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Journal articles on the topic 'Clarel (Melville)'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

BERTHOLD, DENNIS. ""The Italian Turn Of Thought"." Nineteenth-Century Literature 59, no. 3 (2004): 340–71. http://dx.doi.org/10.1525/ncl.2004.59.3.340.

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Studies of Herman Melville's epic poem Clarel (1876) have understandably emphasized the work's theological content. When studied in its immediate historical context, however, the poem's multiple references to Rome and Catholicism take on speci�c political meanings, particularly those centered in the Risorgimento, Italy's century-long quest for independence and unity. In 1870, when Melville began to write the poem, the Risorgimento achieved its �nal goal, making Rome Italy's capital and stripping the Pope of his temporal power. Melville, like many Americans, supported Italy's moderate, anti-pap

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2

Hutchins, Zachary McLeod. "The Structural Poetics of Incompletion in Clarel 's Wilderness." J19: The Journal of Nineteenth-Century Americanists 11, no. 2 (2023): 361–84. http://dx.doi.org/10.1353/jnc.2023.a921885.

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Abstract: Part 2 of Herman Melville's centenary epic, "The Wilderness," opens with a truncated sonnet of thirteen lines, a poem embedded within Melville's larger poetic project that signals the dominant theme of this second movement and the epic as a whole: incompletion. The sonnet calls attention to its own imperfection in the final line, describing human life, Chaucer's Canterbury Tales , and Clarel itself as "unfulfilled romance." Through death and desertion, Melville's wilderness culls the troop of pilgrims from a band of sixteen to a party of twelve. After three of the pilgrims flee, read

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3

Hutchins, Zach. "Miscegenetic Melville: Race and Reconstruction in Clarel." ELH 80, no. 4 (2013): 1173–203. http://dx.doi.org/10.1353/elh.2013.0039.

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4

Zlogar, Richard J. "Body Politics in "Bartleby": Leprosy, Healing, and Christ-ness in Melville's "Story of Wall-Street"." Nineteenth-Century Literature 53, no. 4 (1999): 505–29. http://dx.doi.org/10.2307/2903029.

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Over the years, critics have attached multiple equivalences to the title character in Herman Melville's "Bartleby, the Scrivener" (1853). Bartleby has become metaphor as readers have found a variety of matches for the condition of alienation and rejection implicit in his tragic story, a well-known example of which is interpreting Bartleby as an artist who refuses to produce the type of literature that is commercially successful in his society. The central contention of this study is that the scholarship written on "Bartleby" to date has not identified the vehicle for the tenor we uncover in Ba

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5

Barton, John Cyril. "“An Unquestionable Source?”." Nineteenth-Century Literature 68, no. 2 (2013): 145–79. http://dx.doi.org/10.1525/ncl.2013.68.2.145.

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This essay is the first to examine Melville’s “The Town-Ho’s Story” (Chapter 54 of Moby-Dick [1851]) in relation to W. B. Stevenson’s then-popular-but-now-forgotten British travel narrative, Twenty Years’ Residence in South America (1825). Drawing from suggestive circumstances and parallel action unfolding in each, I make a case for the English sailor’s encounter with the Spanish Inquisition in Lima as important source material for the Limanian setting that frames Melville’s tale. In bringing to light a new source for Moby-Dick, I argue that Melville refracts Stevenson’s actual encounter with

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6

SHAWCROSS, JOHN T. "'Too Intellectual a Poet Ever to be Popular': Herman Melville and the Miltonic Dimension of Clarel." Leviathan: A Journal of Melville Studies 4, no. 1-2 (2002): 71–90. http://dx.doi.org/10.1111/j.1750-1849.2002.tb00056.x.

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7

Madison, Karen Lentz, and R. D. Madison. "Derwent: Revisiting Melville’s Clarel." Leviathan 19, no. 3 (2017): 50–58. http://dx.doi.org/10.1353/lvn.2017.0034.

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8

Madison, Robert K., and Gordon M. Poole. "CLAR-el or cla-REL: Pronouncing Melville's Clarel." Leviathan 12, no. 1 (2010): 21–24. http://dx.doi.org/10.1111/j.1750-1849.2009.01399.x.

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9

WOOD, TIM. "Paradiso Terrestre: America's Displaced Wilderness in Melville's Clarel." Leviathan 13, no. 3 (2011): 85–97. http://dx.doi.org/10.1111/j.1750-1849.2011.01510.x.

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10

KELLEY, WYN. "Agath and the Ephemeral Text in Melville's Clarel." Leviathan 13, no. 3 (2011): 49–62. http://dx.doi.org/10.1111/j.1750-1849.2011.01511.x.

