Relevant bibliographies by topics / Circuit de la culture

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Circuit de la culture'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Circuit de la culture"

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Johnson, L. G., K. G. Dickman, K. L. Moore, L. J. Mandel, and R. C. Boucher. "Enhanced Na+ transport in an air-liquid interface culture system." American Journal of Physiology-Lung Cellular and Molecular Physiology 264, no. 6 (June 1, 1993): L560—L565. http://dx.doi.org/10.1152/ajplung.1993.264.6.l560.

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Use of the air-liquid interface culture technique has produced improved morphological differentiation of rodent, canine, and human tracheal epithelia. We have investigated the effect of this culture technique on ion transport activities of cultured canine bronchial epithelia. These cells were isolated from excised airways by enzymatic digestion and plated on permeable collagen membrane substrates. All cultures were maintained utilizing standard culture techniques, by bathing both apical and basolateral sides with hormone supplemented, serum-free media until confluent (days 4–6). Half of the cultures were converted to air-liquid interface cultures (ALIC) by gentle aspiration of the apical medium and half were continued under standard technique culture (STC) conditions. After three additional days, preparations cultured under both conditions were mounted in modified Ussing chambers where bioelectric properties were measured under short-circuit conditions. Mean short-circuit current (Isc) was significantly greater in ALIC (-91.3 +/- 7.84 microA/cm2) than in STC (-54.8 +/- 5.03 microA/cm2). The sodium channel blocker, amiloride, reduced Isc by 68.4 +/- 5.0% in STC and by 84.8 +/- 3.0% in ALIC. 22Na and 36Cl fluxes confirmed the presence of enhanced sodium absorption in ALIC when compared with STC. The depth of the apical fluid, measured by microelectrodes during ALIC, was approximately 15 microns. Studies of cellular metabolism demonstrated a shift in metabolism from an anaerobic to an oxidative pattern in ALIC. This change in the pattern of metabolism suggests that the ALIC technique enhanced sodium transport in canine bronchial epithelia by increasing oxygen delivery to the epithelium.
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Eglen, Richard M., and Terry Reisine. "Human iPS Cell-Derived Patient Tissues and 3D Cell Culture Part 2: Spheroids, Organoids, and Disease Modeling." SLAS TECHNOLOGY: Translating Life Sciences Innovation 24, no. 1 (January 22, 2019): 18–27. http://dx.doi.org/10.1177/2472630318803275.

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Human induced pluripotent stem cells (HiPSCs) provide several advantages for drug discovery, but principally they provide a source of clinically relevant tissue. Furthermore, the use of HiPSCs cultured in three-dimensional (3D) systems, as opposed to traditional two-dimensional (2D) culture approaches, better represents the complex tissue architecture in vivo. The use of HiPSCs in 3D spheroid and organoid culture is now growing, but particularly when using myocardial, intestinal enteric nervous system, and retinal cell lines. However, organoid cell culture is perhaps making the most notable impact in research and drug discovery, in which 3D neuronal cell cultures allow direct modeling of cortical cell layering and neuronal circuit activity. Given the specific degeneration seen in discrete neuronal circuitry in Alzheimer’s disease (AD) and Parkinson’s disease (PD), HiPSC culture systems are proving to be a major advance. In the present review, the second part of a two-part review, we discuss novel methods in which 3D cell culture systems (principally organoids) are now being used to provide insights into disease mechanisms. (The use of HiPSCs in target identification was reviewed in detail in Part 1.)
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Forgacs, David. "Film Culture in Rome." Film Quarterly 61, no. 3 (2008): 40–45. http://dx.doi.org/10.1525/fq.2008.61.3.40.

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Baptaglin, Leila Adriana, and Vilso Junior Chierentin Santi. "AS INTERVENÇÕES ARTÍSTICAS URBANAS NO CIRCUITO DA ARTE EM RORAIMA E O POTENCIAL COMUNICATIVO DOS SABERES ARTÍSTICOS AMAZÔNICOS." Revista Observatório 4, no. 4 (June 29, 2018): 615–37. http://dx.doi.org/10.20873/uft.2447-4266.2018v4n4p615.

