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Journal articles on the topic 'City sounds'

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1

Wang, Su, Huaidong He, Fulong Li, and Qingqing Xiao. "A Study on the Soundscape of Underground Commercial Space in Lu’an City and Hefei City, China." International Journal of Environmental Research and Public Health 20, no. 3 (2023): 1971. http://dx.doi.org/10.3390/ijerph20031971.

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Soundscape is an important part and one of the main factors of the underground space environment. Field surveys were conducted to evaluate the soundscape of underground commercial spaces and to compare it with the soundscape of the above-ground commercial spaces between two cities (Lu’an City and Hefei City) in China, consequently presenting the construction strategy of the soundscape of underground commercial spaces in urban areas. The results showed that the sound in the shopping center, which people found comfortable, was at the lower to intermediate level. The main sounds that people perce
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Arkette, Sophie. "Sounds Like City." Theory, Culture & Society 21, no. 1 (2004): 159–68. http://dx.doi.org/10.1177/0263276404040486.

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Beghein, S. "Sounds of the city." Early Music 38, no. 3 (2010): 483–85. http://dx.doi.org/10.1093/em/caq045.

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LIU, Jiang, and Jian KANG. "SOUNDSCAPE DESIGN IN CITY PARKS: EXPLORING THE RELATIONSHIPS BETWEEN SOUNDSCAPE COMPOSITION PARAMETERS AND PHYSICAL AND PSYCHOACOUSTIC PARAMETERS." JOURNAL OF ENVIRONMENTAL ENGINEERING AND LANDSCAPE MANAGEMENT 23, no. 2 (2015): 102–12. http://dx.doi.org/10.3846/16486897.2014.998676.

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Soundscape design in city parks is important for a better visiting experience. The aim of this research is to find a more effective way to design soundscapes in city parks, by exploring the relationships between certain physical and psychoacoustic parameters and soundscape composition parameters as proposed in this study, including perceived loudness of individual sound (PLS), perceived occurrences of individual sound (POS), and soundscape diversity index(SDI). The parameters were based on soundscape information gathered with a specifically designed soundwalk method in five city parks in Xiame
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DiPietro, Domenic John, and Maria Gabriela Bidart. "Nature and City Sounds Influence Physiological and Psychological Markers in College Students." OBM Integrative and Complementary Medicine 08, no. 03 (2023): 1–17. http://dx.doi.org/10.21926/obm.icm.2303039.

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Worldwide, human population growth has led to a higher demand for urbanization. While this development is in accordance with our gregarious lifestyles, our availability and contact with nature has consequentially been minimized. The goal of this study was to evaluate whether sounds from nature versus urban environments affect vital signs (i.e., heart rate and respiration rate) and mood states of female college students. Emotional states were assessed using the Positive and Negative Affect Schedule (PANAS) questionnaire. While nature sounds included a mixture of birdsongs and water sounds, urba
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Chandy Mohammed, Fabya Thaila, Sharat Sunder R, and Anurup K. "The Influence of Religious Soundscapes on the Image of the City: The Case of Thiruvananthapuram." SPACE International Journal of Conference Proceedings 1, no. 1 (2021): 1–9. http://dx.doi.org/10.51596/sijocp.v1i1.1.

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The world is undergoing urbanisation, eventually transforming the character of cities. Although urban designers and planners have used visual aesthetics to shape the urban environment, acoustic ecology and soundscapes have often been overlooked. In fact, cities have developed legislation to effectively reduce noise, considering them as pollutants, where environmental sound can actually be perceived as a resource. Today, urban designers continue to follow the imageability concept developed by Kevin Lynch, which has always focused on the visual senses. Hence, this study adds an auditory understa
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Thaila Chandy Mohammed, Fabya, Sharat Sunder R, and Anurup K. "The Influence of Religious Soundscapes on the Image of the City: The Case of Thiruvananthapuram." SPACE International Journal of Conference Proceedings 1, no. 1 (2021): 1–9. http://dx.doi.org/10.51596/sijocp.v1i1-1.

