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Relevant bibliographies by topics / Civilzation, Medieval, in art

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Dissertations / Theses
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Academic literature on the topic 'Civilzation, Medieval, in art'

Author: Grafiati

Published: 29 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Civilzation, Medieval, in art"

1

Wood, Charles T. "Dictionary of the Middle Ages. Joseph R. StrayerDictionary of Medieval Civilzation. Joseph Dahmus." Speculum 60, no. 4 (1985): 967–71. http://dx.doi.org/10.2307/2853748.

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Woodacre, Elena. "Medieval Art in Motion." Medieval Feminist Forum 56, no. 2 (2021): 218–20. http://dx.doi.org/10.17077/1536-8742.2263.

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Hofmann, Richie. "Looking at Medieval Art." Yale Review 108, no. 2 (2020): 168. http://dx.doi.org/10.1353/tyr.2020.0056.

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Foster, Paul. "Medieval Manichaean Book Art." Expository Times 121, no. 1 (2009): 26. http://dx.doi.org/10.1177/00145246091210010302.

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Hofmann, Richie. "Looking at Medieval Art." Yale Review 108, no. 2 (2020): 168. http://dx.doi.org/10.1111/yrev.13641.

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Mänd, Anu. "Art in Medieval Tartu." Baltic Journal of Art History 27 (January 2, 2025): 91–122. https://doi.org/10.12697/bjah.2024.27.04.

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Of the three medieval Livonian cities, Tartu is in the most challengingposition when it comes to both written and visual sources. Repeatedlyconquered and plundered during the wars of the 16th–20th centuries,Tartu lost its medieval archives and buildings. To date, research onmedieval Tartu’s art has largely concentrated on the architecture ofits cathedral and the parish church of St. John.This article aims to explore potential avenues for studying medievalart in Tartu by utilizing written sources, historical drawings, andsurviving works of art. Many of the stone carvings discussed arepublished

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Pestell, Richard. "Medieval art and the performance of Medieval music." Early Music XV, no. 1 (1987): 57–70. http://dx.doi.org/10.1093/earlyj/xv.1.57.

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Clifton, Nicole. "Medieval Romance, Medieval Contexts (review)." Arthuriana 22, no. 2 (2012): 110–11. http://dx.doi.org/10.1353/art.2012.0023.

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Bauduin, Tessel M., and Julia W. Krikke. "Images of Medieval Art in the French Surrealist Periodicals Documents (1929–31) and Minotaure (1933–39)." Journal of European Periodical Studies 4, no. 1 (2019): 144–61. http://dx.doi.org/10.21825/jeps.v4i1.8843.

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The avant-garde movement Surrealism claimed historical figures as supposed ancesters, as is well known, but also interacted with the past, and especially art of the past, in other ways. This article explores the reception of the European Middle Ages in French Surrealism, in particular medieval art, by means of a case study: illustrations of medieval and early-modern Western art in the surrealist periodicals Documents (1929-1931) and Minotaure (1933-1939). The cerebral and contrary Documents challenged the canon of art by actively looking at the margins of European art, reproducing medieval art

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PETRAKIS, N. "Earmarks of art history: Cerumen and medieval art." American Journal of Otolaryngology 21, no. 1 (2000): 5–8. http://dx.doi.org/10.1016/s0196-0709(00)80067-8.

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Dissertations / Theses on the topic "Civilzation, Medieval, in art"

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Kirkham, Deborah Anne. "Medieval art writing and the study of art history." Thesis, University of Manchester, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.529796.

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Snape, Julia. "Medieval art on display, 1750-2010." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/medieval-art-on-display-17502010(9e0b3b30-1d52-412d-862a-b655757307b1).html.

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This thesis asks how the curatorial framing of medieval objects - the processes of selection, classification, display and interpretation - affect how medieval objects are made legible within the museum. It investigates how different collectors and curators have deployed medieval objects over a period of two hundred and fifty years of museological practice. Throughout this history, medieval objects have been appropriated within a range of museological narratives that have positioned them variously as objects of curiosity, utility, scientific analysis, nationalistic interest and as sites of scho

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Clatworthy, Janine. "The art of magical narrative." Master's thesis, University of Cape Town, 2001. http://hdl.handle.net/11427/10196.

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Bibliography: leaf 61.<br>What is a magical narrative? How can the inconsistencies and strange repetitions in the plots of Malory's Arthurian cycle be explained? What are their purposes and why are they essential to the plot? In this dissertation, I have attempted to answer these questions by applying Anne Wilson's theory of magical narrative (The magical quest) to a selection of tales from the beginning of Malory's Arthurian cycle (The tale of King Arthur) and from the latter half (The book of Sir Launcelot and Queen Quinevere).

