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Balagadde, Frederick Kiguli Phillips Rob Quake Stephen R. "Microfluidic technolgies for continuous culture and genetic circuit characterization /." Diss., Pasadena, Calif. : Caltech, 2007. http://resolver.caltech.edu/CaltechETD:etd-06112007-102627.
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Lush, Paige Clark. "MUSIC AND IDENTITY IN CIRCUIT CHAUTAUQUA: 1904-1932." Lexington, Ky. : [University of Kentucky Libraries], 2009. http://hdl.handle.net/10225/1045.
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Thesis (Ph. D.)--University of Kentucky, 2009.Title from document title page (viewed on August 10, 2009). Document formatted into pages; contains: viii, 344 p. : ill. (some col.), maps. Includes abstract and vita. Includes bibliographical references (p. 328-343).
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SANTOS, Raphael Moreira do. "Coworking: articulando significados culturais do trabalho no engajamento de indivíduos para a ação coletiva." Universidade Federal de Pernambuco, 2016. https://repositorio.ufpe.br/handle/123456789/18582.
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O complexo cenário social contemporâneo tem provocado diversas mudanças tanto no caráter do trabalho quanto na sua organização. Nesse contexto, o coworking, espaço de trabalho compartilhado, parece antever essas transformações, propondo um novo modelo de trabalho orientado às demandas contemporâneas. Diante disso, o presente estudo assume os espaços de coworking como campo investigativo e adota o Impact Hub São Paulo como exemplo empírico para compreender como ocorre o processo de construção identitária dessa coletividade. Para tanto, assumimos a perspectiva teórico-metodológica proposta pelo Circuito da Cultura, por compreender a dimensão cultural como central à vida contemporânea. Tendo em vista acessar o campo das subjetividades do processo de identificação coletiva do coworker do Impact Hub São Paulo, projetamos, a partir de materiais coletados por meio de entrevistas individuais e observações assistemáticas, um corpus linguístico capaz de maximizar as variedades de sentidos em torno do referido coworking. A análise dos dados foi realizada por meio da Análise de Discurso (GILL, 2002), que nos permitiu acessar os sentidos que sustentam os discursos nos diferentes momentos do circuito. Os resultados apontam para um construto identitário ordenado por uma filosofia comunitária resultante de uma gestão que ocorre por meio da ideologia, articulando sentidos e hegemonizando discursos em torno de uma produção colaborativa capaz de conferir prazer e gerar sentido para quem realiza o trabalho, suscitando o consumo de um tipo de trabalho flexível, causa e consequência de uma identidade coletiva auto reguladora, marcada pela ideia de empreendedor de impacto sustentável que busca no coworking a representação de trabalho formal.
The complex contemporary social scenario has caused many changes in both the nature of labor and in its organization. In this context, coworking, or shared workspace, seems to foresee these changes, proposing a new work model oriented to contemporary demands. Therefore, this study assumes the coworking spaces as an investigative field and adopts Impact Hub São Paulo as an empirical example to understand the identity construction process of this group. Thereby, we take on the theoretical and methodological approach proposed by the Culture Circuit, by understanding the cultural dimension as central to contemporary life. In order to access the variety of subjectivities of Impact Hub São Paulo coworker’s collective identification process, a linguistic corpus able to maximize the variety of meanings around the said coworking was designed from materials collected through individual interviews and unsystematic observations. Data analysis was realized by Discourse’s Analysis (GILL, 2002), that allowed us access to the ways to support the discourse at different moments of the circuit. The results refer to an identity construct ordered by a Community philosophy resulting from a management that occurs through ideology, articulating senses and establishing hegemonic discourses around a collaborative production, capable of giving pleasure and create meaning for those who perform the work, raising consumption of a type of flexible working, cause and consequence of a selfregulatory collective identity, marked by the idea of sustainable impact enterprising, that seeks the coworking formal labor representation.
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Alsiö, Gustav, and Sanna Dammgård. "Bilden av Sverige - det nya Matlandet." Thesis, Linnéuniversitetet, Institutionen för organisation och entreprenörskap (OE), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-32298.
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I följande uppsats jämförs bilden av "Sverige – det nya matlandet" mellan Jordbruksverket och VisitSweden och hurvida den överensstämmer eller ej. Det empiriska materialet är baserat på rapporter, pressmeddelanden och andra webb publikationer. Materialet analyseras sedan enligt en diskursanalys. Vi fann att bilden skiljer sig mellan de två aktörerna.
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Junior, Walter de Sousa. "Mixórdia no picadeiro: circo, circo-teatro e circularidade cultural na São Paulo das décadas de 1930 a 1970." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/27/27152/tde-14092009-180741/.
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O circo-teatro, presente na paisagem urbana de São Paulo em todo o século XX, constituiu-se em espetáculo popular baseado na hibridização cultural, com elementos da cultura erudita e da cultura de massa. Por sua vez, essas duas se apropriaram do discurso circense, num processo evidente de circu-laridade cultural.The circus-theater, that could be seen at São Paulos urban landscape throughout twentieth century, constituted itself in a form of popular per-formance based in the cultural hybridization, with elements from learned culture and mass culture. In turn, both of these cultures assimilated the cir-cus discourse, in an unequivocal process of cultural circularity.
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D'allevedo, Pedro Tadeu Faria. "O circuito-cena e.music de João Pessoa: dinâmicas locais de uma cultura jovem global." Universidade Federal da Paraíba, 2011. http://tede.biblioteca.ufpb.br:8080/handle/tede/7272.
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The research tries to understand the way by which the electronic music culture is signified in the urban space of João Pessoa. This comprehension passes through the conformation of a festive setting circuit that, on a certain way reflects assumptions and significances of certain places of the urban space by the young people who affiliate to it. This culture with the youthful character of contemporaneity was gestated in England at the second half of the eighties and, in a short time, assumed an eminent transnational character, arriving to lead in the urban space of João Pessoa city at the end of the 90´s. At some measure, this young cultural practice has as a characteristic to fuse diversion with commercial activity, when it manifests itself at the city´s night leisure sphere through parties, bars and night clubs, and whose dynamics can be observed through social practices that youth, from them, develop in the urban and social environment. It´s appearance at the capital of Paraíba came linked to the electronic music genre and to the different themes that form it, which are very consumed and appreciated by society´s medium and high stratums. This way, this report pretends to emphasize social, cultural and behavioral practices that people build from dancing meetings that youthful culture itself makes in these urban and social contexts. The report was developed using ethnographic procedures, especially because the active observation offered a close and internal look of the investigated phenomenon, at the same time that tries to interlace three lines of reflection: the youthful culture, the social actors and the city.
A pesquisa busca compreender o modo como a cultura da música eletrônica é significada no espaço urbano de João Pessoa. Essa compreensão passa pela conformação de um circuitocena festivo, que de certa forma reflete apropriações e significações de determinados lugares do espaço urbano pelos jovens que a ela se afiliam. Esta cultura de cunho juvenil da contemporaneidade foi gestada na Inglaterra na segunda metade dos anos 80 e, em pouco tempo, assumiu eminente caráter transnacional, vindo aportar no espaço urbano da cidade de João Pessoa no final da década de 90. Em alguma medida, esta prática cultural jovem tem como característica conjugar diversão com atividade comercial, quando se manifesta na esfera do lazer noturno da cidade por meio de festas, bares e night clubs, e cuja dinâmica pode ser observada por intermédio das práticas sociais que os jovens a partir dela desenvolvem no meio urbano e social. O seu aparecimento na capital paraibana surge atrelado ao gênero musical eletrônico e às diversas vertentes que o compõem, as quais são muito consumidas e apreciadas pela camada média e alta da sociedade. Desse modo, o estudo pretende destacar práticas sociais, culturais e comportamentais que os sujeitos tecem a partir dos encontros dançantes que a cultura juvenil em referência realiza nesse contexto urbano e social. O estudo desenvolveu-se por meio de procedimentos etnográficos, muito em razão de a observação participante propiciar um olhar de perto e de dentro do fenômeno investigado, ao mesmo tempo em que procura entrelaçar três linhas de reflexão: a cultura juvenil, os atores sociais e a cidade.
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Cole, Jennifer Marie. "Thrift and the value of scarce resources : a circuit of culture approach to the production, representation and consumption of the cultural value of thrift through the lens of food magazines." Thesis, University of Leicester, 2015. http://hdl.handle.net/2381/32361.
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Food media in the UK has grown in popularity, even during the recent recession; at the same time, the recession made thrift a fashionable topic in the public sphere and popular culture. The thesis investigates how the cultural value of thrift is constructed in the context of food magazines. The thesis employs a multi-method ‘circuit of culture’ approach in order to more adequately assess the producer-text-consumer relationship than is typical in magazines studies. In doing so, the thesis both generates a case study of how the cultural value of thrift is produced, represented and consumed through food magazines, and examines and contextualises the roles of different market actors within the circuit, including both cultural intermediaries (magazine writers) and readers. The findings demonstrate that thrift is a relational and negotiated concept. The textual analysis of the magazines demonstrates how both time and money are positioned as valuable resources within the magazines. Magazines act as manuals on resource management by offering thrift related advice on a number of issues including when to invest more or less time/ money in food preparation, and practices to reduce waste, in order to demonstrate how food work can be achieved within the constraints of everyday life. In the case of magazine writers and readers, findings reveal how thrift is defined through resource management: thrift is constructed through notions of scarcity and the associated valuing of time and money as resources. As such, individuals’ understandings of thrift—in relation to necessities, competing demands and shifting proximities to scarcity— are primarily shaped by gender (especially feminine norms around motherhood and domestic labour); and, for cultural intermediaries, genre and professional conventions. Finally, the analysis assesses the usefulness of the circuit of culture approach to studies of cultural values and cultural products.
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McGuire, Meghan S. "Covering Music: Tracing the Semiotics of Beatles'Album Covers Through the Cultural Circuit." Bowling Green State University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1112552888.
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McGuire, Meghan. "Covering music : tracing the semiotics of Beatles album covers through the cultural circuit." Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1112552888.
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Alfonsi, Daniela do Amaral. "Para todos os gostos: um estudo sobre classificações, bailes e circuitos de produção do forró." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8134/tde-08072008-141736/.
