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Dissertations / Theses on the topic 'Clarinet'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Mendes, Diogo António Tavares Magro. "Relatório de prática de ensino supervisionada realizada na Escola Artística de Música do Conservatório Nacional: a música contemporânea no ensino do clarinete em Portugal." Master's thesis, Universidade de Évora, 2018. http://hdl.handle.net/10174/23921.

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O objeto de estudo do presente trabalho é a abordagem à música contemporânea nos cursos oficiais de clarinete em Portugal. Este trabalho pretende estudar a abordagem da música contemporânea no ensino do clarinete em Portugal e o possível impacto que esta poderá ter desenvolvimento dos músicos e na sua profissão. Como metodologia, foi realizada uma pesquisa bibliográfica sobre o tema, uma recolha de programas do curso de clarinete e um questionário. O relatório encontra-se organizado em duas partes distintas, sendo a primeira referente à prática de ensino supervisionada realizada na Escola Artí

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2

Horst, Raymond C. "Graduate clarinet recital." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/27771.

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3

Luttik, Karen. "An analysis of Géza Frid’s Concerto for Clarinets, Op. 82 (1972): Rediscovered repertoire by a Hungarian, Jewish, Dutch composer." Thesis, Boston University, 2017. https://hdl.handle.net/2144/21329.

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Thesis (D.M.A.)--Boston University. This item includes the dissertation paper, handouts, as well as a video of the February 26, 2017 lecture and clarinet performance by Karen Luttik.<br>Géza Frid (1904-1989) was a significant Hungarian-born Dutch composer and pianist of Jewish descent. His compositional style was highly regarded in the Dutch musical scene of the 20th century; his music has been programmed on multiple occasions by the Concertgebouw Orchestra and in 1949 and 1954 won the City of Amsterdam Music Award. Major influences on Frid’s musical development started in his native Hung

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4

Ti, Yu-Ju. "Duo sonatas and sonatinas for two clarinets, or clarinet and another woodwind instrument an annotated catalog /." Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1243880660.

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5

Brook, Taylor. "Mitya: Concerto for clarinet." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=95001.

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Mitya: Concerto for Clarinet is a composition for solo Bb clarinet, large ensemble and electronics. The work is in three movements, each movement utilizing a different approach to extended just intonation in its pitch structure. The pitch structure of the first movement is designed around a single pitch, held by the clarinet soloist, which takes on a variety of just relationships in the harmony as other pitches change in relation to it. The second movement is a type of passacaglia which continuously modulates up a just major third at each repetition of the passacaglia theme. These untempered m

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6

McConnell, Michael (Woodwind instrument player). "A Grundgestalt Analysis of the Clarinet Trio and Clarinet Quintet by Johannes Brahms." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1538725/.

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The Grundgestalt (Ger: 'basic shape') is a term coined by Arnold Schoenberg to describe the basis for coherence within a musical composition. Although neither precisely defined, nor adequately supported by examples from his literature, the Grundgestalt remains an important facet of Schoenbergian theory. Composed of several gestalten that occur repeatedly, Schoenberg's Grundgestalt functions as a germinating factor within a piece that allows its motivic, thematic, and rhythmic information to become more accessible through their frequent repetition and diverse presentation. In addition to Schoen

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7

Figueiredo, Virginia Costa. "Music by contemporary Portuguese composers a study of extended clarinet techniques in selected clarinet works /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1835614371&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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8

Powell, Alyssa Rose. "Making the Clarinet Sing: Enhancing Clarinet Tone, Breathing, and Phrase Nuance through Voice Pedagogy." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1589808462811083.

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9

Beare, Michael. "British clarinet playing from 1940." Title page, contents and summary only, 1987. http://web4.library.adelaide.edu.au/theses/09MUM/09mumb368.pdf.

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10

Blazich, Joan Michelle. "Amand Vanderhagen’s Méthode Nouvelle et Raisonnée Pour la Clarinette (1785) and Nouvelle Méthode de Clarinette (1796): Complete Translations and Analyses of the First Classical Clarinet Treatises." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1122911553.

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11

Dixon, Gregory Hart. "Fractures for Clarinet and Computer." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc115070/.

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Fractures for Clarinet and Computer is a piece for live interactive performance using custom software designed in Max/MSP. the work explores musical borrowing and transformation of music from works such as Tchaikovsky’s Fifth Symphony, Gershwin’s Rhapsody in Blue, and several fragments from synthesizer recordings of the late 1960’s and early 1970’s. the dissertation focuses on both the musical aesthetics that informed the creation of the work and the software programming that enables live sampling and harmonization systems as well as flexible control of global parameters.

