Academic literature on the topic 'Clarinet reeds'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Clarinet reeds.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Clarinet reeds"
Casadonte, Donald. "The perfect clarinet reed? Vibrational modes of realistic clarinet reeds." Journal of the Acoustical Society of America 94, no. 3 (September 1993): 1807. http://dx.doi.org/10.1121/1.408250.
Full textLindevald, Ian M., and Jason Gower. "Vibrational modes of clarinet reeds." Journal of the Acoustical Society of America 102, no. 5 (November 1997): 3085. http://dx.doi.org/10.1121/1.420211.
Full textHoekje, P. L., and G. Matthew Roberts. "Observed vibration patterns of clarinet reeds." Journal of the Acoustical Society of America 99, no. 4 (April 1996): 2462–500. http://dx.doi.org/10.1121/1.415497.
Full textStetson, Karl A. "Study of clarinet reeds using digital holography." Optical Engineering 53, no. 11 (March 28, 2014): 112305. http://dx.doi.org/10.1117/1.oe.53.11.112305.
Full textAnderson, Timothy. "Handmaking clarinet reeds: New tools accelerate the process." Journal of the Acoustical Society of America 99, no. 4 (April 1996): 2462–500. http://dx.doi.org/10.1121/1.415499.
Full textStetson, Karl A. "Vibration modes of clarinet reeds via digital electronic holography." Journal of the Acoustical Society of America 129, no. 4 (April 2011): 2615. http://dx.doi.org/10.1121/1.3588686.
Full textPinard, Fabrice, Benoit Laine, and Holger Vach. "Musical quality assessment of clarinet reeds using optical holography." Journal of the Acoustical Society of America 113, no. 3 (March 2003): 1736–42. http://dx.doi.org/10.1121/1.1543586.
Full textGazengel, Bruno, Jean Pierre Dalmont, and Jean Francois Petiot. "Link between objective and subjective characterizations of Bb clarinet reeds." Applied Acoustics 106 (May 2016): 155–66. http://dx.doi.org/10.1016/j.apacoust.2015.12.015.
Full textKawasaki, Masahiro, Tadashi Nobuchi, Yuta Nakafusi, Masateru Nose, Masateru Shibata, and Makoto Shiojiri. "Structural and Biomechanical Study of Clarinet Reeds Made from Arundo donax." Microscopy and Microanalysis 22, S3 (July 2016): 1040–41. http://dx.doi.org/10.1017/s1431927616006048.
Full textKawasaki, Masahiro, Tadashi Nobuchi, Yuta Nakafushi, Masateru Nose, Masateru Shibata, Peng Li, and Makoto Shiojiri. "Structural observations and biomechanical measurements of clarinet reeds made from Arundo donax." Microscopy Research and Technique 80, no. 8 (May 9, 2017): 959–68. http://dx.doi.org/10.1002/jemt.22889.
Full textDissertations / Theses on the topic "Clarinet reeds"
Casadonte, Donald Jay. "The Clarinet Reed: An Introduction to its Biology, Chemistry, and Physics." Connect to resource, 1995. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1210865836.
Full textPearson, Ingrid Elizabeth. "Clarinet embouchure in theory and practice : the forgotten art of reed-above." Thesis, University of Sheffield, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600626.
Full textTaillard, Pierre-André. "Theoretical and experimental study of the role of the reed in clarinet playing." Thesis, Le Mans, 2018. http://www.theses.fr/2018LEMA1010/document.
Full textThis thesis deals with the acoustics of the clarinet and the role of the reed, summarizing studies carried out between 2001 and 2018 on various topics : I) Study of elementary analytical models, focused on 1) role of losses. 2) iterated maps, highlighting various operating regimes, which are also useful for the instrumental pedagogy. II) Reed characterization study : 1) Dynamic study of the reed resonances, by holography. It leads to a model of viscoelastic material explaining some differences observed in the frequencies of the first 15 modes of the reed. 2) Static study of the mechanical and aeraulic characteristics of the exciter (reed + mouthpiece + lip). The method accurately measures the airflow entering the instrument as a function of lip and air pressure. III) Sound synthesis by physical model in real time : 1) Mechanical and aeraulic modeling of the reed, according to measurements. The proposed nonlinear stiffening spring model allows for an efficient dynamic simulation. 2) Modal estimation of the (measured) input impedance of wind instruments. Design techniques for accurate digital filters, passive at any frequency, are described. 3) Modal estimation and simulation of wind instruments by waveguides, implemented in C ++ software. IV) A playability study of a panel of 40 reeds by canonical correlation analysis reveals statistically strong links between physical measurements, subjective evaluations and sound synthesis. It allows a characterization of the reeds that can be made by the manufacturer, according to at least 4 independent factors
Bretz, Jacqueline Therese. "The Reed Trio: Analysis of Works by Ibert, Francaix and Schreiner with a Representative Repertoire List." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1366236512.