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Discutir como as intervenções artísticas urbanas comunicam ao expectador Roraimense apresenta-se como o foco de discussão deste estudo.. Para dar conta desse objetivo, foram realizadas investigações teóricas pautadas na compreensão do cenário artístico contemporâneo, a partir dos estudos de Cauquelin (2005) e Cocchiarale (2004); e das especificidades roraimense, dando destaque à representação artística dos saberes locais, com os estudos de Gonçalves (2017) e Silva (2017). Em paralelo, trabalhamos com a apropriação dos conceitos de circuito da cultura de Johnson (1999) e Nessbaumer (2000), no sentido de estabelecer uma proposta de discussão acerca do que chamamos Circuito da arte. Este circuito nos possibilita entender os processos pelos quais a produção artística passam até chegar ao consumo pelo expectador. Desta forma, podemos perceber que a comunicação expressa pelas intervenções artísticas urbanas ainda é bastante insipiente, no que se refere a apropriação artística dos saberes locais roraimenses e amazônicos. PALAVRAS-CHAVE: Intervenções artísticas urbanas; Saberes artísticos amazônicos; Circuito da cultura; Circuito da arte; Processos comunicacionais. RESUMEN Discutir cómo las intervenciones artísticas urbanas comunican al espectador Roraimense se presenta como el foco de discusión de este estudio. Para dar cuenta de ese objetivo, se realizaron investigaciones teóricas pautadas en la comprensión del escenario artístico contemporáneo, a partir de los estudios de Cauquelin (2005) y Cocchiarale (2004); Y de las especificidades roraimenses, dando destaque a la representación artística de los saberes locales, con los estudios de Gonçalves (2017) e Silva (2017). En paralelo, trabajamos con la apropiación de los conceptos de circuito de la cultura de Johnson (1999) y Nessbaumer (2000), en el sentido de establecer una propuesta de discusión acerca de lo que llamamos Circuito del arte. Este circuito nos permite entender los procesos por los cuales la producción artística pasa hasta llegar al consumo por el espectador. De esta forma, podemos percibir que la comunicación expresada por las intervenciones artísticas urbanas todavía es bastante insípida, en lo que se refiere a la apropiación artística de los saberes locales roraimenses y amazónicos. PALABRAS CLAVE: Intervenciones artísticas urbanas; Saberes artísticos amazónicos; Circuito de la cultura; Circuito del arte; Procesos comunicacionales. ABSTRACT Discussing how the urban artistic interventions communicate to the spectator Roraimense presents itself as the focus of discussion of this study. In order to achieve this objective, theoretical investigations were conducted based on the understanding of the contemporary artistic scene, based on the studies of Cauquelin (2005) and Cocchiarale (2004); And the specificities of Roraima, highlighting the artistic representation of local knowledge, with studies by Gonçalves (2017) and Silva (2017). In parallel, we work with the appropriation of the culture circuit concepts of Johnson (1999) and Nessbaumer (2000), in the sense of establishing a proposal of discussion about what we call Circuito da arte. This circuit enables us to understand the processes by which artistic production passes until consumption reaches the spectator. In this way, we can perceive that the communication expressed by the urban artistic interventions is still quite insipient, as far as the artistic appropriation of the roreimenses and Amazonian local knowledge is concerned. KEYWORDS: Urban artistic interventions; Amazonian artistic knowledge; Culture circuit; Circuit of art; Communicational processes.
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Lonský, Vladimír, Barbora Voxová, Jan Dominik, Jiří Manďák, Jaroslav Kubíček, Jaroslava Bímová, Dana Marková, and Pavla Matoulková. "How Long Can the Previously Assembled Cardiopulmonary Bypass Circuit Stay Sterile?" Acta Medica (Hradec Kralove, Czech Republic) 41, no. 2 (1998): 91–93. http://dx.doi.org/10.14712/18059694.2019.171.

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The sterility of previously assembled cardiopulmonary bypass circuits was investigated for 100 extracorporeal circuits. The closed circuits were assembled using aseptic technique and remained in the pump room until time of use. The mean time from point of setup to point of priming for the 100 consecutive circuits was 32 hours, with a range of 19 to 89 hours. Circuits were primed with the calculated volume of priming solution, circulated for 5 minutes and tested for microbial contamination by withdrawing 20 ml of the priming solution and 10 days incubated in Thioglycolate and Sabouraud culture mediums. All were found to be free of microbial comtamination. The results of this investigation demonstrate that the sterility of the extracorporeal circuit, pre-assembled in advance of actual priming, can be maintained over an extended interval when standard aseptic technique is used. This allows the utilization of a pre-assembled circuit for emergency cardiopulmonary support.
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Delacroix, Sheila. "Conference Circuit: Culture keepers: Enlightening & empowering communities." College & Research Libraries News 53, no. 10 (November 1, 1992): 638–39. http://dx.doi.org/10.5860/crln.53.10.638.

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Bell, Gladys Smiley. "Conference Circuit: Culture keepers: Today’s African American librarians." College & Research Libraries News 55, no. 9 (October 1, 1994): 568–70. http://dx.doi.org/10.5860/crln.55.9.568.