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12

Teixeira, Euler da Cunha Francisco. "Motion analysis of clarinet performers." Universidade Federal de Minas Gerais, 2014. http://hdl.handle.net/1843/BUOS-9UJRW7.

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Musical expressiveness is a concept that is difficult to formalise by objective data and its analysis usually relies on some sort of subjective evaluation. Today there is a growing interest in methods and cues used to extract, quantify, analyse and synthesise these expressive intentions. This have been done mainly through the audio analysis of music performances, identifying the acoustical parameters capable of describing their expressive content. This study expands acoustical analysis methods for investigating musicians expressive intentions, incorporating information about their body movemen

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13

Ti, Yu-ju. "Duo Sonatas and Sonatinas for Two Clarinets, or Clarinet and Another Woodwind Instrument: An Annotated Catalog." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243880660.

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14

Enloe, Loraine Davis. "The effects of clarinet embouchure on band director tone quality preferences." Greensboro, N.C. : University of North Carolina at Greensboro, 2007. http://libres.uncg.edu/edocs/etd/1436/umi-uncg-1436.pdf.

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Thesis (Ph.D.)--University of North Carolina at Greensboro, 2007.<br>Title from PDF t.p. (viewed Oct. 22, 2007). Directed by Donald A. Hodges; submitted to the School of Music. Includes bibliographical references (p. 69-74).

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15

Cameron, Erin. "The Emancipation of the Bass Clarinet: Harry Sparnaay and the Development of Solo Bass Clarinet Repertoire." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1752380/.

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Harry Sparnaay was a major contributor to the development of unaccompanied works for the bass clarinet and commissioned over 100 pieces for bass clarinet alone. While Sparnaay's book, The Bass Clarinet: A Personal History, includes a list of works written for him, there is minimal information available regarding most of these pieces. This project fills the information gap for this repertoire by providing publication status/score availability, performance challenges, recording history, program notes, and composer information. Each work is classified into three categories based on its publicatio

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16

Carter, Justin Munro. "The South African clarinet concerto : An examination of the clarinet genre within the South African context." Master's thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/6847.

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In exploring the South African Clarinet Concerto, this discourse focusses on nine pieces that have been written within this genre and within the South African context. With this in mind, the aim is to look at each of these works, and then examine them from their points of origin, through to their stylistic conception and their musical characterisation. Up to this point, there has been very little discourse, almost none in fact, that has focussed on this genre within the South African Classical music domain, and as such this research hopes to break some ground by taking this broad look at the c

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17

Woolery, Danielle. "Correcting Technical Deficiencies in High School Clarinet Sections: A Resource for Band Directors." Scholarly Repository, 2011. http://scholarlyrepository.miami.edu/oa_dissertations/528.

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The purpose of this study was to identify the specific advanced clarinet techniques in which further knowledge is required and to provide a resource for band directors to aid in the instruction of these techniques. In order to determine results, a survey was administered to high school band directors who are members of the Florida Bandmasters Association (N = 131). Sixteen band compositions were selected based on survey responses for analysis of technical challenges ranging from grade levels 4-6 on the Florida Bandmasters Association Concert Music List. The results of the band composition anal

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18

Rolf, Sheri Lynn M. D. "The Structure and Movement of Clarinet Playing." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523454235538941.

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19

Earle, Shawn Hubert. "Canadian clarinet music as multicultural action." Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/55874.

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Despite the wealth of Canadian clarinet repertoire, most of the existing studies focus only on pedagogy for student performers. Its significance and merit can better be understood, however, by considering its cultural context, especially through the perspective of Canadian identity. Canada’s social framework directly impacts its musical output and reflects Canada’s core values, especially multiculturalism, which became government policy in 1971. Using multiculturalism as a focal point for examining Canadian clarinet repertoire, this study explores the ways in which music performance is a multi

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20

Heim, Matthew David. "Trio for Clarinet, Viola, and Piano." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1155752522.

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21

Kothman, Keith. "Concerto for clarinet and chamber orchestra /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9824645.

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22

Capra, Carlos Augusto. "Music for clarinet by Argentinean composers /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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23

Marshall, Adrienne Marie. "The Clarinetist’s Guide to the Performance of the Clarinet, Viola, and Piano Trios by Mozart, Bruch, and Larsen." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1366379914.

