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Journal articles on the topic 'City Club of New York'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Buszek, Maria Elena. "Ladies’ Auxiliary of the Lower East Side: Post-punk feminist art and New York’s Club 57." Punk & Post-Punk 9, no. 3 (2020): 425–42. http://dx.doi.org/10.1386/punk_00037_1.

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This article analyses the feminist art that emerged from New York City’s short-lived, post-punk venue Club 57 (1978–83), where music mixed with visual art, experimental film, performance and politics. A hub of New York’s ‘downtown scene’, Club 57 exemplified ways in which artists’ increasingly promiscuous experiments across media led them to abandon galleries and museums in favour of nightclubs, discos and bars. This tendency dovetailed with the practices of an emergent generation of feminist artists eager to both break out of the sexist art world and engage with popular culture and audiences.

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2

Speyer, Katherine E. "New York State Club Association v. City of New York: The Demise of the All-Male Club." Pace Law Review 10, no. 1 (1990): 273. http://dx.doi.org/10.58948/2331-3528.1461.

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3

Joyce, H. Horatio. "Disharmony in the Clubhouse." Journal of the Society of Architectural Historians 78, no. 4 (2019): 422–41. http://dx.doi.org/10.1525/jsah.2019.78.4.422.

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In Disharmony in the Clubhouse: Exclusion, Identity, and the Making of McKim, Mead & White's Harmonie Club of New York City, H. Horatio Joyce offers the first sustained case study of one of McKim, Mead & White's New York clubhouses. The Harmonie Club was a Jewish club, and Joyce explores how and why a firm associated with powerful Protestant interests came to design its home. His reconstruction of that story provides an unusually intimate portrait of an instance when the categories of race, gender, and class intersected to shape American society in the Gilded Age.

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Lee, Mitchell. "Self and The City: Social Identity and Ritual at New York City Football Club." Journal of Contemporary Ethnography 47, no. 3 (2016): 367–95. http://dx.doi.org/10.1177/0891241616677581.

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This article addresses the construction of a singing culture at New York City Football Club (NYCFC) over the course of its inaugural season in Major League Soccer (MLS). Although being a supporter can provide many of the feelings associated with the term “community,” in order to capture the fluid reality of twenty-first-century group formation, this article rejects that label, preferring to understand NYCFC fandom as an emerging “social identity.” Such an approach enables us to recognize the many layers of identification that form people’s self-concepts. I argue that NYCFC fandom, and perhaps

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5

Shubitz, Scott M. "LIBERAL INTELLECTUAL CULTURE AND RELIGIOUS FAITH: THE LIBERALISM OF THE NEW YORK LIBERAL CLUB, 1869–1877." Journal of the Gilded Age and Progressive Era 16, no. 2 (2017): 183–205. http://dx.doi.org/10.1017/s1537781417000056.

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This essay addresses the question of how the idea of liberalism and antireligious sentiment became associated during the Gilded Age. The subject of this essay—the New York Liberal Club, a debate and lecture group in New York City (1869–1877)—sheds light on the process in which liberalism, as an idea, outgrew its religious origins in early nineteenth-century America and more than ever became linked with antireligious sentiment. In the case of the New York Liberal Club, this development owed to the club's connection to social science and members' participation in the contentious debate over scie

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Ompad, Danielle C., Sandro Galea, Crystal M. Fuller, Darcy Phelan, and David Vlahov. "Club Drug Use Among Minority Substance Users in New York City." Journal of Psychoactive Drugs 36, no. 3 (2004): 397–99. http://dx.doi.org/10.1080/02791072.2004.10400039.

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7

Kelly, Brian C., Jeffrey T. Parsons, and Brooke E. Wells. "Prevalence and Predictors of Club Drug Use among Club-Going Young Adults in New York City." Journal of Urban Health 83, no. 5 (2006): 884–95. http://dx.doi.org/10.1007/s11524-006-9057-2.