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Tan, Vi Ean, Alan T. Evangelista, Dominick M. Carella, Daniel Marino, Wayne S. Moore, Nadji Gilliam, Arun Chopra, and Jeffrey J. Cies. "Sterility Duration of Preprimed Extracorporeal Membrane Oxygenation Circuits." Journal of Pediatric Pharmacology and Therapeutics 23, no. 4 (July 1, 2018): 311–14. http://dx.doi.org/10.5863/1551-6776-23.4.311.

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OBJECTIVES There is a lack of standardization and supporting data regarding the duration preassembled and preprimed extracorporeal membrane oxygenation (ECMO) circuits are expected to be sterile. Therefore, the purpose of this study was to prospectively evaluate whether preassembled and preprimed ECMO circuits could maintain sterility for a period up to 65 days. DESIGN Four ECMO circuits (2 neonatal/pediatric¼” and 2 adolescent/adult ⅜ ”) were assembled and primed under sterile conditions and maintained at room temperature. Culture samples were obtained from each circuit and plated within 1 hour. Culture samples were obtained on day 0 when assembled and primed then every 5 days up to day 65. Samples were plated on several different media including the following: blood agar plate: trypticase soy agar with 5% sheep blood, MacConkey agar, and thioglycollate broth then incubated at 35°C for 3 days. RESULTS All cultures obtained from the priming solution from of the¼” and ⅜ ” ECMO circuits produced no microbial or fungal growth for the 65-day study period. CONCLUSION These pilot data suggest preprimed ECMO circuits may maintain sterility for a period up to 65 days. Additional studies evaluating a larger number of ECMO circuits are needed to confirm these findings.
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Dickman, K. G., and J. L. Renfro. "Primary culture of flounder renal tubule cells: transepithelial transport." American Journal of Physiology-Renal Physiology 251, no. 3 (September 1, 1986): F424—F432. http://dx.doi.org/10.1152/ajprenal.1986.251.3.f424.

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Renal proximal tubule cells from the winter flounder (Pseudopleuronectes americanus) were maintained in a functionally differentiated state for up to 16 days in primary culture on floating collagen gels. The cells were confluent after 7-8 days in culture, contracted the collagen gels, and exhibited ciliary activity. Electron microscopy indicated that the cultures were composed of continuous sheets of columnar epithelial cells that had established structural polarity. When mounted in Ussing chambers, the cultures exhibited a small mucosa-negative potential difference (0.6 +/- 0.10 mV) and a low transepithelial resistance (23 +/- 2.3 omega X cm2). Short-circuit current averaged 24 microA/cm2. The cultured epithelium was four times more permeable to Na than to Cl and actively secreted sulfate and p-aminohippuric acid and reabsorbed hexoses. Glucose reabsorption was rheogenic and occurred via a high-affinity (Km = 0.16 mM), low-capacity (Vmax = 5 microA/cm2), phlorizin-sensitive transport system. We concluded that the cultured cells express many of the differentiated properties of the intact flounder proximal tubule and thus provide a suitable model system for studying renal transport processes.
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Lang, M. A., A. S. Preston, J. S. Handler, and J. N. Forrest. "Adenosine stimulates sodium transport in kidney A6 epithelia in culture." American Journal of Physiology-Cell Physiology 249, no. 3 (September 1, 1985): C330—C336. http://dx.doi.org/10.1152/ajpcell.1985.249.3.c330.

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The effects of adenosine receptor agonists and antagonists were examined in epithelia formed in culture by A6 cells, a continuous cell line derived from Xenopus laevis kidney. A6 epithelia have a high electrical resistance and a short-circuit current that is equal to net sodium flux from mucosal to serosal surface. Adenosine, 2-chloroadenosine, 5'-(N-ethyl)carboxamidoadenosine, and N6-(L-2-phenylisopropyl) adenosine produced concentration-dependent increases in short-circuit current. Stimulation of short-circuit current by 2-chloroadenosine occurred at concentrations of 0.05 microM and above, with half-maximal stimulation occurring at 0.3 microM. 5'-(N-ethyl)carboxamidoadenosine was more potent than N6-(L-2-phenylisopropyl)adenosine, the usual order of potency for activation of stimulatory adenosine receptors. Theophylline (100 microM), an adenosine receptor antagonist, reduced the short-circuit current response to adenosine and 2-chloroadenosine by 85-90%. Amiloride, an agent that inhibits both basal and adenosine 3',5'-cyclic monophosphate (cAMP)-stimulated short-circuit current in A6 epithelia, completely and reversibly inhibited short-circuit current stimulated by 2-chloroadenosine. Adenosine and 2-chloroadenosine stimulated adenylate cyclase activity in a crude membrane preparation from A6 cells. Stimulation by adenosine was blocked by adenosine deaminase. 2-Chloroadenosine increased cell cAMP accumulation in intact epithelia. The results provide evidence that adenosine and adenosine receptor agonists stimulate adenylate cyclase and active sodium transport in an epithelial cell line of renal origin.
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Dissertations / Theses on the topic "Circuit de la culture"

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Balagadde, Frederick Kiguli Phillips Rob Quake Stephen R. "Microfluidic technolgies for continuous culture and genetic circuit characterization /." Diss., Pasadena, Calif. : Caltech, 2007. http://resolver.caltech.edu/CaltechETD:etd-06112007-102627.