Full textSouza, Gilda Sabas de. "Comunicação e constituição do sujeito nas redes de criação: estudo das cartas de Ana Cristina Cesar, Clarice Lispector e Frida Kahlo." Pontifícia Universidade Católica de São Paulo, 2013. https://tede2.pucsp.br/handle/handle/4512.
Full textThis thesis questions the communicative aspects and the constitution of the subject through the creation process of Ana Cristina Cesar, Clarice Lispector and Frida Kahlo. Our corpus consists of books with letters by Ana Cristina Cesar, Clarice Lispector and Frida Kahlo and five Frida Kahlo s self-portraits. Our theoretical framework is grounded on the works of Flusser in the field of communication. The definition and structure of letters is based on the thoughts of Anonymous from Bologna, Caio Junior Victor, Michel Foucault and Mark Moraes. The analysis of self-portraits relies on reflections of Katia Canton, J. Moulin and Ernst Rebel; on the process of creation as a network, semioticallybased (Peircean line) we resorted to Cecilia Salles s research. The methodology covered the identification of the elements of creation that were significantly repeated, thus lending themselves to some generalizations about their creative processes. From this perspective the thesis discusses the concept of letter and the structure of the letters analyzed as well as contemplates this communicative medium along the studies of the processes of creation as a network, focusing on the marks left by authors in the constitution of the subjects of creation. Finally, we propose a possible analogy between the authors way of writing letters and the process of creating Frida Kahlo s self-portraits. The results are: discussion of the concept of letter, analysis of the structure of letters, reflection both on the communicative act in the creation process and on the constitution of creator subjects and finally on the analogical relationship between the writing of letters and the process of creating self-portraits
A tese questiona os aspectos comunicativos e a constituição do sujeito ao longo dos processos de criação de Ana Cristina Cesar, Clarice Lispector e Frida Kahlo. O corpus analisado é composto por livros de cartas das autoras Ana Cristina Cesar, Clarice Lispector e Frida Kahlo e por cinco autorretratos de Frida Kahlo. Utiliza-se o referencial teórico da área da comunicação, desenvolvido por Vilém Flusser. Sobre a definição e a estruturação da carta, baseia-se no pensamento de Anônimo de Bolonha, Caio Junior Victor, Michel Foucault e Marcos Moraes. Acerca do autorretrato o estudo se apoia nas reflexões de Kátia Canton, J. Moulin e Ernst Rebel; a respeito do processo de criação como rede, de base semiótica (linha peirceana) recorremos à pesquisa de Cecilia Salles. A metodologia partiu da identificação dos elementos de criação que se repetiam de forma significativa e ofereciam generalizações sobre seus processos de criação. A partir dessa perspectiva a tese discute o conceito de carta e sua estrutura; reflete sobre esse meio comunicativo no âmbito dos estudos dos processos de criação como rede e as marcas das autoras no processo de constituição de sujeitos da criação. Por fim, é proposta uma possível analogia entre a escritura das cartas e o processo de criação dos autorretratos de Frida Kahlo. Os resultados nos levam a discutir a respeito do conceito e da estrutura das cartas, refletir sobre o ato comunicativo no processo de criação, a constituição de sujeitos criadores e a relação analógica entre a escritura de cartas e o de autorretratos
Muñoz, Arancón Alberto. "New techniques for the characterisation of single reeds in playing conditions." Thesis, Le Mans, 2017. http://www.theses.fr/2017LEMA1031/document.
Full textThis work deals with the characterisation of single cane reeds used for clarinet or saxophone. Musicians perceive important differences of quality between reeds of the same brand, cut and strength. This thesis proposes new tools for reed characterisation in playing conditions.An instrumented mouthpiece is developed to enable the measurement of reed displacement and pressure difference on both sides of the reed using embedded sensors. From these signals, it is possible to estimate reed parameters of different physical models. Results reveal that the complexity of the physical model describing the reed behaviour must increase with the dynamic level.The instrumented mouthpiece is used in a measurement campaign involving 7 players and 20 reeds, quantifying the variability of the results due the musicians. Subjective tests conducted with these musicians show that reeds can be mainly described by one dimension (ease of playing or timbre). The correlations between the subjective descriptors and the measured objective parameters are studied to better understand the perceived differences between reeds, developing a predictive model of reed quality.In order to avoid the variability of the musician, an aspirating artificial mouth is developed. It uses the instrumented mouthpiece and it can be played by a musician or artificially. The comparison of the measurements made in both cases allows for the identification of the optimal working range in which the artificial mouth best reproduces the musician's playing according to intonation and playing level
Mendes, Cátia Rosana Marinho. "Palhetas simples: técnicas de manutenção para aplicação na interpretação e pedagogia do clarinete." Master's thesis, 2014. http://hdl.handle.net/1822/38098.