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Esta dissertação apresenta as controvérsias que envolvem músicos, produtores e públicos apreciadores no que diz respeito ao forró, seus bailes, danças e músicas. A partir das denominações que se atribuem aos estilos desse gênero musical (como forró eletrônico, pé-deserra e universitário), este trabalho visa a discorrer sobre os significados atribuídos a tais termos em diferentes contextos e por atores distintos na disputa pela definição e legitimação da maneira de se tocar o forró. Mais do que distinguir um tipo específico de fazer musical, essas classificações ajudam a configurar gostos, opiniões e a organizar os bailes de forró presentes na cidade de São Paulo, local privilegiado da pesquisa. Esses bailes ocorrem em vários bairros da metrópole e abrangem diferentes circuitos e classes sociais. As classificações dadas ao forró ajudam também a delimitar os significados dessas classes sociais em contextos distintos e relacionar o que se faz no Sudeste do País ao que é produzido no Nordeste, local tido como origem do gênero. Assim, tenta-se compreender como e por que se configura essa associação entre um gênero de música popular, uma forma de lazer e a hierarquização dos espaços onde ocorrem suas práticas, a partir do ponto de vista da distinção social. O principal objetivo da pesquisa, portanto, é compreender como se dá, a partir da confluência dos três elementos (música, dança e baile) e das distintas representações de sua origem, a produção social da diferença que separa músicos, públicos e demais apreciadores em espaços e circuitos diversos.This dissertation presents the controversies in which musicians, producers and publics are involved with in what concerns forró, its parties, dances and music. In view of the denominations given to the styles of forró as a musical genre (such as electronic forró, pé-deserra and universitário), this work aims at exposing the meanings comprised by those words in different contexts, by different actors in the dispute over the definition and authentication of how to play the forró. More than to distinguish a specific kind of music making, those assortments of forró help form tastes, opinions and organize forró parties in São Paulo, the site focused on on the research. The parties occur in several neighborhoods of the metropolis and embrace different social classes and circuits. The classifications attributed to the forró also help to delimit the meanings of these social classes in different contexts and connect what is made in the Southeast of the country to what is produced in the Northeast, place know as the point of origin of forró. Thus, this dissertation asks how and why there is, from the point of view of the social distinction, an association among a popular musical genre, a source of leisure and the hierarchy of the spaces where forró parties take place. The main objective of this research, therefore, is, from the confluence of these three elements (music, dance and party) and from the distinct representations of the forró\'s origin, understand how the social production of difference that separates musicians, producers, publics and any other appraisers in various places and social circuits is made.
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Sanabria, Bustamante Jaime Daniel. "Regeneración del Malecón Joaquín Abensur y Centro de Difusión de la Cultura Amazónica." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/655224.
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El siguiente trabajo plantea la necesidad de mejorar y regenerar un espacio urbano de carácter público en la ciudad de Iquitos como lo es el malecón Joaquín Abensur.
Este proyecto aprovecha la ubicación estratégica en el corazón de la ciudad para
emplazarse adecuándose a su entorno y para mejorar una actividad existente e incipiente, direccionado hacia una vista paisajística al rio Itaya.
El proyecto incluye actividades culturales para difundir la cultura amazónica permitiendo el desarrollo de arte nativo propio de la zona.
La investigación partió del reconocimiento del malecón Joaquin Abensur como un espacio importante dentro de la ciudad de Iquitos que debía mejorarse como parte de un circuito turístico existente. Sentir el lugar, conversar con los usuarios, y visitantes fue un punto de partida importante para su investigación lo que lo llevó a determinar su interés en ampliar este espacio ganándole área hacia el río y dándole calidad al comercio existente. El planteamiento parte del respeto a una visión limpia hacia el río y la continuidad del circuito urbano dándole fluidez al peatón a nivel de malecón y planteando las actividades a desarrollarse en un nivel inferior conectado con el rio. Delimita claramente el espacio urbano integrado a la ciudad y el espacio urbano integrado al rio y es aquí donde cambia la materialidad de ambos espacios en el proyecto.The following work raises the need to improve and regenerate a public urban space in the city of Iquitos, such as the Joaquin Abensur boardwalk. This project is located in a strategic place in the center of Iquitos to improve the existing and emerging cultural activity. In addition, throughout the entire project, take advantage of guiding towards the landscape view of the itaya river. The project includes cultural activities to spread the Amazonian culture allowing the development of native art typical of the area. The research started from the recognition of the Joaquin Abensur boardwalk as an important space within the city of Iquitos that should be improved as part of an existing tourist circuit. Feeling the place, talking with users (locals), and visitors was an important starting point for his research, which increased his interest in expanding this space, gaining area towards the river and giving quality to the existing trade. The approach is based on respect for a clean vision of the river and the continuity of the urban circuit, giving fluidity to the pedestrian at the level of the boardwalk and proposing the activities to be developed at a lower level connected to the river. It clearly delimits the urban space integrated to the city and the urban space integrated to the river and it is here where the materiality of both spaces in the project changes.
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MORAIS, Hannah Miranda. "A calça jeans de Toritama: o papel da produção cultural de um artefato de moda a construção de uma cidade." Universidade Federal de Pernambuco, 2016. https://repositorio.ufpe.br/handle/123456789/18348.
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O significado da calça jeans produzida por Toritama é uma construção coletiva, fruto de ações conjuntas de uma cadeia de atores os quais empreendem culturalmente ao articularem significados a esse artefato. Assim, para contextualizar essa dinâmica de significação, buscamos compreender as dimensões discursivas que demarcam a produção cultural da calça jeans no campo da moda em Toritama, a partir da perspectiva de cadeia de atores que atuam como produtores culturais. Diante desse cenário, o estudo segue na perspectiva teóricometodológico sugerida pelo Circuito da Cultura de Du Gay et al. (1997a), oriundos da tradição dos Estudos Culturais. Como forma de acessar o campo das subjetividades da produção da calça jeans na cidade de Toritama, foram realizadas entrevistas semi-estruturadas com 06 atores representativos da cadeia produtiva, os quais impulsionam e demarcam a produção subjetiva da calça jeans como produto de moda. A análise dos dados foi norteada com o suporte da - Análise do Discurso (AD) -, na perspectiva proposta por Gil (2002). As considerações sobre os achados de pesquisa apontam para uma produção cultural que significa não só a calça jeans de Toritama no campo da moda, mas todo o modo de vida e os valores culturais dessa cidade. Logo, diante dos argumentos, dos achados de pesquisa, as considerações finais sugerem que a moda, em Toritama, por meio da calça jeans, surge como um emaranhado de discursos culturais e disputas por poder. Os quais minimamente relevam estratégias de mercado para o negócio de moda pautado no discurso da economia criativa. Mas desvelam e conferem a grandiosa dimensão da vida nesta cidade, que articula a calça jeans como símbolo de história e conquistas, expondo a calça jeans como base epistemológica da cultura de Toritama.
The meaning of jeans produced by Toritama is a collective construction, the result of joint actions of a chain of actors that culturally undertake to articulate meanings to this artifact. So, to contextualize this dynamic of meaning, we seek to understand the discursive dimensions that mark the cultural production of jeans in the fashion field in Toritama, from the actors chain perspective that act as cultural producers. In this scenario, the study follows the theoretical and methodological approach suggested by Du Culture Circuit Gay et al. (1997a), derived from the tradition of Cultural Studies. As a way to access the field of jeans production of subjectivities in the town of Toritama they were conducted semi-structured interviews with 06 representative players in the production chain, which drive and demarcate the subjective production of jeans as a fashion product. Data analysis was guided with the support of - Discourse Analysis (AD) - in the perspective proposed by Gil (2002). The considerations on the research findings point to a cultural production that means not only Toritama jeans in fashion, but the whole way of life and cultural values of this city. Therefore, before the arguments in the research findings, the final considerations suggest that fashion in Toritama through the jeans, appears as a tangle of cultural discourses and power for disputes. Which fall under minimally market strategies for the fashion business guided the discourse of the creative economy. But they unfold and give the great dimension of life in this city, which articulates the jeans as a symbol of history and achievements, exposing the jeans as epistemological basis of Toritama culture.
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Ramovha, Ndivhuwo M. "Leadership and productive school culture at selected secondary schools in Limpopo province." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2010.
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Thesis (MPhil (Education Policy Studies))--University of Stellenbosch,2009.ENGLISH ABSTRACT: This study explores leadership and productive school culture, and focuses on school leadership at selected schools in the Nzhelele West Circuit in the Limpopo Province. Leadership plays a pivotal role in the functioning of any organisation, be it in business or in education, and the concept of leadership has become more prominent over the last decade, and there are various debates around its meaning and what it entails. In order to develop a better understanding of leadership, a literature review is conducted. This review highlights the differences between leadership and management, and explores different leadership styles. With regards to productive school culture, this study indicates that schools may look alike in terms of their physical structure, composition of staff members and purpose of their existence, but may differ drastically on how they operate. This kind of culture represents the common shared values, rituals, ceremonies, stories and an internal cultural network that values heroes, such as an extraordinary teacher. I conclude that school culture and school leadership are inseparable issues because cultural management remains the responsibility of the school leadership This study finds that leadership is of vital importance in all organisations, and that the meanings of the concept of leadership have changed over years. Further, administering schools in a democratic fashion still pose tremendous challenges to the school leadership as a whole. It seems as if the schools which are part of this investigation still struggle to adjust to a democratic dispensation. This research therefore concludes that school leaders need to ensure that they are both good managers and effective leaders. They must also ensure that the culture at their schools is conducive for teaching and learning. Keywords: leadership, management, schools, leadership styles, productive school culture.
AFRIKAANSE OPSOMMING: Die studie behels leierskap en produktiewe skool kultuur, en ondersoek skool leierskap by verskeie skole in die Nzhehele-Wes kring in die Limpopo Provinsie. Leierskap speel „n belangrike rol in die funksionering van enige organisasie, en die konsep het meer prominent geword oor die afgelope dekade. Daar is ook verskeie debate rondom die betekenis van die konsep. Met die doel om „n beter begrip van leierskap te verkry, is „n literatuur studie voltooi. Die literatuur studie dui op die verskille tussen leierskap en bestuur, en verskeie leierskap style word ondersoek. Met betrekking tot produktiewe skool kultuur toon die navorsing dat skole dieselfde mag lyk ten opsigte van hul fisiese struktuur, personeel samestelling, en die doel van hul bestaan, maar mag drasties verskil in hulle funkionering. Dié tipe kultuur verwys na gemeenskaplike waardes, rituele, seremonies, stories en „n interne netwerk wat helde, soos buitengewone leiers, vereer. My gevolgtrekking is dat skool kultuur en skool leierskap onskeibaar is omdat die kulturele bestuur nog steeds the verantwoordelikheid van die skool leierskap is. Die studie bevind dat leierskap van kardinale belang in alle organisasies is, en dat die betekenis van die konsep “leierskap” oor jare baie verander het. Verder bied demokratiese skool administrasie nog steeds baie uitdagings aan skool leiers. Dit wil voorkom asof skole in die ondersoek ook probleme ondervind om aan te pas by „n demokratiese bedeling. Hierdie ondersoek kom tot die gevolgtrekking dat skool leiers moet poog om beide goeie bestuurders en effektiewe leiers te wees. Hulle moet ook verseker dat die kultuur by hul skole leer en onderrig ondersteun. Sleutelwoorde: leierskap, bestuur, skole, leierskap style, skool kultuur.