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The world is undergoing urbanisation, eventually transforming the character of cities. Although urban designers and planners have used visual aesthetics to shape the urban environment, acoustic ecology and soundscapes have often been overlooked. In fact, cities have developed legislation to effectively reduce noise, considering them as pollutants, where environmental sound can actually be perceived as a resource. Today, urban designers continue to follow the imageability concept developed by Kevin Lynch, which has always focused on the visual senses. Hence, this study adds an auditory understa
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Eriksson, Karin. "Ljudets etnologi." Kulturella Perspektiv – Svensk etnologisk tidskrift 16, no. 4 (2007): 25–33. http://dx.doi.org/10.54807/kp.v16.28624.

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The purpose of this article is to give an example of how you can work with sounds in the cultural fields of research. The experience of fieldwork in Istanbul is presented with a number of applicable, cultural perspectives. Definitions like soundwalk and soundscape are presented. During a soundwal you listen to the acoustic environment as well as the culturally fascinating sounds. What influence does sound have on a person's everyday life and in what way does sound create meaning? Memories of sound, which you can refer to and thoughts that you can have at your disposal in your coming compositio
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AKIN GÜLER, Gülşen, and Aslı ÖZÇEVİK BİLEN. "URBAN SOUNDSCAPE CHANGES IN TURKEY BEFORE AND AFTER COVID-19: ESKİŞEHİR, AN ANATOLIAN CITY." ArtGRID - Journal of Architecture Engineering and Fine Arts 4, no. 1 (2022): 30–40. http://dx.doi.org/10.57165/artgrid.1070841.

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In line with the Covid-19 measures taken in Turkey, there have been some changes in daily life and these changes affected the acoustic environment particularly in terms of dominant sound type and sound level. In the study conducted to examine the effects of changes in daily life as a result of the measures taken by the state on the sound environment, through sound level, sound types and soundscape components, the changes in the acoustic environment in commercial-recreational areas, as well as historical-touristic areas at the city center of the sample city Eskişehir, Turkey before and after Co
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Nishizawa, Keiichiro, Takeshi Akita, Hanui Yu, Naoko Sano, and Kotaroh Hirate. "A study on the evaluation structure of urban soundscape using the Extended Caption Evaluation Method." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 268, no. 4 (2023): 4257–63. http://dx.doi.org/10.3397/in_2023_0601.

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This study aimed to understand the impression evaluation of the soundscape of urban streets easily. For the purpose of the present investigation, a new method that is named Extended Caption Evaluation Method (ECEM) was used to extract the structure of the individual's evaluation of the soundscape. In the ECEM, the Caption Evaluation Method was supplemented by the 'Node-kara' method which enables subjects to make evaluation decisions easily by using standardized free-form descriptions. Sound walks were carried out with smartphones so that evaluation data by ECEM can be linked with location info
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Steele, Daniel, and Catherine Guastavino. "Quieted City Sounds during the COVID-19 Pandemic in Montreal." International Journal of Environmental Research and Public Health 18, no. 11 (2021): 5877. http://dx.doi.org/10.3390/ijerph18115877.

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This paper investigates the transformation of urban sound environments during the COVID-19 pandemic in Montreal, Canada. We report on comparisons of sound environments in three sites, before, during, and after the lockdown. The project is conducted in collaboration with the Montreal festival district (Quartier des Spectacles) as part of the Sounds in the City partnership. The analyses rely on continuous acoustic monitoring of three sites. The comparisons are presented in terms of (1) energetic acoustic indicators over different periods of time (Lden, Ld, Le, Ln), (2) statistical acoustic indic
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Freeman, Jason, Carl DiSalvo, Michael Nitsche, and Stephen Garrett. "Rediscovering the City with UrbanRemix." Leonardo 45, no. 5 (2012): 478–79. http://dx.doi.org/10.1162/leon_a_00450.

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UrbanRemix is a collaborative and locative sound project. Participants record geo-tagged sounds on their mobile devices, explore and remix them through a web-based interface, and share them with professional DJs for live performances. This article discusses the background and goals of the project, its design and implementation, and its realization at several workshops and public events.
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Aiello, Luca Maria, Rossano Schifanella, Daniele Quercia, and Francesco Aletta. "Chatty maps: constructing sound maps of urban areas from social media data." Royal Society Open Science 3, no. 3 (2016): 150690. http://dx.doi.org/10.1098/rsos.150690.