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Lush, Paige Clark. "MUSIC AND IDENTITY IN CIRCUIT CHAUTAUQUA: 1904-1932." Lexington, Ky. : [University of Kentucky Libraries], 2009. http://hdl.handle.net/10225/1045.

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Thesis (Ph. D.)--University of Kentucky, 2009.
Title from document title page (viewed on August 10, 2009). Document formatted into pages; contains: viii, 344 p. : ill. (some col.), maps. Includes abstract and vita. Includes bibliographical references (p. 328-343).
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SANTOS, Raphael Moreira do. "Coworking: articulando significados culturais do trabalho no engajamento de indivíduos para a ação coletiva." Universidade Federal de Pernambuco, 2016. https://repositorio.ufpe.br/handle/123456789/18582.

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CAPES. CNPQ
O complexo cenário social contemporâneo tem provocado diversas mudanças tanto no caráter do trabalho quanto na sua organização. Nesse contexto, o coworking, espaço de trabalho compartilhado, parece antever essas transformações, propondo um novo modelo de trabalho orientado às demandas contemporâneas. Diante disso, o presente estudo assume os espaços de coworking como campo investigativo e adota o Impact Hub São Paulo como exemplo empírico para compreender como ocorre o processo de construção identitária dessa coletividade. Para tanto, assumimos a perspectiva teórico-metodológica proposta pelo Circuito da Cultura, por compreender a dimensão cultural como central à vida contemporânea. Tendo em vista acessar o campo das subjetividades do processo de identificação coletiva do coworker do Impact Hub São Paulo, projetamos, a partir de materiais coletados por meio de entrevistas individuais e observações assistemáticas, um corpus linguístico capaz de maximizar as variedades de sentidos em torno do referido coworking. A análise dos dados foi realizada por meio da Análise de Discurso (GILL, 2002), que nos permitiu acessar os sentidos que sustentam os discursos nos diferentes momentos do circuito. Os resultados apontam para um construto identitário ordenado por uma filosofia comunitária resultante de uma gestão que ocorre por meio da ideologia, articulando sentidos e hegemonizando discursos em torno de uma produção colaborativa capaz de conferir prazer e gerar sentido para quem realiza o trabalho, suscitando o consumo de um tipo de trabalho flexível, causa e consequência de uma identidade coletiva auto reguladora, marcada pela ideia de empreendedor de impacto sustentável que busca no coworking a representação de trabalho formal.
The complex contemporary social scenario has caused many changes in both the nature of labor and in its organization. In this context, coworking, or shared workspace, seems to foresee these changes, proposing a new work model oriented to contemporary demands. Therefore, this study assumes the coworking spaces as an investigative field and adopts Impact Hub São Paulo as an empirical example to understand the identity construction process of this group. Thereby, we take on the theoretical and methodological approach proposed by the Culture Circuit, by understanding the cultural dimension as central to contemporary life. In order to access the variety of subjectivities of Impact Hub São Paulo coworker’s collective identification process, a linguistic corpus able to maximize the variety of meanings around the said coworking was designed from materials collected through individual interviews and unsystematic observations. Data analysis was realized by Discourse’s Analysis (GILL, 2002), that allowed us access to the ways to support the discourse at different moments of the circuit. The results refer to an identity construct ordered by a Community philosophy resulting from a management that occurs through ideology, articulating senses and establishing hegemonic discourses around a collaborative production, capable of giving pleasure and create meaning for those who perform the work, raising consumption of a type of flexible working, cause and consequence of a selfregulatory collective identity, marked by the idea of sustainable impact enterprising, that seeks the coworking formal labor representation.
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Alsiö, Gustav, and Sanna Dammgård. "Bilden av Sverige - det nya Matlandet." Thesis, Linnéuniversitetet, Institutionen för organisation och entreprenörskap (OE), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-32298.

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I följande uppsats jämförs bilden av "Sverige – det nya matlandet" mellan Jordbruksverket och VisitSweden och hurvida den överensstämmer eller ej. Det empiriska materialet är baserat på rapporter, pressmeddelanden och andra webb publikationer. Materialet analyseras sedan enligt en diskursanalys. Vi fann att bilden skiljer sig mellan de två aktörerna.
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Junior, Walter de Sousa. "Mixórdia no picadeiro: circo, circo-teatro e circularidade cultural na São Paulo das décadas de 1930 a 1970." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/27/27152/tde-14092009-180741/.

