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Journal articles on the topic 'Class novels'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Maleshin, Dmitriy. "Class Action Novels." Journal of Russian Law 8, no. 5 (2021): 1. http://dx.doi.org/10.12737/jrl.2020.058.

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Maleshin, Dmitriy. "Class Action Novels." Journal of Russian Law 8, no. 5 (2021): 1. http://dx.doi.org/10.12737/jrl.2020.058.

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3

Paul, Ronald. "Commitment and Class: Female Working-Class Activists in Three Suffragette Novels." Nordic Journal of English Studies 19, no. 4 (2020): 102. http://dx.doi.org/10.35360/njes.604.

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4

Bandyopadhyay, Sibaji. "Problematics of Middle Class Consciousness in Jivanananda Das' Novels." Social Scientist 15, no. 1 (1987): 19. http://dx.doi.org/10.2307/3517399.

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5

Carlisle, Janice. "THE SMELL OF CLASS: BRITISH NOVELS OF THE 1860s." Victorian Literature and Culture 29, no. 1 (2001): 1–19. http://dx.doi.org/10.1017/s1060150301291013.

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EVENBEFORE ESTHER LYON enters the narrative of Felix Holt, she is introduced to the eponymous hero, whom she will eventually marry, through two smells — one present, the other absent; one highly conventional, the other distinctly unusual. As the narrator explains, Mr. Lyon’s sitting room contains “certain things” that are “incongruous” with its “general air” of “privation,” among them the “delicate scent of dried rose-leaves” and a wax candle. Lyon, embarrassed by what he takes to be Felix Holt’s unspoken criticism of such indulgence, explains to his visitor, “You are doubtless amazed to see m

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6

Doray, Marie-France, and Margaret R. Higonnet. "Cleanliness and Class in the Countess de Ségur's Novels." Children's Literature 17, no. 1 (1989): 64–80. http://dx.doi.org/10.1353/chl.0.0221.

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7

Mitchell, Sally. "READING CLASS." Victorian Literature and Culture 33, no. 1 (2005): 331–39. http://dx.doi.org/10.1017/s1060150305000872.

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THIRTY OR FORTY YEARS AGO, in the United States at least, we confidently used the terms “highbrow,” “middlebrow,” and “lowbrow” to describe not only reading matter but all sorts of cultural artifacts; and we generally assumed that the terms described quality or value as well as defining the social and intellectual class of people who chose one instead of the others. When it came to the study of British literature, we learned that the novel and the popular novel were (in the beginning) one and the same: that when the fictional prose narrative became a recognized literary form in English it was

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8

Laslett, John H. M., and Michael Denning. "Mechanic Accents: Dime Novels and Working-Class Culture in America." Journal of American History 75, no. 4 (1989): 1322. http://dx.doi.org/10.2307/1908688.

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9

Palmer, Bryan D., and Michael Denning. "Mechanic Accents: Dime Novels and Working-Class Culture in America." Labour / Le Travail 25 (1990): 270. http://dx.doi.org/10.2307/25143369.

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남상권 and Byungwoo Kim. "Shift of the Hyangchon’s Ruling Class Reflected in Modern Long Novels." HANMUNHAKRONCHIP: Journal of Korean Literature in Chinese 32, no. ll (2011): 107–36. http://dx.doi.org/10.17260/jklc.2011.32..107.

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11

Lobodziec, Agnieszka. "Theological Models of Black Middle-Class Performance in Toni Morrison's Novels." Black Theology 8, no. 1 (2010): 32–52. http://dx.doi.org/10.1558/blth.v8i1.32.

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12

Pickering, Michael, and Kevin Robins. "Between Determinism and Disruption: The Working-Class Novels of Sid Chaplin." College English 51, no. 4 (1989): 357. http://dx.doi.org/10.2307/377519.

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Lent, John A., and David J. Banks. "From Class to Culture: Social Conscience in Malay Novels Since Independence." Pacific Affairs 61, no. 4 (1988): 712. http://dx.doi.org/10.2307/2760568.

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Paul, Ronald. "Striking Back: Novels of Class Conflict by Two Proletarian Women Writers." Socialism and Democracy 27, no. 3 (2013): 83–103. http://dx.doi.org/10.1080/08854300.2013.832080.

