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1

Hiroshi, Ikezawa, ed. City score: Variation on a theme = Machi narabi no sukoa. Process Architecture, 1985.

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2

Dunnett, Kaitlyn. Scone cold dead. Kensington Books, 2008.

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Corporation, Port Authority Trans-Hudson, ed. Draft scope: Permanent World Trade Center PATH terminal : environmental impact statement. [The Port Authority of NY & NJ], 2003.

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Erb, Donald. Sunlit peaks and dark valleys: For violin, clarinet in B♭, and piano. Merion Music, 1998.

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Tonkin, Dean Gilbert. Between the lines. Toucan Tunes Publishing, 2010.

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6

Corporation, Lower Manhattan Development, and Roy Allen & Associates, eds. Public meeting: Draft scope : World Trade Center memorial and redevelopment plan : generic environmental impact statement : Tribeca Performing Arts Center, Chambers Street, New York, New York, July 23, 2003. Roy Allen & Associates, Inc., 2003.

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Symphonic and Chamber Music Score and Parts Bank (City University of New York). Symphonic and Chamber Music Score and Parts Bank thematic catalogue of the Barry S. Brook Facsimile Archive of 18th and early 19th Century Autographs, Manuscripts, and Printed Copies at the Ph.D. Program in Music of the Graduate School of the City University of New York. Pendragon Press, 1996.

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Jooss, Kurt. Big city. Dance Books, 2000.

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9

Segre, Renata. Preludio al Ghetto di Venezia Gli ebrei sotto i dogi (1250-1516). Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-552-0.

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A history of the Jewish presence in Venice and in the Serenissima Republic before the establishment of the Venice Ghetto had not yet been written, because there was no relevant investigation into the documentary sources of archives and libraries. On the occasion of the celebrations for the five hundred years of the Ghetto, it was still maintained that only from 1516 did the Jews settle in the city. This book, the result of twenty years of systematic research, intends to controvert that myth, which is an integral part of the larger myth of Venice. The documentary scope covers almost three hundr
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10

Fulks, Matt. More Than The Score. Metro Sports Books, 2006.

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11

City score: Variation on a theme. Process Architecture Pub. Co., 1985.

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12

Churchill, David. The Scope of Policing. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198797845.003.0003.

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This chapter explores the urban police role in the nineteenth century, examining what the police did and how they were deployed in the city. It details how both the ‘old’ and the ‘new’ police were given an ‘omnibus mandate’, covering crime control, urban order, sanitation, and public safety. Police statistics reveal that police interventions were far more common for minor, impersonal, regulatory offences than for more serious, personal crimes of theft and violence. Hence, rather than specialist crime-fighting agencies, nineteenth-century police forces were key institutions of urban improvement
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Lawson, Matt, and Laurence E. MacDonald. 100 Greatest Film Scores. The Rowman & Littlefield Publishing Group, Inc., 2018. https://doi.org/10.5040/9798881820770.

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The background music on a film can make or break the audience experience. Imagine the shower scene in Psycho without the shrieking violins or Jaws without the ominous notes thatportend the shark’s attack! Musical accompaniment helps create atmosphere for the viewer, from subtle undertones to compositions that heighten the drama. In 100 Greatest Film Scores, authors Matt Lawson and Laurence E. MacDonald consider the finest music produced for cinema since the development of motion picture sound. Each entry includes background details about the film, biographical information about the composer, a
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14

Dunnett, Kaitlyn. Scone Cold Dead. Kensington Publishing Corporation, 2008.

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15

Dunnett, Kaitlyn. Scone Cold Dead. Kensington Publishing Corporation, 2009.

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16

Scone cold dead. Center Point Pub., 2008.

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17

Scone Cold Dead. Kensington Publishing Corporation, 2009.

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18

Scone Cold Dead. Kensington Publishing Corp., 2008.

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19

Scone Cold Dead. Kensington Publishing Corporation, 2009.

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20

Scone cold dead. Kensington Pub. Corp., 2008.

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21

The facilitative leader in city hall: Reexamining the scope and contributions. Auerbach Publications, 2009.

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22

Howell, James W. Greenwood Encyclopedia of Love, Courtship, and Sexuality through History. Greenwood Publishing Group, Inc., 2007. http://dx.doi.org/10.5040/9798216971221.