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Urban sound has a huge influence over how we perceive places. Yet, city planning is concerned mainly with noise, simply because annoying sounds come to the attention of city officials in the form of complaints, whereas general urban sounds do not come to the attention as they cannot be easily captured at city scale. To capture both unpleasant and pleasant sounds, we applied a new methodology that relies on tagging information of georeferenced pictures to the cities of London and Barcelona. To begin with, we compiled the first urban sound dictionary and compared it with the one produced by coll
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Dove, Graham, Charlie Mydlarz, Juan Pablo Bello, and Oded Nov. "Sounds of New York city." Interactions 29, no. 3 (2022): 32–35. http://dx.doi.org/10.1145/3527726.

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15

Glassman, Sandra. "Poem: Sounds of the City." Critical Perspectives on Accounting 7, no. 5 (1996): 529. http://dx.doi.org/10.1006/cpac.1996.0050.

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Seitinger, Susanne. "The Sounds of the City." Lighting Design + Application 47, no. 7 (2017): 32–35. https://doi.org/10.1177/036063251704700712.

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Bouzir, Tallal Abdel Karim, Djihed Berkouk, Samiha Boucherit, Sara Khelil, Mohamed Elhadi Matallah, and Noureddine Zemmouri. "Evaluation of Soundscape Variations through the Open Public Spaces in Saharan Cities: A Case of Biskra, Algeria." Environmental Research, Engineering and Management 78, no. 4 (2022): 39–51. http://dx.doi.org/10.5755/j01.erem.78.4.31244.

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This study aims initially to evaluate the quality of different soundscapes in the public space of the city of Biskra, in Algeria. A total of 35 participants took part in a laboratory experiment, where 28 sound clips of one-minute duration taken from public spaces in the city were used as stimuli. The A-weighted equivalent continuous sound pressure level (LAeq,1min) was calculated. The participants rated the quality of the soundscape using attribute scales provided in their own native language. The results of the questionnaire on the recorded soundtracks confirm that the immediate environment a
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Barcelo Perez, Carlos, and Yamile Gonzalez Sanchez. "Non usual urban sounds in a western neighborhood of Havana city." MOJ Public Health 8, no. 4 (2019): 130–34. http://dx.doi.org/10.15406/mojph.2019.08.00297.

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Main noise source in the city of Havana is road traffic, but many noise complaints are connected to a mechanical source and audio exposures as level induced from air conditioners or fun which escapes from entertainment places. Last year some complaints by noise exposure to the so called “noise attacks” were referred by American diplomats. This paper intends to present a sound characterization of possible noise events experienced including audible structure of this acoustic episodes (target sound). Article could contribute to clarify nature of the so-called noise attacks which have worsened the
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Romanowska, Małgorzata. "Urban soundscape preferences in relation to the function of a place: Case studies in Warsaw." Miscellanea Geographica 22, no. 4 (2018): 237–42. http://dx.doi.org/10.2478/mgrsd-2018-0027.

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Abstract The survey interviewed three hundred and nine people in five public places within Warsaw. The aim of the survey was to examine if people’s sound preferences are related to a place’s function and how these preferences differentiate. A further aim of this research was to gather users’ ideas for making city soundscapes more pleasant. The results showed that people generally prefer natural and human sounds, but do not like mechanical sounds; the importance of specific sounds are differentiated in relation to the function and history of a place. The main way to make urban places sound bett
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Ochiai, Hiroko, Chorong Song, Hyunju Jo, Masayuki Oishi, Michiko Imai, and Yoshifumi Miyazaki. "Relaxing Effect Induced by Forest Sound in Patients with Gambling Disorder." Sustainability 12, no. 15 (2020): 5969. http://dx.doi.org/10.3390/su12155969.

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The number of people addicted to gambling has increased worldwide. They often suffer from debilitating medical conditions associated with stress or depression. This study examined the physiological and psychological reactions of gambling disorder (GD) patients while listening to high-definition forest or city sounds using headphones. In total, 12 Japanese male GD patients were exposed to high-definition forest or city sound waves for 1 min via headphones. Near-infrared spectroscopy of the prefrontal cortex was used to examine oxyhemoglobin (oxy-Hb) concentrations. Heart rate and heart rate var
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Castro Solano, M. M. Otto. "La ciudad como fuente de sonidos para la creación sonora." Resonancias: Revista de investigación musical 42 (June 2018): 143–50. http://dx.doi.org/10.7764/res.2018.42.8.