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Scalfaro, Carmen. ""Waiting for Superman": The Circuit of Cultural Production and Reception of Neoliberal Reform Discourse in Education." Miami University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=miami1430144769.
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Barnaby, Nicole. "The Biography of an Institution: The Cultural Formation of Mass Incarceration." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1459887258.
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Mesquita, Luís Filipe Pernão. "Análise da tradução de guiões da série de humor britânica: "Monty python´s flying circus"." Master's thesis, Universidade de Évora, 2017. http://hdl.handle.net/10174/21788.
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Neste Trabalho de Projeto final de mestrado abordam-se vários aspetos relacionados com a tradução na legendagem da série “Monty Python’s Flying Circus”, recorrendo a exemplos retirados de seis episódios da série. Ao longo deste trabalho identificam-se também algumas ocorrências problemáticas na tradução, comparando as legendas na LC (Língua de Chegada) com o guião original na LP (Língua de Partida).
O objetivo deste trabalho é o de efetuar uma análise à tradução existente (legendagem) e verificar as dificuldades na tradução, através da teoria sobre modalidades tradutórias e tendo sempre em conta o contexto cultural da LC, sendo necessária uma adaptação do texto original para a LC. Apontar-se-á também a relação entre língua e cultura; Abstract: Analysing the translation of British Comedy (Britcom) scripts: “Monty Python’s Flying Circus”
In this Masters essay project, it’ll be appointed various aspects associated with the translation in the subtitling of the TV series “Monty Python’s Flying Circus” consulting examples taken from six episodes of the show. During this essay it’ll also be identified some problematic occurrences in the translation, confronting the subtitles in the TL (Target Language) with the original script in the SL (Source Language).
This essay’s goal is to do an analysis on the existent translation (subtitles) and check its translation struggles, talking about the translation procedures and taking in account the TL cultural context, being necessary adapting the original text for the TL. Also in this essay there will be some talk about the relation between language and culture.
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Piaia, Jade Samara 1983. "O design gráfico no circulo cultural artístico : projetos de Kiko Farkas e Vicente Gil." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284575.
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Orientador: Edson do Prado PfutzenreuterDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-21T14:06:50Z (GMT). No. of bitstreams: 1 Piaia_JadeSamara_M.pdf: 10133956 bytes, checksum: e5fe42ea820a8aa61d425c8382cdf799 (MD5) Previous issue date: 2012
Resumo: O início desta pesquisa se dá através da Associação dos Designers Gráficos do Brasil e da 9ª Bienal Brasileira de Design Gráfico, a partir da qual objetivou-se realizar um levantamento a respeito da participação de projetos gráficos voltados para o circuito cultural artístico. A partir deste levantamento, foi enfocado para análise dois estudos de caso que compreendem projetos voltados à disseminação de produtos do circuito cultural artístico, mais precisamente a instituições artísticas, relacionadas diretamente às artes da música e da dança. Fazem parte deste recorte o designer Kiko Farkas, com doze cartazes de divulgação cultural e artística voltados à música, para a Orquestra Sinfônica do Estado de São Paulo - OSESP e o designer Vicente Gil, com a identidade visual, compreendida na mostra pela marca e cartaz projetados para a instituição voltada à dança, São Paulo Companhia de Dança - SPCD. São observados separadamente os elementos visuais básicos que compõem a materialização das peças gráficas, divididos mais especificamente em: forma, cor e tipografia. Sobre as formas gráficas inclui-se aqui questões relacionadas aos grafismos, desenhos, fotografias, disposição dos elementos, grids, entre outras. A análise dos aspectos formais dos estudos de caso procede principalmente a partir do método de classificação da linguagem visual proposto por DONDIS (2003). Sobre os aspectos cromáticos, os estudos abordam o levantamento dos principais conjuntos de cores, através de softwares específicos, ressaltando as maneiras de utilização das cores praticadas pelos designers nos projetos. As questões tipográficas visam o levantamento, através de softwares específicos e bibliografia, das principais famílias de tipografias utilizadas nos projetos, ressaltando o modo como suas características e diferenciais foram utilizados pelos designers. Na sequência, serão exploradas algumas contribuições discursivas para a compreensão das estratégias e percursos criativos dos estudos de caso de design gráfico no circuito cultural artístico. Finalizando, são acrescentadas informações obtidas além das disponibilizadas pela 9a Bienal ADG, imagens, entrevistas e relatos de visitas, complementando a compreensão dos casos estudados. Estudos pontuais possibilitam ampliar a compreensão de processos em comum, ou de natureza semelhante, entre distintas áreas de produção de cultura. Assim, é possível iniciar o traçado de um paralelo entre a prática de atividades culturais e artísticas com a atividade exercida pelo designer gráfico, com projetos voltados à disseminação de produtos culturais e, estes próprios, tornarem-se produtos culturais
Abstract: The beginning of this research is done by the Graphic Designers Association of Brazil and the 9th Brazilian Biennial of Graphic Design, which aimed to conduct a survey regarding the participation of graphic design on the cultural artistic circuit. On this survey, the analysis were focused on two study cases regarding projects of cultural dissemination on the artistic circuit, specifically the art institutions, directly related to the music and dance arts. Included on this is designer's Kiko Farkas, twelve showing posters of culture and arts focused on music for the Symphony Orchestra of the State of São Paulo - OSESP and designer Vicente Gil, with the visual identity, seen in the showing by the brand and poster, designed for the institution and focused on dance. São Paulo Dance Company - SPCD. Separately are observed the basic visual elements that compose the materialization of graphic pieces, divided more specifically in shape, color and typography. On the graphic shapes, this includes questions related to graphics, drawings, photographs, layout of elements, grids, among others. The analysis of the formal aspects of the study cases comes mainly from the classification method of visual language proposed by Dondis (2003). On the chromatic aspects, studies addressing the lifting of the main sets of colors, through specific software, highlighting the ways to use the colors applied by designers on projects. The questions aimed the raising typographical, through specific software and bibliography, the main families of printers used in the projects, highlighting how their characteristics and differentials were used by designers. Following some contributions to the understanding of the discursive strategies and creative journeys of the case studies in graphic design on the artistic cultural circuit will be explored. Finally, supplemental information beyond the ones provided by the 9th Biennial ADG, images, interviews and visits, complementing the understanding of the cases studied. Punctual studies enable broader understanding of processes in common, or similar, between different areas of cultural production. Thus, it is possible to start drawing a parallel between the practice of cultural and artistic activities with the activity exerted by graphic designer, with projects aimed at dissemination of cultural products, and they themselves, become cultural products
Mestrado
Artes Visuais
Mestre em Artes
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St, Leon Mark. "Circus & nation a critical inquiry into circus in its Australian setting, 1847-2006, from the perspectives of society, enterprise and culture /." Connect to full text, 2006. http://hdl.handle.net/2123/1702.
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Thesis (Ph. D.)--University of Sydney, 2006.Title from title screen (viewed 25 March 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the School of Philosophical and Historical Inquiry, Faculty of Arts. The name of the School on the title page appears as: School of History & Philosophical Inquiry. Includes bibliographical references. Also available in print form.
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Pérès, Valérie. "Pour une éducation sensible : le circuit du Sensible au cœur de la relation pédagogique." Thesis, Paris 10, 2020. http://www.theses.fr/2020PA100004.
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L’objet de ce travail est d’étudier le rôle de la relation sensible au cœur de la relation pédagogique en croisant deux domaines, la phénoménologie et la psychanalyse. J’ai analysé, dans une perspective clinique d’orientation psychanalytique, des situations et événements observés dans ma pratique d’enseignante et de psychopédagogue. A partir de cette expérience de terrain, j’ai élaboré théoriquement la relation sensible en appréhendant celle-ci comme un circuit. Dès lors, j’ai nommé ce processus le circuit du sensible en mettant au jour ce qui était au fondement de ce circuit à savoir la pulsion et la relation d’objet médiée par la relation entre parents et enfants. En me référant à la notion de holding et de transfert didactique (Blanchard-Laville, 2002), j’ai développé l’idée que ce circuit du Sensible se retrouvait au sein de la classe et de la relation pédagogique. A partir de cette élaboration théorique, je me suis interrogée sur l’incidence que pouvait avoir un objet particulier qu’est l’objet connecté sur le circuit du sensible. Pouvait-on considérer que se jouait une perte du Sensible (Haroche, 2007), une catastrophè du Sensible (Stiegler, 2007) ? Pour ma part, j’ai fait l’hypothèse que se développait un nouveau circuit du Sensible dénommé insensible sensibilité par lequel se mettait en place un nouveau régime de prescriptions et un nouveau type de relations entre individus. A l’origine de ce changement paradigmatique, j’ai ciblé, non pas l’irruption des réseaux sociaux numériques, mais un changement des relations entre parents et enfants. Les enfants ont été progressivement coupés du monde adulte provoquant une dégradation des relations intergénérationnelles et de son corollaire, l’attention, engendrant ainsi méfiance. En revanche, j’ai défendu la thèse que l’objet connecté est venu compenser ou répondre à ce délitement des relations intergénérationnelles en créant un Moi-peau groupal et « un effet bunker ». En effet, les réseaux sociaux numériques ont permis l’instauration d’une protection groupale protégeant la population adolescente marquée par un sentiment de méfiance vis-à-vis de la génération précédenteThe purpose of this research is to study the role of the sensitive relationship at the heart of the pedagogical relationship by crossing two domains, phenomenology and psychoanalysis. I analyzed, from a clinical perspective of psychoanalytic orientation, the situations and events observed in my teaching and psychopedagogical practice. From this field experience, I theoretically developed the sensitive relationship by apprehending it as a circuit. From then on, I called this process the circuit of the sensitive by bringing to light what was at the foundation of this circuit namely the drive and the object relationship mediated by the relationship between parents and children. Referring to the notion of holding and didactic transfer (Blanchard-Laville, 2002), I developed the idea that this Sensible circuit was found within the classroom and the educational relationship. From this theoretical elaboration, I wondered about the impact that a particular object that the connected object could have on the circuit of the sensible. Could we consider that a loss of the Sensible was played out (Haroche, 2007), a catastrophy of the Sensible (Stiegler, 2007) ? For my part, I made the hypothesis that a new circuit of the Sensible called insensitive sensibility developed by which a new regime of prescriptions and a new type of relations between individuals was put in place. At the origin of this paradigmatic change, I targeted, not the irruption of digital social networks, but a change in relations between parents and children. The children were gradually cut off from the adult world causing a deterioration of the intergenerational relations and its corollary, the attention, thus engendering mistrust. On the other hand, I defended the thesis that the connected object came to compensate or respond to this disintegration of intergenerational relations by creating a group-skinned ego and a "bunker effect". Indeed, digital social networks have enabled the establishment of a group protection protecting the adolescent population marked by a feeling of mistrust vis-à-vis the previous generation
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Assassi, Isabelle. "Politique d'assortiment du détaillant et configuration du canal de distribution : comparaison de deux produits culturels." Dijon, 2005. http://www.theses.fr/2005DIJOE003.