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15

Daly, Suzanne. "KASHMIR SHAWLS IN MID-VICTORIAN NOVELS." Victorian Literature and Culture 30, no. 1 (2002): 237–56. http://dx.doi.org/10.1017/s1060150302301116.

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WHEN CLOTH OR CLOTHING made for a specific purpose in one cultural context begins to be produced as a commodity and is appropriated as fashion by a different culture, meanings reverberate on both sides of the transaction. The commercial traffic with India in the nineteenth century brought many such commodities into the homes of the English middle class. Some of these items, and particularly textiles, led a double life, functioning at once as exotic foreign artifacts and as markers of proper Englishness. If mid-Victorian novels may be said to have assisted in circulating and crystallizing, rath

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Sasalia, Oktaviari Ayu, and Fatimah Mulya Sari. "UTILIZING NOVEL IN THE READING CLASS TO EXPLORE STUDENTS’ VIEWPOINT OF ITS EFFECTIVENESS." Journal of English Language Teaching and Learning 1, no. 2 (2020): 56–61. http://dx.doi.org/10.33365/jeltl.v1i2.606.

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The use of novel on reading skills was important as an efficient and effective media. The novel helped students evaluate their reading skills. This research aimed to investigate student’s perceptions of the use of novels on reading skills. This research was a descriptive qualitative type. The subject of this research was English education students whose numbers were adjusted to the needs of the research, 22 students. This study was conducted at Universitas Teknokrat Indonesia, Bandar Lampung. The instrument of data collection used a questionnaire and interview. The data analysis method was des

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17

Robbins, Bruce. "Class, Culture, and Killing." boundary 2 47, no. 1 (2020): 201–13. http://dx.doi.org/10.1215/01903659-7999569.

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In the final volume of a trilogy about the concept of culture and its relation to politics, Francis Mulhern defines a new genre, the condition of culture novel, and traces it from Thomas Hardy’s Jude the Obscure and E. M. Forster’s Howards End to Hanif Kureishi’s The Black Album and Zadie Smith’s On Beauty, reading off from it middleclass anxieties about the rise of the working-class movement. What does it mean about the novel or about the working-class movement itself that so many working-class characters are killed off by their aspiration to culture or are presented as murderers of their so-

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Yu, Gwi Yeong. "Low Class Women’s Recognition on ‘Yeol’ and its Meaning in Pansori Novels." Journal of Pansori 39 (April 30, 2015): 173. http://dx.doi.org/10.18102/jp.2015.04.39.173.

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Saty Dev Prajapati. "The Element of Protest in the Novels of Arvind Adiga." Creative Launcher 6, no. 2 (2021): 25–33. http://dx.doi.org/10.53032/tcl.2021.6.2.05.

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Literature is an expression of the thoughts and the interactions of the people belonging to the particular social, political and geographical area, the inhabitants represent social, religious, moral and political ideologies. There is a very vast gap between rich and poor, the ruling class and the working class, suppressive and suppressed. Some poor and working-class people who are restless to change the society directly oppose the norms and shackles of suppressive. Often they are failed but sometimes they are succeeded so this whole process is known as a protest. Often the protagonist of the n

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20

Ivushkina, Tatiana A. "Literary words of foreign origin as social markers in Jeffrey Archer’s novels." Russian Journal of Linguistics 24, no. 4 (2020): 816–30. http://dx.doi.org/10.22363/2687-0088-2020-24-4-816-830.

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The paper is aimed at studying the use of literary words of foreign origin in modern fiction from a sociolinguistic point of view, which presupposes establishing a correlation between this category of words in a speech portrayal or narrative and a social status of the speaker, and verifying that they serve as indices of socially privileged identity in British literature of the XX1st century. This research is the continuation of the diachronic sociolinguistic study of the upper-class speech portrayals which has traced the distinctive features in their speech and has revealed that literary words

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21

Lathey, Jonathan. "Newbery Medal Novels: What They Reveal about Class Differences and the American Dream." Children and Libraries 16, no. 2 (2018): 6. http://dx.doi.org/10.5860/cal.16.2.6.

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Robert Putnam observed that social class differences, now more than ever, determine the life outcomes of American children. Putnam reported evidence that the American Dream is in crisis for children born into lower-class families—these children have far fewer opportunities for success. This might suggest a loss of a survival narrative for these children.