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8

Luvaas, Brent. "Post No Bill: The Transience of New York City Street Style." Fashion Studies 1, no. 1 (2018): 1–20. http://dx.doi.org/10.38055/fs010101.

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The sidewalks outside New York Fashion Week are lined with makeshift plywood walls. They are designed to keep pedestrians out of construction zones, but they have become the backdrops of innumerable “street style” photographs, portraits taken on city streets of self-appointed fashion “influencers” and other stylish “regular” people. Photographers, working to build a reputation within the fashion industry, take photos of editors, bloggers, club kids, and models, looking to do the same thing. The makeshift walls have become a site for the staging and performance of urban style. This photo essay

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Bird, Jess. "Fire in the Bronx: Austerity, Quality of Life, and Nightlife Regulation in New York City Post-1975." Journal of Urban History 46, no. 4 (2019): 836–53. http://dx.doi.org/10.1177/0096144219836930.

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America’s underground economy has grown strikingly since the 1970s, reflecting consumer demand for cheap prices, workers’ search for alternative sources of income, and government intervention. Far from unregulated, this economy has been managed in crucial ways, revealing a fundamental paradox in free market rhetoric. This was particularly striking in New York City in the latter decades of the twentieth century, where a set of uneven responses to the underground economy expanded its boundaries through new licensing, zoning, and permitting requirements that many businesses could not conform to.

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Parsons, Jeffrey T., Perry N. Halkitis, and David S. Bimbi. "Club Drug Use Among Young Adults Frequenting Dance Clubs and Other Social Venues in New York City." Journal of Child & Adolescent Substance Abuse 15, no. 3 (2006): 1–14. http://dx.doi.org/10.1300/j029v15n03_01.

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11

Rayl, Susan. "“Holding Court”: The Real Renaissance Contribution of John Isaacs." Journal of Sport History 38, no. 1 (2011): 5–17. http://dx.doi.org/10.5406/jsporthistory.38.1.5.

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Abstract John Isaacs learned to play basketball while growing up in Harlem, New York. He gained top honors on his high school team and played professionally for the famed New York Renaissance, assisting in their 1939 “World” title. During World War II, Isaacs played for several professional basketball teams, including the 1943 champion Washington Bears. Following his basketball career, Isaacs worked full time as a clerk for New York Life Insurance during the day and at the Boys and Girls Club in the evening in the Bronx. Isaacs dedicated his life to the youth of New York City over the next fif

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12

Elfman, Lois. "Community College Professor Takes Readers into the Little‐Known World of an All‐Women's Motorcycle Club." Dean and Provost 26, no. 9 (2025): 8–11. https://doi.org/10.1002/dap.31514.

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Dr. Sarah Hoiland appreciates diverse paths in higher education. In addition to being an associate professor of sociology at Hostos Community College (part of the City University of New York), she also teaches in two college‐in‐prison programs, serves as the principal investigator for the Hostos HOPE Project, and is budget and grants director for CUNY Academy.

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Elfman, Lois. "Community College Professor Takes Readers into the Little‐Known World of an All‐Women's Motorcycle Club." Recruiting & Retaining Adult Learners 27, no. 8 (2025): 8–12. https://doi.org/10.1002/nsr.31328.

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Dr. Sarah Hoiland appreciates diverse paths in higher education. In addition to being an associate professor of sociology at Hostos Community College (part of the City University of New York), she also teaches in two college‐in‐prison programs, serves as the principal investigator for the Hostos HOPE Project and is budget and grants director for the CUNY Academy.

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Nanín, José E., and Jeffrey T. Parsons. "Club Drug Use and Risky Sex Among Gay and Bisexual Men in New York City." Journal of Gay & Lesbian Psychotherapy 10, no. 3-4 (2006): 111–22. http://dx.doi.org/10.1300/j236v10n03_10.