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Hansen, Kelli Bruce. "The Cross of Oviedo in medieval Spanish art /." free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p1418028.

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Woollam, Angela M. "The rhetorical art of some Vernon refrain lyrics." Thesis, University of Ottawa (Canada), 2001. http://hdl.handle.net/10393/6051.

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The dissertation considers how the anonymous authors of six moral and religious pseudo-ballade refrain poems first attested in the late fourteenth-century Vernon manuscript (Oxford, Bodleian Library, MS. Eng. poet.a.1) manipulate devices such as speaking persona, word-play, and allegory in ways that support rhetorical strategies hitherto unrecognized in Middle English lyric. The study begins with stemmatic analyses that identify, as far as is possible from the physical record, the archetypal text, or "work," of each poem. Chapter One then provides an overview of scholarship that has focussed o

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Berenbeim, Jessica. "Art of Documentation: The Sherborne Missal and the Role of Documents in English Medieval Art." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10082.

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This dissertation considers an unfamiliar but fundamental aspect of late-medieval art: the role of documentation. Documents played as critical a part in that society as they do in our own. In late-medieval consciousness, the charter loomed as large as the sacred image, and documentation mattered no less than devotion—while the two also had a profound and inextricable connection. Discussion begins with three principal arguments, explained in detail in the first chapter: 1. The materials of documentation are part of the history of art; and accordingly, art-historical methods render an important

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Swarbrick, Elizabeth Joy. "The medieval art and architecture of Scottish collegiate churches." Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/12210.

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Collegiate churches were founded for two essential aims: the augmentation of divine worship, and the salvation of souls. This thesis brings to light just how important material and aesthetic enrichments were in regards to these functions. The vast majority of collegiate churches in Scotland were substantially augmented around the time of their foundation. Patrons undertook significant building programmes and provided a variety of furnishings and ornaments to facilitate and enrich the services their body of clergy performed. Precise statutes were laid down in order to ensure that clergy were sk

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McKinley, Kathryn Hill. "Ciceronian rhetoric and the art of medieval French hagiography." College Park, Md.: University of Maryland, 2007. http://hdl.handle.net/1903/7737.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2007.<br>Thesis research directed by: Dept. of French and Italian. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Klemettilä, Hannele. "Epitomes of evil : representations of executioners in northern France and the Low Countries in the late middle ages /." Turnhout : Brepolis, 2006. http://www.gbv.de/dms/spk/sbb/recht/toc/519371763.pdf.

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Kouneni, Garyfallia. "Antiquity through medieval eyes : the appropriation of antique art in the Trecento." Thesis, St Andrews, 2009. http://hdl.handle.net/10023/727.

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Books on the topic "Civilzation, Medieval, in art"

1

Stokstad, Marilyn. Medieval art. Westview Press, 1988.

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Museum, St Louis Art. Medieval art. Saint Louis Art Museum, 1992.

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Museum, British, ed. Medieval decorative art. Published for the Trustees of the British Museum by British Museum Press, 1991.

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Phillip, Lindley, ed. Making medieval art. Shaun Tyas, 2003.

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Snyder, James. Snyder's Medieval art. 2nd ed. Prentice Hall, 2006.

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Hollander, Hans. Early medieval. Universe Books, 1990.

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Gertsman, Elina, ed. Abstraction in Medieval Art. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462989894.

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Abstraction haunts medieval art, both withdrawing figuration and suggesting elusive presence. How does it make or destroy meaning in the process? Does it suggest the failure of figuration, the faltering of iconography? Does medieval abstraction function because it is imperfect, incomplete, and uncorrected-and therefore cognitively, visually demanding? Is it, conversely, precisely about perfection? To what extent is the abstract predicated on theorization of the unrepresentable and imperceptible? Does medieval abstraction pit aesthetics against metaphysics, or does it enrich it, or frame it, or

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Kauffmann, C. M. Studies in medieval art. Pindar Press, 1992.

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Kumāra, Sahadeva, Sharma K. K. curator, Bihar (India). Directorate of Museum., and Patna Museum, eds. Early-medieval Indian art. Patna Museum, Directorate of Museums, 2004.

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Chastel, André. French art. Flammarion, 1994.

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Book chapters on the topic "Civilzation, Medieval, in art"

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Friedman, John B., and Jessica M. Wegmann. "Art." In Medieval Iconography. Routledge, 2021. http://dx.doi.org/10.4324/9781003249610-2.

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Stokstad, Marilyn. "Romanesque Art." In Medieval Art, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9780429037184-8.

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Stokstad, Marilyn. "Carolingian Art." In Medieval Art, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9780429037184-5.

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Stokstad, Marilyn. "The Early Christian Period." In Medieval Art, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9780429037184-2.