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The Greenwood Encyclopedia of Sex, Love, and Culture volumes cover the ancient world, the medieval era, the early modern period, the colonial and revolutionary age, the nineteenth century, and the modern world. Each volume is cross-cultural in scope and includes alphabetically arranged entries written by expert contributors. Entries cover such topics as customs and practices, authors and works, concepts and institutions, and various other subjects. Thus the Encyclopedia defines love and sexuality in terms of cultural contexts. The volumes are fully illustrated and cite numerous works for furth
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23

Mumm, Susan, ed. Greenwood Encyclopedia of Love, Courtship, and Sexuality through History. Greenwood Publishing Group, Inc., 2007. http://dx.doi.org/10.5040/9798216971214.

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The Greenwood Encyclopedia of Sex, Love, and Culture volumes cover the ancient world, the medieval era, the early modern period, the colonial and revolutionary age, the nineteenth century, and the modern world. Each volume is cross-cultural in scope and includes alphabetically arranged entries written by expert contributors. Entries cover such topics as customs and practices, authors and works, concepts and institutions, and various other subjects. Thus the Encyclopedia defines love and sexuality in terms of cultural contexts. The volumes are fully illustrated and cite numerous works for furth
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24

Smith, Merril D., ed. Greenwood Encyclopedia of Love, Courtship, and Sexuality through History. Greenwood Publishing Group, Inc., 2007. http://dx.doi.org/10.5040/9798216971207.

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The Greenwood Encyclopedia of Sex, Love, and Culture volumes cover the ancient world, the medieval era, the early modern period, the colonial and revolutionary age, the nineteenth century, and the modern world. Each volume is cross-cultural in scope and includes alphabetically arranged entries written by expert contributors. Entries cover such topics as customs and practices, authors and works, concepts and institutions, and various other subjects. Thus the Encyclopedia defines love and sexuality in terms of cultural contexts. The volumes are fully illustrated and cite numerous works for furth
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25

Howell, James W., ed. Greenwood Encyclopedia of Love, Courtship, and Sexuality through History. Greenwood Publishing Group, Inc., 2007. http://dx.doi.org/10.5040/9798216971177.

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The Greenwood Encyclopedia of Sex, Love, and Culture volumes cover the ancient world, the medieval era, the early modern period, the colonial and revolutionary age, the nineteenth century, and the modern world. Each volume is cross-cultural in scope and includes alphabetically arranged entries written by expert contributors. Entries cover such topics as customs and practices, authors and works, concepts and institutions, and various other subjects. Thus the Encyclopedia defines love and sexuality in terms of cultural contexts. The volumes are fully illustrated and cite numerous works for furth
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26

Svara, James H. Facilitative Leader in City Hall: Reexamining the Scope and Contributions. Taylor & Francis Group, 2008.

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27

Horne, Gerald. Black Chicago. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037924.003.0006.

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This chapter examines Patterson's arrival in Chicago. After operating semiclandestinely in Europe and coordinating the Scottsboro campaign, being deployed to Chicago almost seemed like a demotion for Patterson. Surely, the Second City was no backwater, and given its steel mills teeming with proletarians, it was more eye-catching for a self-respecting Marxist-Leninist than a relatively less-endowed Manhattan. Still, the abjectly horrible conditions faced by the Negro working class—including many abodes bereft of water or even toilets—were suggestive of the fact that there was much work to do. I
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28

Final scope: World Trade Center memorial and redevelopment plan : generic environmental impact statement. LMDC, 2003.

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29

Draft scope: World Trade Center memorial and redevelopment plan : generic environmental impact statement. LMDC, 2003.

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30

Doody, Colleen. Labor and the Birth of the Postwar Red Scare, 1945–1950. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037276.003.0003.

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This chapter demonstrates how local politics in Detroit was roiled by a debate over the power of labor and the expansion of the New Deal state. Labor's size and influence grew rapidly during the New Deal and the war. Despite the fact that Detroit was the most heavily unionized city in the nation, anti-CIO candidates won political office in some crucial elections by linking labor to the Communist Party. While such red baiting was fairly conventional behavior, this language resonated with voters during the mid-1940s who feared labor's strength and chafed against wartime government regulations. I
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31

[Final scope: World Trade Center memorial and redevelopment plan, generic environmental impact statement : draft]. LMDC, 2004.

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32

Public comment meetings: Draft scope of generic environmental impact statement : World Trade Center memorial and redevelopment plan : July 23, 2003. LMDC, 2003.

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33

The Facilitative Leader in City Hall: Reexamining the Scope and Contributions. AUERBACH, 2008.

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34

Perone, James E. Musical Anthologies for Analytical Study. Greenwood Publishing Group, Inc., 1995. http://dx.doi.org/10.5040/9798216187189.

