Dissertations / Theses on the topic 'Clarinets (2)'
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Ti, Yu-Ju. "Duo sonatas and sonatinas for two clarinets, or clarinet and another woodwind instrument an annotated catalog /." Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1243880660.
Full textLewis, Stephen Edward Lewis Stephen Edward Lewis Stephen Edward Lewis Stephen Edward. "Three pieces." Diss., [La Jolla, Calif.] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p1464858.
Full textThe 1st work for violin, clarinet, violoncello; the 2nd for piano with chamber orchestra; the 3rd for 2 flutes (1 doubling on piccolo), 2 clarinets, 2 violoncellos. Title from first page of PDF file (viewed July 7, 2009). Available via ProQuest Digital Dissertations. Accompanying disc contains PDF file of thesis and recordings of performances.
Schulze, Lukas Andreas Schulze Lukas Andreas. "Sluggo ; and Elwaseem /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3236633.
Full textFirst work for 2 flutes, 2 clarinets, violoncello, and piano; 2nd for oboe and violin solo with 2 trumpets, horn, trombone, crotales, vibraphone, and percussion. Vita. With sound recording (1 sound disc : digital ; 4 3/4 in.) containing thesis works.
Thorvaldsdottir, Anna S. Thorvaldsdottir Anna S. Thorvaldsdottir Anna S. Thorvaldsdottir Anna S. "Music and ideas." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p1453657.
Full textAccompanying disc contains sound files of recordings of the musical compositions. The 1st work for 13 instruments; 2nd for 2 oboes, 2 clarinets, 2 bassoons, and 2 horns; 3rd for voice, 6 stethoscopes, and computer which manipulates sounds picked up by the stethoscopes. Title from first page of PDF file (viewed July 11, 2008). Available via ProQuest Digital Dissertations. Includes bibliographical references: P. 137.
Behnen, Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar. "Volume I. The construction of motion graphics scores Volume II. Seven motion graphics scores /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1581435611&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Full textCD-ROM entitled "The motion graphics scores of Severin Behnen" includes the animated scores. Includes bibliographical references (v. 1, leaves 138-142).
Figueiredo, Virginia Costa. "Music by contemporary Portuguese composers a study of extended clarinet techniques in selected clarinet works /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1835614371&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Full textMcConnell, Michael (Woodwind instrument player). "A Grundgestalt Analysis of the Clarinet Trio and Clarinet Quintet by Johannes Brahms." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1538725/.
Full textLin, Sheng. "Ran, Shulamit: Concerto da Camera II, Analysis of Pitch and Formal Structure." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2518/.
Full textBolles, Marita. "What exit /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2002. http://wwwlib.umi.com/cr/ucsd/fullcit?p3049669.
Full textSteele, Andrea, and Andrea Steele. "A Comprehensive Biography of Jacques-Jules Bouffil (1783-1868) with a New Performance Edition of His Trio No. 2, Op. 7." Diss., The University of Arizona, 2017. http://hdl.handle.net/10150/624285.
Full textHines, John. "Folio of compositions /." Title page and contents only, 1993. http://web4.library.adelaide.edu.au/theses/09MUM/09mumh662.pdf.
Full textStevens, Daniel Brent. "Rebecca Clarke: A Viola Duo Transcription of the Prelude, Allegro, and Pastorale." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc30513/.
Full textPatni, Pranav. "Disease mechanism and functional redundancy in clarin-mediated hearing and balance disorders." Electronic Thesis or Diss., Sorbonne université, 2020. http://www.theses.fr/2020SORUS002.
Full textUsher Syndrome (USH) is the first cause of deafness blindness in humans. 3 USH clinical types (USH1-3) are defined. Type III clinical form patients hearing loss is not congenital, but progressive, usually occurring during or after adolescence, and the presence of vestibular defects and age of onset of retinitis pigmentosa is variable. I studied the role of clarin-1, causing USH3A. CLRN1 gene encodes clarin-1. The characterization of Clrn1 mutant mice revealed that clarin-1 is essential for the structural organization and function of the presynaptic channels Cav1.3 Ca2+ at the inner hair cell ribbon synapse and for the distribution of postsynaptic AMPA receptors. The viral-mediated transfer of the intact Clrn1 into the clarin-1 mutant mice in cochlea durably prevented synaptic defects and occurrence of the hearing loss. I also explored the role of clarin-2 another member of the clarin family, the absence of which leads to hearing loss. The clarin-2 mutant mice have a progressive, early-onset hearing loss. Our findings demonstrate a key role for clarin-2 in mammalian hearing, providing insights into the interplay between mechano-electrical transduction and stereocilia maintenance. Finally, I studied the compensatory mechanisms involving the two clarins which might conceal important functions in the inner ear. The inactivation of both Clrn1 and Clrn2 impairs prematurely the vestibular function, total loss of mechano-electrical transduction & extreme disruptions of the hair bundle stereocilia. Further elucidation of the mechanisms through which the two clarins interact, and the importance of such interactions in the vestibular and cochlear systems is underway
Burts, Devon. "An Application of the Grundgestalt Concept to the First and Second Sonatas for Clarinet and Piano, Op. 120, No. 1 & No. 2, by Johannes Brahms." [Tampa, Fla.] : University of South Florida, 2004. http://purl.fcla.edu/fcla/etd/SFE0000456.