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Cette recherche s'intéresse à l'organisation des relations entre producteurs et distributeurs dans le secteur culturel. La décision qui y est étudiée est relative à la politique d'assortiment du distributeur. A partir d'une revue de littérature sur les théories du canal de distribution et d'une enquête exploratoire, un modèle d'analyse des relations "producteur – détaillant" au sein du canal de distribution du produit culturel est présenté. Il cherche à analyser l'influence de la politique d'assortiment du détaillant sur l'adoption de différents modes de gouvernement des relations au sein de ce canal. Le modèle est testé à partir de 7 cas. Les résultats confirment l'influence des différents choix d'assortiment du détaillant sur l'adoption de formes différentes de gouvernement des relations au sein de ce canal : ces dernières vont de la transaction ponctuelle à la relation pérenne et bilatérale, en fonction du degré de standardisation du produit, du niveau de confiance existant entre les deux co-échangistes, du degré d'intensité concurrentielle aval, et de l'environnement institutionnel et réglementaireOur research here deals with the organisation of relations between producers and distributors in the cultural sector. The decision studied is relative to the assortment policy of the distributor. We present a model of analysis for the producer-retailer relations in the marketing channel of the cultural product. Our model is based on a review of the literature on the theories of the marketing channel and an explanatory survey. Our model endeavours to analyse the influence of the assortment policy of the retailer on the adoption of different forms of governance of the relations in this channel. This model is tested on 7 cases. The results confirm the influence of the different choices in assortment by the retailer on the adoption of different forms of governance: the latter go from the discrete transaction to the long-term and bilateral relation, depending on the degree of standardisation of the product, the level of confidence that exists between the two parties, the degree of competitive intensity downstream and the environment, both institutional and regulatory
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Campbell, Alasdair James Islay. "Myth ascendant : issues of culture, media, and identity in the celebrity career of Glenn Gould." Thesis, University of Oxford, 2018. http://ora.ox.ac.uk/objects/uuid:6b53c88e-d9e7-4227-9144-bad890a0d3fc.
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This thesis applies a sociological framework to the North American celebrity career of Canadian pianist and broadcaster Glenn Gould (1932-1982) to account for Gould's iconic status as an artist in modern musical culture. Despite the persistent cultural fascination with Gould, as evidenced in the seemingly endless supply of biographies, films, novels, and fan texts which narrate and celebrate his life and work, modern Gould scholarship has consistently neglected issues relating to his artistic reception. This thesis proposes that the modern Gould phenomenon is productively analysed in terms of the contexts of its historical production in North America, where it first originated. Focusing on the circumstances of Gould's career during his lifetime, it identifies three areas of overlapping conceptual interest that provide the basis for an explanatory account of his modern mythology: i) Gould's relationship to the culture of his time, particularly in Canada; ii) Gould's relationship to the mass media; iii) Gould's relationship to his own artistic identity. This approach is refined through the application of Stuart Hall's 'Circuit of Culture' model, which yields an understanding of Gould's celebrity in terms of the processes of its representation, production, regulation, and consumption. Against this theoretical backdrop, and consistent with the premise of my thesis, I ask some key questions: what was Gould's relationship to Canadian cultural nationalism and, specifically, a nationalist discourse of public broadcasting? How did media institutions brand his image, and for what commercial purposes? How did Gould mobilise understandings of his genius and Canadian identity through his artistic discourse and experimental media self-representations as a 'Northerner' and a technologist? Based on this analysis, the thesis concludes that Gould continues to fascinate because of the unique ideological work performed by his cultural identities, and because of the highly mediated nature of his celebrity. The ubiquity of his image on video-sharing websites and social media platforms is a vindication of his radical belief in the validity of a musical career pursued primarily through the electronic media.
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Grey, Philip. "Defining moments : a cultural biography of Jane Eyre." Doctoral thesis, Umeå: Institutionen för moderna språk, Univ, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-284.
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St, Leon Mark. "Circus & nation : a critical inquiry into circus in its Australian setting, 1847-2006, from the perspectives of society, enterprise and culture." University of Sydney, 2007. http://hdl.handle.net/2123/1702.
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PhDIn Australia, like most countries, circus has been an element, at times a very important element, in the mosaic that constitutes its popular culture. An outgrowth of the circus as recast in a modern form in London in the 18th century, an Australian circus profession has existed almost continuously since 1847. Australia’s circus entrepreneurs took the principal features of English, and later American, circus arts and management and reworked these features to suit their new antipodean context. The athletic, intellectually undemanding nature of its equestrian-based entertainments harmonised with the emerging patterns of modern Australia’s way of life. In time, Australia produced renowned circus artists of its own, even artists capable of reinvigorating the concept of circus in the very countries from which their art had been derived. Since their transience and labours, indeed their very existence, were somehow tangential and inconsequential to mainstream Australian society, Australia’s circus people did not attract tokens of recognition in story and verse as did shearers, drovers, diggers and other identities of the Australian outback. Their contribution to Australia’s social, economic and cultural development has been largely overlooked. Despite its pervasive role in Australia’s cultural life over more than 150 years, examples of academically grounded research into Australian circus are few. The primary aim of this study is to demonstrate the major themes evident in Australia’s circus history, in terms of society, enterprise and culture, between 1847 and 2006. None of these areas, of course, is exclusive of the others, especially the first and last named. These deliberations are framed within the broader influences and events apparent in Australian society and history. Implicit within this demonstration is the notion that circus, whatever its characteristics and merits as an artform, has been, and continues to be, a ‘barometer’ of social, economic and cultural change in Australia.
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Borela, Paula Martins. "Instâncias de legitimação: uma visão sobre o circuito de arte em Uberlândia." Universidade Federal de Uberlândia, 2017. https://repositorio.ufu.br/handle/123456789/18932.
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CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível SuperiorInvestigação de um panorama acerca da história da arte na cidade de Uberlândia, sob a égide da formação e consolidação de seu mercado. Para tanto foram levantados em outras pesquisas fatos históricos a respeito dos primeiros artistas da cidade que articularam seus trabalhos no mercado local. A partir do mapeamento dos espaços de arte que não existem mais e alguns que ainda permanecem no circuito, tivemos a percepção de uma dinâmica cultural em transformação nas galerias comerciais de arte, concomitantemente ao desenvolvimento do curso de artes plásticas da Universidade Federal de Uberlândia e outros grupos independentes como a AICA - Artes Integradas CAMARU. As parcerias entre artistas e marchands foram crescentes a partir dos anos 1960 e foi notável a importância do casal Lourdes e Celso Queiroz no processo de comercialização da arte na cidade. Destacamos a Galeria Elizabeth Nasser como ponto- chave na profissionalização do mercado em Uberlândia nos anos 1990 principalmente pela divulgação das suas exposições atreladas à produção e impressão de catálogos com textos críticos. O tratamento dos dados acumulados foi feito a partir de um recorte temporal nas décadas de 1980 e 90, porém não desconsideramos o período anterior dos precursores do mercado na cidade dos anos 1950 a 70 Este trabalho foi dividido em dois capítulos, no primeiro intitulado “Aproximações no tempo e no espaço do campo artístico em Uberlândia” tratamos dos aspectos sociais da estruturação do circuito de arte e abordamos a metodologia utilizada para a pesquisa de campo. No segundo capítulo intitulado “Articulações das instâncias legitimadoras da arte no circuito fora do eixo” buscamos revelar as estratégias de legitimação dos artistas frente às novas instituições e formatos do meio cultural local.
Investigation of a panorama about the history of art in the city of Uberlândia, under the aegis of the formation and consolidation of its market. To this end, historical research on the first artists of the city that articulated their work in the local market was made in other researches. From the mapping of spaces of art that no longer exist and some that still remain in the circuit, we had the perception of a cultural dynamic in transformation in the commercial art galleries, concomitantly to the development of the plastic arts course of the Federal University of Uberlândia and others Independent groups such as AICA - CAMARU Integrated Arts. The partnerships between artists and dealers were growing since the 1960s and it was remarkable the importance of the couple Lourdes and Celso Queiroz in the process of marketing the art in the city. We emphasize the Elizabeth Nasser Gallery as a key point in the professionalization of the market in Uberlândia in the 1990s mainly for the dissemination of its exhibitions linked to the production and printing of catalogs with critical texts. The treatment of the accumulated data was made from a temporal cut in the 1980s and 1990s, but we did not disregard the previous period of market precursors in the city from the 1950s to the 70s. This work was divided into two chapters, the first entitled "Approximations In the time and space of the artistic field in Uberlândia "we deal with the social aspects of the structuring of the art circuit and we approach the methodology used for field research. In the second chapter entitled "Joints of the legitimating instances of art in the off-axis circuit" we seek to reveal the strategies of legitimating artists in front of the new institutions and formats of the local cultural milieu.
Dissertação (Mestrado)
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Spinelli, Céline. "Circuits d'un art itinérant : festivals de cirque et échanges artistiques entre la France et le Brésil." Paris, EHESS, 2015. http://www.theses.fr/2015EHES0687.
