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Books on the topic 'Circuit de la culture'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Jonathan, Lipkin, ed. In the realm of the circuit: Computers, art and culture. Upper Saddle River, NJ: Pearson Prentice Hall, 2004.

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2

The most American thing in America: Circuit Chautauqua as performance. Iowa City: University of Iowa Press, 2004.

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3

The fierce tribe: Masculine identity and performance in the Circuit. Logan, Utah: Utah State University Press, 2008.

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4

Brown, Rodger Lyle. Ghost dancing on the cracker circuit: The culture of festivals in the American South. Jackson: University Press of Mississippi, 1997.

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5

Le cirque: Entre culture du corps et culture du risque. Paris: L'Harmattan, 2010.

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6

Cirque, communication, culture. Bordeaux: Presses universitaires de Bordeaux, 1995.

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7

Circus and culture: A semiotic approach. Lanham, MD: University Press of America, 1985.

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8

Bouissac, Paul. Circus and culture: A semiotic approach. Lanham, MD: University Press of America, 1985.

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9

The lyceum and public culture in the nineteenth-century United States. East Lansing: Michigan State University Press, 2005.

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10

Cheryl, Forbes, ed. The invasion of the computer culture. Leicester: Inter-Varsity, 1990.

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11

Rugoff, Ralph. Circus Americanus. London: Verso, 1995.

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12

1946-, Taras Ray, and Cochrane James D, eds. Political culture and foreign policy in Latin America: Case studies from the Circum-Caribbean. Albany: State University of New York Press, 1991.

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13

Taylor, John. Circus of ambition: The culture of wealth and power in the eighties. New York: Warner Books, 1989.

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14

John, Taylor. Circus of ambition: The culture of wealth and power in the eighties. New York: Warner Books, 1989.

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15

Circuits of visibility: Gender and transnational media cultures. New York: New York University Press, 2011.

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16

Circus Americanus. New York: Verso, 1995.

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17

Europe, Council of. 1000 ans en 100 minutes: Itinéraire Wenzel, un circuit culturel du Conseil de l'Europe dans le temps et dans l'espace. 2nd ed. Luxembourg: Editions Saint-Paul, 1996.

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18

Hakubutsukan, Hokkaidō Daigaku Sōgō. Kan Ohōtsuku-kai chiiki ni okeru zen-kindai kōekimō no hattatsu to shominzoku keiseishi no kenkyū: Development of pre-modern trading networks and the formation of native groups in the Circum-Okhotsk Sea region. Sapporo-shi: Hokkaidō Daigaku Sōgō Hakubutsukan, 2013.

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19

E pluribus Barnum: The great showman and the making of U.S. popular culture. Minneapolis, Minn: University of Minnesota Press, 1997.

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20

Rice, Phillip A. Circuit and circuit riders. Appolo, PA: Closson Press, 1996.

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21

L, Slout William, ed. Ink from a circus press agent: An anthology of circus history from the pen of Charles H. Day. San Bernardino, Calif: Borgo Press, 1994.

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22

Parité circus. Paris: Calmann-Lévy, 2008.

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23

Cruz, Sofía Irene Velarde, Francisca Miranda Silva, Socorro Merlín, Beatriz Zamorano Navarro, Andrés Reséndiz, Luz María Robles Dávila, and Miguel Ángel Vásquez Meléndez. Fronteras circenses: Antecedentes, desarrollo y arte del círco. México, D.F: CENIDIAP, Centro Nacional de Investigación, Documentación e Información de Artes Plásticas, 2012.

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24

Hampden-Turner, Charles. Cultura de Empresa : Do Circulo Vicioso ao Circulo Virtuoso. Lisboa: Editorial Presenca, 1993.

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25

Kosow, Irving L. Circuit analysis. New York: Wiley, 1988.

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26

Circuit training. Berlin: Sportverlag Berlin, 1986.

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27

Najm, Farid N. Circuit simulation. Hoboken, N.J: Wiley, 2010.

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28

Najm, Farid N. Circuit simulation. Hoboken, N.J: Wiley, 2010.

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29

A, Stuller John, ed. Circuit analysis. 2nd ed. Boston: Houghton Mifflin, 1995.