Full textHodges, Glen J. (Glen John). ""Eyre," a Three Movement Instrumental Work for Small Chamber Ensemble." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc503921/.
Full textSchanker, Larry. "Trillium : a nonet in three movements /." 2003. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3088837.
Full textFor flute, B♭ clarinet, soprano saxophone, bass clarinet, violin, viola, violoncello, double bass, and percussion (marimba, vibraphone, flexatone, castanets). Also available on the Internet.
Vansteenburg, Jessica. "Understanding folk dance and Gypsy style in selected pieces for clarinet and piano by 20th century Hungarian composers an interpretive guide /." 2009. http://proquest.umi.com/pqdweb?did=1923173201&sid=2&Fmt=2&clientId=14215&RQT=309&VName=PQD.
Full textTitle from title screen (site viewed February 25, 2010). PDF text: xi, 116 p. : music ; 658 K. UMI publication number: AAT 3380449. Includes bibliographical references. Also available in microfilm and microfiche formats.
Chiu, Wei-Kai, and 邱微凱. "Malcolm Arnold’s Clarinet Concerto No.2─Dedicate to Benny Goodman." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/h2j6fe.
Full textHsiao, Po-Kuang, and 蕭珀光. "The Interpretation--Brahms Sonata for Clarinet and Piano Op.120 No.2." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/50479652366602075231.
Full text江致蒨. "The Interpretation of Brahms Sonata for Clarinet and Piano Op.120 No.2." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/95487401428669383259.
Full textWu, Chia-Chao, and 吳佳釗. "AN INTERPRETATION OF J. BRAHMS’S SONATA FOR CLARINET AND PIANO, OP.120, NO. 2." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/23060727955862966616.
Full text國立交通大學
音樂研究所
98
Johannes Brahms is the most famous composer of 19th century Europe, and along with J.S. Bach and L. v. Beethoven, is one of the trio of Germany 3B’s. In 1891 Brahms heard clarinetist Richard Mühlfeld’s performance of a C. M. v. Weber’s concerto, and began composing a number of now famous works for the clarinet for Mühlfeld, including J. Brahms’s Sonata for Clarinet and Piano, op. 120, no. 2, which remains a classic clarinet piece to this day. The first section of this paper discusses Brahms’ life and the background which inspired the creation of J. Brahms’s Sonata for Clarinet and Piano, op. 120, no. 2. The second through fourth sections consider the various movements’ musical forms, tonality, rhythm, speed and other elements, deploying musical analysis to explain how to interpret the works in depth.
Shih, Cian-Siou, and 施芊秀. "Discussions of Basic Techniques Applied in Clarinet Pieces-Carl Maria von Weber Clarinet Concerto No.2 in Eb Major, Op.74 and Cyrille Rose Studies." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/tbg7wp.
Full text國立臺北藝術大學
音樂系碩士在職專班音樂專業師資教育組
99
This thesis focuses on basic techniques applied in Clarinet pieces, and provides studies which are corresponding to the basic techniques. Chapter one states the research motive and the purpose as well as the research range and method. Chapter two, the development of clarinet and the introduction of composers, introduces the origin and the development of clarinet, and the composers, Cyrille Rose and Carl Maria von Weber. Chapter three stresses on the virtuosity of finger from the aspects of scales and arpeggio. Chapter four discusses the methods of tonguing-single tonguing and staccato-from the prospects of tongue, breath, throat, and mouth type. Chapter five emphasizes on dynamics and presents that the tolerance, aspirated speed, and belly support are tied to relaxing with the thorax. Chapter six points out that the leaps of the intervals greatly challenge the performer. Chapter seven studies cadenza and gives Weber’s Clarinet Concerto No. 2 in E-flat Major and Rose’s studies as examples. Chapter eight concludes this thesis with the discussion of the references and the chapters above.
Chen, Yi-Han, and 陳羿含. "An Analysis of Johannes Brahms’s Clarinet Sonata Op.120 No.2 in E flat major." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/71829168635232972143.