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Domazetovska, Simona, Damjan Pecioski, Viktor Gavriloski, and Hristijan Mickoski. "IoT smart city framework using AI for urban sound classification." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 265, no. 5 (2023): 2767–76. http://dx.doi.org/10.3397/in_2022_0387.

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The advances of artificial intelligence approaches for automatically extracting and classifying disturbing sounds have great potential and application in the development of smart cities. In this paper, an urban sound event classification system based on deep learning technologies has been created by using the MEL-frequency cepstral coefficients as feature extractors and the Convolutional Neural Networks as classifiers. The designed system was trained and tested using the UrbanSound8K dataset which resulted in high classification accuracy of 92.67% of the tested results. In addition to this, va
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Romanowska, Małgorzata. "The Warsaw soundscape - structure and specifics." Miscellanea Geographica 18, no. 4 (2014): 5–16. http://dx.doi.org/10.2478/mgrsd-2014-0021.

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Abstract The Warsaw soundscape has been examined according to the principles of acoustic ecology. The soundscape is the acoustic environment tested primarily by qualitative research. Warsaw residents were asked in a survey about their sound impressions and requirements for the Warsaw soundscape. The aim of this research was to learn both the conditions of acoustic environment and the needs of space users in accordance with the space category. The present and expected sound structures of five different categories of space were examined (residential areas, streets, city centre, tourist areas and
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paine, garth. "endangered sounds: a sound project." Organised Sound 10, no. 2 (2005): 149–62. http://dx.doi.org/10.1017/s1355771805000804.

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endangered sounds is a project that focuses on the exploration of sound marks (trade-marked sounds). the initial stage of this project was funded by arts victoria, and comprised legal searches that resulted in the listings of sound marks registered in australasia and the united states of america. this list was published on the internet with a call for volunteers to collect samples of the listed sounds internationally. the volunteer was sent a specimen tube with label and cap, and asked to collect the sound by placing the specimen tube close to the source (thereby capturing the air through whic
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Jacobs, Annelies. "Sound in Amsterdam During the Late Nineteenth and Early Twentieth Centuries." International Journal for History, Culture and Modernity 7, no. 1 (2019): 538–46. http://dx.doi.org/10.18352/hcm.571.

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This paper deals with sound as part of everyday urban life, based on Amsterdam during the late nineteenth and early twentieth centuries. Although it is commonly held that modern cities have grown noisier as a result of their expansion and the growth of industry and technology, we actually know very little about the urban sounds of the past. We know even less about the manner in which it was perceived and valued by contemporaries. This article poses three questions. Which sounds were produced in Amsterdam in the past? Which meanings did contemporaries attribute to these sounds? And which the ro
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Miroshnychenko, Lilia. "“VIBRATING IN COUNTERPOINT OF THE ROAR OF AXES AND ARTILLERY SHELLS”: CITY SOUNDSCAPE IN WAR." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 35 (2024): 60–65. http://dx.doi.org/10.17721/1728-2659.2024.35.10.

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Background. The article explores the sensory dimension of war since any war is an assault on the body and therefore on the senses (S. Cole). After February 22, 2022, Ukrainian cities have undergone metamorphosis from peace to war at different speeds and to varying degrees. Consequently, urban soundscapes have been significantly influenced by the new reality. City soundscape in war is not properly researched thus its study in the conditions of the russian-Ukrainian war has relevance and novelty which are not limited to the interest of Ukrainian academia. This article aims to define the key attr
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Temtem, Filipe. "between the music of the city and the urban noise." ARTE IMAGEN Y SONIDO 2, no. 3 (2022): 74–95. http://dx.doi.org/10.33064/3ais3519.

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Starting from the overvaluation of visual culture in the modes of representation of society, this article draws a time line that goes from the marginalization of sounds promoted by disciplines such as geography, architecture and urban planning, until reaching to the acoustic definition of the landscape. In this way we demonstrate how the landscape is reincorporated in the agenda of these disciplines, not only as something visible, but as a cultural construction of our sensory activity, which is also made of sounds. This explains the anthropocentric nature of the soundscape, using the concepts
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rudi, jøran. "‘from a musical point of view, the world is musical at any given moment’: an interview with bill fontana." Organised Sound 10, no. 2 (2005): 97–101. http://dx.doi.org/10.1017/s1355771805000737.