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Nanin, Jose, and Jeffrey Parsons. "Club drug use and risky sex among gay and bisexual men in New York city." Journal of Gay & Lesbian Mental Health 10, no. 3 (2006): 111–22. http://dx.doi.org/10.1080/19359705.2006.9962457.

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16

Cocciolo, Anthony. "Community Archives in the Digital Era: A Case from the LGBT Community." Preservation, Digital Technology & Culture 45, no. 4 (2017): 157–65. http://dx.doi.org/10.1515/pdtc-2016-0018.

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Abstract:This project looks at the challenges of establishing a digital community archives. The case that will be explored is that of Front Runners New York, an LGBT running club. The archive documents this small slice of the New York City LGBT community, capturing the impact of the AIDS epidemic and the community's struggle for wide acceptance in the 1980s and 1990s, and more recent triumphs in the 2010s such as the success of the marriage equality movement. This project finds that establishing and maintaining a community digital archive necessitates navigating a complex set of technological

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17

Link, Alex. "City Limits: Fixing New York in Caleb Carr's The Alienist." Clues: A Journal of Detection 23, no. 3 (2005): 31–41. http://dx.doi.org/10.3200/clus.23.3.31-41.

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18

Habich, Robert D., and Bryan Watermar. "Republic of Intellect: The Friendly Club of New York City and the Making of American Literature." Journal of American History 96, no. 1 (2009): 197. http://dx.doi.org/10.2307/27694765.

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19

Quirke, Carol. "Imagining Racial Equality." Radical History Review 2018, no. 132 (2018): 96–125. http://dx.doi.org/10.1215/01636545-6942440.

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Abstract Local 65 United Warehouse Workers Union (1933–1987), which became District 65 United Auto Workers, promoted photography with a camera club, and a member-edited newspaper New Voices, featuring photographs taken by members. This left-led, New York City distributive industry union began in 1933 on the Lower East Side, and it became the city’s second largest local. The union utilized photography to normalize the role of African American members within the union and to advance a civil rights and anti-racism agenda. This article includes photographs taken by member-photographers, and photo-

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20

Meunier, Étienne, and Karolynn Siegel. "Sex club/party attendance and STI among men who have sex with men: results from an online survey in New York City." Sexually Transmitted Infections 95, no. 8 (2019): 584–87. http://dx.doi.org/10.1136/sextrans-2018-053816.

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ObjectivePrior studies have shown that men who have sex with men (MSM) who attend sex clubs or parties are at higher risk for HIV and other STIs than those who do not. We sought to provide data about MSM who attend sex clubs/parties in New York City (NYC) in the era of biomedical HIV prevention.Methods: We conducted an online survey among MSM in NYC (n=766) in 2016–2017 and investigated differences between those who reported never attending a sex club/party (non-attendees 50.1%), those who had attended over a year ago (past attendees 18.0%) and those who attended in the prior year (recent atte

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ZELENSKY, NATALIE K. "Club Petroushka, Émigré Performance, and New York's Russian Nightclubs of the Roaring Twenties." Journal of the Society for American Music 14, no. 4 (2020): 480–509. http://dx.doi.org/10.1017/s1752196320000346.

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AbstractIn the midst of the Prohibition era, New York City proliferated with nightclubs that presented patrons with imagined worlds of music and entertainment. This essay explores the role of music in creating such imagined worlds, looking specifically at the Russian-themed nightclubs founded by and employing émigrés recently exiled from Bolshevik Russia. Examining Midtown's Club Petroushka as a prime example of such a space, this essay focuses on the so-called “Russian Gypsy” entertainment that caught the eye and ear of the club's patrons, whose ranks included Charlie Chaplin, Harpo Marx, and

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22

Longaker, Mark Garrett. "Bryan Waterman.Republic of Intellect: The Friendly Club of New York City and the Making of American Literature.:Republic of Intellect: The Friendly Club of New York City and the Making of American Literature.(New Studies in American Intellectual and Cultural History.)." American Historical Review 113, no. 2 (2008): 499–500. http://dx.doi.org/10.1086/ahr.113.2.499.