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L'univers du cirque est passé par un renouveau important dans divers pays à partir de la fin des années 1960. En France, ce processus a été particulièrement significatif et a posé les bases du genre artistique aujourd'hui nommé "cirque contemporain". Il a impliqué le développement de nouvelles esthétiques, l'avénement d'une conceptualisation et d'un vocabuliare particuliers, la fabrication d'un "monde de l'art" complexe, qui singularise l'artiste et transforme son statut social. Il s'avère que différents modes de renouveau artistique se sont produits, influencés par les contextes nationaux, comme le démontrera la mise en perspective entre les cas français et brésilien. Par conséquent, des pratiques, des concepts et des modèles de production distincts se confrontent lors de la circulation internationale des spectacles et des acteurs circassiens. Cette circulation est au centre de la thèse, dont l'objet est la diffusion du cirque "contemporain" à partir d'une étude de cas ciblée sur deux festivals : le Festival Mundial de Circo (Belo Horizonte, Minas Gerais) et le Festival du Cirque actuel (Auch, Midi-Pyrénées). L'enquête ethnographique s'est complétée par le suivi de certains acteurs, notamment des artistes et des programmateurs. Elle a permis d'observer des réseaux d'interaction, des échanges et des projets de coopération à un niveau franco-brésilien, ainsi que certaines assymétries et influences. En prenant appui sur une approche pragmatique, la thèse se centre sur les manières dont les acteurs perçoivent et qualifient leurs pratiques, leurs vécus et leurs expériences, face au marché actuel des arts du cirqueThe circus world went through a major renewal in many countries from late 1960s. In France, this process has been particularly significant and laid the foundation of the artistic circus genre now called "contemporary. It involved the development of new aesthetics, the advent of conceptualization, the creation of a specific vocabulary and the production of a complex "art world", which singles out an artist andtransforms his social status. It turns out that different modes of an artistic revival occurred, influenced by the national contexts, as it will be demonstrated in the analysis of the French and Brazilian cases. Therefore, practices, concepts and different production models confront each other through the international movement of circus shows and actors. This circulation is a central aspect of the thesis, which focuses on the diffusion of the "contemporay" circus through a case study of two festivals: the Festival Mundial de Circo (Belo Horizonte, Minas Gerais) and the Festival du Cirque Actuel (Auch, Midi-Pyrénées). The ethnographic survey was completed by the monitoring of some actors, including artists and programmers. It allowed an observation of the interactive networks, the exchanges and the cooperative projects between France and Brazil, as well as some asymmetries and areas of influence. Based on a pragmatic approach, this thesis shows how the actors perceive and describe their practices, their lives and their experiences, in the current industry of circus arts
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Genaro, Thiago de Mello. "Práticas publicitárias: linguagem, circuito e memória na produção de anúncios impressos no Brasil (1951-1965)." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-22042013-104447/.
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Esta dissertação analisa a organização da atividade publicitária profissional no Brasil entre 1951 e 1965. Nosso objetivo é demonstrar que, por meio de discussões e disputas em torno da imagem publicitária impressa, podemos entender como se constituiu o campo publicitário brasileiro. Tais discussões envolveram o uso de uma linguagem técnica, a institucionalização da prática e a produção de uma memória. Este processo não apenas formou a classe publicitária (e sua identidade) como também monopolizou a produção de anúncios comerciais a partir da especialização da produção de imagens publicitárias. Veremos ainda que a imagem publicitária, mais do que um objeto bidimensional, é um artefato que circula por diversos espaços e se relaciona de diferentes formas em cada meio pelo qual circula. Compreender a materialidade do anúncio nos permitiu extrapolar a abordagem tradicional de imagens (a partir de seus conteúdos), para pensarmos nas relações sociais que se deram em função de sua produção, circulação e consumo. Tal abordagem foi possível graças ao nosso corpus documental, a revista especializada Propaganda, que forneceu os subsídios para o desenvolvimento da reflexão sobre as práticas publicitárias e os lugares das imagens não apenas nas representações, mas em algumas vivências de época.This dissertation analyses the organization of the professional advertising activity in Brazil between 1951 and 1965. Our goal is to demonstrate that, through the discussion and disputes about the printed advertising image, we can understand how the Brazilian advertising field was formed. These discussions involved the use of a technical language, the institutionalization of the practice and the production of a memory. This process did not just create the advertising class (and their identity), as well as, it monopolized the commercials production, from the specialization of the advertising image production. We will see that the advertising image, more than a two-dimensional object, it is an artifact that circulates by lots spaces and relates of different forms in each way where it circulates. Comprehending the commercial materiality, let us transcend the image traditional approach (from its content), to think about the social relationships that happened from its production, circulation and consumption. This approach was possible thanks to the documental corpus, the specialized magazine Propaganda, that provided subsidies to the reflection development about the advertising practices and the image places, not only in the representations, but in some experiences in that time.
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Keefer, Edward W. "Unique applications of cultured neuronal networks in pharmacology, toxicology, and basic neuroscience." Thesis, University of North Texas, 2001. https://digital.library.unt.edu/ark:/67531/metadc2797/.
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This dissertation research explored the capabilities of neuronal networks grown on substrate integrated microelectrode arrays in vitro with emphasis on utilizing such preparations in three specific application domains: pharmacology and drug development, biosensors and neurotoxicology, and the study of burst and synaptic mechanisms. Chapter 1 details the testing of seven novel AChE inhibitors, demonstrating that neuronal networks rapidly detect small molecular differences in closely related compounds, and reveal information about their probable physiological effects that are not attainable through biochemical characterization alone. Chapter 2 shows how neuronal networks may be used to classify and characterize an unknown compound. The compound, trimethylol propane phosphate (TMPP) elicited changes in network activity that resembled those induced by bicuculline, a known epileptogenic. Further work determined that TMPP produces its effects on network activity through a competitive inhibition of the GABAA receptor. This demonstrates that neuronal networks can provide rapid, reliable warning of the presence of toxic substances, and from the manner in which the spontaneous activity changes provide information on the class of compound present and its potential physiological effects. Additional simple pharmacological tests can provide valuable information on primary mechanisms involved in the altered neuronal network responses. Chapter 3 explores the effects produced by a radical simplification of synaptic driving forces. With all synaptic interactions pharmacologically limited to those mediated through the NMDA synapse, spinal cord networks exhibited an extremely regular burst oscillation characterized by a period of 2.9 ± 0.3 s, with mean coefficients of variation of 3.7, 4.7, and 4.9 % for burst rate, burst duration, and inter-burst interval, respectively (16 separate cultures). The reliability of expression of this oscillation suggests that it may represent a fundamental mechanism of importance during periods of NMDA receptor dominated activity, such as embryonic and early postnatal development. NMDA synapse mediated activity produces a precise oscillatory state that allows the study of excitatory-coupled network dynamics, burst mechanisms, emergent network properties, and structure-function relationships.
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Zakos, Katharine P. "Racial satire and Chappelle's Show." unrestricted, 2009. http://etd.gsu.edu/theses/available/etd-04212009-163930/.
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Thesis (M.A.)--Georgia State University, 2009.Title from file title page. Mary Stuckey, committee chair; Kathryn Fuller-Seeley, Alisa Perren, Alessandra Raengo, committee members. Description based on contents viewed June 11, 2009. Includes bibliographical references (p. 86-89).
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Yamamoto, Patrícia Hitomi. "Circuito em transformação: O Estado de São Paulo e a cultura fotográfica paulistana nos anos 1970." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-29112018-121419/.
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Esta dissertação visa investigar o circuito fotográfico paulistano da década de 1970 a partir das matérias publicadas no jornal O Estado de S. Paulo. Esta fonte mostrou-se particularmente propícia para o estudo do intenso processo de transformação pelo qual passou a fotografia no período. O objetivo não é reconstituir os eventos passados descritos nas matérias, mas antes, defender a hipótese de que é possível identificar uma cultura fotográfica paulistana característica da década de 1970 que viria a ter importantes desdobramentos nos anos seguintes. Os textos analisados foram reunidos em quatro núcleos temáticos representativos dos discursos a respeito da fotografia proferidos pelos agentes que atuavam no jornal, a saber: a história da fotografia no Brasil, a identidade da fotografia brasileira, o estabelecimento do mercado fotográfico e a constituição de uma crítica especializada. Tais textos são examinados em sua natureza discursiva, levando-se em conta não apenas os seus conteúdos informativos, mas a forma como foram escritos e a autoridade que detinham os seus autores. Para tanto são considerados os consensos, as tensões e as disputas materializadas nos discursos veiculados nas páginas de um influente veículo da grande imprensa e o modo como chegavam ao público não especializado. O resultado dessa pesquisa contribui para o entendimento de um período em que a fotografia expandiu-se de forma até então inédita no Brasil e que constitui um passado recente ainda pouco estudado.This dissertation aims to investigate the São Paulo photographic circuit of the 1970s from the articles published in the newspaper O Estado de S. Paulo. This source proved to be particularly conducive to study of the intense transformation process through which the photograph passed in the period. The objective is not to reconstitute past events described in the stories, but rather to defend the hypothesis that it is possible to identify a photographic culture typical of the 1970s that would have important developments in the following years. The texts analyzed were grouped in four thematic nuclei, representative of the speeches about photography by the agents who worked in the newspaper, namely: the history of photography in Brazil, the identity of Brazilian photography, the establishment of the photographic market and the constitution of a specialized criticism. Such texts are examined in their discursive nature, taking into account not only their informative contents but the way they were written and the authority held by their authors. For this, the consensuses, tensions and disputes materialized in the speeches on the pages of an influential vehicle of the great press and the way in which they were received by the non-specialized public are taken into account. The result of this research contributes to the understanding of a period in which photography has expanded in a way previously unpublished in Brazil and that constitutes a recent past still little investigated.
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Lim, Wei Ling Tania Patricia. "Formatting and Change in East Asian Television Industries: Media Globalization and Regional Dynamics." Queensland University of Technology, 2005. http://eprints.qut.edu.au/16496/.