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bill fontana is an american composer and artist who has been working with large-scale sound installations since the 1970s. in his installations he recontextualises sounds by transmitting them from one location to another, and uses the transported sounds as acoustical ‘overlay’, masking the sounds naturally occurring in the installation spaces. his installations often occur in central urban environments, and he has, for example, been commissioned in conjunction with the fifty-year anniversary of d-day (1994, paris), and the 100-year anniversary of brooklyn bridge (1983, new york city).
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Llorca-Bofí, Josep. "Listening to the city: Architecture as soundscape." Research Outreach 1, no. 116 (2020): 18–21. https://doi.org/10.5281/zenodo.4011516.

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Sound is an integral part of many people’s daily life, and the architectural spaces that surround us shape and impact the quality of urban sound. Street performers, such as buskers, contribute to the city soundscape, and while in the past they may have been treated as a nuisance, now they are more readily accepted as contributing to the vitality of cities. Barcelona’s Ciutat Vella, a historic part of the city, provides an example of a specific and intense form of publicly experienced sights, sounds, and interactions. Dr Josep Llorca-Bofí is an architect and researcher at the
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MARKOU, Dimitris. "Exploring spatial patterns of environmental noise and perceived sound source dominance in urban areas. Case study: the city of Athens, Greece." European Journal of Geography 13, no. 4 (2022): 60–78. http://dx.doi.org/10.48088/ejg.d.mar.13.2.060.078.

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The aim of the present study is to map spatial patterns related to noise pollution and the acoustic environment -in a broader context- in the urban area of Athens, Greece. The primary goal of this thesis is to present a comprehensive approach that combines elements of two basic methodologies related to acoustic environment studies: a) noise mapping and b) the soundscape approach. The main inputs are environmental noise measurements and perceptual sound source-related observations. The results feature three noise pollution maps (LAeq,30 sec, L10, and L90 indices) and three sound source maps whi
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Savel, Sophie, and Thierry Legou. "The Dog Soundscape: Recurrence, Emotional Impact, Acoustics, and Implications for Dog Observations and Dog–Human Interactions." Animals 14, no. 2 (2024): 279. http://dx.doi.org/10.3390/ani14020279.

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While numerous dog behavioral studies use environmental sounds, the dog soundscape remains undescribed. We proposed a list of 79 sounds classified into six categories: Dog, Dog accessories, Human, city and vehicles, Garden, countryside and weather, and Household. In a survey, 620 dog owners scored the frequency of their dog’s exposure to, and thus, the recurrence of, each of the 79 sounds, from never to daily. The survey results also extended to about 25 sounds the number of acknowledged sounds that are likely to elicit stress or fear, that is, negative emotional sensitivity, in dogs. Sound re
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Hara, Sunao, and Masanobu Abe. "Sound map of urban areas recorded by smart devices: case study at Okayama and Kurashiki." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 268, no. 3 (2023): 5227–38. http://dx.doi.org/10.3397/in_2023_0738.

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This paper presents a sound map to visualize environmental sounds collected using a cloud sensing approach, i.e. participatory sensing and opportunistic sensing. Our sound map have two major extra functions than a simple noise map which visualized sound levels. The first one is introduction of visualization of sound-type icons on the noise map to enrich information. The second one is animating a transition of sound levels on noise map to visible the change according to the time in a day as a simulation. To demonstrate our sound map and develop the functions, we carried out several experiments.
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Chattopadhyay, Budhaditya. "Sonic drifting: sound, city and psychogeography." SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 3, no. 3 (2013): 138–52. http://dx.doi.org/10.7146/se.v3i3.18445.

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Studying and perceiving an emerging city by listening to its sounds might be phenomenologically reductive in approach, but it can lead to a framework for understanding the fabric of the urban environment through artistic practice. This paper describes a sound work, Elegy for Bangalore, and examines its artistic processes in order to shed light on the methodologies for listening to an expanding city by engaging with multilayered urban contexts and, subsequently, evoking the psychogeography of the city through sound-based artistic practice. The paper further investigates the project’s approach,
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GARRIOCH, DAVID. "Sounds of the city: the soundscape of early modern European towns." Urban History 30, no. 1 (2003): 5–25. http://dx.doi.org/10.1017/s0963926803001019.