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23

Zinman, Gregory. "Fugitive Video: Art in 1980s New York Nightclubs." JCMS: Journal of Cinema and Media Studies 62, no. 4 (2023): 104–29. http://dx.doi.org/10.1353/cj.2023.a904629.

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abstract: This article examines the untold history of video art in New York City nightclubs of the 1980s. Shaped by communal practice, fueled by narcotics, and backed by the mob, clubs provided a radically different milieu than the art world for the making, exhibition, and reception of video art.

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24

Kulkarni, Kavita. "“Like a Cosmic, Invisible Umbilical Cord”." Journal of Popular Music Studies 33, no. 4 (2021): 171–202. http://dx.doi.org/10.1525/jpms.2021.33.4.171.

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In summer 2002, New York City-based DJ Sadiq Bellamy and his two partners, DJs Tabu and Jeff Mendoza, organized the first Soul Summit Music Festival: a free, open-air, and open-to-the-public weekly series of house music dance parties set in Fort Greene Park, Brooklyn, during the summer season. The party ran every summer without incident for many years, and twenty years later, continues to receive global recognition among house heads for its success in bringing house music culture—and its legacy of liberation as a sensorial practice—to a broader and more intergenerational crowd than one would f

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25

Pantalone, David W., David S. Bimbi, Catherine A. Holder, Sarit A. Golub, and Jeffrey T. Parsons. "Consistency and Change in Club Drug Use by Sexual Minority Men in New York City, 2002 to 2007." American Journal of Public Health 100, no. 10 (2010): 1892–95. http://dx.doi.org/10.2105/ajph.2009.175232.

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26

Philip Barnard. "Republic of Intellect: The Friendly Club of New York City and the Making of American Literature (review)." American Studies 48, no. 3 (2007): 150–51. http://dx.doi.org/10.1353/ams.0.0064.

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27

Russ Castronovo. "Republic of Intellect: The Friendly Club of New York City and the Making of American Literature (review)." Early American Literature 43, no. 2 (2008): 508–11. http://dx.doi.org/10.1353/eal.0.0000.

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28

Allen, Thomas. "Republic of Intellect: The Friendly Club of New York City and the Making of American Literature (review)." Eighteenth Century Fiction 20, no. 4 (2008): 581–83. http://dx.doi.org/10.1353/ecf.0.0012.

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29

Goldsamt, Lloyd A., Julie O'Brien, Michael C. Clatts, and Laura Silver McGuire. "The Relationship Between Club Drug Use and Other Drug Use: A Survey of New York City Middle School Students." Substance Use & Misuse 40, no. 9-10 (2005): 1539–55. http://dx.doi.org/10.1081/ja-200066886.

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30

Parrish, Susan Scott. "BryanWaterman, Republic of Intellect: The Friendly Club of New York City and the Making of American LiteratureRepublic of Intellect: The Friendly Club of New York City and the Making of American Literature. BryanWaterman. Baltimore: Johns Hopkins University Press, 2007. Pp. xiii+318." Modern Philology 109, no. 1 (2011): E40—E43. http://dx.doi.org/10.1086/660777.

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31

Graebner, William. "Norman Rockwell and American Mass Culture: The Crisis of Representation in the Great Depression." Prospects 22 (October 1997): 323–56. http://dx.doi.org/10.1017/s0361233300000156.

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By the summer of 1929, Norman Rockwell was a full-fledged success. At age thirty-five, he had been creating covers for the Saturday Evening Post for thirteen years. A generation of American youth had grown up beguiled by his illustrations for Boys' Life, St. Nicholas, and the Boy Scouts' calendar. For more than a decade, Rockwell's artistry had helped sell Adams Black Jack gum, American Mutual insurance, Sun Maid raisins, and Coca-Cola. As this commercial success modulated into social success, Rockwell, whose father had risen to middle-class respectability in the offices of a New York City tex

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Zummo, Janice, Rosalina Díaz, and Rupam Saran. "Using ePortfolio to Improve Retention of Hispanic Students at a Predominantly Black College." HETS Online Journal 1, no. 2 (2022): 59–80. http://dx.doi.org/10.55420/2693.9193.v1.n2.90.