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22

Ismail, Azman. "Pramoedya Ananta Toer's Novels on Independence Revolution from the Perspective of Journalistic Hegemony." Malay Literature 34, no. 1 (2021): 69–88. http://dx.doi.org/10.37052/ml34(1)no4.

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The journalistic hegemony conceptual framework is an approach in the study of literary works in all genres. This framework functions on the principle that a literary work is a creative medium that comprises facts, data and reality that is fictionalized for the purpose of spreading information to its readers, similar to that of conventional media. Based on documentary research and content analysis, this study proves that Pramoedya Ananta Toer's novels on the theme of the Indonesian National Revolution (1945-1949)-Di Tepi Kali Bekasi (1951), Keluarga Gerilya (1955), Sekali Peristiwa di Banten Se

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23

Skinfill, Mauri. "Reconstructing Class in Faulkner's Late Novels: The Hamlet and the Discovery of Capital." Studies in American Fiction 24, no. 2 (1996): 151–69. http://dx.doi.org/10.1353/saf.1996.0006.

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24

Chanda, Geetanjali Singh. "The Urban Apartment as “Womenspace”: Negotiating Class and Gender in Indian English Novels." South Asian Review 29, no. 1 (2008): 175–96. http://dx.doi.org/10.1080/02759527.2008.11932584.

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25

Findeisen, Christopher. "Injuries of Class: Mass Education and the American Campus Novel." PMLA/Publications of the Modern Language Association of America 130, no. 2 (2015): 284–98. http://dx.doi.org/10.1632/pmla.2015.130.2.284.

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Although many believe that “mass higher education” increased opportunity and egalitarianism in postwar American society, the reality has been quite different. While a greater proportion of students are enrolled in higher-educational institutions now than at any other point in history, economic inequality is at an all-time high. Postwar American campus novels largely misunderstand this historical development. While the genre represents the university as an institution that combats social inequality by expanding enrollment, these novels simultaneously obscure the social inequality that the unive

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26

Shanmugam, Mani, Kuppusamy Narayanan, Kamatam Hari Prasad, et al. "Synthesis, characterization, and antiproliferative and apoptosis inducing effects of novels-triazine derivatives." New Journal of Chemistry 42, no. 3 (2018): 1698–714. http://dx.doi.org/10.1039/c7nj03348f.

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In an attempt to design and synthesize a new class of antitumor agents, a mild and eco-friendly protocol for nucleophilic substitution using ans-triazine scaffold,viaamine and Schiff base derivatives, has been developed.

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27

Rađenović, Milica. "Class and Gender – The Representation of Women in Kingsley Amis’s Lucky Jim." Gender Studies 15, no. 1 (2016): 183–95. http://dx.doi.org/10.1515/genst-2017-0012.

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Abstract Lucky Jim is one of the novels that mark the beginning of a small subgenre of contemporary fiction called the campus novel. It was written and published in the 1950s, a period when more women and working-class people started attending universities. This paper analyses the representation of women in terms of their gender and class.

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28

Zachs, Fruma. "Subversive Voices of Daughters of the Nahḍa: Alice al-Bustani and Riwayat Saʾiba (1891)". Hawwa 9, № 3 (2011): 332–57. http://dx.doi.org/10.1163/156920811x599149.

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Abstract The novel, or more generally, narrative fiction—a new genre of Arabic literature—fuelled the imagination of middle-class youth during the nineteenth-century Arabic nahḍa (awakening), and was thus revolutionary by definition. These narratives were implicit critiques of middle-class society. Although research on earlier novels of the nahḍa authored by men has gradually increased over the last few decades, research on women writers and their novels is still in its infancy. This essay focuses mainly on Riwayat Saʾiba (1891), written by Alice Bustani (1870–1926), daughter of one of the p

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29

Hoyos Mazuera, María Ximena. "Sexualidad y control social en la novela colombiana del siglo XIX." La Manzana de la Discordia 7, no. 1 (2016): 81. http://dx.doi.org/10.25100/lamanzanadeladiscordia.v7i1.1575.

