Tetyana, and Maryna Tatarenko. "The Specifics of the Actor in the Theatre and Cinema: the Means of Conventionality and the Nature of Existence." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 1, no. 1 (2018): 61–72. https://doi.org/10.31866/2616-759x.1.2018.144949.

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The purpose of the article. The article is devoted to the study of the main differences of the nature of the actor of the drama theater and the actor of the cinema and the elucidation of the basic principles of acting skills during the filming process. The Methodology of the research is toapply the analytical method, in the analysis of philosophical, artcriticism, cultural literature on the research’s subject; comparatively typological is to identify the similarities and differences between stage and screen art, in particular theater and cinema; conceptualis in the an

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KOCAER, Rabia. "20.Yüzyıl Başları, Beyoğlu Sinema Mekânları Belleği İzinde Yürüyüş Rotası." International Journal of Social Sciences 9, no. 38 (2025): 429–51. https://doi.org/10.52096/usbd.9.38.19.

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Istanbul, the capital of the Byzantine, Roman and Ottoman Empires, still has its traces in civil, religious, educational and commercial structures with its multi-layered and multi-cultural identity. The Greeks, Armenians, Jews and Turks living in the city have also had their reflections in the city’s culture, art and architecture. Beyoğlu is the most important place in Istanbul with its location, historical past and cultural interaction. The district is distinguished by its embassies, hotels, passages, religious buildings, theaters and cinemas. It was the most important district for a period o

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Andrew, James Dudley. "The Theater of Irish Cinema." Yale Journal of Criticism 15, no. 1 (2002): 23–58. http://dx.doi.org/10.1353/yale.2002.0002.

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Dissertations / Theses on the topic "Cinema theater"

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Kung, Sze-chung Charles. "Cinema park." Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25956206.

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Kung, Sze-chung Charles, and 龔詩宗. "Cinema park." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31983388.

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Sekely, Kelly H. "Connecting One and Many - Reinventing the Procession of the Cinema Experience." VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/2413.

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In the past, going to the movies was an event. The grand lit marquee made a statement, ushering you inside. The elaborately decorated lobby transported you to a place in your dreams where riches and opulence abound. The curtained screen marked the start of a true storied spectacle as you sat close to your friends and neighbors dressed in their Sunday best. There was no denying that the cinema was the place to see, be seen and to socialize. In contrast, today’s movie-going can be classified as more of a singular experience. You wait in long, solemn cattle lines to enter a cluttered lobby with

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Barr, Amanda M. "La génesis de Nosferatu en el cine mudo." Thesis, Kansas State University, 2008. http://hdl.handle.net/2097/1090.

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Master of Arts<br>Department of Modern Languages<br>Benjamin Torrico<br>This thesis analyses the play Nosferatu by the contemporary Spanish author Francisco Nieva, and more specifically focuses on its genesis in silent film, primarily German Expressionist. First we take a look at the genre and style of the work itself, followed by a history of the vampire in literature and film. After a brief summary of the play, we begin to focus on the films, first discussing how Nieva came into contact with them in France through the cinémathèques. What follows is a detailed study of the films, with summ

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Veloso, Verônica Gonçalves. "Jogos do olhar - procedimentos cinematográficos para a composição da cena teatral." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/27/27155/tde-10112010-113902/.

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Jogos do Olhar é uma pesquisa que coleciona procedimentos do cinema como recursos para resolver certos impasses da cena teatral contemporânea, tais como: a cena fora do espaço tradicional, o corpo como figura e não como personagem e o texto como materialidade. No teatro referido há a preponderância da imagem sobre o texto. Os procedimentos cinematográficos foram observados em alguns exemplares do Cinema Brasileiro Moderno. Essa investigação resultou em uma Coleção de Jogos organizada com o intuito de prover professores, encenadores e interessados em geral de recursos para a composição de cenas

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Ressler, Christopher Michael. "Let's All Go to the Movies." Thesis, Virginia Tech, 2006. http://hdl.handle.net/10919/79683.

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Welcome to the movies! Welcome to the stars! Welcome to this grand illusion! All of it's yours. New Urbanism. Hollywood thinks you're stupid. Scientology. Retro-futurism. Taking back color from toiletries. Personal politics. Cutting off the legs of the bioscopes. The architecture of Fun. The death of Entertainment. Freedom of speech. Sticky floors. Googie. Suburbia. Popcorn. The way we live our lives. All seen through the limelight of a night at the movies.<br>Master of Architecture

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Luce, Micah. "The cinema and the church experiential [koinonia] in audience and congregation /." Theological Research Exchange Network (TREN), 2008. http://www.tren.com/search.cfm?p051-0115.

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Pourquier-Jacquin, Stéphanie. "Le temps des possibles : consolidation et affranchissement des sociabilités cinéphiles à l'université : le cas avignonnais." Thesis, Avignon, 2015. http://www.theses.fr/2015AVIG1153/document.