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   This study investigates how technology is being used to improve the engagement of at- risk Hispanic students at a predominantly Black institution through the use of ePortfolio in a co-curricular context. Historically, attrition rates for Hispanic students at Medgar Evers College of The City University of New York have been high. In 2009, 5.6% of incoming freshman students were Hispanic. By Spring 2010 that number had dropped to 2.5%. Recently, concerned faculty have concentrated on improving Hispanic student engagement. In Fall 2010, the Education Department and the Associ

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Cohen, Nevin, Katherine Tomaino Fraser, Chloe Arnow, Michelle Mulcahy, and Christophe Hille. "Online Grocery Shopping by NYC Public Housing Residents Using Supplemental Nutrition Assistance Program (SNAP) Benefits: A Service Ecosystems Perspective." Sustainability 12, no. 11 (2020): 4694. http://dx.doi.org/10.3390/su12114694.

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This paper examines adoption of online grocery shopping, and potential cost and time savings compared to brick and mortar food retailers, by New York City public housing residents using Supplemental Nutrition Assistance Program (SNAP) benefits. A mixed methods action research project involving the co-creation of an online shopping club, the Farragut Food Club (FFC), recruited 300 members who registered to shop online using SNAP, and received waivers on delivery minimums and provided technical assistance and centralized food delivery. We conducted a survey (n = 206) and focus groups to understa

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34

John, Steven A., Jeffrey T. Parsons, H. Jonathon Rendina, and Christian Grov. "Club drug users had higher odds of reporting a bacterial STI compared with non-club drug users: results from a cross-sectional analysis of gay and bisexual men on HIV pre-exposure prophylaxis." Sexually Transmitted Infections 95, no. 8 (2018): 626–28. http://dx.doi.org/10.1136/sextrans-2018-053591.

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ObjectivesPre-exposure prophylaxis (PrEP) can reduce HIV transmission risk for many gay, bisexual and other men who have sex with men. However, bacterial STI (BSTI) associated with decreasing condom use among HIV PrEP users is a growing concern. Determining the characteristics of current PrEP users at highest BSTI risk fills a critical gap in the literature.MethodsGay and bisexual men (GBM) in New York City on HIV PrEP for 6 or more months (n=65) were asked about chlamydia, gonorrhoea and syphilis diagnoses in the past 6 months. By design, half (51%) of the sample were club drug users. We exam

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Holt, Fabian. "Rock Clubs and Gentrification in New York City: The Case of the Bowery Presents." IASPM Journal 4, no. 1 (2013): 21–41. http://dx.doi.org/10.5429/584.

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This article offers a new analytical perspective on the relation between rock clubs and gentrification to illuminate broader changes in urbanism and cultural production in New York City. Although gentrification is central to understanding how the urban condition has changed since the 1960s, the long-term implications for popular music and its evolution within new urban populations and cultural industries have received relatively little scholarly attention. Gentrification has often been dismissed as an outside threat to music scenes. This article, in contrast, argues that gentrification needs t

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Pappas, Molly K., and Perry N. Halkitis. "Sexual risk taking and club drug use across three age cohorts of HIV-positive gay and bisexual men in New York City." AIDS Care 23, no. 11 (2011): 1410–16. http://dx.doi.org/10.1080/09540121.2011.565027.

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Parsons, Jeffrey T., Christian Grov, and Brian C. Kelly. "Comparing the Effectiveness of Two Forms of Time-Space Sampling to Identify Club Drug-Using Young Adults." Journal of Drug Issues 38, no. 4 (2008): 1061–81. http://dx.doi.org/10.1177/002204260803800407.