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24

Danard, Rebecca J. "Études in Performing Extended Techniques: Twelve Newly-Commissioned Canadian Works for Solo Clarinet." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1321368757.

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25

Harbaugh, Justin Martin. "The Clarinet B.C. program notes for a masters clarinet recital of works of Brahms’ clarinet trio, Francaix’s Tema con Variazioni, Muczynski’s Time Pieces, and Carter’s Gra and Hiyoku." Kansas State University, 2009. http://hdl.handle.net/2097/1410.

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Master of Music<br>Department of Music<br>Kelvin T. Kerstetter<br>This study provides a stylistic and structural analysis of Brahms's Trio for Piano, Clarinet, and Cello Op. 114, Francaix's Tema con Variazioni (1974), Muczynski's Time Pieces (1984), Carter's Gra, for solo clarinet (1993), and Hiyoku, for two clarinets (2001). One chapter is devoted to each piece. The composer's biographical information is presented, in addition to harmonic and structural analyses of each piece. Performance considerations and a stylistic guide are documented to aid in the performance of these works. Other vital

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26

Dierickx, Zachary Daniel Dierickx. "The Clarinet Works of Jörg Widmann: A Performance Guide to Fantasie for Clarinet Solo with a Survey of Unaccompanied Clarinet Repertoire and Guide to Contemporary Techniques." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523963496247166.

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27

Harbaugh, Justin Martin. "The Clarinet B.C. program notes for a master's clarinet recital of works of Brahms's clarinet trio, Francaix's Tema con Variazioni, Muczynski's Time Pieces, and Carter's Gra and Hiyoku." Manhattan, Kan. : Kansas State University, 2009. http://hdl.handle.net/2097/1410.

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28

Araújo, Daniel Souza de. "“A Vida Pela Flor” para clarineta e banda de Joaquim Antônio Langsdorf Naegele: uma proposta interpretativa." Universidade Federal de Goiás, 2013. http://repositorio.bc.ufg.br/tede/handle/tede/4298.

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Submitted by Erika Demachki (erikademachki@gmail.com) on 2015-03-16T21:29:03Z No. of bitstreams: 8 Dissertação - Daniel Souza de Araújo - 2013 - Parte 01.pdf: 17703763 bytes, checksum: f805f389c15f683557bce031d152f30b (MD5) Dissertação - Daniel Souza de Araújo - 2013 - Parte 02.pdf: 10535608 bytes, checksum: 2df9f642c2c87de10817d13779a5324e (MD5) Dissertação - Daniel Souza de Araújo - 2013 - Parte 03.pdf: 10142806 bytes, checksum: de38ad20cadff80ee41a31c516b507d8 (MD5) Dissertação - Daniel Souza de Araújo - 2013 - Parte 04.pdf: 15421120 bytes, checksum: e929f207ed728c0393e6d8623f118181 (MD5) D

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29

Gay, Fernández Carlos. "Jazz influence on classical clarinet : Analysis and identification of jazz elements in classical clarinet repertoire in the 20th century." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2384.

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This thesis is about jazz influence on classical clarinet repertoire, focusing on analysis and identification of all the jazz elements that run through this style into classical music. It also wants to describe the huge change of way of playing noticeable in the Swing Era in relation to the classical way.In the first part of the thesis I describe the birth of jazz and the political, historical and musical situation in the West, to understand the process in which they got blended. After that I identify and classify jazzy elements in classical music, analyzing in depth the repertoire of my exam-

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30

Becker, Daniel. "The Clarinet-Percussion Duo in the 21st Century: A Survey and Discussion of Works from 2000 to July 2015." Diss., The University of Arizona, 2016. http://hdl.handle.net/10150/613374.

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Clarinet-percussion duos, music for one clarinetist and one percussionist, are a relatively new addition to the world of chamber music - the first work for this instrumentation was written in 1958. Throughout the second half of the 20th century, however, the genre became increasingly more popular, boasting at least 260 works before the year 1990, and dozens more between 1990 and 2000. After 2000, the genre managed to become an even larger branch of chamber music by adding at least 137 new works. Additionally, many performers dedicated solely to the grouping began to arise even before the end o

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31

Millard, Bradley David. "The developing clarinet player : new multi-genre, pan-technical repertoire." Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/16683/1/Bradley_Millard_Thesis.pdf.