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Television is increasingly both global and local. Those television industries discussed in this thesis transact in an extensive neo-network of flows in talents, financing, and the latest forms of popular culture. These cities attempt to become media capitals but their status waxes and wanes, depending on their success in exporting their Asian media productions. What do marital arts dramas, interactive game-shows, children's animation and teenage idol soap operas from East Asian television industries have in common? Through the systematic use of TV formatting strategies, these television genres have become the focus for indigenous cultural entrepreneurs located in the East Asian cities of Hong Kong, Singapore and Taipei to turn their local TV programmes into tradable culture. This thesis is a re-consideration of the impact of media globalisation on Asian television that re-imagines a new global media order. It suggests that there is a growing shift in perception and trade among once-peripheral television industries that they may be slowly de-centring Hollywood's dominance by inserting East Asian popular entertainment into familiar formats or cultural spaces through embracing global yet local cultures of production. While TV formats like Survivor, Millionaire, Big Brother and American Idol have become profitable and powerful franchises globally, in East Asia, the size of TV format trade is actually eclipsed by the regional trade in East Asian popular cultural commodities from martial arts novels and films, manga and romantic fiction, to popular music. These commodities have become the source of remaking local television culture into tradable cultures as local TV programmes use formatting practices to circulate within their region. The many faces of formatting in television are explored through four case studies - from Hong Kong (TVB's Heaven Sword and Dragon Sabre), Singapore (Robert Chua Productions' Everyone Wins, Peach Blossom Media's Tomato Twins) and Taipei (Comic Ritz Production's Meteor Garden). Conceptualised as Asian media productions, these TV programmes are sites for examining individual agency, the network flows of popular culture and structural changes of their respective broadcasting fields. This thesis argues that TV formatting practices can become a currency for neo-networked media producers to create a medium of cultural exchange that sets up the possibility for a common market for cultural trade in East Asia. However, the ease with which TV formatting practices and re-sale of TV programmes are copied lower barriers for competition and often this tends toward over production. Over-exposure kills many new genres of production and discourages investment in the research and development component of creating TV formats for trade. Change in East Asian television industries is also aided by media conglomeration, global access through satellite TV, the Internet and increasingly digital entertainment, media de-regulation and pro-development policies. A number of factors and conditions that accompany the rise of TV formatting in East Asia (such as the role of independents vis-a-vis big local players, the emergence of copyright issues and marketing celebrities) contribute to the innovations that result from adapting formatting practices to local contexts, and suggest how each city's television industry attempts to address the rise of tradable cultural commodities that are increasingly made for pan-Asian consumption.
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Wellman, Elizabeth Joanne. "Taught It to the Trade: Rose La Rose and the Re-ownership of American Burlesque, 1935-1972." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1439764548.
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Silva, Josier Ferreira da. "O CÃrculo OperÃrio de Barbalha como expressÃo do catolicismo social na educaÃÃo e na cultura (1930 - 1964)." Universidade Federal do CearÃ, 2009. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=3407.
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CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel SuperiornÃo hÃ
Os CÃrculos OperÃrios integram o catolicismo social e se afirma como uma estratÃgia polÃtica do catolicismo, respaldada na encÃclica Rerum Novarum, instituÃda pelo papa LeÃo XIII, em 1891, que orienta a intervenÃÃo da Igreja no mundo do trabalho. Diante dos antagonismos ideolÃgicos entre o liberalismo e o socialismo, emergente na sociedade moderna, industrial, a Igreja CatÃlica se reivindica como alternativa de poder, dotada de um projeto polÃtico teolÃgico. No Brasil, o pacto entre a Igreja e o governo de Vargas viabiliza a recuperaÃÃo da influencia religiosa do catolicismo junto ao poder pÃblico, perdidos com estabelecimento do Estado Laico republicano. Nessa conjuntura, a modernizaÃÃo da sociedade, caracterizada pela industrializaÃÃo, emergem os conflito entre o capital e o trabalho, e as primeiras organizaÃÃes trabalhistas. Neste contexto histÃrico os CÃrculos OperÃrios se propagam como instituiÃÃes catÃlicas a serviÃo da recristianizaÃÃo da sociedade pela Igreja Romanizada. Na defesa do projeto polÃtico teolÃgico da Igreja o Circulismo empreende suas aÃÃes educativas e culturais junto aos trabalhadores, orientadas pelos documentos doutrinÃrios da Igreja, objetivado a formaÃÃo de lideranÃas cristÃs e o consenso entre as classes com vistas ao estabelecimento da ordem social crista. No caso de Barbalha essa instituiÃÃo atua em interaÃÃo com o poder pÃblico e eclesiÃstico, na promoÃÃo do ensino, da mÃsica, do civismo e da religiÃo, em consonÃncia com a conjuntura polÃtica nacional.
The Labor Unions compose the Social Catholicism and settle as a political strategy of Catholicism, supported in the Rerum Novarum encyclical, issued by Pope Leo XII in 1891, which directs the Church intervention in the working world. Opposite to the ideological antagonisms between liberalism and socialism, emerging in the modern industrial society, the Catholic Church claims itself as an alternative form of power, holding a theological and political project. In Brazil, the covenant between the Church and the Vargas Government made possible for Catholicism to recover its religious influence beside public power, which had been lost with the imposition of the republican secular country. In this conjecture, the modernization of the society, marked by industrialization, the conflicts between capital and labor become evident and the first labor unions were created. In this historical context, the Labor Unions spread as Catholic institutions serving the re-Christianization of the society by the Roman Church. Defending this theological project, the unionism engages its cultural and educational actions along the workers, guided by Church\\\\\\\'s dictated documents, aiming the formation of Christian leaderships and the agreement between the classes that tried to settle the Christian Social Order. In the city of Barbalha, this institution acts along the public and canonical power promoting education, music, citizenship and religion, concurring with the national policy conjuncture.
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Braga, Gedley Belchior. "A tese na (da) caixa preta." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27151/tde-19052009-165641/.
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A Tese na [da] Caixa Preta aborda o princípio de uma entidade exemplificadora de si mesma no dispositivo de arquivamento de uma escritura. Uma coleção de obras de arte contemporâneas brasileiras foi formada com o objetivo de lastrear a mediação e ação culturais tendo como base a realização de exposições e experiências envolvendo o sistema das artes entre seus aspectos formais e informais. Objetivos: Exemplificar a literalidade do papel dos sistemas artísticos formais e informais para obtenção de uma consistência entre a origem simbólica da linguagem e as variações surgidas na repetição [diferência termo de Derrida] conforme a lei do acontecimento [também de acordo com Jacques Derrida] e do poder retrospectivo de um dispositivo arquivante de uma escritura Métodos: Exercício de papéis diferentes e experimentais nesse sistema das artes: entre o pesquisador, colecionador, curador, artista, espectador, leitor e por último, o escritor [aquele que redige a própria experiência como o dispositivo que irá arquivar todos os resultados obtidos durante o processo]. Resultados: A coleção formada foi transformada em lastro conceitual para várias instalações e exposições artísticas. Os resultados da mediação e ação cultural entre os circuitos formal e informal do sistema das artes foram documentados, além da escritura de uma tese, em um DVD com o mesmo título: A Tese na [da] Caixa Preta que mostra [como matéria de prova], em três vídeos, as imagens das experiências citadas.The thesis in [of] the black box is based on the principle of an entity that exemplifies itself in an archive scriptural system. Several Brazilian Contemporary Art pieces were acquired to form a collection which was used for cultural action and mediation purposes such as exhibitions and experiences involving the Brazilian art system in its formal and informal aspects. Objectives: To exemplify the literality role within the formal and informal art systems in order to have a consistency between the symbolic origin of language and the variations that appear in repetition [differance term used by Derrida] according the event law [in Jacques Derridas philosophy perspective] and the retrospective power of archival device of scripture. Results: The formal art collection was transformed into conceptual ballast for several artistic installations and exhibitions. The results of the cultural actions and mediation within the formal and informal circuits of the Brazilian art system were documented, beyond the thesis writing process [thesis scripture], in a DVD with the same title: The thesis in [of] the black box that shows [as a matter of proof], in three videos, the images of the above mentioned experiences.
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Nyembe-Kganye, Phumzile. "The Chief Superintendent of Education Management as communication link between the districts and circuits of the EThekwini Region of the KwaZulu-Natal Department of Education and Culture." Thesis, University of Zululand, 2005. http://hdl.handle.net/10530/557.
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A dissertation submitted in
fulfilment of the
requirements for the degree
of
D.Iitt. in Communication
Science
University of Zululand,
2005The focus of this study is on effective communication that can be used between the district and the circuit in order to optimise communication. There are traditional forms of communication that are still used by Departmental officials yet the information conveyed through those forms of communication take too long to reach the final destination and as a result thereof the information comes just days before the deadline or sometimes way after the deadline. This problem leads to a situation where the work is done in a haphazard way just because people want to meet the dead line. New forms of communication such as E-Mail can convey information within a split of a second all over the wodd The findings reveal that some of the Chief Superintendents of Education Management are not familiar with some of the new forms of communication and therefore cannot even confirm whether those forms of communication are useful or not The Department of Education will therefore have to introduce these new forms of communication at district level as well as at circuit level in order to optimise communication between the district and the circuit
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Roberto, Ferreira Guerra José. "O empreendedorismo cultural na produção de cinema : a dinâmica empreendedora de realizadores de filmes pernambucanos." Universidade Federal de Pernambuco, 2011. https://repositorio.ufpe.br/handle/123456789/1201.
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Previous issue date: 2011Conselho Nacional de Desenvolvimento Científico e Tecnológico
O desenvolvimento do capitalismo informacional tem contribuído para o crescimento da produção de bens simbólicos e, nesse contexto, os produtores culturais possuem a capacidade de se tornar agentes de transformação social por meio de uma ação coletiva. O objetivo do estudo reside em compreender como se caracterizam as dimensões discursivas que demarcam o Empreendedorismo cultural no campo do audiovisual. Foi desenvolvido um protocolo teórico-metodológico pautado no conceito de Empreendedorismo cultural e nos circuitos da cultura, oriundos da tradição dos Estudos Culturais. O contexto da produção de cinema em Pernambuco foi elucidativo para a compreensão da dinâmica empreendedora da produção cultural fora do eixo . Como forma de acessar o campo, foram realizadas entrevistas abertas com dois produtores locais de cinema. A análise dos dados deu-se com o suporte da análise do discurso. As dimensões discursivas emergentes foram agregadas em torno das dimensões públicas e privadas decorrentes do protocolo desenvolvido. Os resultados apontam para uma demanda por novos formatos e estruturas organizacionais mais orgânicas. A tecnologia social que possibilita a geração de capitais por meio da rede social indica o multidirecionamento da ação empreendedora na arena da produção cultural, impondo uma abertura para a ação multidimensional e dialógica do empreendedor. Podemos observar um alto grau de comprometimento do empreendedor cultural com os projetos que desenvolve, assim como o exercício da atividade de produção além do aspecto econômico, ampliando essa ação para o nível existencial
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Murphy, Brenda. "Consuming Guinness, producing Irishness : circuits of cultural production." Thesis, Goldsmiths College (University of London), 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.398053.
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Misiko, Juma Asborn. "« Vers la mise en tourisme du patrimoine ethno-culturel de l’ouest kenyan. Tourisme international et domestique dans les régions du lac Victoria et de Bungoma »." Thesis, Lyon 2, 2012. http://www.theses.fr/2012LYO20106/document.