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Time-space sampling has been used to generate representative samples of both hard-to-reach and location-based populations. Because of its emphasis on multi-tiered randomization (i.e., time, space, and individual), some have questioned the feasibility of time-space sampling as a cost-effective strategy. In an effort to better understand issues related to drug use among club-going young adults (ages 18 to 29) in the New York City nightlife scene, two variations of time-space sampling methods were utilized and compared (Version 1: randomized venue, day, and individuals within venues: Version 2: r

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Holt, Fabian. "Rock Clubs and Gentrification in New York City: The Case of the Bowery Presents." IASPM@Journal 4 (February 18, 2014): 21–41. http://dx.doi.org/10.5429/2079-3871(2014)v4i1.3en.

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Wheeler, Deborah L. "MARY ANN TÉTREAULT, Stories of Democracy: Politics and Society in Contemporary Kuwait (New York: Columbia University Press, 2000). Pp. 318. $18.50 paper." International Journal of Middle East Studies 33, no. 4 (2001): 661–63. http://dx.doi.org/10.1017/s0020743801474071.

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In her pivotal work on Kuwaiti politics, Mary Ann Tétreault provides an “insider's guide” to the private and public spaces in which struggles over communal power are pursued by the government, the Parliament, and the people of Kuwait. Tétreault is careful to call her text “Stories of Democracy,” as she realizes the reflexive nature of what democracy means at different periods in history (before oil, after oil, under Iraqi occupation, in post-Liberation Kuwait); for different people in Kuwait (women, the merchants, government officials, tribal leaders, service politicians, opposition leaders);

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Joseph, Matthew Pessar. "“Our Buzzing Latin Cousins”: Afro-Latinxs, African Americans, and the Creation of a Black Transcultural Midtown Musical Scene, 1933–1966." Journal of American Ethnic History 44, no. 3 (2025): 5–38. https://doi.org/10.5406/19364695.44.3.01.

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Abstract After the Palladium Ballroom began hosting Afro-Cuban mambo groups in 1947, it became the foremost integrated dancehall to emerge in postwar New York City. This article examines Afro-Latinx and African American cultural mediators who helped forge a mixed-race midtown scene at the venue and at nearby jazz clubs. As Gotham became increasingly segregated, musicians and dancers refused to be confined to uptown neighborhoods. By forging an integrated midtown scene and making transcultural Afro-Cuban jazz music, they sought to rethink and remap the spatial contours of a divided city. While

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Stabrowski, Filip. "Political organizing and narrative framing in the sharing economyAirbnb host clubs in New York City." City 26, no. 1 (2022): 142–59. http://dx.doi.org/10.1080/13604813.2021.2018853.

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McMaster, James, and James McMaster. "Occasional Belonging: The Slaysian, The Gaysian, and Cultural Organizing." QED: A Journal in GLBTQ Worldmaking 11, no. 1 (2024): 29–50. https://doi.org/10.14321/qed.11.1.0029.

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Abstract This article tells the story of two major scenes of queer East and Southeast Asian nightlife in post-Trump New York City. The first of these is the gaysian scene, housed on the weekends at a Hell's Kitchen gay club. The second is the slaysian scene, exemplified by a recurring, Brooklyn-based party for queer-identified Asians cleverly titled, Bubble_T. Each is an outpost of queer Asian worldmaking, and by close reading the social expectations and aesthetic sensibilities of both scenes, this article uses ethnographic methods to reveal the disciplinary protocols that shape the city's que

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Connell, Eileen. "Edith Wharton joins the working classes:The house of mirthand the New York City working girls’ clubs." Women's Studies 26, no. 6 (1997): 557–604. http://dx.doi.org/10.1080/00497878.1997.9979186.

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Spira-Cohen, Ariel, Anna Caffarelli, and Lawrence Fung. "Pilot study of patron sound level exposure in loud restaurants, bars, and clubs in New York city." Journal of Occupational and Environmental Hygiene 14, no. 7 (2017): 494–501. http://dx.doi.org/10.1080/15459624.2017.1296234.