Full text臺北市立大學
音樂學系
103
Abstract Johannes Brahms, （1833-1897）is a romantic music composer and pianist, who is respectfully regarded as one of the three 「Ｂ」 together with Germany classical master Bach and Beethoven in musical culture history. He left the world with a great number of works in his whole life, which include symphony, orchestral music, concerto, chamber music, solo and vocal music, etc. His music style is rich in feelings and emotions changes. Basic characteristic of Brahms’s works is reserved German romanticism, and he also studies works of Beethoven’s, which contributes to the heritage of Beethoven’s traditional writing style. He always insists in a conservative classicism spirit and traditional writing style and musical form. Clarinet Sonata Op.120 No.2 in E flat major, is created in 1894, which is Brahms’s late-year work. It is classical chamber music and also one of the important tracks for clarinet performer. Clarinet Sonata No.2 is Brahms’s last chamber music work. It shows a differently simple, joyful and approachable style compared with other works in his late year, which are mostly serious and dignified. Besides, Brahms changes it into a sonata of viola and piano because of his personal preference and the applicableness of the music. This research analyzes and explains historical data and gives an intact explanation and discussion on the work Clarinet Sonata No.2 in contrast with the viola version.
PEI-JU, SHIH, and 施沛如. "The analsyis and interpretation of Johannes Brahms sonata for clarinet and piano No.2, opus 120." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/75703766600203552836.
Full textLO, YU-TING, and 羅友廷. "The Analysis and Interpretation of 《Clarinet Concerto No. 2 in E-flat major, Op. 74》 by Carl Maria von Weber." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/u4qp4q.
Full text國立臺北教育大學
音樂學系碩士班
106
Carl Maria von Weber(1786-1826)was a pioneer of German Romanticism music in the nineteenth century. In 1811, he composed Clarinet Concerto No. 2 in E-flat major,Op. 74, because of his friendship with clarinetist Heinrich Bärmann (1784-1847). Weber used musical style of the Polacca and strong operatic style in this clarinet work.The author will conduct an in-depth study of the composer and the clarinet concerto;also will provide an accurate analysis of the musical style and form. Hopefully this thesis will help and provide some references for each reader in the future. The thesis was divided into five chapters. Chapter 1 is an introduction, including the motivation and purpose of the research method and literature review. Chapter 2 is the composer biography and the composition background, including Weber and Heinrich Bärmann’s biographies and the composition background. Chapter 3 is musical analysis, including a focused analysis of the musical form, harmonic progression, tonality, theme and motive from each movement. Chapter 4 is performance interpretation, a performers’ knowledge of dynamics, tempo and expression marks is paramount to the interpretation of this concerto. Chapter 5 is the conclusion, a summary of the previous four chapters and the conclusion of this thesis.
Huang, Jing-Wen, and 黃靖雯. "The Analysis and Interpretations of Carl Maria von Weber’s《Concerto No.2 in bE major, Op.74, for Clarinet and Orchestra》." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/09517128791401587895.
Full text國立臺北教育大學
音樂學系碩士班
101
This thesis mainly discussed the Clarinet Concerto《Concerto No.2 in E flat major for Clarinet and Orchestra, Op.74》accomplished by Carl Maria von Weber(1786-1826), the pioneer of German Opera, in 1811. Clarinet is Weber’s favorite instrument because its tone can be changed dramatically. Hence, Weber can deftly apply the skills used in opera on clarinet works, so that the magnificent periods and strong rhythmic music style can be presented in this composition. The thesis is organized as following. Chapter 1 is an introduction, including the research motivation, scope, method, and literature reviews. Then I introduced Weber’s biography, his music style and influence in Chapter 2. Chapter 3 describes how Weber wrote《Concerto No.2 in E flat major for Clarinet and Orchestra, Op.74》. In this chapter, we talked about the background of composition creation and the biography of Heinrich Joseph Baermann (1784-1847), a performer whose fantastic performance influenced Weber’s creation and inspired him to compose clarinet works The analysis of music form and the composition performance interpretation of《Concerto No.2 in E flat major for Clarinet and Orchestra, Op.74》are further discussed in Chapter 4 and 5. The conclusion is placed in Chapter 6. By the comprehensive study of 《Concerto No.2 in E flat major for Clarinet and Orchestra, Op.74》, I hope that I can understand more about how and why Weber wrote those great works. Furthermore, I expect myself to learn from this research and have an appropriate expression in performance.
Lu, Tung-Pin, and 陸東彬. "A Study and Performance Interpretation of Sonata in E-flat Major for Clarinet and Piano, Op. 120, No. 2 by Johannes Brahms." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/31199089867551787976.