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O circo-teatro, presente na paisagem urbana de São Paulo em todo o século XX, constituiu-se em espetáculo popular baseado na hibridização cultural, com elementos da cultura erudita e da cultura de massa. Por sua vez, essas duas se apropriaram do discurso circense, num processo evidente de circu-laridade cultural.
The circus-theater, that could be seen at São Paulos urban landscape throughout twentieth century, constituted itself in a form of popular per-formance based in the cultural hybridization, with elements from learned culture and mass culture. In turn, both of these cultures assimilated the cir-cus discourse, in an unequivocal process of cultural circularity.
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D'allevedo, Pedro Tadeu Faria. "O circuito-cena e.music de João Pessoa: dinâmicas locais de uma cultura jovem global." Universidade Federal da Paraí­ba, 2011. http://tede.biblioteca.ufpb.br:8080/handle/tede/7272.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
The research tries to understand the way by which the electronic music culture is signified in the urban space of João Pessoa. This comprehension passes through the conformation of a festive setting circuit that, on a certain way reflects assumptions and significances of certain places of the urban space by the young people who affiliate to it. This culture with the youthful character of contemporaneity was gestated in England at the second half of the eighties and, in a short time, assumed an eminent transnational character, arriving to lead in the urban space of João Pessoa city at the end of the 90´s. At some measure, this young cultural practice has as a characteristic to fuse diversion with commercial activity, when it manifests itself at the city´s night leisure sphere through parties, bars and night clubs, and whose dynamics can be observed through social practices that youth, from them, develop in the urban and social environment. It´s appearance at the capital of Paraíba came linked to the electronic music genre and to the different themes that form it, which are very consumed and appreciated by society´s medium and high stratums. This way, this report pretends to emphasize social, cultural and behavioral practices that people build from dancing meetings that youthful culture itself makes in these urban and social contexts. The report was developed using ethnographic procedures, especially because the active observation offered a close and internal look of the investigated phenomenon, at the same time that tries to interlace three lines of reflection: the youthful culture, the social actors and the city.
A pesquisa busca compreender o modo como a cultura da música eletrônica é significada no espaço urbano de João Pessoa. Essa compreensão passa pela conformação de um circuitocena festivo, que de certa forma reflete apropriações e significações de determinados lugares do espaço urbano pelos jovens que a ela se afiliam. Esta cultura de cunho juvenil da contemporaneidade foi gestada na Inglaterra na segunda metade dos anos 80 e, em pouco tempo, assumiu eminente caráter transnacional, vindo aportar no espaço urbano da cidade de João Pessoa no final da década de 90. Em alguma medida, esta prática cultural jovem tem como característica conjugar diversão com atividade comercial, quando se manifesta na esfera do lazer noturno da cidade por meio de festas, bares e night clubs, e cuja dinâmica pode ser observada por intermédio das práticas sociais que os jovens a partir dela desenvolvem no meio urbano e social. O seu aparecimento na capital paraibana surge atrelado ao gênero musical eletrônico e às diversas vertentes que o compõem, as quais são muito consumidas e apreciadas pela camada média e alta da sociedade. Desse modo, o estudo pretende destacar práticas sociais, culturais e comportamentais que os sujeitos tecem a partir dos encontros dançantes que a cultura juvenil em referência realiza nesse contexto urbano e social. O estudo desenvolveu-se por meio de procedimentos etnográficos, muito em razão de a observação participante propiciar um olhar de perto e de dentro do fenômeno investigado, ao mesmo tempo em que procura entrelaçar três linhas de reflexão: a cultura juvenil, os atores sociais e a cidade.
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Cole, Jennifer Marie. "Thrift and the value of scarce resources : a circuit of culture approach to the production, representation and consumption of the cultural value of thrift through the lens of food magazines." Thesis, University of Leicester, 2015. http://hdl.handle.net/2381/32361.