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Stokstad, Marilyn. "Late Gothic Art." In Medieval Art, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9780429037184-12.

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Stokstad, Marilyn. "Art at the Millennium." In Medieval Art, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9780429037184-7.

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Stokstad, Marilyn. "Mature Gothic Art." In Medieval Art, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9780429037184-10.

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Stokstad, Marilyn. "Rivals from the East." In Medieval Art, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9780429037184-6.

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Stokstad, Marilyn. "An Introduction to Medieval Art." In Medieval Art, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9780429037184-1.

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Stokstad, Marilyn. "Rayonnant Gothic and its Reverberations." In Medieval Art, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9780429037184-11.

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Conference papers on the topic "Civilzation, Medieval, in art"

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Askarova, Zilolakhon, Asalkhon Rakhmatullaeva, Khurshida Khaitbabaeva, and Feruza Kabilova. "Artistic Expression of the Image of Women in Ancient and Medieval Art in Central Asia." In The Second Pamir Transboundary Conference for Sustainable Societies- | PAMIR. SCITEPRESS - Science and Technology Publications, 2023. https://doi.org/10.5220/0012974200003882.

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Tanabayeva, Anar, Samal Sagnaikyzy, and Marzhan Alikbayeva. "THE PATTERN OF THE �PERFECT MAN� IN SUFISM." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/vs07.19.

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In the history of culture, one of the most important periods in the study of the problem of the nature and formation of the �perfect man� was the historical stratum of medieval Islamic culture, in which the Sufi discourse played an important role. Sufism as a religious and mystical direction in Islam is actualized in the light of the study of the classical cultural heritage of the peoples of the East and modern socio-cultural processes. Sufism played a significant role in the development of medieval Islamic culture and made its unique contribution to the concept of the �perfect man�. The Sufi

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Liu, Yuxin. "French Romance in Late Medieval Poetry." In 2022 3rd International Conference on Language, Art and Cultural Exchange（ICLACE 2022). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220706.083.

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Irwin, J. Kirk. "Within the Medieval Perspectival Image: New Methods Old Art." In Electronic Visualisation and the Arts (EVA 2017). BCS Learning & Development, 2017. http://dx.doi.org/10.14236/ewic/eva2017.70.

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Trentelman, Karen. "Art as Evidence: Uncovering the Past Through the Scientific Analysis of Works of Art." In Frontiers in Optics. Optica Publishing Group, 2023. http://dx.doi.org/10.1364/fio.2023.jw3a.1.

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The scientific analysis of works of art is carried out to answer questions related to artist’s technique, provenance, historic technologies, and material properties. Utilizing primarily non-invasive imaging and spectroscopic techniques, studies on objects ranging from mummies to Medieval manuscripts to paintings by masters such as Rembrandt and van Gogh will be presented.

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Urbushev, A., and N. Konstantinov. "IMAGES OF MEDIEVAL DWELLINGS ON DYALBAK ROCK ART SITE (EASTERN ALTAI)." In Ancient cultures of Mongolia, Southern Siberia and Northern China: Transactions of the XIth International Conference (September 8–11, 2021, Abakan). Institute for the History of Material Culture of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.31600/978-5-907298-19-4.243-248.

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Useinov, T. B. "Display of love for a male object in a figurative system of medieval Crimean Tatar Ashyk poetry." In Scientific Trends: Philology, Culturology, Art history. ЦНК МОАН, 2019. http://dx.doi.org/10.18411/spc-26-11-2019-06.

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Shen, Yan. "The Habitat of the Heart. The Spirit of Art from the Medieval Paintings." In 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/icadce-17.2017.54.

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Dangles, Philippe. "Armenian Medieval Architecture along Boundary Akhurian River. French Researches in Turkey and Armenia." In 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-17.2018.29.

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Aleksić, Jana. "UMETNIČKA EPOHA KRALjA MILUTINA U KULTURNOISTORIJSKOJ I ESTETIČKOJ OPTICI MILANA KAŠANINA." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.817a.

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Milan Kašanin (1895–1981) in his integral study of medieval Serbian culture pays significant attention to the works and authors who created in the time of King Stefan Uroš II Milutin Nemanjića (1282–1321). Kašanin’s analysis also includes medieval literary and artistic achievements whose central theme is the King's personality and symbols of rule, as well as the spiritual and socio-histor- ical characteristics of the era the era of this important founder and great artistic patron. The author of the monographs Serbian Literature in the Middle Ages (1975) and Stone Discoveries (1978) seeks to sy

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Reports on the topic "Civilzation, Medieval, in art"

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Kume, Junko. Medieval European Art History in Japan. Edicions de la Universitat de Lleida, 2023. http://dx.doi.org/10.21001/itma.2023.16.03.

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