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Relevant bibliographies by topics / Civitates orbis terrarum (Braun, Georg)

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Academic literature on the topic 'Civitates orbis terrarum (Braun, Georg)'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Civitates orbis terrarum (Braun, Georg)"

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Vlašić Jurić, Vesna. "Prikazi hrvatskih gradova u atlasu Civitates orbis terrarum." Knjižnica, revija za področje bibliotekarstva in informacijske znanosti 66, no. 3-4 (2023): 133–42. http://dx.doi.org/10.55741/knj.66.3-4.5.

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Prvi svezak velikog Atlasa koji sadrži 546 prikaza svjetskih gradova objavljen je 1572. godine u Kölnu dok je šesti, ujedno i posljednji, objavljen 1617. godine. Djelo je objavljeno pod naslovom Civitates orbis terrarum, u izdanju Georga Brauna i Franza Hogenberga. Kao inspiracija za ovo izdanje Georgu Braunu poslužila je Cosmographia Sebastiana Münstera te Theatrum orbis terrarum Abrahama Orteliusa. Teolog i svećenik Georg Braun bio je poznato ime u širokim krugovima, kako kulturnim tako i znanstvenim, što je bilo od izuzetne važnosti pri radu na izdanju ovog raskošnog djela bogato ukrašenog

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Năiduţ, Petruţa. "A Book of Cities: Mapping Urban Space in Braun and Hogenberg’s Civitates Orbis Terrarum (1572-1617)." American, British and Canadian Studies 34, no. 1 (2020): 8–25. http://dx.doi.org/10.2478/abcsj-2020-0002.

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AbstractThe present article sets out to explore the tradition and the innovative forces involved in the production of the first city atlas, Civitates orbis terrarum, a six-volume collection of town images published by Georg Braun and Franz Hogenberg between 1572 and 1617. In doing so, it considers the consequences of the rediscovery of Ptolemy’s notions of geography and chorography and traces how time-honoured ideas and new practices of describing places meet in the depiction of early modern cities. The article discusses the potential of chorography as a genre capable of representing a city wh

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Pereira, Luis Filipe, and Luis Marques. "Intervención de Conservación y Restauración en el Grabado de George Braun y Frans Hogenberg, representando la Ciudad de Cascais." Ge-conservacion 14 (December 20, 2018): 16–26. http://dx.doi.org/10.37558/gec.v14i1.580.

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En 2017 el Archivo Histórico y Municipal de Cascais decidió restaurar la más antigua imagen de la ciudad de Cascais, que corresponde a un grabado del siglo XVI y que pertenecía a la obra de Civitates Orbis Terrarum, uno de los más importantes libros sobre la vida en las ciudades de la Edad Media. La restauración de la obra fue llevada a cabo por la Cooperativa Agua de Cal Conservación y Restauración y en este trabajo se muestra las soluciones técnicas desarrolladas en la intervención de la obra. El presente artículo resulta de una existencia diminuta de publicaciones que ilustren intervencione

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Braziūnienė, Alma. "Panoraminis Vilniaus planas (1581) ir jo sekiniai LMA Vrublevskių bibliotekoje / Panoramic Plan of Vilnius (1581) and its Derivatives in the Wroblewski Library of the Lithuanian Academy of Sciences." LMA Vrublevskių bibliotekos darbai 12 (2023): 150–58. http://dx.doi.org/10.54506/lmavb.2023.12.8.

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The renowned panoramic plan of Vilnius, Vilna Litvaniae metropolis, was for the first time printed in Cologne in 1581. It appeared in the third volume of Civitates orbis terrarum, an atlas of the world’s most important cities, the publication of which was initiated in 1572 by Georg Braun (1541–1622), Cologne church dean, geographer and publisher, and Franz Hogenberg (1535–1590), Flemish cartographer and engraver. The six-volume atlas was first released in Latin (1572–1617/1618), then in German (1574–1618), and finally in French (1579–1618). City images featured in this very popular atlas also

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5

Iachello, Enrico. "Portraits of Catania City in The Civitates Orbis Terrarum of Braun and Hogenberg: the “local” model (Sixteenth Century)." Revista Movimentos Sociais e Dinâmicas Espaciais 6, no. 2 (2017): 57. http://dx.doi.org/10.51359/2238-8052.2017.231139.