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Pour devenir une importante destination touristique internationale et pas seulement subsaharienne, le Kenya a besoin de lieux et de produits touristiques renouvelés offerts de manière croissante par les sites mémoriels et les musées régionaux situés dans l’ensemble du pays, mis en tourisme récemment en direction des touristes domestiques. Cette nouvelle tendance permettra de décongestionner les sites et les régions touristiques phares (parcs de Masaï Mara, de Amboseli, lac Nakuru et la côte swahili), saturés dans leur fréquentation double, à la fois celle des touristes internationaux, mais aussi celle croissante, des touristes intérieurs. Grâce à l’approche multidisciplinaire (géographie du tourisme, celle du développement et celle de la culture), appuyée par les données obtenues à travers les entretiens semi-directifs, les questionnaires, les tables rondes, l’analyse documentaire et l’observation sur le terrain, notre recherche tente de démontrer comment le patrimoine matériel et immatériel des groupes ethno-culturel du Kenya occidental peut être mis en tourisme. Notre investigation traite de la région du lac Victoria et de Bungoma, principalement sur les sites d’Abasuba Rock Art Paintings, de Kit Mikayi et de Namakanda. Les populations locales autour de ces sites développent des stratégies différenciées en fonction de leur appartenance ethnique, que nous appréhendons du point de vue de la stratégie d’acteurs et des projets de développement touristiquesTo become an important international tourism destination and not only in Subsaharan, Kenya needs renewed tourism places and products majorly consisting of memorial sites and regional museums spread throughout the country, recently developed for domestic tourists. This new initiative will decongest the major tourist sites and regions (reserve of Masai Mara, parks of Amboseli, lake Nakuru and Swahili coast), saturated due to double visitation (international and domestic tourists) Through a multidisciplinary approach (geography of tourism, cultural geography and geography of development), supported by data collected through semi-direct interviews, focus groups, questionnaires, field observation and analysis of existing literature, our research attempts show how the material and immaterial cultural heritage of the ethno-cultural groups of Western Kenya can be developed for tourism. Our investigation examines the regions of lake Victoria and Bungoma, particularly the sites of Abasuba Rock Art Paintings, Kit Mikayi and Namakanda. The host communities of these sites are developing strategies informed by their ethnic affiliation, that we study from the point of view of stakeholders’ strategy and development of tourism projects
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Savazoni, Rodrigo Tarchiani. "Redes político-culturais e ativismo digital : o caso do circuito fora do eixo." reponame:Repositório Institucional da UFABC, 2013.
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Holmes, Catherine Jane. "Aerial stars : femininity, celebrity & glamour in the representations of female aerialists in the UK & USA in the 1920s and early 1930s." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/27074.
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Female solo aerialists of the 1920s and early 1930s were internationally popular performers in the largest live mass entertainment of the period in the UK and USA. Yet these aerialists and this period in circus history have been largely forgotten by scholars. I address this omission by arguing these stars should be remembered for how they contributed to strength being incorporated into some stereotypes of femininity. Analysing in detail Lillian Leitzel, Luisita Leers and, to a lesser extent the Flying Codonas, I employ a cross-disciplinary methodology unique to aerial scholarship that uses embodied understanding to reinvigorate archival resources. This approach allows me to build on the wider scholarly histories of Peta Tait, drawing important conclusions about the form including how weightlessness is constructed and risk is performed. In the introduction I re-evaluate the nostalgic histories of circus to establish circus’ and aerialists’ popularity in this period, before exploring how engagements shaped careers. Chapter 1 considers the difference in experiencing aerialists in the USA and UK by bringing together previously unrelated data on circus, variety and vaudeville venues. Aerialists made good celebrities because their acts, located above audience members’ heads, challenged the conventional relationship between ticket prices and sightlines. Chapter 2 explores how the kinaesthetic fantasy evoked by experiencing aerial action created glamour and how glamour had the power to reframe femininity in the 1920s. Glamour and celebrity have often been confused and Chapter 3 distinguishes the two before considering what characterises aerial celebrity. Reconfiguring Joseph Roach’s public intimacy as skilful vulnerability allows me to analyse how risk was gendered and performed in relationship to skill. The gendering of risk leads me to consider what in society contributed to aerial stardom by drawing upon Richard Dyer’s argument that celebrities embody a cultural ambiguity. Female aerialists reframed their femininity in a similar way to women who aspired to the modern girl stereotype in wider society. In the final chapter I expand on the activity of the modern girl, comparing strategies used by young exercising women to female aerialists. This enables me to draw conclusions about how witnessing these stars tapped into national ideas of citizenship, and to designate aerialists as the first to use the power of glamour to make muscular femininity acceptable.
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Carvalho, Eric de. "Circuitos comunicacionais. Mediações e midiatização de comunicação de marca em circuitos de consumo cultural e midiático." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/27/27153/tde-06092016-121047/.
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O presente trabalho tem como objetivo analisar as mediações comunicativas da cultura que envolvem as inter-relações entre marcas e seus públicos interagentes em seus circuitos comunicacionais, assim como o processo de midiatização decorrente dessas relações. O sistema publicitário se adaptou às novas tecnicidades da sociedade contemporânea, somando à tradicional técnica da propaganda dispositivos promocionais que visam estabelecer vínculos com seus públicos interagentes por meio do estimulo à participação, interação e colaboração. Esse panorama reflete a mudança de enfoque de processos comunicacionais unilaterais, baseados na emissão de mensagens, para processos interacionais estabelecidos com o suporte de tecnicidades que permitem a produção de conteúdo e sua difusão em redes de informação, estimulando a interação entre marca e públicos em um processo comunicacional baseado na perspectiva da circulação da informação por circuitos comunicacionais. A tese analisa circuitos comunicacionais entre marcas e públicos a partir do uso de aplicativos dotados da tecnicidade do georreferenciamento como um recorte metodológico para demonstração das interações entre circuitos físicos e digitais de comunicação entre consumidores e marcas. Os circuitos físicos de consumo cultural de marca são analisados pela abordagem teórica da perspectiva da antropologia urbana de Magnani (1999) e pela óptica da teoria das mediações segundo Martín-Barbero (2010, 2001) e sob a perspectiva da midiatização em sua vertente nórdica segundo Hjarvard (2013), Hepp (2011) e pela visão latino-americana de Braga (2006), Fausto Neto (2010) e Trindade e Perez (2014); os circuitos digitais são analisados com base na noção de publicização de Casaqui (2011), assim como nas visões sobre compartilhamento e engajamento por Castells (2003), Saad Correa (2010), Recuero (2008), Ugarte (2008), Jenkins, Ford e Green (2014) e Terra (2011). O estudo resulta em um protocolo de análise de circuitos comunicacionais estabelecidos sob a mediação de lógicas de produção de marcas e táticas de recepção de consumidores em constante negociação.This study aims to analyze culture communicative mediations that involves interrelationships between brands and interactor public in their communication circuits, as well as mediatization proceedings arising from these relations. Advertising system has adapted to new technicalities of contemporary society, adding to traditional technique of advertising some promotional devices that aim to establish links with their interactor public through stimulus to participation, interaction and collaboration. This situation reflects focus changes from unilateral communication processes based on message sending to interactional processes established by support of technicalities that enable content production and its distribution in information networks that stimulates interaction between brand and public in a communication process based on the perspective of information circulation on communication circuits. Thesis analyzes communication circuits between brands and public from use of georeferencing technicality provided mobile apps as a methodological cut to demonstration of interactions between physical and digital consumer-brands communication circuits. Brand cultural consumption physical circuits are analyzed by theoretical approach from Magnani´s (1999) urban anthropology perspective and Martin-Barbero´s (2010, 2001) mediation theory view and from mediatization theory by Hjarvard (2013) and Hepp´s (2011) northern perspective and latin american perspective of Braga (2006), Fausto Neto (2010) and Trinidad and Perez (2014). Digital circuits are analyzed by Casaqui´s (2011) notion of publicization perspective as well as views of sharing and engagement by perspective of Castells (2003), Saad Correa (2010), Recuero (2008), Ugarte (2008), Jenkins, Ford and Green (2014) and Terra (2011). The study results in analysis protocol of communication circuit established under mediation between brand production logics and consumer reception tactics in a constant negotiation.
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Greco, Rubio Scarlett. "Estación cultural Las Cañas: circuito Parque Las Cañas, Valparaíso." Tesis, Universidad de Chile, 2017. http://repositorio.uchile.cl/handle/2250/147241.
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Hanicz, Teodoro. "Modernidade, Religião e Cultura: O círculo de estudos bandeirantes e a restauração do catolicismo em Curitiba (1929-1959)." Pontifícia Universidade Católica de São Paulo, 2006. https://tede2.pucsp.br/handle/handle/2001.
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Previous issue date: 2006-10-20This study analyses the significance and the contribution of the Círculo de Estudos Bandeirantes in the Catholicism s restoration process in Curitiba between 1929 and 1959. The Circle had a large influence culturally and in the highest level of education and it has been seen as the generator root of PUC - Pr . It was one of the most significant cultural groups of the laic catholic elite concerned with the values revitalization and with the sense of the Catholicism in the modern society. Through a weekly formation program to its partners, the Circle became an important catholic center of debate about various subjects like Philosophy, Literature, Linguistic, Education, Music, Moral, Psychology, Anthropology, History, mainly nationalist and regionalist (from Paraná state) theme. The work widely discusses the restoration concept like an important key to understand the Catholicism in the modern world and to understand the debate around the modernity. Over all, the work discusses the evolution of the significance of the concept since the XIX century, focusing its different characteristics and directions in the European roman Church, not only in Brazil but also in Curitiba. The research bases in the large bibliography, the minutes of weekly meetings, speeches of bandeirantes and the articles published in the CEB magazine and others means of communication. This work doesn t focus the relation between Church and State nor the relation between the laics and hierarchy, but the effort of laic intellectual elite to restore the presence of Catholicism through cultural institutions
Este trabalho analisa o significado e a contribuição do Círculo de Estudos Bandeirantes no processo de restauração do catolicismo em Curitiba entre 1929 e 1959. O Círculo exerceu enorme influência no mundo da cultura e do ensino superior e é considerado a raiz geradora da PUCPR . Foi uma das mais expressivas agremiações culturais da elite católica laica preocupada com a revitalização dos valores e do sentido do catolicismo na sociedade moderna. Através de um programa semanal de formação para os seus sócios, o Círculo transformou-se num importante centro católico de debate sobre temas diversos, abrangendo filosofia, literatura, lingüística, educação, música, moral, psicologia, antropologia, história etc., sobretudo temas de cunho nacionalista e regionalista ou paranista. Discute-se o conceito restauração como chave para a compreensão do catolicismo no mundo moderno e para a compreensão das discussões em torno da modernidade. Sobretudo discute-se a evolução do significado do conceito desde o século XIX, focalizando suas diferentes características e direções na Igreja romana européia, no Brasil e em Curitiba. A pesquisa apoia-se numa ampla bibliografia, nas atas das reuniões, nos discursos dos bandeirantes e nos artigos publicados na Revista do CEB e em outros veículos de comunicação. Neste trabalho, não se focaliza a relação Igreja e Estado nem a relação leigos e hierarquia, mas o empenho de uma elite intelectual laica para restaurar a presença do catolicismo através de instituições culturais
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Silva, Thalita Costa da. "Mem?rias de um palha?o: O rito de passagem de Roger Avanzi para o palha?o Picolino II." Universidade Federal do Rio Grande do Norte, 2011. http://repositorio.ufrn.br:8080/jspui/handle/123456789/13629.