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Bovenkerk, Frank. "Gangsters en jazz." Tijdschrift over Cultuur & Criminaliteit 3, no. 3 (2013): 32–55. https://doi.org/10.5553/tcc/221195072014004001003.

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Gangsters and jazz The social history of jazz music in America since 1880 has been described as a movement out of the inauspicious background of night clubs and brothels in the urban underworld. In 1980 Ronald L. Morris has published a book, Wait until dark, fostering a contrary view (that should inspire criminology). Morris claimed that until 1940 the ‘mob’ had promoted jazz music as gangsters hired black musicians without concern for the law and the conventions of racial segregation. There is some evidence that even during the 1950s the jazz scene of New York City and Las Vegas had also been

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Woodsworth, Michael. "Continental Drift: The Canadian Clubs of New York City and the Question of Canadian–American Relations, 1885–1914." International Journal of Canadian Studies, no. 44 (2011): 135. http://dx.doi.org/10.7202/1010085ar.

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47

Hebert, Kirsten. "Minerva H. Weinstein (1893-1982)." Hindsight: Journal of Optometry History 51, no. 1 (2020): 11–19. http://dx.doi.org/10.14434/hindsight.v51i1.29134.

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Dr. Minerva H. Weinstein (1893-1982), was the first woman licensed by examination to practice optometry in New York City and the fourth woman licensed in the State of New York. In 1915, Dr. Weinstein graduated from the American Institute of Optometry, becoming the third generation in her family to forge a career in applied optics. She began her practice at one of three family-owned optical shops in the Bronx, where she remained for more than 40 years, diligently serving the needs of her community’s most vulnerable members and tirelessly researching new techniques to improve care for the most d

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Broyde, Michael J. "Religious Values in Secular Institutions?" Journal of Law, Religion and State 10, no. 1 (2022): 53–85. http://dx.doi.org/10.1163/22124810-10010002.

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Universities that are incorporated under a secular charter face a number of challenges in claiming religious exemptions or religious character. These secularly chartered but religiously motivated universities (SCbRMU) often are attempting to get the best of both worlds, by maintaining entitlement to government funding that is exclusive to secular entities while also claiming religious protections. In this paper, Yeshiva University (yu) is used as a case study of the difficulties faced by these institutions. yu has been sued by a group of students and alumni for refusing to authorize an officia

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Butenina, E. M. "VLADIVOSTOK AS A TRANSFER LOCUS IN ENGLISH FICTION." Humanities And Social Studies In The Far East 18, no. 1 (2021): 161–65. http://dx.doi.org/10.31079/1992-2868-2021-18-1-161-165.

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Abstract:

The paper discusses Vladivostok – “an eccentric city on the edge of cultural space”, in Yuri Lotman’s terms – as a locus of intercultural transfers (both in direct and indirect sense) in Somerset Maugham’s and Maurice Kennedy’s short stories as well as in William Gerhardie “novel on Russian themes” Futility. For Vladivostok (as for St. Petersburg whose natives founded the Pacific fort and became its first residents), railway stations and bridges are the key “topographic indices”, in Vladimir Toporov’s terms. For the transfer aspect various leisure institutions (restaurants, theatres, clubs) ar

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Burkett, Ronnie. "The Mentored Path." Canadian Theatre Review 84 (September 1995): 16–21. http://dx.doi.org/10.3138/ctr.84.004.

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When I was a kid growing up in Medicine Hat, there weren’t any professional puppeteers around that I could pester for “how-to” information, and certainly no one in my family had a clue what I was talking about. Thus began a childhood campaign of tracking down those puppeteers whose work fascinated me from the pages of puppet books in the local library. Sometimes I would be lucky enough to find the address of one of those idols, other times I would have to use my own resourcefulness in contacting them. Before I had miraculously discovered American puppeteer Bil Baird’s address in a magazine art

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