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This work is part of a research project on the processes of the formation of urban identities. It attempts to reconstruct the role that images and descriptions have played in the process, using Catania as a case study. In this article we will examine, by way of municipal history and iconography, the process of constructing a “portrait” of the city (a map/view) linked to the need to “construct” an all-encompassing view, an identity: a map-view published in Amsterdam in 1598 and included in the 5th volume of Braun and Hogenberg’s Civitates Orbis Terrarum, clearly drew on a “local” model, a map p

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Haft, Adele J. "Henry Reed’s Poetic Map of Verona: (Di)versifying the Teaching of Geography, IV." Cartographic Perspectives, no. 40 (September 1, 2001): 32–51. http://dx.doi.org/10.14714/cp40.577.

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Henry Reed’s “A Map of Verona” became the title piece of the only poetry collection published by this multi-talented Englishman (1946). By recalling his trip to Naples and prophesying his devotion to Verona, the poem foreshadows Reed’s lifelong passion for Italy. In “A Map of Verona,” Reed is unique among map-poets in presenting himself as the star-crossed lover of a place, whose mapped image he eroticizes into the beloved’s body. Because Reed ultimately rejects his map as illusory, the poem invites us to consider the type of map he was gazing at while composing “A Map of Verona.” This paper,

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Miedema, Hessel. "Dido Rediviva, of: Liever Turks dan Paaps Een opstandig schilderij door Gillis Coignet." Oud Holland - Quarterly for Dutch Art History 108, no. 2 (1994): 79–86. http://dx.doi.org/10.1163/187501794x00369.

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AbstractIn the Vleeshuis museum in Antwerp is a painting which is signed and dated G.COINGNET.FEC.1583 (note 1 and fig. 1). It allegedly represents 'Queen Dido, giving orders for Carthage to be built.' However, in the painting an architect is presenting the putative queen with a construction drawing (fig. 2) which bears the inscription PORTA DE LA GOLETA. La Goletta was a fortress built by Charles v to keep Tunis under Spanish control when he took possession of the city in 1535. In the 1560s, to cope with the threat of renewed Turkish attacks, La Goletta was substantially reinforced. Work was

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German, Anna. "3D art cartography in Belarus: The historical development and achievements in the modern period." Abstracts of the ICA 1 (July 15, 2019): 1–2. http://dx.doi.org/10.5194/ica-abs-1-94-2019.

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<p><strong>Abstract.</strong> Three-dimensional images of the area were begun to create in the middle ages. The discoveries of new territories had led to the necessity of their mapping. On the perspective-panoramic maps of that time cities and fortresses were often depicted as they could be seen by an approaching traveler, usually from the most impressive side, from "bird's eye view". Cartographic images were performed manually, by the method of engraving on wood or on copper.</p><p> One of the first panoramic maps of Belarusian cities was a cartographic image of

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Freytag, Hartmut. "Georg Braun / Franz Hogenberg, Civitates orbis terrarum. Städte der Welt. 363 Kupferstiche revolutionieren das Weltbild. Gesamtausgabe der kolorierten Tafeln. 1572–1617. Hg. von Stephan Füssel. 2008." Arbitrium 28, no. 2 (2010). http://dx.doi.org/10.1515/arbi.2010.051.

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Books on the topic "Civitates orbis terrarum (Braun, Georg)"

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Wódz, Bożena Ewa. Sendomiria: Sandomierz w nowożytnym dziele Civitates orbis terrarum. Muzeum Okręgowe w Sandomierzu, 2019.

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Cristini, Anna. Civitates Orbis Terrarum: From the Renaissance Prints of Braun and Hogenberg. Soldiershop, 2019.

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Book chapters on the topic "Civitates orbis terrarum (Braun, Georg)"

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Penz, François. "The Cinema in the Map – The Case of Braun and Hogenberg’s Civitates Orbis Terrarum." In Cinematic Urban Geographies. Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-46084-4_2.

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