Full textO presente Relatório de Estágio insere-se no âmbito da unidade curricular Estágio do Mestrado em Ensino da Música da Universidade do Minho e incide sobre a Prática de Ensino Supervisionada realizada na Academia de Música Valentim Moreira de Sá, nos Grupos de Recrutamento M04-Clarinete e M32-Conjuntos Vocais e/ou Instrumentais; Orquestra; Música de Câmara; Coro; Classe de Conjunto, ao longo do ano lectivo de 2013/2014, com o Projeto de Intervenção no domínio das técnicas de manutenção das palhetas simples no contexto de aula e performance Partindo da observação do manuseamento das palhetas por parte dos alunos, bem como da recolha de dados através de inquéritos de opinião, concluiu-se que os alunos sentem necessidade de trabalhar as palhetas mas não o fazem com regularidade por falta de informação e motivação por parte de quem os acompanha. Com efeito, não obstante o interesse dos alunos no tema, existe uma lacuna na literatura, designadamente, em português, o que torna manifesta a necessidade de construir materiais de referências de apoio. O Projeto de Intervenção foi desse modo direccionado para dotar os discentes de estratégias deliberadas e conscientes na manutenção das palhetas de modo a melhorar tempo útil de utilização e o desempenho destas na performance, procurando subsidariamente contribuir para o enriquecimento da bibliografia sobre o assunto em português. Ao longo da implementação do projeto foi observável uma evolução das competências dos alunos no domínio da escolha de um material adequado ao repertório executado, bem como da sua manutenção, e de uma consequente significativa melhoria na performance.
This Internship Report falls within the course of the internship Masters in Music Education from the University of Minho and focuses on Supervised Teaching Practice held at the Academy of Music Valentim Moreira de Sá, in Groups Recruitment M04-Clarinet and M32-sets Vocal and / or Instrumental; orchestra; Chamber Music; choir; Class Set, throughout the academic year 2013/2014, with the Intervention Project for technical maintenance of simple reeds in the context of class and performance. Starting from the observation of how students handle the reeds, as well as the collection of data through opinion surveys, it was concluded that students feel the need to work with the reeds but they do not work them regularly due to lack of information and motivation by whom accompanies them. Indeed, despite the students' interest in the topic, there is a gap in literature, namely, in portuguese, which reveals the need to build reference supporting materials. The Intervention Project was directed this way to provide students with deliberate and conscious strategies in maintaining the reeds, in order to improve timely use and fulfillment of these on performance, secondarily looking to contribute to the enrichment of the bibliography on the subject in portuguese. Throughout the implementation of the project it was observed an evolution of the students’ skills in choosing the appropriate repertoire performed material, as well as their maintenance, and consequently a significant improvement in performance.
Books on the topic "Clarinet reeds"
Bowen, Glenn H. Making and adjusting clarinet reeds. 2nd ed. [Madison, Wis.]: Glenn Bowen, 2000.
Find full textGrabner, Walter. Making clarinet reeds by hand. [Highland Park, Ill.]: ClarinetXpress, 1999.
Find full textGrabner, Walter. Making clarinet reeds by hand. [Highland Park, Ill.]: ClarinetXpress, 1999.
Find full textPlatamone, Vito. Clarinet and saxophone reed adjustments: Finding and making adjustments to reeds. 2nd ed. Prescott, Ariz: Printed by The Graphic Center, 2001.
Find full textArmato, Ben. Perfect a reed--and beyond: Reed adjusting method. Ardsley, N.Y. (P.O. Box 549, Ardsley 10502): PerfectaReed, 1996.
Find full textNeuburger, Urs. Das Klarinettenblatt: Dokumentation über das Rohrblatt, praktische Methoden und Tips für die Blattbearbeitung. 2nd ed. Luzern: U. Neuburger, 1990.
Find full textOrmand, Fred. The single reed adjustment manual. [Las Vegas, NV]: Amilcare Publications, 2000.
Find full textOpperman, Kalmen. Handbook for making and adjusting single reeds for all clarinets and saxophones. Oyster Bay, NY: M. Baron, 2002.
Find full textVázquez, Ronald V. A book for the clarinet reed maker: An illustrated single reed-making method. Annapolis, MD: R. V. Publishing, 1993.
Find full textGuy, Larry. Selection, adjustment, and care of single reeds. 2nd ed. Stony Point, N.Y: Rivernote Press, 1997.
Find full textBook chapters on the topic "Clarinet reeds"
Bucur, Voichita. "Wood Species for Reed-Driven Instruments—Clarinet, Oboe, Bassoon and for Baroque Flute." In Handbook of Materials for Wind Musical Instruments, 127–66. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19175-7_3.
Full textGuillemain, Philippe, and Jonathan Terroir. "Dynamic Simulation of Note Transitions in Reed Instruments: Application to the Clarinet and the Saxophone." In Computer Music Modeling and Retrieval, 1–23. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11751069_1.
Full textLawson, Colin. "Single reeds before 1750." In The Cambridge Companion to the Clarinet, 1–15. Cambridge University Press, 1995. http://dx.doi.org/10.1017/ccol9780521470667.002.
Full textRice, Albert R. "Playing Techniques of the Baroque Clarinet." In The Baroque Clarinet and Chalumeau, 112–28. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190916695.003.0004.
Full text