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Food media in the UK has grown in popularity, even during the recent recession; at the same time, the recession made thrift a fashionable topic in the public sphere and popular culture. The thesis investigates how the cultural value of thrift is constructed in the context of food magazines. The thesis employs a multi-method ‘circuit of culture’ approach in order to more adequately assess the producer-text-consumer relationship than is typical in magazines studies. In doing so, the thesis both generates a case study of how the cultural value of thrift is produced, represented and consumed through food magazines, and examines and contextualises the roles of different market actors within the circuit, including both cultural intermediaries (magazine writers) and readers. The findings demonstrate that thrift is a relational and negotiated concept. The textual analysis of the magazines demonstrates how both time and money are positioned as valuable resources within the magazines. Magazines act as manuals on resource management by offering thrift related advice on a number of issues including when to invest more or less time/ money in food preparation, and practices to reduce waste, in order to demonstrate how food work can be achieved within the constraints of everyday life. In the case of magazine writers and readers, findings reveal how thrift is defined through resource management: thrift is constructed through notions of scarcity and the associated valuing of time and money as resources. As such, individuals’ understandings of thrift—in relation to necessities, competing demands and shifting proximities to scarcity— are primarily shaped by gender (especially feminine norms around motherhood and domestic labour); and, for cultural intermediaries, genre and professional conventions. Finally, the analysis assesses the usefulness of the circuit of culture approach to studies of cultural values and cultural products.
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McGuire, Meghan S. "Covering Music: Tracing the Semiotics of Beatles'Album Covers Through the Cultural Circuit." Bowling Green State University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1112552888.

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McGuire, Meghan. "Covering music : tracing the semiotics of Beatles album covers through the cultural circuit." Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1112552888.

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Alfonsi, Daniela do Amaral. "Para todos os gostos: um estudo sobre classificações, bailes e circuitos de produção do forró." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8134/tde-08072008-141736/.

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Esta dissertação apresenta as controvérsias que envolvem músicos, produtores e públicos apreciadores no que diz respeito ao forró, seus bailes, danças e músicas. A partir das denominações que se atribuem aos estilos desse gênero musical (como forró eletrônico, pé-deserra e universitário), este trabalho visa a discorrer sobre os significados atribuídos a tais termos em diferentes contextos e por atores distintos na disputa pela definição e legitimação da maneira de se tocar o forró. Mais do que distinguir um tipo específico de fazer musical, essas classificações ajudam a configurar gostos, opiniões e a organizar os bailes de forró presentes na cidade de São Paulo, local privilegiado da pesquisa. Esses bailes ocorrem em vários bairros da metrópole e abrangem diferentes circuitos e classes sociais. As classificações dadas ao forró ajudam também a delimitar os significados dessas classes sociais em contextos distintos e relacionar o que se faz no Sudeste do País ao que é produzido no Nordeste, local tido como origem do gênero. Assim, tenta-se compreender como e por que se configura essa associação entre um gênero de música popular, uma forma de lazer e a hierarquização dos espaços onde ocorrem suas práticas, a partir do ponto de vista da distinção social. O principal objetivo da pesquisa, portanto, é compreender como se dá, a partir da confluência dos três elementos (música, dança e baile) e das distintas representações de sua origem, a produção social da diferença que separa músicos, públicos e demais apreciadores em espaços e circuitos diversos.
This dissertation presents the controversies in which musicians, producers and publics are involved with in what concerns forró, its parties, dances and music. In view of the denominations given to the styles of forró as a musical genre (such as electronic forró, pé-deserra and universitário), this work aims at exposing the meanings comprised by those words in different contexts, by different actors in the dispute over the definition and authentication of how to play the forró. More than to distinguish a specific kind of music making, those assortments of forró help form tastes, opinions and organize forró parties in São Paulo, the site focused on on the research. The parties occur in several neighborhoods of the metropolis and embrace different social classes and circuits. The classifications attributed to the forró also help to delimit the meanings of these social classes in different contexts and connect what is made in the Southeast of the country to what is produced in the Northeast, place know as the point of origin of forró. Thus, this dissertation asks how and why there is, from the point of view of the social distinction, an association among a popular musical genre, a source of leisure and the hierarchy of the spaces where forró parties take place. The main objective of this research, therefore, is, from the confluence of these three elements (music, dance and party) and from the distinct representations of the forró\'s origin, understand how the social production of difference that separates musicians, producers, publics and any other appraisers in various places and social circuits is made.
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Books on the topic "Circuit de la culture"

1

Jonathan, Lipkin, ed. In the realm of the circuit: Computers, art and culture. Upper Saddle River, NJ: Pearson Prentice Hall, 2004.

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The most American thing in America: Circuit Chautauqua as performance. Iowa City: University of Iowa Press, 2004.

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The fierce tribe: Masculine identity and performance in the Circuit. Logan, Utah: Utah State University Press, 2008.

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Brown, Rodger Lyle. Ghost dancing on the cracker circuit: The culture of festivals in the American South. Jackson: University Press of Mississippi, 1997.

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Le cirque: Entre culture du corps et culture du risque. Paris: L'Harmattan, 2010.

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Cirque, communication, culture. Bordeaux: Presses universitaires de Bordeaux, 1995.

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Circus and culture: A semiotic approach. Lanham, MD: University Press of America, 1985.