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30

Wright, Virginia E. Circuit analysis. Hauppauge, N.Y: Nova Science Publishers, 2010.

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31

Kosow, Irving L. Circuit analysis. New York: Wiley, 1988.

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32

Whitehouse, John E. Circuit analysis. Chichester: Horwood, 1997.

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33

Litowinsky, Olga. Short circuit. Austin, TX: Steck-Vaughn Co., 1995.

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34

Davis, Jacquieline. The circuit. London: Penguin, 1998.

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35

Kraus, Allan D. Circuit analysis. St. Paul: West Pub. Co., 1991.

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36

1953-, Kwan Bing Woon, ed. Circuit analysis. River Edge, N.J: World Scientific, 2001.

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37

Najm, Farid N. Circuit simulation. Hoboken, N.J: Wiley, 2010.

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38

McMahon, Rashida Z. Shaw. Black Circuit. Taylor & Francis Group, 2020.

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39

Black Circuit. Taylor & Francis Group, 2020.

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40

Lipkin, Jonathan, and Charles H. Traub. In the Realm of the Circuit: Computers, Art, and Culture. Prentice Hall, 2003.

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41

Lipkin, Jonathan, and Charles H. Traub. In the Realm of the Circuit: Computers, Art, and Culture. Prentice Hall, 2003.

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42

Kucinskas, Jaime. The Elite Circuit. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190881818.003.0007.

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The mindful elite attracted new high-status sympathizers in targeted organizations by using their professional symbolic power, social status, and social skill to build legitimacy for meditation and other contemplative practices. In this chapter the author builds upon scholarship on legitimation by identifying the various kinds of legitimation the contemplatives are able to secure. These different kinds of legitimacy are interrelated and build upon each other over time, creating a cultural movement that is increasingly difficult to derail. However, in building their base among a privileged coterie of social, economic, and intellectual elites, the contemplatives risk losing touch with ordinary people and the issues of inequality that affect them. This weakens the contemplatives’ ability to stand by and implement direct social reforms to influence root causes of the issues they care about, such as rising inequality, greed, and materialism.

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43

McMahon, Rashida Z. Shaw. Black Circuit: Race, Performance, and Spectatorship in Black Popular Theatre. Taylor & Francis Group, 2020.

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44

McMahon, Rashida Z. Shaw. Black Circuit: Race, Performance, and Spectatorship in Black Popular Theatre. Taylor & Francis Group, 2020.

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45

McMahon, Rashida Z. Shaw. Black Circuit: Race, Performance, and Spectatorship in Black Popular Theatre. Taylor & Francis Group, 2020.

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46

McMahon, Rashida Z. Shaw. Black Circuit: Race, Performance, and Spectatorship in Black Popular Theatre. Taylor & Francis Group, 2020.

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47

The Most American Thing in America: Circuit Chautauqua in America (Studies Theatre Hist & Culture). University Of Iowa Press, 2007.

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48

Canning, Charlotte M. The Most American Thing in America: Circuit Chautauqua as Performance (Studies Theatre Hist & Culture). University Of Iowa Press, 2005.

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49

Libraries, University of Iowa, and Library of Congress. National Digital Library Program, eds. Traveling culture: Circuit Chautauqua in the twentieth century : from the University of Iowa Libraries. [Washington, D.C.]: Library of Congress, 2001.

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50

Fischer-Lichte, Erika. A Culture in Crisis. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199651634.003.0006.

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Chapter 4 investigates the role of the new image of Greece in the first decades of the twentieth century. ‘A Culture in Crisis: Max Reinhardt’s Productions of Greek Tragedies (1903–1919)’ addresses two problems: first, the new body ideal and its liberation from the restraints imposed on it until then, and, second, the division within society of those who made a cult of their individuality and the rapidly growing masses of the proletariat. While in Reinhardt’s Electra (1903) Gertrud Eysoldt displayed her body as that of a maenad or a hysteric, a number of new devices were developed in Oedipus the King (1910) and the Oresteia (1911), both performed in a circus, which temporarily transformed the masses of actors and spectators into a—theatrical—community. The chapter also discusses Leopold Jessner’s production of Oedipus (1929) as a quest for a ‘philosophical theatre’ (Brecht).

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