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Presenting detailed information about 14 standard anthologies, this useful music reference tool lists all excerpts and complete compositions, provides information concerning the type of score presented, and includes an index of composers and sources as well as an index of complete compositions and movements. The book is designed primarily for researchers and teachers of music theory to make the search for analytical source material easier and faster than previously possible. The anthologies cited are all currently in print or are generally available in music libraries. The book lists all excer
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35

Svara, James H. Facilitative Leader in City Hall: Reexamining the Scope and Contributions. Taylor & Francis Group, 2008.

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36

Svara, James H. Facilitative Leader in City Hall: Reexamining the Scope and Contributions. Taylor & Francis Group, 2009.

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37

Caps, John. Allegheny River Launch. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036736.003.0002.

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This chapter details the early life of Henry Mancini. Born in Cleveland, Ohio, in 1924 as Enrico Nicola Mancini, the young Henry would grow up just over the Pennsylvania border in the steel town of West Aliquippa, where two great rivers, the Allegheny and the Monongahela, come together to become the Ohio River. The first time Mancini became aware of the music score behind a movie was during a trip to the local movie theater with his father in 1935. Something in the grandiose score to a picture called The Crusaders, composed by Rudolf Kopp, made him pay attention to the role that music was play
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38

Caps, John. The Music Factory. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036736.003.0004.

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This chapter details events following Mancini's employment as a Universal Studios staff composer in 1952. The Universal Studios staff composers were a highly organized, well-oiled team, able to score any sort of film, any story or setting, albeit with fairly generic music and always in a rush. Mancini's daily routine at Universal, studying the clichés of Hollywood storytelling music, was the perfect on-the-job training for his career to come. Among his first assignments was to score the studio's glamorous two-reeler films with titles like The World's Most Beautiful Girls, Fun for All, and Caly
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39

Camper, Martin. Definition. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190677121.003.0003.

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Chapter 3 explores the interpretive stasis of definition, where there is a question concerning the intended or appropriate scope of the basic sense of a term in a text. The chapter shows how rhetors, by persuasively articulating a definition and resorting to various lines of argument, can shift the meaning of passages and reframe controversies hinging on a text’s interpretation by adjusting the scope of a single term. But only linchpin terms (similar to Burke’s and Weaver’s ultimate terms) have this governing quality. The chapter’s central example consists of oral arguments from the 2010 Supre
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40

Burns, William E., ed. Greenwood Encyclopedia of Love, Courtship, and Sexuality through History. Greenwood Publishing Group, Inc., 2007. http://dx.doi.org/10.5040/9798216971184.

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The Greenwood Encyclopedia of Sex, Love, and Culture volumes cover the ancient world, the medieval era, the early modern period, the colonial and revolutionary age, the nineteenth century, and the modern world. Each volume is cross-cultural in scope and includes alphabetically arranged entries written by expert contributors. Entries cover such topics as customs and practices, authors and works, concepts and institutions, and various other subjects. Thus the Encyclopedia defines love and sexuality in terms of cultural contexts. The volumes are fully illustrated and cite numerous works for furth
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41

Goldman, Danielle. Improvised Dance in the Reconstruction of. Edited by George E. Lewis and Benjamin Piekut. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780195370935.013.21.

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“Improvised Dance in the Reconstruction ofTHEM” analyzes the 2010 re-creation of a 1986 performance conceived by Ishmael Houston-Jones, Chris Cochrane, and Dennis Cooper, which critics often cite as one of the earliest performance art responses to the AIDS crisis. Given that the work consists entirely of scored improvisations, this essay considers the politics of reconstructing an improvised dance. Drawing from dance studies as well as recent queer theory that focuses on temporality, the essay attends to the specter of the original cast from the 1980s. It argues that improvisation enabled the
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42

Lebow, Eileen. The Bright Boys. Praeger, 2000. http://dx.doi.org/10.5040/9798400621413.

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Named for the man who brought free higher education to city youths unable to afford the two local private colleges, Townsend Harris High School reminded generations of New Yorkers of the city's debt to him. Its mission was to prepare young men for success at City College, where education was free to graduates of the city's public high schools. The school's three year course was tough and rigorous. Students learned to survive and perform, or they left. By the 1930s, Townsend Harris was synonymous for bright boys, students who scored high on the yearly Regents examinations, but whose athletic ab
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43

Joongi, Kim. 2 The Arbitration Agreement. Oxford University Press, 2017. http://dx.doi.org/10.1093/law/9780198755432.003.0002.