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11

ZLATIC, THOMAS D. "Melville's Wired World: Media, Fact, and Faith in Clarel." Leviathan 13, no. 3 (2011): 115–27. http://dx.doi.org/10.1111/j.1750-1849.2011.01505.x.

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12

Al-Malki, Norah Ahmed. "The Otherness of the Real in Herman Melville’s Clarel." Neophilologus 100, no. 4 (2016): 677–93. http://dx.doi.org/10.1007/s11061-016-9484-6.

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13

Norberg, Peter. "Claude Fleury’s Ecclesiastical History , A Newly Identified Source for Melville’s Reading." Leviathan 26, no. 2 (2024): 93–101. http://dx.doi.org/10.1353/lvn.2024.a933164.

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Abstract: In preparing Melville’s copy of William Rounseville Alger’s The Solitudes of Nature and of Man (Boston: Roberts, 1867) for mounting at Melville’s Marginalia Online , the transcription of one of Melville’s annotations was corrected to reveal a direct reference to Claude Fleury’s The Ecclesiastical History of M. L’ Abbé Fleury (Oxford: Rivingston, London, 1842). Fleury’s Ecclesiastical History adds to the evidence of Melville’s comprehensive study of religious history in the Near East while composing Clarel , a course of study comparable to that which his eponymous protagonist would ha

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14

Kevorkian, Martin. "Clarel and the Prodigal: The Caesuras of Melville’s Iron Age." Leviathan 18, no. 3 (2016): 31–46. http://dx.doi.org/10.1353/lvn.2016.0040.

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15

Marr, Timothy. "Melville's Clarel and the Intersympathy of Creeds by WILLIAM POTTER." Leviathan: A Journal of Melville Studies 9, no. 2 (2007): 61–67. http://dx.doi.org/10.1111/j.1750-1849.2007.01200.x.

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16

Carrier, David R., Stephen M. Deban, and Jason Otterstrom. "The face that sank the Essex: potential function of the spermaceti organ in aggression." Journal of Experimental Biology 205, no. 12 (2002): 1755–63. http://dx.doi.org/10.1242/jeb.205.12.1755.

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SUMMARY `Forehead to forehead I meet thee, this third time, Moby Dick!' [Ahab (Melville, 1851)] Herman Melville's fictional portrayal of the sinking of the Pequodwas inspired by instances in which large sperm whales sank whaling ships by ramming the ships with their heads. Observations of aggression in species of the four major clades of cetacean and the artiodactyl outgroup suggest that head-butting during male—male aggression is a basal behavior for cetaceans. We hypothesize that the ability of sperm whales to destroy stout wooden ships, 3-5 times their body mass, is a product of specializat

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17

Hamerski, Wojciech. "Romantyczne „kuźnie natury” w perspektywie ekokrytyki." Porównania 29, no. 2 (2021): 41–61. http://dx.doi.org/10.14746/por.2021.2.3.

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Artykuł prezentuje możliwości zastosowania narzędzi ekokrytyki do lektury dzieł polskiego romantyzmu. Zarówno brytyjskie, jaki amerykańskie „zielone studia” są głęboko zakorzenione w literaturze XIX wieku: Wordsworth, Clare, Shelley, Thoreau, Emerson czy Melvill stanowią ważny punkt odniesienia dla współczesnych badaczy. Artykuł uzasadnia, że „narodowa trauma” zaborów, traktowana za główną przeszkodę w czytaniu polskiej literatury romantycznej, stanowi okazję do wprowadzenia nowego idiomu do międzynarodowych „zielonych studiów”.

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18

Whelan, Timothy. "Book Review: Melville's Protest Theism: The Hidden and Silent God in Clarel." Christianity & Literature 44, no. 3-4 (1995): 400–403. http://dx.doi.org/10.1177/014833319504400323.

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19

Smith, Robert O. "Sanctifying the Settler-Colonial Gaze: Nineteenth-Century American Christian Pilgrimage to the Holy Land." Theology Today 74, no. 4 (2018): 365–75. http://dx.doi.org/10.1177/0040573617731715.

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American Christian pilgrimage to the Holy Land started within a historical and ideological context shaped by American territorial expansionism. The settler-colonial impulses informing that expansionism were carried to Palestine, where Palestinians were encountered as “savages” compared explicitly to American Indians. Erasure of the Holy Land’s Indigenous inhabitants is thus sanctioned. Herman Melville’s Clarel and Mark Twain’s Innocents Abroad record this encounter. We must be aware of this history if it is not to be repeated in contemporary pilgrimage practices.