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In European towns of the seventeenth, eighteenth and nineteenth centuries, the sounds people heard were very different from those of today. Yet the difference goes much deeper: whereas today we try to escape city noise, for the inhabitants of early modern towns sound served as a crucial source of information. It formed a semiotic system, conveying news, helping people to locate themselves in time and in space, and making them part of an ‘auditory community’. Sound helped to construct identity and to structure relationships. The evolution of this information system reflects changes in social an
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HABERL, Max, Thomas KUSITZKY, and Sonia ALVES. ""Stadtklanggestaltung" - The importance of urban sound design in the field of administrative noise control." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 270, no. 7 (2024): 4370–78. http://dx.doi.org/10.3397/in_2024_3451.

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Cities sound. They can be loud, quiet, monotonous, or vibrant and exciting. How urban spaces sound in detail depends on the respective framework, which includes the urban planning and the different activities of the residents. The focus dealing with sounds of the cities in acoustic engineering lies mainly on the topic of noise. In fact, environmental noise has a negative impact on our health and reduces the quality of life. But the sound of cities is much more than just noise. Harmonious and appealing city sounds have a positive effect on well-being; it promotes orientation, and it can help to
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Yildirim, Yalcin. "Acquiescence of UNESCO Cultural Heritage and Acoustic Environments: Assessment of Hanlar District." Urban Science 7, no. 3 (2023): 69. http://dx.doi.org/10.3390/urbansci7030069.

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Several natural and historical areas around the world are listed as UNESCO Cultural Heritage Sites. Hanlar District, located in Bursa, is the fourth biggest city in Turkey, its history includes the Ottoman, Roman, and Byzantine Empires, and it is an area with unique environmental features that represent various historical periods. Scholars at institutions worldwide have already recognized that such an environment has unique characteristics, and so local authorities should preserve the soundscape of the district as the sounds reflect the urban identity of the city. This study aims to evaluate t
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Orhan, Cemre, and Semiha Yilmazer. "Exploring the pediatric intensive care unit soundscape from health professionals' perspective." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 268, no. 2 (2023): 6592–601. http://dx.doi.org/10.3397/in_2023_0978.

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This paper aims to conduct qualitative research that explores health professionals' soundscape perceptions in Pediatric Intensive Care Unit (PICU). The building is close to the city airport, university campus, and city center in Trabzon, Turkey. Therefore, besides its alarm-driven auditory environment, there are several different sound sources that people are exposed to. PICU has single-bed units with a maximum capacity of seven ICU beds for children (age < 18 years). This paper uses the Grounded Theory (GT) to explore ICU health professionals' perceptions of built and auditory environments
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Lisov, Andrey A., Askar Z. Kulganatov, and Sergei A. Panishev. "Using convolutional neural networks for acoustic-based emergency vehicle detection." Modern Transportation Systems and Technologies 9, no. 1 (2023): 95–107. http://dx.doi.org/10.17816/transsyst20239195-107.

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Background: A siren is a special signal given by emergency vehicles such as fire trucks, police cars and ambulances to warn drivers or pedestrians on the road. However, drivers sometimes may not hear the siren due to the sound insulation of a modern car, the noise of city traffic, or their own inattention. This problem can lead to a delay in the provision of emergency services or even to traffic accidents.
 Aim: develop an acoustic method for detecting the presence of emergency vehicles on the road through the use of convolutional neural networks.
 Materials and Methods: The algorith
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Mediastika, Christina E., Anugrah Sabdono Sudarsono, Sentagi Sesotya Utami, Yusuf Ariyanto, Teguh Setiawan, and Ressy Jaya Yanti. "The puzzling soundmark of a cultural and tourism city: The case of Yogyakarta." Journal of the Acoustical Society of America 154, no. 4_supplement (2023): A230. http://dx.doi.org/10.1121/10.0023371.