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Bouissac, Paul. Circus and culture: A semiotic approach. Lanham, MD: University Press of America, 1985.

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The lyceum and public culture in the nineteenth-century United States. East Lansing: Michigan State University Press, 2005.

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Cheryl, Forbes, ed. The invasion of the computer culture. Leicester: Inter-Varsity, 1990.

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Book chapters on the topic "Circuit de la culture"

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Lionel, Loh Han Loong. "The Global Martial Circuit and Globalised Bodies." In The Body and Senses in Martial Culture, 93–106. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-55742-1_5.

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Waters, Catherine. "Celebrity Specials on the Lecture Circuit." In Special Correspondence and the Newspaper Press in Victorian Print Culture, 1850–1886, 189–216. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-03861-8_7.

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Erekson, Keith A. "Culture War Circus." In Politics and the History Curriculum, 2–17. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137008947_1.

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Roberts, Neil. "‘Outside the Circuit of Civilisation’: Sea and Sardinia." In D.H. Lawrence, Travel and Cultural Difference, 42–59. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230505087_2.

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Southam, Katherine A., Anna E. King, Catherine A. Blizzard, Graeme H. McCormack, and Tracey C. Dickson. "A Novel In Vitro Primary Culture Model of the Lower Motor Neuron–Neuromuscular Junction Circuit." In Neuromethods, 181–93. New York, NY: Springer New York, 2015. http://dx.doi.org/10.1007/978-1-4939-2510-0_11.

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Stenseth, Nils Chr. "A Coevolutionary Circuit Model for Cultural and Biological Evolution." In Lecture Notes in Economics and Mathematical Systems, 268–79. Berlin, Heidelberg: Springer Berlin Heidelberg, 1985. http://dx.doi.org/10.1007/978-3-662-00545-3_22.

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Varnum, Michael E. W., and Ryan S. Hampton. "Culture and Self-Other Overlap in Neural Circuits." In The Handbook of Culture and Biology, 443–63. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781119181361.ch18.

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Long, Burke O. "The Circus." In The Blackwell Companion to the Bible and Culture, 365–80. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470997000.ch22.

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Hoffmann, Michael. "Provincial Hub Syndromes, Temporal, Parietal and Acquired Cultural Circuit Syndromes." In Clinical Mentation Evaluation, 125–41. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-46324-3_12.

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Springhall, John. "The Americanized Circus: Barnum & Bailey in Excelsis." In The Genesis of Mass Culture, 81–104. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230612129_5.

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Conference papers on the topic "Circuit de la culture"

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Lee, Yong Hui, Dae Woo Lee, and Hwan Seok Kim. "Development of Control Circuit for Detecting CCTV Operation and Failure." In Art, Culture, Game, Graphics, Broadcasting and Digital Contents 2015. Science & Engineering Research Support soCiety, 2015. http://dx.doi.org/10.14257/astl.2015.113.13.

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Yun, YeoHeung, Zhongyun Dong, Dianer Yang, Vesselin Shanov, Zhigang Xu, Charles Sfeir, Amos Doepke, and Mark Schulz. "Biodegradable Mg for Bone Implants: Corrosion and Osteoblast Culture Studies." In ASME 2008 International Mechanical Engineering Congress and Exposition. ASMEDC, 2008. http://dx.doi.org/10.1115/imece2008-69224.

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Corrosion and cell culture experiments were performed to evaluate magnesium (Mg) as a possible biodegradable implant material. The corrosion current and potential of a Mg disk were measured in different physiological solutions. The corrosion currents in cell culture media were found to be higher than in deionized water, which verifies that corrosion of Mg occurs faster in chloride solution. Weight loss, open-circuit potential, and electrochemical impedance spectroscopy measurements were also performed. The Mg specimens were also characterized using an environmental scanning electron microscope and energy-dispersive x-ray analysis (EDAX). The x-ray analysis showed that in the cell culture media a passive interfacial layer containing oxygen, chloride, phosphate, and potassium formed on the samples. U2OS cells were then co-cultured with a Mg specimen for up to one week. Based on visual observation, cell growth and function were not significantly altered by the presence of the corroding Mg sample. These initial results indicate that Mg may be suitable as a biodegradable implant material. Future work will develop small sensors to investigate interfacial biocompatibility of Mg implants.
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Zhu, Fengyuan, and Yi Deng. "Analyse the method of scientific teaching in 'Digital circuit'." In 2017 International Conference on Education, Culture and Social Development (ICECSD 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icecsd-17.2017.28.