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Ce travail de recherche en sciences de l'information et de la communication aborde d'un point de vue communicationnel et sociologique les pratiques cinématographiques des étudiants en s'appuyant sur l'exemple des étudiants de l'Université d'Avignon. Alors que le cinéma est la première pratique culturelle des étudiants, ce travail interroge, dans une première partie, la place de l'université dans les pratiques culturelles et la manière dont les étudiants construisent leur identité culturelle et cinématographique. À partir d'observations menées à l'Université d'Avignon, d'une enquête quantitativ

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Solér, Marcos Marcelo. "Teatro documentário: a pedagogia da não ficção." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27155/tde-13072009-184640/.

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A presente dissertação se assume como um trabalho introdutório sobre as peculiaridades de uma prática de Teatro Documentário, demonstrando como o seu caráter estético traz em si mesmo os elementos de caráter educacional. Para isso, levantamos, teoricamente, conceitos e dados históricos, a fim de aprimorarmos nossa visão acerca do que chamamos Teatro Documentário, estabelecendo uma ponte direta com a conceituação de Documentário em Cinema, presente, em especial, nos escritos do teórico norte-americano Bill Nichols. Em seguida, exemplificamos nossas idéias com uma experiência, dentro de uma inst

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Sousa, Daniel Marcolino Claudino de. "O cinema na escola: aspectos para uma (des)educação." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-04072017-110341/.

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O projeto O cinema vai à escola, da SEE-SP/FDE(de 2008 a 2015), é objeto de estudo do presente trabalho, queoexamina aproximando as perspectivas do cinema e da educação. Para tanto, parteda questão benjaminiana doempobrecimento da experiênciae, de algum modo, da adorniana doempobrecimento do repertório de imagens,buscando identificar modos de uso do cinemana escolaeinvestigandose eem que medidao referido projeto provoca o empobrecimentoda experiênciaem razão dos meios aplicados naoficialização da entrada do cinema na escola. Em geral, o cinema na escola é sustentado por um discurso pedagógico

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Books on the topic "Cinema theater"

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Lacombe, Brigitte. Lacombe: Cinema/theater. Schirmer/Mosel, 2001.

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Majlis (Organization : Mumbai, India) and Urban Design Research Institute, eds. Cinema theatres in Bombay / Mumbai: A Dossier. Majlis, 2014.

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Knopf, Robert. The theater and cinema of Buster Keaton. Princeton University Press, 1999.

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Adriana, Giusti Maria, and Caccia Susanna, eds. Cinema in Italia: Sguardi sull'architettura del Novecento. Maschietto, 2007.

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iskusstv, Rossiĭskiĭ institut istorii, ed. "Zolotoĭ sezon" sovetskogo teatra 1921/1922: Nauchnoe izdanie. RIII, 2016.

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Cardullo, Bert. Theater and cinema: Contrasts in media, 1916-1966. Academica Press, 2011.

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Sieg, Katrin. Choreographing the Global in European Cinema and Theater. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230615458.

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Ishaghpour, Youssef. Opera et theatre dans le cinema d'aujourd'hui. Ed. la Difference, 1995.

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Pietro, Bartolini, ed. Vasco Pratolini tra cinema e teatro. Biblioteca comunale Alessandro Lazzerini, Comune di Prato, 1992.

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Blakeway, Claire. Jacques Prévert: Popular French theatre and cinema. Fairleigh Dickinson University Press, 1990.

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Book chapters on the topic "Cinema theater"

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Rottner, Nadja. "A Cinema Without Film." In Claes Oldenburg's Theater of Vision. Routledge, 2023. http://dx.doi.org/10.4324/9781003375357-5.

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Sarkisova, Oksana. "Soviet Cultural Policy in Musical Theatre and Cinema, 1917–1938." In Kulturpolitik und Theater. Böhlau Verlag, 2012. http://dx.doi.org/10.7767/boehlau.9783205792048.287.

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Mücke, Laura Katharina, and Patric Blaser. "The Politics of Silence in Theater and Cinema." In Silence, Sounds, Music. Routledge, 2025. https://doi.org/10.4324/9781003219132-16.

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Fuller-Seeley, Kathryn H. "Storefront Theater Advertising and the Evolution of the American Film Poster." In A Companion to Early Cinema. Blackwell Publishing Ltd., 2012. http://dx.doi.org/10.1002/9781118274453.ch21.

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Sieg, Katrin. "Introduction." In Choreographing the Global in European Cinema and Theater. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230615458_1.

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Sieg, Katrin. "Desiring the Global." In Choreographing the Global in European Cinema and Theater. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230615458_2.

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Sieg, Katrin. "Development and Migration." In Choreographing the Global in European Cinema and Theater. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230615458_3.

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Sieg, Katrin. "Traveling Counterpublics." In Choreographing the Global in European Cinema and Theater. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230615458_4.

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Sieg, Katrin. "Operation Media Storm." In Choreographing the Global in European Cinema and Theater. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230615458_5.

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Sieg, Katrin. "Conclusion." In Choreographing the Global in European Cinema and Theater. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230615458_6.

