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Books on the topic 'Cinema Therapy'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

author, Yu Sun-dŏk, ed. Yŏnghwa ch'iryo ŭi kipŏp kwa silche: Cinema therapy. Pik'ŏming, 2021.

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2

Kim, Un-ha. Yŏnghwa ch'iryo ŭi kich'o: Ihae wa hwaryong = Cinema therapy. Pagyŏng Story, 2016.

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3

Pinter, Harold. The Proust screenplay: À la recherche du temps perdu. Grove Press, 2000.

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4

Pinter, Harold. The Proust screenplay: A la recherche du temps perdu. Faber, 1991.

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5

Izod, John, and Joanna Dovalis. Cinema as Therapy. Routledge, 2014. http://dx.doi.org/10.4324/9781315731582.

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6

Izod, John, and Joanna Dovalis. Cinema as Therapy: Grief and transformational film. Routledge, 2015.

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7

Izod, John, and Joanna Dovalis. Cinema As Therapy: Grief and Transformational Film. Taylor & Francis Group, 2014.

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8

Izod, John. Cinema as Therapy: Grief and transformational film. Routledge, 2015.

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9

Izod, John, and Joanna Dovalis. Cinema As Therapy: Grief and Transformational Film. Taylor & Francis Group, 2014.

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10

Izod, John, and Joanna Dovalis. Cinema As Therapy: Grief and Transformational Film. Taylor & Francis Group, 2014.

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11

Gardner, Colin. Chaoid Cinema. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474494021.001.0001.

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The book expands on a burgeoning area in contemporary film studies that explores absences and interstices such as black and white screens that interrupt the film narrative in order to explore buried or hidden philosophical and affective layers that, once revealed, will radically change our reading of the film. In this case I explore silences in the soundtrack – not ambient silence or so-called ‘room tone’ but complete sound drop-outs, as if the film projector had broken down, thereby jolting the audience out of their passive relationship to the screen so that they become aware of their surroun

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12

Packer, Sharon. Dreams in Myth, Medicine, and Movies. Praeger, 2002. http://dx.doi.org/10.5040/9798400642487.

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Cinema—invented just before psychoanalysis formally developed—primed the public and scholars to rethink ideas about dreams. The author describes how surrealist artists purposely applied Freudian dream theories to their art to make the public aware of modern ideas about dreams. Most of our current cultural consciousness about the psychological value of dreams is traced to classical and contemporary cinema. This work examines how residuals of past approaches to dreams make conceptions of dreams in psychoanalysis and science more complex than ever today. Scholars and students in the fields of psy

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13

Bray, Barbara, Harold Pinter, and Joseph Losey. The Proust Screenplay: A la Recherche du Temps Perdu. Grove Press, 2000.

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14

Hayon, Kaya Davies, and Stefanie Van de Peer, eds. Transnational Arab Stardom. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9781501393259.

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Building on the work of star studies scholars, this collection provides contextual analyses of off-screen representation, as well as close textual analyses of films and star personas, thereby offering an in-depth study of the Arab star as text and context of Arab cinema. Using the tools of audience reception studies, the collection will also look at how stars (of film, stage, screen and new media) are viewed and received in different cultural contexts, both within and outside of the Arabic-speaking world. Arab cinema is often discussed in terms of political representation and independent art f

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15

Cineterapia: Película Como Metáfora (Una Introducción). Ediciones Pluma Verde, 2023.

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16

Kaplan, E. Ann. Troubling Genre/Reconstructing Gender. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036613.003.0005.

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This chapter explores the cultural work that feminist critics performed in “inventing” the genre of the woman's film, and how genre impacts on feminist cinema practices in the current postmodern moment. It argues first that historically, genre was important in providing a useful pathway through which feminist film theorists could assert a critical position vis-à-vis dominant cinematic and critical strategies. That is, feminist critics used genre as a concept to invent a new genre—the women's picture or woman's film—thereby drawing attention to aspects of Hollywood melodrama that had been negle

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17

Choi, Jinhee, ed. Reorienting Ozu. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190254971.001.0001.

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Reorienting Ozu: A Master and His Influence offers new perspectives on Ozu Yasujiro and his influence on global art cinema directors. Ozu has been admired both by film scholars and filmmakers around the globe, having been at the center of significant scholarly debates, and being considered by many as a precursor of an aesthetic legacy and sensibility explored in the global art scene. By situating Ozu within the proper historical and discursive contexts, and thereby breaking with essentialist, traditionalist, and formalist readings of him, this volume helps to initiate a new theorizing and hist

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18

Bogue, Ronald. Deleuze and Roxy: The Time of the Intolerable and Godard’s Adieu au langage. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422734.003.0015.

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Focusing specifically on Jean-Luc Godard’s experimental 3-D outing, Adieu au langage (2014), this chapter equates becoming-animal (manifested through Godard’s dog, Roxy) with the time of the intolerable, a crisis in the action-image which precludes any absorption of affect within the sensory-motor schema. In this sense, Roxy becomes an immanent, animistic force that remakes the world (and by extension, as in all of Godard’s films, cinema itself) into a protean force of becoming, where even 3-D bifurcates and deterritorialises as a new form of machinic fabulation. In the case of the intolerable

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19

Blatt, Ari J., and Edward Welch, eds. France in Flux. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781786941787.001.0001.

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The look and feel of metropolitan France has been a notable preoccupation of French literary and visual culture since the 1980s. Numerous writers, filmmakers and photographers have been drawn to articulate France’s contrasting spatial qualities, from infrastructural installations such as roads, rail lines and ports, to peri-urban residential developments and isolated rural enclaves. In doing so, they explore how the country’s acute sense of national identity has been both asserted and challenged in topographic terms. This wide-ranging collection of essays explores how the contemporary concern

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20

Kim, Su Yun. Imperial Romance. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501751882.001.0001.

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This book argues that the idea of colonial intimacy within the Japanese empire of the early twentieth century had a far broader and more popular influence on discourse makers, social leaders, and intellectuals than previously understood. The book investigates representations of Korean–Japanese intimate and familial relationships — including romance, marriage, and kinship — in literature, media, and cinema, alongside documents that discuss colonial policies during the Japanese protectorate period and colonial rule in Korea (1905–45). Focusing on Korean perspectives, the book uncovers political

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21

Cohen, Joshua L., J. Lauren Johnson, and Penny Orr. Video and Filmmaking As Psychotherapy: Research and Practice. Taylor & Francis Group, 2015.

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22

Cohen, Joshua L. Video and Filmmaking As Psychotherapy: Research and Practice. Taylor & Francis Group, 2015.

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