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Yogyakarta is a city rich in culture and heritage, making it the second tourist destination in Indonesia after Bali. However, unlike Bali, Yogyakarta losses its intangible uniqueness quicker. This paper explores societies' and stakeholders' perceptions of Yogyakarta's soundscape, particularly the vanishing soundmark. Quantitative and qualitative approaches were employed to collect data through questionnaires and focus group discussions. Quantitative data were processed using a modest statistical method to show trends, and qualitative data were processed using the Colaizzi protocol. Quantitativ
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Gde Ngurah Indraguna Pinatih, Eka Putra Setiawan, Ni Putu Oktaviani Rinika Pranitasari, I Putu Santhi Dewantara, Ketut Tadeus Max Nurcahya Pinatih, and I Made Nudi Arthana. "Tinnitus characteristics and risk factors in the Bali region." Indonesia Journal of Biomedical Science 17, no. 2 (2023): 257–61. http://dx.doi.org/10.15562/ijbs.v17i2.503.

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Introduction: It has been recognized that suitable external sounds can reduce or even make tinnitus impossible to hear. The working principle of sound therapy will be used to create a new tool or approach that suits the conditions of Indonesian society. This study aimed to describe the characteristics of tinnitus and its associated risk factors. Method: This was a cross-sectional study conducted in Denpasar City, Gianyar Regency, and Badung Regency for one year. Patients who visited the ENT doctors' practices in these areas were interviewed with prepared instruments. The patients were then sub
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Tappero, Fabrizio, Rosa Alsina-Pagès, Leticia Duboc, and Francesc Alías. "Leveraging Urban Sounds: A Commodity Multi-Microphone Hardware Approach for Sound Recognition." Proceedings 4, no. 1 (2019): 55. http://dx.doi.org/10.3390/ecsa-5-05756.

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City noise and sound are measured and processed with the purpose of drawing appropriate government legislation and regulations, ultimately aimed at contributing to a healthier environment for humans. The primary use of urban noise analysis is carried out with the main purpose of reporting or denouncing, to the appropriate authorities, a misconduct or correct a misuse of council resources. We believe that urban sounds carry more information than what it is extracted to date. In this paper we present a cloud-based urban sound analysis system for the capturing, processing and trading of urban sou
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Heryanto, Bambang, Mona Anggiani, and Ashri Prawesthi. "KAJIAN SOUNDSCAPE DI RUANG PUBLIK TERBUKA TENGAH KOTA PADA MASA PANDEMI COVID-19 (STUDI KASUS: TAMAN CATTLEYA, TOMANG, JAKARTA BARAT)." Jurnal Arsitektur ARCADE 5, no. 2 (2021): 120. http://dx.doi.org/10.31848/arcade.v5i2.574.

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Abstract: Urban public spaces are public spaces that are visited by many urban residents with all the activities they can do. In the urban public space, various kinds of voices or sounds fill this space. Voices can be heard from any room or place in the city. The natural environment, humans, and mechanical equipment produce sound landscapes or soundscapes in the city space air. In urban public spaces, activities carried out by humans can produce artificial sound, while natural activities produce natural sound. The purpose of this study is to describe and explore the sound landscape in urban pu
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Montazerolhodjah, Mahdi, Mojtaba Sharifnejad, and MohammadReza Montazerolhodjah. "Soundscape preferences of tourists in historical urban open spaces." International Journal of Tourism Cities 5, no. 3 (2019): 465–81. http://dx.doi.org/10.1108/ijtc-08-2018-0065.

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Purpose Considering that the historic city of Yazd was registered as a UNESCO World Heritage Site, and given the necessity of improving the environmental qualities due to the increased number of domestic and foreign tourists, the concept of acoustic comfort seems to be of considerable importance. In this regard, the purpose of this paper is to identify and evaluate the role of sound space components affecting acoustic comfort in the historic urban spaces of the City of Yazd and its two historic squares named Khan Square and Fahadan Square. Design/methodology/approach Accordingly, a total of 63
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Jo, Song, Ikei, Enomoto, Kobayashi, and Miyazaki. "Physiological and Psychological Effects of Forest and Urban Sounds Using High-Resolution Sound Sources." International Journal of Environmental Research and Public Health 16, no. 15 (2019): 2649. http://dx.doi.org/10.3390/ijerph16152649.

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Exposure to natural sounds is known to induce feelings of relaxation; however, only few studies have provided scientific evidence on its physiological effects. This study examined prefrontal cortex and autonomic nervous activities in response to forest sound. A total of 29 female university students (mean age 22.3 ± 2.1 years) were exposed to high-resolution sounds of a forest or city for 60 s, using headphones. Oxyhemoglobin (oxy-Hb) concentrations in the prefrontal cortex were determined by near-infrared spectroscopy. Heart rate, the high-frequency component of heart rate variability (which
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Hahn, David. "Creating the soundscape for Zagreb Everywhere." Organised Sound 7, no. 1 (2002): 57–63. http://dx.doi.org/10.1017/s1355771802001097.