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Previous issue date: 2011-04-01Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior
This dissertaion reflects about life's trajectory of a specific clown: Roger Avanzi, who gives animus to the clown Picolino II. The main objective is to promove reflections about the insertion of the clowns in the universe of the circus, to make us comprehend the process of formation of a clown formed in a traditional circus family. In this research, we begin of the conjecture that, through the individual memory we can think about rebuild the process of a professional's integral formation.Then, we trace the itinerary of Roger Avanzi, the clown Picolino II, think that it has possibilities, in this case, to discuss about what is a clown's formation when it come from a traditional circus family. To walk on this universe, a huge numer of authors that deeply studyed about the circus ans the clowns, like: Avanzi; Tamaoki (2004), Bolognesi (2003), Castro (2005), Pantano (2007), Ruiz (1987), Silva (1997) e Torres (1998). We bring then, a theoric base that certainly, fortifies and corroborates our thoughts and reflections about the universe of circus and the trajectory of clown's formation, with special atention to Roger Avanzi, fundamentals i studies about it and with memories like Halbwachs's (2004) and Bosi's (1994). The reflections enabled to conclude that a clown doesn't born done; it becomes in the cultural trajectory, in which all the human are inserted
Reflete-se, nesta disserta??o, sobre a trajet?ria de vida de um determinado palha?o: Roger Avanzi, que d? animus ao palha?o Picolino II. O objetivo principal ? promover reflex?es sobre a inser??o do palha?o no universo circense para compreendermos o processo de forma??o de um palha?o formado em uma fam?lia tradicional circense. Nesta pesquisa, partimos do pressuposto de que, atrav?s da utiliza??o da mem?ria individual podemos pensar em reconstruir o processo de forma??o integral de um profissional. Assim, tra?amos o itiner?rio de Roger Avanzi, o palha?o Picolino II, pensando que h? possibilidades, neste, de discutirmos o que ? a forma??o de um palha?o vindo de fam?lia tradicional circense. Para caminhar nesse universo, a uma gama de autores que estudaram profundamente sobre o circo e os palha?os, entre esses: Avanzi; Tamaoki (2004), Bolognesi (2003), Castro (2005), Pantano (2007), Ruiz (1987), Silva (1997) e Torres (1998). Trazemos assim, uma base te?rica que certamente, fortalece e corrobora nossos pensamentos e reflex?es acerca do universo circense e da trajet?ria de forma??o dos palha?os, com especial aten??o a de Roger Avanzi, fundamentados em estudos sobre e com mem?rias como os de Halbwachs (2004) e Bosi (1994). As reflex?es possibilitaram concluir que um palha?o n?o nasce feito; ele se faz na trajet?ria cultural, na qual est?o inseridos todos os seres humanos
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Audi, Sergio Luis. "Uma jornada em busca da popularização do circuito cultural através do espaço da escola ou A possibilidade de um ator-educador." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/27/27155/tde-21032017-105427/.
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Esta pesquisa parte de 23 anos de experiência de envolvimento em projetos de ação cultural, que podemos denominar circuito popular ou popularização do circuito cultural. Estes projetos foram desenvolvidos a partir de centenas de apresentações de espetáculos profissionais para o público adulto de escolas públicas (Ensino Médio e Educação de Jovens e Adultos). Aliados a cursos e oficinas para professores e/ou alunos, visando o estabelecimento de um diálogo profícuo com o sistema educacional, além da dinamização e aprofundamento da relação de educadores e educandos com o teatro, compreendendo a prática artística como parte integrante e necessária no âmbito da vida social contemporânea. A meta dos referidos projetos de ação cultural desenvolvidos ao longo dos últimos anos foi a de avançar nas perspectivas abertas pela experiência artística, pesquisando como as condições dadas na situação de apresentações no espaço das escolas podem se constituir como elementos de linguagem, possibilitando o desenvolvimento de modos expressivos potentes para uma fruição apurada das obras apresentadas. A presente pesquisa parte de uma experimentação cênica, que resultou em um espetáculo teatral, utilizando as salas de aula como espaços cênicos, a partir da adaptação de um texto da literatura brasileira - Vidas Secas, de Graciliano Ramos -, que foi sendo concebida no curso da própria experiência investigativa.-
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Murray, Cody (Cody Daniel). "Connections between circuit analysis problems and circuit lower bounds." Thesis, Massachusetts Institute of Technology, 2018. http://hdl.handle.net/1721.1/120467.
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Thesis: Ph. D. in Computer Science and Engineering, Massachusetts Institute of Technology, Department of Electrical Engineering and Computer Science, 2018.Cataloged from PDF version of thesis.
Includes bibliographical references (pages 107-112).
A circuit analysis problem takes a Boolean function f as input (where f is represented either as a logical circuit, or as a truth table) and determines some interesting property of f. Examples of circuit analysis problems include Circuit Satisfiability, Circuit Composition, and the Minimum Size Circuit Problem (MCSP). A circuit lower bound presents an interesting function f and shows that no "easy" family of logical circuits can compute f correctly on all inputs, for some definition of "easy". Lower bounds are infamously hard to prove, but are of significant interest for understanding computation. In this thesis, we derive new connections between circuit analysis problems and circuit lower bounds, to prove new lower bounds for various well-studied circuit classes. We show how faster algorithms for Circuit Satisfiability can imply non-uniform lower bounds for functions in NP and related classes. We prove that MCSP cannot be NP-hard under "local" gadget reductions of the kind that appear in textbooks, and if MCSP proved to be NP-hard in the usual (polynomial-time reduction) sense then we would also prove longstanding lower bounds in other regimes. We also prove that natural versions of the Circuit Composition problem do not have small circuits that are constructible in very small (logarithmic) space.
by Cody Murray.
Ph. D. in Computer Science and Engineering
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Mathye, Musa W. "The effect of circuit configuration on regrind circuit performance." Master's thesis, University of Cape Town, 2004. http://hdl.handle.net/11427/6762.
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Includes bibliographical references (leaves 120-123).It was identified that potential improvements in recoveries were to be found in the better use of the regrind stages at a number of Anglo-Platinum concentrators. Historically, these concentrators used to operate in an open circuit configuration, over a relatively short period, the circuits were changed to closed circuit configurations because of the reported benefits of operating in this configuration. The effect of closing the circuit had, however not been quantified in these concentrators. This dissertation looks at quantifying the effects of each configuration with the purpose of drawing meaningful comparisons between them. The circuit configurations studied are open circuit, I-stage and 2-stage closed circuit configurations. The primary difference between these configurations is the network of hydrocyclones. This study pays special attention to the effect of cyclone performance on the regrind circuit performance. Comparisons were made between the open and the 2-stage closed circuits in three concentrators, and surprisingly the closed circuit did not show any improvement over the open circuit configuration from a combination efficiency perspective. The cyclones performance was analysed, and it was observed that the cyclones were operating inefficiently, most likely because the cyclones employed were not appropriate for regrind circuits. A further comparison was made between the I-stage and 2-stage circuit configurations and the I-stage closed circuit configuration proved to be more efficient than the 2-stage closed circuit configuration. Simulations were conducted to predict the performance of the circuit configurations by using more appropriate cyclones which are smaller in size. These cyclones are currently being used in a similar application in another concentrator. The simulations indicated that significant improvements in comminution performance could be realised with the utilisation of more appropriate cyclones, to achieve the closed circuit configuration.
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De, La Garza Richard. "Determination of neuronal morphology in spinal monolayer cultures." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc798395/.
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The objective of the completed research was to characterize the morphology of individual neurons within monolayer networks of fetal mouse spinal tissue via intraperikaryal injections of horseradish peroxidase (HRP). Thirty labelled neurons were reconstructed via camera lucida drawings and morphometrically analyzed.
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Morefield, Samantha I. (Samantha Irene). "Responses of Cultured Neuronal Networks to the Cannabinoid Mimetic Anandamide." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc277717/.
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The effects of cannabinoid agonists on spontaneous neuronal network activity were characterized in murine spinal cord and auditory cortical cultures with multichannel extracellular recording using photoetched electrode arrays. Different cultures responded reproducibly with global decreases of spiking and bursting to anandamide and methanandamide, but each agonist showed unique minor effects on network activity. The two tissues responded in a tissue-specific manner. Spontaneous activity in spinal tissue was terminated by 1 μM anandamide and 6.1 μM methanandamide. Cortical activity ceased at 3.5 μM and 2.8 μM respectively. Irreversible cessation of activity was observed beyond 8 μM for both tissues and test substances. Palmitoylethanolamide, demonstrated that CB2 receptors were not present or not responsive. However, the data strongly suggested the presence of CB1 receptors.
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Nye, Matthew J. "Preconditioner circuit analysis." Thesis, Monterey, California. Naval Postgraduate School, 2011. http://hdl.handle.net/10945/5470.
Full textAbstract:
Approved for public release; distribution is unlimited.Voltages up to 10,000 volts or higher must be attenuated and measured to provide control feedback for many applications like medium voltage generators or pulsed power systems. How these medium voltage signals can be conditioned so that they can be input to analog control circuits or analog-to-digital converters is the focus of this thesis. A preconditioner circuit takes as input a medium voltage signal and outputs a low voltage conditioned signal to an analog-to-digital converter. Each of the components of the preconditioner circuit, a voltage divider and an averaging circuit designed with an operational amplifier, contributes to the signal conditioning. The theoretical computations, simulations of the circuit, and experimental data were analyzed for congruence. The 3 dB bandwidth of the experiment's frequency response was significantly reduced compared to that of the simulation's frequency response because of parasitic capacitances in the circuit board.
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Routley, Paul Richard. "BiCMOS circuit optimisation." Thesis, University of Southampton, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.242271.
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