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Those undertaking the study of a musical instrument may focus on a specific genre of music or diversify through exploration of a range of styles and forms. Students wishing to gain insight into a variety of styles may seek guidance from a number of sources, particularly in their formative years. In the interests of achieving stylistic authenticity and in the absence of teachers with wide-ranging musical experience, the student may seek direction from repertoire and pedagogical resources. This research aims to address a deficiency in existing repertoire and teaching materials for the beginner t

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32

Millard, Bradley David. "The developing clarinet player : new multi-genre, pan-technical repertoire." Queensland University of Technology, 2007. http://eprints.qut.edu.au/16683/.

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Those undertaking the study of a musical instrument may focus on a specific genre of music or diversify through exploration of a range of styles and forms. Students wishing to gain insight into a variety of styles may seek guidance from a number of sources, particularly in their formative years. In the interests of achieving stylistic authenticity and in the absence of teachers with wide-ranging musical experience, the student may seek direction from repertoire and pedagogical resources. This research aims to address a deficiency in existing repertoire and teaching materials for the beginner t

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33

Hadfield, Karen. "Mannheim and the clarinet : the Palatine Court's contribution to the development of the clarinet as an orchestral instrument /." [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19322.pdf.

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34

Locke, Scott A. "The accompanied clarinet works of Eugene Bozza : descriptive analysis and performance guide with emphasis on the clarinet concerto." Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1026699.

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French composer Eugene Bozza (1905-1991) has made significant contributions to the repertoire of wind instruments in the twentieth century. Not least among his compositions are the clarinet concerto, the eleven works for clarinet and piano, chamber works involving the clarinet, and numerous etudes for clarinet. Information gathered throughout the course of the study demonstrates why the concerto is a significant work for clarinetists, demanding from the performer technical prowess, tonal control, and mature musicianship. The additional works for clarinet and piano are mostly sectional pieces w

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35

Flores, Yasmin Angelique Mead Maurita Murphy. "The clarinet works of Gustav Adolph Heinze." Iowa City : University of Iowa, 2009. http://ir.uiowa.edu/etd/358.

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36

Irvine, John. "'Strange Language' for clarinet, piano & percussion." Thesis, University of Edinburgh, 1999. http://hdl.handle.net/1842/28281.

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37

Rice, Albert R. "A History of the Clarinet to 1820." Scholarship @ Claremont, 1987. http://scholarship.claremont.edu/cgu_etd/106.

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This study presents a detailed history of the clarinet from its ancient origins to 1820. It is divided into three parts: 1) origins, 2) the baroque clarinet, and 3) the classical clarinet. In the first part the ancestor of the modern instrument is traces to the memet of Ancient Egypt (2700 B.C.), and evidence is reviewed for the existence of a wind instrument having a single reed during the sixteenth century. Three chapters are then devoted to the Mock Trumpet and the seventeenth- and eighteenth-century chalumeau. The baroque clarinet is discussed in the second part. This part consists of four

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38

Ellsworth, Jane Elizabeth. "The clarinet in early America, 1758-1820." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1101894710.

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39

Redshaw, Jacqueline. "Chamber Music for the E-Flat Clarinet." Diss., The University of Arizona, 2007. http://hdl.handle.net/10150/194436.

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This work will examine chamber works involving up to 12 players which include the E-flat soprano clarinet. Doubling parts, defined as B-flat and E-flat clarinet on one part for one performer, will be included only if the E-flat clarinet is present for one or more entire movements. The intent is to show that this lesser-known repertoire includes numerous and varied works which are both unique and distinctive.No extant literature on this subject is currently available. The importance of playing auxiliary instruments cannot be emphasized enough as competition and demand increase in today's pro

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40

Bellomy, Christine M. "The clarinet chamber music of Phyllis Tate." Diss., University of Iowa, 2004. https://ir.uiowa.edu/etd/4554.

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41

Flores, Yasmin Angelique. "The clarinet works of Gustav Adolph Heinze." Diss., University of Iowa, 2009. https://ir.uiowa.edu/etd/358.

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This project was inspired by a recording of the Concertstück for Clarinet and Orchestra, op. 1 by Gustav Adolph Heinze, performed by the late clarinetist Thea King. The Concertstück was recorded on the Hyperion label by Thea King and the English Chamber Orchestra in 1988 under the direction of James Judd. With the assistance of Himie Voxman at the University of Iowa and the Grove Dictionary of Music Online, sources for this project were located. In the entry under Gustav Adolph Heinze there were two main sources used: Heinze's autobiography that was finished by his step-daughter after his deat

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42

Capitão, José Manuel Ribeiro. "Iniciação ao clarinete : estudo de caso." Master's thesis, 2017. http://hdl.handle.net/10400.14/23825.