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Conference papers on the topic "Cinema theater"

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Kurosaki, Masayuki, Ryuta Imashioya, Masateru Matsuo, Baiko Sai, Yoshimitsu Kuroki, and Hiroshi Ochi. "4K digital cinema home theater over high throughput wireless transmission system." In 2010 Ieee Globecom Workshops. IEEE, 2010. http://dx.doi.org/10.1109/glocomw.2010.5700453.

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Traparic, David, Mohamed-Chaker Larabi, and Ladjel Bellatreche. "Towards Automatic Content Generation for Immersive Cinema Theater Based on Artificial Intelligence." In 2023 IEEE 25th International Workshop on Multimedia Signal Processing (MMSP). IEEE, 2023. http://dx.doi.org/10.1109/mmsp59012.2023.10337685.

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Ormanlı, Okan. "Relationship Between Movie Theaters and Audience During the Pandemic: “Beyoğlu 1989 E-Bulletin” as an Example." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.028.

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Covid-19, a disease that transformed into a pandemic at the beginning of 2020, caused catastrophic results in the world and Turkey. There have been some restrictions on trade, education, tourism, and art. Daily life was not interrupted but some services and events that they have not primary functions (for some people) like “art” were on the verge of stopping and carried to the digital platforms. In this context, some corporations opened their archives and sometimes actual events to the public free of charge or for a certain amount of money. Art, which has always had “healing”, “mediating” and

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Tosa, Naoko. "Theater, movie with A-life---Romeo & Juliet in Hades as A-life based cinema." In the sixth ACM international conference. ACM Press, 1998. http://dx.doi.org/10.1145/306774.306781.

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Trifan, Aurelia. "Socialist modernism – a way of disseminating a new ideology in the architecture of entertainment buildings." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.14.

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During the years 1955–1991, the attempts and searches meant to impose qualities corresponding to the fundamental principles of socialism on the architecture led to the realization of buildings with distinctive features, qualified today as modernist-socialist. Over a period of more than three decades, Soviet architecture turned to a synthesis of Western paradigms and its own avant-garde, largely unbuilt heritage. Theater, cinema and music, considered to be fields of culture accessible to the masses at large, are the genres of art placed at the center of the cultural policy of the Soviet state.

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Fischer, Andre. "New transmedia design for traditional film festivals." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.121.

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The disruptive transformations process in the audiovisual sector were unexpectedly accelerated after the covid-19 pandemic. This caused a rearrangement in the chain of the distribution, exhibition and circulation, thus restructuring the whole design of film festivals, once considered the launching point of this entire industry and strongly based on specific physical locations. Streaming has become the main way in which image and sound content are distributed. Entertainment became multiplatform and interactive, changing the way in which narratives are structured, and these contents are produced

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Rahma, Annisa Lazuardi, and Henny Saptatia Djajati Nugrahani. "The Implementation of the Cultural Exception Concept on the French Cinema Development and the Complexion of its Domestic Movie Theater Industry." In International Joint Conference on Arts and Humanities (IJCAH 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201201.129.

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"IMAGES OF ANTAGONISTS IN THE RELIGIOUS AND MYTHOLOGICAL REPRESENTATIONS OF THE YAKUTS." In Культура, наука, образование: проблемы и перспективы. Нижневартовский государственный университет, 2021. http://dx.doi.org/10.36906/ksp-2021/36.

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Yakuts in religious beliefs and heroic epics (olonkho) retain the idea of the highest deities of the cult of ayyy, who act in the image and role of positive heroes together with the heroes of the middle world. The main antagonists are evil spirits (abaaahs) and restless souls (uor). They are also an integral part of Yakut traditionalism. The article presents the traditional classification of antagonistic images in religion and the heroic epic as the main components in the representation of the Yakuts (based on the materials of researchers of the XVIII–XX centuries). In modern society, culture

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Bortolotto, Susanna, Cristiana Achille, Elisabetta Ciocchini, and Maria Cristina Palo. "The rural founding villages of the Italian Agrarian Reform in Basilicata (1950-1970): urban planning and 'modern' vernacular architecture to the test of contemporaneity. The case of Borgo Taccone (MT)." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15113.

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The contribution aims at providing an overview on urban planning and on 'modern' vernacular architecture of the rural founding villages built during the Agrarian Reform (1950-1970) in Italy, in the inland areas of Basilicata Region. In particular there are settlements not yet sufficiently known, in which the important of inventorying the considerable built heritage must be the objective of a necessary, urgent safeguarding. With the 'Agrarian Reform' (Law 841/1950), the Italian government carried out a redistribution to settlers of the lands of uncultivated or abandoned large estates. The purpo

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Kavas, Burcu. "Cinema and New Media Possibilities in the Pandemic." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.027.

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Cinema, which started to digitalize in the 20th century, continues to be integrated with digital publishing platforms that emerged with the development of new media technologies in the 21st century. With the coronavirus pandemic that affected the whole world in 2019, digital broadcasting platforms became popular as an alternative cinema event in the quarantine process. Various precautions have been taken around the world for the coronavirus pandemic. As a result of the quarantine precaution, the local and global cinema industry was negatively affected. Cinema industry which is a collective pro

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