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Zagreb Everywhere (2001), a video portrayal of the city of Zagreb, Croatia, is the result of an international collaboration between writer Gordana Crnković (Croatia), video artist Victor Ingrassia (US), and composer David Hahn (US), who collected sounds from Zagreb and together with some of his own music created the soundscape for the piece. Opposing stereotypes about the ‘barbaric Balkans’ often reinforced by Western media during the recent war in that region, Zagreb Everywhere provides a unique view of Zagreb and its inimitable features, while at the same time showing the experiences of that
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Schroeder, Franziska. "Museum City: Improvisation and the narratives of space." Organised Sound 21, no. 3 (2016): 249–59. http://dx.doi.org/10.1017/s1355771816000224.

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This article provides four viewpoints on the narratives of space, allowing us to think about possible relations between sites and sounds and reflecting on how places might tell stories, or how practitioners embed themselves in a place in order to shape cultural, social and/or political narratives through the use of sound. I propose four viewpoints that investigate the relationship between sites and sounds, where narratives are shaped and made through the exploration of specific sonic activities. These are: sonic narrative of space, sonic activism, sonic preservation and sonic participatory act
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Shu, Shan, Jiaxin Tang, and Xuechuan Geng. "Acoustic environment and its restorative potential in small urban green spaces." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 268, no. 7 (2023): 1559–69. http://dx.doi.org/10.3397/in_2023_0236.

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Small urban green spaces (SUGS) in dense city areas have been widely demonstrated to have restorative benefits to surrounding residents. However, residents' usage and experience of SUGS were indicated to be adversely influenced by adjacent traffic noise, whilst natural sounds inside could provide restorative soundscape resources. Thus, this study investigated the acoustic quality and its restorative potential in 12 SUGS in Qingdao via field measurements and questionnaire surveys. The results show that: (1) The noise level of SUGS largely ranged in 50-60 dBA, with dominant road traffic noise. T
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Su, Wenhan. "Soundscapes and the Urban Imagination of Hong Kong in the Works of Eileen Chang." Frontiers in Humanities and Social Sciences 3, no. 6 (2023): 64–68. http://dx.doi.org/10.54691/fhss.v3i6.5145.

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This article discusses how Eileen Chang's works express the soundscape of Hong Kong and the significance of Hong Kong to her creation from the perspective of hearing. Chang's construction of Hong Kong's image took sound and acoustic senses as important media, linking “sound” with “memory”. Significant soundscapes can be divided into three categories, including the ‘city sounds’ of Hong Kong, the sounds of bombing in war, and the incomplete silence. The construction of soundscape implied the author’s psychological trauma and historical memory, and the aural experience ultimately fitted the “ble
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Rusinova, Elena A. "The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero." Journal of Flm Arts and Film Studies 11, no. 1 (2019): 15–26. http://dx.doi.org/10.17816/vgik11115-26.

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The theme of the artistic image of the city in film has been repeatedly considered in film studies from both historical and cultural perspectives. However, two aspects of the study of the theme remain virtually unexplored because they are associated with a professional analysis of such a specific area of filmmaking as sound directing. The first aspect is the role of the city in films as both visual and audio space; the second aspect is the significance of urban sounds in the creation of the inner world of a film character.
 This essay explores the director's vision of urban space and the
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Vasileva, Daria A., and Daniil A. Lermontov. "Between sound and noise: Features of urban soundscapes formation." Vestnik of Saint Petersburg University. Sociology 15, no. 3 (2022): 270–84. http://dx.doi.org/10.21638/spbu12.2022.306.

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Soundscapes of a city as a cultural-symbolic space mediating our perception of sounds and noises are dynamic, changeable and heterogeneous. The way of everyday life, cultural experience, audio-visual texts are consumed outline different trajectories of interaction with sonic environment and make the border between sound and noise quite fluid. This article presents ethnographic data, important for understanding the process of formation of urban soundscapes. The research of St Petersburg soundscapes was conducted by the authors in 2016–2021 demon strated the possibilities of using such methods a
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