Full text國立高雄師範大學
音樂學系
99
This study focuses on the musical background and analysis, interpretation, and performance suggestions of the famous Sonata in E-flat Major for Clarinet and Piano, Op. 120, No. 2, by the German composer Johannes Brahms (1833-1897). This sonata, one of the composer’s late works, reveals several characteristics of Brahms’ music from his late period, such as employing the eighteenth-century counterpoint technique, applying musical forms from the Classical Era, and making use of developing variations in his late compositions. The study is divided into one foreword and four chapters. The foreword explains the motives, goals and scope of this research. Chapter one is a brief introduction of the composer and a background overview of the Sonata. Chapter two is a brief introduction of the music style of the Romantic Era and the characteristics of Brahms’ music. Chapter three is an analysis of the work, dwelling on aspects such as formal structure, tonality, rhythm, and musical texture. Based on the analysis and personal interpretation, performance suggestions for the work are also provided. Chapter four is the conclusion, which summarizes all the findings in the previous chapters as well as the writer’s personal view on this sonata. In addition to gaining an in-depth understanding and expression of this sonata, this research also offers insights into the late musical style and compositional methods of Johannes Brahms.
Ramirez, Richard Bowen Ramirez Richard Bowen Ramirez Richard Bowen Ramirez Richard Bowen Ramirez Richard Bowen. "Technology integration in music : Exploration, preparation, and realization /." 1998. http://www.quicktime.com.
Full textMcKittrick, J. Cameron. "Graduate recitals." Thesis, 1994. http://hdl.handle.net/2429/5441.
Full textGoodner, Robert Lynn. "Chamber music featuring trumpet in three different settings with voice, with woodwinds, with strings." 2007. http://hdl.handle.net/1903/9729.
Full text"A portfolio of four original music compositions." 1998. http://library.cuhk.edu.hk/record=b5889514.
Full textsubmitted by Tang Pan-hang Benny.
Thesis submitted in: December 1997.
Thesis (M.Mus.)--Chinese University of Hong Kong, 1998.
Abstract also in Chinese.
Abstract --- p.i
摘要 --- p.ii
Acknowledgment --- p.iii
Declaration --- p.iv
Introduction --- p.1
Trombone Concerto (first movement) --- p.2
Programme notes --- p.3
Remarks --- p.5
Instrumentation --- p.6
Seating Plan --- p.7
Scores --- p.8
Post-Zero 零後 --- p.56
Introduction --- p.57
Programme notes --- p.57
Performance direction --- p.61
Instrumentation --- p.62
Seating plan --- p.62
Scores --- p.63
"Trio for Flute, Violin and Cello No.2" --- p.144
Programme notes --- p.145
Performance direction --- p.145
Scores --- p.146
Biography --- p.159
Music Works List --- p.160
Copeland, Warren. "Time for bee: a recital of compositions." Thesis, 1994. http://hdl.handle.net/2429/5123.
Full textBerger, Steven. "Compositions [Instrumental music. Selections]." Thesis, 1992. http://hdl.handle.net/2429/2425.
Full text"A portfolio of music compositions." 2009. http://library.cuhk.edu.hk/record=b5896608.
Full text"Zhi, jing" yu "Gu, zheng" : he zi hong se : zi "Cai lu" : wei jing qiang nü zhong yin, Zhongguo da gu he gu zheng er xie de shuang yue zhang zuo pin = "Paper, Jolt" and "Gu, zheng", op. 23 : Maroon : from the Dews of Color : two-movement piece for Chinese operatic mezzo-soprano, Chinese big drum, and Gu-zheng (2008) -- Carnival, op. 24 : for symphonic band : coral : from the Dews of Color (2009) -- Celadon, op. 26 : from the Dews of Color : composed for clarinet in B-flat, Gu zheng, and Percussion (suspended cymbal and vibraphone) = Qing ci se : zi "Cai lu": wei xiang B dan huang guan, gu zheng yu qiao ji (diao ba ji gang pian qin) er xie -- Prelude, passacaglia and fugue, op. 25 : for percussion quartet.
Lee, Kar Tai.
Durations: 8 min.; 4 min.; 4 min.; 10 min.
Thesis (M.Mus.)--Chinese University of Hong Kong, 2009.
Abstracts in English and Chinese.
Cover Page --- p.i
Abstract --- p.ii
Acknowledgements --- p.iv
Table of Contents --- p.iv
"""Paper. Jolt “ and “ Gu . Zheng""《´紙Ø驚》與《´鼓Ø箏》" --- p.1
Carnival《嘉年華》 --- p.18
Celdaon《青瓷》 --- p.35
"Prelude, Passacaglia and Fugue《前奏、巴沙加牙和賦格曲》" --- p.48
Bolden, Benjamin. "Opus 25." Thesis, 1997. http://hdl.handle.net/2429/5905.
Full text