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20

Buell, Lawrence. "Melville's Protest Theism: The Hidden and Silent God in Clarel (review)." Shofar: An Interdisciplinary Journal of Jewish Studies 12, no. 3 (1994): 149–50. http://dx.doi.org/10.1353/sho.1994.0085.

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21

Norberg, Peter. "Abstracts: ALA 2010-San Francisco: Comparative Religion and Competing Orthodoxies in Melville's Clarel." Leviathan 12, no. 3 (2010): 133–34. http://dx.doi.org/10.1111/j.1750-1849.2010.01447_3.x.

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22

Maletic, S. "A Concordance to Herman Melville's "Clarel: A Poem and Pilgrimage in the Holy Land"." American Literature 72, no. 2 (2000): 424–25. http://dx.doi.org/10.1215/00029831-72-2-424.

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23

López Peña, Laura. "Beyond the walls–potentiality aborted. The politics of intersubjective universalism in Herman Melville’s Clarel." Anuari de Filologia Lleng�es i Literatures Modernes - LLM, no. 4 (November 24, 2014): 125–28. http://dx.doi.org/10.1344/afllm.2014.4.125-128.

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24

Silva, Gustavo. "Do contar ao mostrar: "Billy Budd", de Herman Melville, no cinema." Palimpsesto - Revista do Programa de Pós-Graduação em Letras da UERJ 17, no. 26 (2018): 585–600. http://dx.doi.org/10.12957/palimpsesto.2018.35392.

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Em "Teoria e prática da adaptação: da fidelidade à intertextualidade" (2006), Robert Stam destaca a necessidade de se pensar em uma crítica às adaptações literárias para o cinema que se distancie da noção de “fidelidade” ao hipotexto. A partir disso, pretende-se desenvolver, aqui, algumas considerações sobre os filmes O vingador dos mares (1962), de Peter Ustinov, e Bom trabalho (1999), de Claire Denis, em especial no que diz respeito aos diálogos das películas com a novela Billy Budd (1924), de Herman Melville. Considerando a intertextualidade entre as obras, objetiva-se destacar diferentes p

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25

Duban, J. "'The Oracle of God Within': Human Nature and Personal Faith in the Epilogue to Clarel and Melville's Annotated Bible." Literature and Theology 28, no. 4 (2013): 425–37. http://dx.doi.org/10.1093/litthe/frt033.

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26

Etheridge, Brian C. "Clare L. Spark, Hunting Captain Ahab: Psychological Warfare and the Melville Revival. Kent, OH: Kent State University Press, 2001. 730 pp. $55.00." Journal of Cold War Studies 7, no. 4 (2005): 143–45. http://dx.doi.org/10.1162/jcws.2005.7.4.143.

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27

"Melville's protest theism: the hidden and silent God in Clarel." Choice Reviews Online 31, no. 01 (1993): 31–0127. http://dx.doi.org/10.5860/choice.31-0127.

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28

عمار, يارا, and نايف هاني الياسين. "Approaching Oriental And Muslim Characters In Herman Melville’s Poem Clarel In Light Of Edward Said’s Insights On Orientalist Representations." مجلة جامعة دمشق للآداب والعلوم الإنسانية, 2023, 1. https://doi.org/10.71219/0135-039-001-005.

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29

Nelson, Elizabeth Èowyn. "General Editor's Introduction to Volume 13." Journal of Jungian Scholarly Studies 13 (June 12, 2018). http://dx.doi.org/10.29173/jjs23s.

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Welcome to the 2018 issue of the Journal of Jungian Scholarly Studies. This year, my first as General Editor, confirmed for me the sweetness of respectful collaboration. The expertise of the editorial staff; the gracious mentorship by my predecessor, Inez Martinez; and the authors’ and reviewers’ dedication to excellence, made it possible to produce a peer-reviewed publication that demonstrates the relevance of Jungian thought in a tumultuous world. Essays in this collection reflect the theme of the 15th annual conference held in Arlington, Virginia: “Complexity, Creativity, Action.” The

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30

Brockington, Roy, and Nela Cicmil. "Brutalist Architecture: An Autoethnographic Examination of Structure and Corporeality." M/C Journal 19, no. 1 (2016). http://dx.doi.org/10.5204/mcj.1060.

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Introduction: Brutal?The word “brutal” has associations with cruelty, inhumanity, and aggression. Within the field of architecture, however, the term “Brutalism” refers to a post-World War II Modernist style, deriving from the French phrase betón brut, which means raw concrete (Clement 18). Core traits of Brutalism include functionalist design, daring geometry, overbearing scale, and the blatant exposure of structural materials, chiefly concrete and steel (Meades 1).The emergence of Brutalism coincided with chronic housing shortages in European countries ravaged by World War II (Power 5) and g

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