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Relevant bibliographies by topics / Cinematographic film - Case study

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Academic literature on the topic 'Cinematographic film - Case study'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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Books on the topic "Cinematographic film - Case study"

1

Partridge, C. J. Senso: Visconti's film and Boito's novella : a case study in the relation between literature and film. E. Mellen Press, 1992.

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2

Partridge, Colin. Tristana: Buñuel's film and Galdós' novel : a case study in the relation between literature and film. Edwin Mellen, 1995.

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3

1843-1920, Pérez Galdós Benito, ed. Tristana: Buñuel's film and Galdós' novel : a case study in the relation between literature and film. Edwin Mellen Press, 1995.

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4

Peck, Stephanie. The labour process and technical change: Laboratory film processing : a case study. typescript, 1985.

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5

Poett, Simon. An analysis of the use of music in film using Martin Scorsese as a case study. LCP, 2000.

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6

Fullerton, John. Spatial and temporal articulation, and the role of intertitles in pre-classical Swedish film: A case study, or Towards a new historiography. Derbyshire College of Higher Education, 1989.

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7

Mon, Ya-Feng. Film Production and Consumption in Contemporary Taiwan. Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9789089648884.

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This book uses the potent case study of contemporary Taiwanese queer romance films to address the question of how capitalism in Taiwan has privileged the film industry at the expense of the audience's freedom to choose and respond to culture on its own terms. Interweaving in-depth interviews with filmmakers, producers, marketers, and spectators, Ya-Fong Mon takes a biopolitical approach to the question, showing how the industry uses investments in techno-science, ancillary marketing, and media convergence to seduce and control the sensory experience of the audience-yet that control only extend

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8

Fossati, Giovanna. From Grain to Pixel. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789463725002.

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In From Grain to Pixel, Giovanna Fossati analyzes the transition from analog to digital film and its profound effects on filmmaking and film archiving. Reflecting on the theoretical conceptualization of the medium itself, Fossati poses significant questions about the status of physical film and the practice of its archival preservation, restoration, and presentation. From Grain to Pixel attempts to bridge the fields of film archiving and academic research by addressing the discourse on film's ontology and analyzing how different interpretations of what film is affect the role and practices of

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9

Siewert, Senta. Performing Moving Images. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462985834.

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Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and gallery spaces, the book analyzes their new contexts, and describes the affective reception of those events. The study asks: what is the relationship between an aesthetic experience and memory at the point where film archives, cinema, and exhibition practices intersect? What can we learn from re-scre

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10

Berliner, Todd. Raging Bull’s Stylistic Dissonance. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190658748.003.0006.

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Illustrating some of the points made in chapter 5, chapter 6 offers an extended analysis of some complex tendencies in Raging Bull’s cinematography, editing, and sound devices. The film tests the limits of the classical Hollywood style and sometimes crosses over into avant-garde practice. Raging Bull offers an illustrative case study of the boundaries of Hollywood’s stylistic systems.

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