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Resumen: Se estudia la sexualidad vigilada delas mujeres en la sociedad colombiana del siglo XIXmediante el análisis de dos novelas decimonónicascolombianas: Manuela (1854) de Eugenio Díaz Castroy Tránsito (1880) de Luís Segundo Silvestre. Se observandos discursos amorosos para los dos tipos de mujeresque cortejaban los varones de la burguesía: un discursovelado y casto para la mujer con la que se casaba y por lotanto, paría los hijos de la nueva patria, y otro discursoadornado y seductor para las mujeres subalternas a lasque podían acceder sexualmente. Se establecen algunascomparaciones con l

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30

Jabeen, Tahira. "The Representation of Motherless and Fatherless Homes in Novels of George Eliot." English Language and Literature Studies 9, no. 4 (2019): 33. http://dx.doi.org/10.5539/ells.v9n4p33.

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George Eliot wrote about the social, cultural, and historical issues of her time. She represented the middle-class homes in her novels and showed how the Industrial Revolution changed the very setting of domestic environment. The home became the domain of women, where they were to fulfil the nurturing duties while men moved to work place to provide for their dependents. In middle class families, the nurturing duty was not the domain of the father only in the society of this period. Fathers and mothers substituted their duties either under extraordinary circumstances or as a matter of choice. T

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31

Barlaskar, Reema. "The ‘Contagion’ of ‘Ridiculous Superstition’: Representations of Lower-Class Voices in Ann Radcliffe's Novels." Gothic Studies 20, no. 1-2 (2018): 184–98. http://dx.doi.org/10.7227/gs.0043.

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32

Jin, Xiaotian. "Undoing Shame: Lower-middle-class Young Women and Class Dynamics in the Interwar Novels by Rose Macaulay and Elizabeth Bowen." Women's Studies 43, no. 6 (2014): 693–711. http://dx.doi.org/10.1080/00497878.2014.921512.

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33

Avsenak, Vanja. "Slovene critics on Sinclair Lewis's novels." Acta Neophilologica 43, no. 1-2 (2010): 49–58. http://dx.doi.org/10.4312/an.43.1-2.49-58.

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The purpose of this article is to present the reception of Sinclair Lewis's novels by Slovene critics. Initially, the article focuses on the life and workof Sinclair Lewis, giving special emphasis to social influences that made the author a representative figure in the literary and social world. Thus his works are nowadays to be understood primarily as fiction, but on the other hand also as sociological documents of a social and political situation of the period between the two world wars. Generally, the effect they produce is one of a critical discussion of the nation of the United States. Wh

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34

Priydarshi, Ashok Kumar. "Morality, Religion and Capitalism in Jane Austen’s ‘Pride and Prejudice’." International Journal of Advanced Research in Peace, Harmony and Education 05, no. 01 (2020): 4–6. http://dx.doi.org/10.24321/2455.9326.202002.

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The rise and development of English novel, like any other phenomenon in literature, can be seen as a part of a history or the process of the individual development. Romantic novels are non-realistic and considered as the aristocratic literature of feudalism. They are non-realistic in sense that their underlying intention is not to help people cope in a positive way. These novels, express and recommend the attitudes of the aristocratic class to which it was ideally supposed to sustain. The genre, developed, however, as a reaction to the aristocratic romance, and grows with the middle class a ne

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35

Sarkar, Shilpa. "Feministic Images of Women in Shashi Deshpande's Fiction Roots and Shadows and The Binding Vine." SMART MOVES JOURNAL IJELLH 8, no. 4 (2020): 269. http://dx.doi.org/10.24113/ijellh.v8i4.10545.

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Shashi Deshpande is the most prolific writer among her contemporaries. Her writing reflects her image of middle class Indian woman. In most of her novels her protagonists are modern, well‑educated and financially independent women. The main theme of her novels are problems of middle class women who were trapped between tradition and modernity. The protagonists always try to maintain their marriage in spite of the fact that they are mentally and physically tortured by their husbands. The objective of this study is to show the feminist perspective of Shashi Deshpande's women characters in her tw

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36

Mehta, Vijay, and Preeti Lahotra. "DEPICTION OF MATERIAL CIRCUMSTANCES OF WOMEN IN JEAN SASSON’S NOVELS." International Journal of Research -GRANTHAALAYAH 7, no. 9 (2019): 402–14. http://dx.doi.org/10.29121/granthaalayah.v7.i9.2019.626.