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O ensino da música deve ser realizado o mais precocemente possível, no entanto, a maioria dos instrumentos não possuem dimensões e pesos adequados a crianças pequenas. O uso continuado de instrumentos não compatíveis com a fisionomia dos alunos pode causar problemas físicos, maus vícios de postura, de execução instrumental e desmotivação. O presente trabalho foi desenvolvido com o intuito de aferir qual o clarinete mais adequado para iniciar a aprendizagem em crianças com idades compreendidas entre os seis e os nove anos. Para isso, primeiramente, fez-se uma análise bibliográfica dos temas qu

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43

"A Recording and Performance Guide for Three New Works Featuring Clarinet and Electronics, Clarinet and Piano, and Clarinet, Bass Clarinet, and Piano." Doctoral diss., 2016. http://hdl.handle.net/2286/R.I.38534.

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abstract: This project includes a recording and performance guide for three newly commissioned pieces for the clarinet. The first piece, shimmer, was written by Grant Jahn and is for B-flat clarinet and electronics. The second piece, Paragon, is for B-flat clarinet and piano and was composed by Dr. Theresa Martin. The third and final piece, Duality in the Eye of a Bovine, was written by Kurt Mehlenbacher and is for B-flat clarinet, bass clarinet, and piano. In addition to the performance guide, this document also includes background information and program notes for the compositions, as well a

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44

Quinn, Paul. "Graduate Recital, Clarinet." 2012. http://digital.library.duq.edu/u?/etd,154253.

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This recital seeks to explore the various ways in which Eastern-European composers have utilized traditional folk-music as inspiration for their works. The programing focuses on several techniques used as a means for synthesizing folk-songs and art-music, ranging from setting preexisting melodies to accompaniment, to manipulating the idiomatic musical and linguistic features of folk-music as the basis for one��s musical language. In addition, this recital reveals the wide range of styles and genres, including neoclassicism, expressionism, and polytonality, that can be derived from Eastern-Eur

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45

Collins, Sue Ellen. "Graduate recital: clarinet." Thesis, 1994. http://hdl.handle.net/2429/5047.

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46

Van, Dessel Joan Elizabeth Kowalsky Frank. "Reexamining the standard clarinet repertoire A selective annotated bibliography of transcriptions for the solo clarinet and clarinet and piano /." Diss., 2006. http://etd.lib.fsu.edu/theses/available/etd-03262006-163952/.

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Treatise (D.M.A.) Florida State University, 2006.<br>Advisor: Frank Kowalsky, Florida State University, College of Music. Title and description from dissertation home page (viewed 7-13-07). Document formatted into pages; contains 78 pages. Includes biographical sketch. Includes bibliographical references.

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47

Bartnik, Michael. "Doctoral thesis recital (clarinet)." 2010. http://hdl.handle.net/2152/11374.

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Premiere rhapsody / Claude Debussy -- Abime des oiseaux (from Quatuor pour la fin du temps / Olivier Messiaen -- Sonata for clarinet / Francis Poulenc -- Wings / Joan Tower -- Introduction, theme and variations / Gioacchino Rossini<br>text

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48

Jankauskas, Sarunas. "Doctoral thesis recital (clarinet)." 2010. http://hdl.handle.net/2152/11489.

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49

Tangarov, Vanguel. "Doctoral thesis recital (clarinet)." 2010. http://hdl.handle.net/2152/11607.

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Fantasia and rondo / C. M. V. Weber -- Recitative and toccantina / Dimitar Ninov -- Concerto for clarinet and orchestra / L. Pipkov -- Sonata for clarinet and piano op.120, no.1 / J. Brahms -- Sonata for clarinet solo / T. Olah -- Rondo for clarinet and piano / M. Valtchanov<br>text

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50

Whittemore, Christopher. "Master's thesis recital (clarinet)." 2010. http://hdl.handle.net/2152/11626.

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Grand duo concertant for clarinet and piano, op.48 / C. M. Von Weber -- Abime des oiseaux / Olivier Messiaen -- Drei Morgensternlieder fur Sopran und Klarinette / Matyas Seiber -- Concerto pour clarinette et orchestre / Jean Francaix<br>text

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