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Rahman, Tatat Hartati, Decenni Amelia, Rima Rikmasari, Resi Yugafiati, Tri Indri Hardini, and Sofyan Sauri. "The Use of Circuit Learning Model in Improving Students’ Writing Skills in Elementary School." In 4th International Conference on Language, Literature, Culture, and Education (ICOLLITE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.091.

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Green, Thomas. "Redesigning the circuit layouts act 1989 (Cth) in anticipation of maker or remix culture and 3D printing of circuit boards." In 2017 IEEE International Symposium on Technology and Society (ISTAS). IEEE, 2017. http://dx.doi.org/10.1109/istas.2017.8319085.

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Raciti, Angelo, and Davide Cristaldi. "Thermal modeling of integrated power electronic modules by a lumped-parameter circuit approach." In 2013 Convegno Nazionale AEIT: Innovation and Scientific and Technical Culture for Development (AEIT). IEEE, 2013. http://dx.doi.org/10.1109/aeit.2013.6666802.

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Su, Jiebin. "The Application of Multisim Simulation Platform in Teaching and Scientific Research of Mixed-Signal Circuit." In 2017 International Conference on Culture, Education and Financial Development of Modern Society (ICCESE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/iccese-17.2017.56.

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Nordin, Anis N., S. M. Arifuzzaman, Maizirwan Mel, David Spray, and Ioana Voiculescu. "Study of Cells Attachment Using Impedance Spectroscopy Technique." In ASME 2011 International Mechanical Engineering Congress and Exposition. ASMEDC, 2011. http://dx.doi.org/10.1115/imece2011-62919.

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In this paper we report on the electrical impedance spectroscopy characterization of the attachment of two mammalian cell lines: endothelial cells (RFPEC) and fibroblast cells (V79). For electrical cell–substrate impedance sensing (ECIS) of the endothelial cells a commercially available eight-well cell culture impedance array (ECIS-8W1E) was used. The impedance measurements were recorded with cell culture medium (without cells) and with endothelial cells or fibroblast cells in the culture medium over a frequency range from 100 Hz to 100 kHz. The impedance measurements were compared to the equivalent circuit model. The impedance measurements were also simulated using COMSOL Multiphysics™, a commercially available modeling package.
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Maldonado, A., G. Huertas, A. Rueda, J. L. Huertas, P. Perez, and A. Yufera. "Cell-culture measurements using voltage oscillations." In 2016 IEEE 7th Latin American Symposium on Circuits & Systems (LASCAS). IEEE, 2016. http://dx.doi.org/10.1109/lascas.2016.7451053.

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Martinez, Ernesto Paredes, Luis Nino de Rivera O., Atlantida M. Raya-Rivera, Daniel Robles Camarillo, and Raquel Vargas Jimenez. "An adaptive system to stimulate culture cells." In 2009 52nd IEEE International Midwest Symposium on Circuits and Systems (MWSCAS). IEEE, 2009. http://dx.doi.org/10.1109/mwscas.2009.5236123.

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Reports on the topic "Circuit de la culture"

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Guiso, Luigi, Paola Sapienza, and Luigi Zingales. Corporate Culture, Societal Culture, and Institutions. Cambridge, MA: National Bureau of Economic Research, February 2015. http://dx.doi.org/10.3386/w20967.

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Richardson, William C. Culture Warfare: A War Against Culture. Fort Belvoir, VA: Defense Technical Information Center, March 2011. http://dx.doi.org/10.21236/ada547314.

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Frazar, Sarah L., and Stephen V. Mladineo. Safeguards Culture. Office of Scientific and Technical Information (OSTI), July 2012. http://dx.doi.org/10.2172/1055410.

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Winslow, Donna. Army Culture. Fort Belvoir, VA: Defense Technical Information Center, November 2000. http://dx.doi.org/10.21236/ada383899.

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Donnithorne, Jeff. Culture Wars: Air Force Culture and Civil-Military Relations. Fort Belvoir, VA: Defense Technical Information Center, June 2010. http://dx.doi.org/10.21236/ad1019162.

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Wong, V. S., and J. Gringberg. Integrated Circuit Design. Fort Belvoir, VA: Defense Technical Information Center, June 1987. http://dx.doi.org/10.21236/ada184486.

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Lim, Chee. High-performance Input/Output Circuit for CMOS Integrated Circuit Interface. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.7186.

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Lazear, Edward. Culture and Language. Cambridge, MA: National Bureau of Economic Research, September 1995. http://dx.doi.org/10.3386/w5249.

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Fernández, Raquel. Does Culture Matter? Cambridge, MA: National Bureau of Economic Research, August 2010. http://dx.doi.org/10.3386/w16277.

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Scarlett, Harry Alan. Nuclear Weapon Culture. Office of Scientific and Technical Information (OSTI), July 2020. http://dx.doi.org/10.2172/1638613.

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