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This chapter provides an overview of arbitration agreements in particular—what they entail and how these agreements are formed. Arbitration after all begins with an arbitration agreement between parties to settle a dispute by means of arbitration. Korea’s 2016 Arbitration Act adopts the Model Law definition of an arbitration agreement. It provides that, alongside written requirements, electronic expressions of intent such as those made by email and telex, and other expressions by electronic means, can also be considered as arbitration agreements if the intent of the parties can be confirmed. F
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44

Devereux, Eoin, Giacomo Bottà, Aileen Dillane, and Martin J. Power. Deindustrialisation and Popular Music. Rowman & Littlefield Publishers, 2020. https://doi.org/10.5040/9798881811822.

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The book is a comparative study of popular music cultures in 1980s Torino, Tampere, Manchester and Düsseldorf and their relation to the industrial city as imaginary, as heritage and as everyday reality. Popular music genres, such as hardcore punk, house, industrial, post-punk and heavy metal, share a common origin in 1980s decaying industrial cities. All these genres have been canonized and understood as “scores” for grey, gloomy, decaying urban industrial environments or for their evocation, but is there an organic relationship between de-industrialization and this kind of music production?
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45

Freeze, Timothy. Popular Music and the Colloquial Tone in the Posthorn Solos of Mahler’s Third Symphony. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199316090.003.0010.

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The posthorn solos in the trios of the third movement of Mahler’s Third Symphony have polarised critical and scholarly opinion regarding their stylistic origins. My examination places the posthorn solos in the context of the popular music of Mahler’s day. Drawing on contemporary reviews, sheet music, and military band manuscripts in Austrian and German archives, I uncover palpable references, since forgotten or neglected, both to the genre of sentimental trumpet solos, common in salon music and band concerts, and to posthorn stylisations distinctive to popular music. Mahler demonstrably knew t
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46

Page, Janet K., ed. Beglückte Verbundtnüß des Adels mit der Tugend. A-R Editions, 2021. http://dx.doi.org/10.31022/b219.

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The anonymous Beglückte Verbundtnüß des Adels mit der Tugend (The happy union of nobility with virtue) is a Sittenspiel (moral or morality play) with music. The score, preserved in the Österreichische Nationalbibliothek, was probably presented to members of the imperial family when they attended performances of the entertainment at the Augustinian convent of St. Laurenz in Vienna in August 1688. Beglückte Verbundtnüß was performed by the convent-school girls; its attractive music is suited to the skills of the young performers and the limited resources of the convent. The work illuminates the
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47

Stilwell, Robynn J. Evening Primrose. Edited by Robert Gordon. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195391374.013.0015.

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Stephen Sondheim’s 1966 television musicalEvening Primroseis an intriguing snapshot that captures a number of intersecting impulses: Sondheim’s own predilection toward mystery, fantasy, and the macabre; the shifting ground of mid-century popular culture, both in style and medium; and a yearning for the urban pastoral, an escape from the urbanization, mechanization, and alienation of the modern condition, particularly in New York City. Charles is a poet who escapes into a department store; there, he discovers an aging, alternative society that lives in fear of “the Dark Men,” and a young woman,
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48

Fischer, Lucy. Sunrise. 2nd ed. Bloomsbury Publishing Plc, 2020. https://doi.org/10.5040/9781839022012.

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Sunrise: A Song of Two Humans (1927) is one of the most historically pivotal of all films. The first American film of the celebrated German director F.W. Murnau, Sunrise tells the story of a love triangle between characters named only as The Man, The Wife, and The Woman From the City. Lucy Fischer's compelling study of the film shows how it mediates between German expressionism and American melodrama, the avant-garde and popular fiction, silent cinema and 'talkies'. A lavish and sumptuous production famous for its vast, specially-constructed sets, and one of the first feature films with a sync
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49

Demshuk, Andrew. Bowling for Communism. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501751660.001.0001.

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This book illuminates how civic life functioned in Leipzig, East Germany's second-largest city, on the eve of the 1989 revolution by exploring acts of “urban ingenuity” amid catastrophic urban decay. The book profiles the creative activism of local communist officials who, with the help of scores of volunteers, constructed a palatial bowling alley without Berlin's knowledge or approval. In a city mired in disrepair, civic pride overcame resentment against a regime loathed for corruption, Stasi spies, and the Berlin Wall. Reconstructing such episodes through interviews and obscure archival mate
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50

Mirchandani, Sharon. Modern Dance and the MGM Recordings. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037313.003.0002.

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This chapter focuses on Marga Richter's success with her modern dance scores and MGM music recordings during the period 1951–1960. After graduating from Julliard Graduate School, Richter moved to an apartment on 308 West 107th Street. In New York City, she was able to attend fine traditional and new music concerts, visit museums, and partake in the cultural life of the city. However, earning a living was a significant concern. Fortunately, Richter's music had drawn the attention of choreographer James Waring. This chapter first considers Richter's studies in New York and her marriage to Alan S
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