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The postmodern American novelist, Jean Sasson, the voice of Islamic women, depicts minutely and graphically the material circumstances of women in her novels. She has presented the material graph of women in the Middle East, escalating to the skyline and the downtrodden life of low pattern of life. The paper specifically explores the material status of women ranging from the Princesses of Saudi Arabia to the level of maids who struggle for existence amidst tortures and variegated stresses. All the women protagonists in her novels continue their struggle with a specific aim of their lives in Is

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JACQUELIN, ALICE. "Réalismes déclinistes du polar français contemporain : Nicolas Mathieu, Colin Niel, Antonin Varenne." Australian Journal of French Studies 58, no. 2 (2021): 137–50. http://dx.doi.org/10.3828/ajfs.2021.12.

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The detective novel has long been described as a form of “authentic” realistic literature (Collovald et Neveu). However, this article analyzes how three contemporary French crime novels—Aux animaux la guerre by Nicolas Mathieu (2014), Seules les bêtes by Colin Niel (2017) and Battues by Antonin Varenne (2015)—challenge and reappropriate conventions of realism. The three country noir novels follow in the lineage of two important traditions of realism, nineteenth-century French classical realism (Dubois) and the social realism of the 1970s and 1980s “néo-polar” (Desnain). Yet rather than anchori

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Anshuman, Tomar, and Jong-hoi Kim. "A Study of Miserable Conditions of Proletariat Class as Represented in Korean and Indian Novels." JOURNAL OF MODERN LITERARY THEORY 73 (June 30, 2018): 33–53. http://dx.doi.org/10.22273/smlt.73.2.

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Boucher, Abigail. "The Business Model of the Aristocracy: Class, Consumerism, and Commodification in the Silver Fork Novels." Nineteenth-Century Contexts 38, no. 3 (2016): 171–81. http://dx.doi.org/10.1080/08905495.2016.1159807.

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Felski, Rita. "Nothing to Declare: Identity, Shame, and the Lower Middle Class." PMLA/Publications of the Modern Language Association of America 115, no. 1 (2000): 33–45. http://dx.doi.org/10.2307/463229.

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In contemporary literary and cultural studies, little attention has been paid to the lower middle class, described by one scholar as “the social class with the lowest reputation in the entire history of class theory.” This article discusses the representation of the lower middle class in literature and scholarly writing. George Orwell's novels of the 1930s and Hanif Kureishi's The Buddha of Suburbia offer some illuminating perspectives on the British lower middle class, though Orwell's novels also reveal a conspicuous disdain for their subject. This disdain is echoed in much of the scholarly w

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Ward, Cynthia. "From the Suwanee to Egypt, There's No Place like Home." PMLA/Publications of the Modern Language Association of America 115, no. 1 (2000): 75–88. http://dx.doi.org/10.2307/463232.

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Zora Neale Hurston's Seraph on the Suwanee (1948) and Carolyn Chute's The Beans of Egypt, Maine (1985) feature white working-class women negotiating class hierarchies in rural communities. Despite present-day critics' putative concern with class and demonstrated interest in Hurston's other works, particularly Their Eyes Were Watching God (1937), both novels have been largely ignored by the critical establishment, in part because readers lind it difficult to identify with the main characters. Comparing the critical receptions of Seraph, The Beans, and Their Eyes reveals that the mechanism by wh

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Hilliard, C. "The Twopenny Library: The Book Trade, Working-Class Readers, and 'Middlebrow' Novels in Britain, 1930-42." Twentieth Century British History 25, no. 2 (2013): 199–220. http://dx.doi.org/10.1093/tcbh/hwt027.

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Zlotnick, Susan. "Class in Turn-of-the-Century Novels of Gissing, James, Hardy and Wells, by Christine DeVine." Victorian Studies 50, no. 3 (2008): 491–93. http://dx.doi.org/10.2979/vic.2008.50.3.491.

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Wahyuni, Sri, Haris Supratno, and Kamidjan Kamidjan. "KEKERASAN SIMBOLIK DALAM NOVEL INDONESIA." RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya 12, no. 2 (2019): 128. http://dx.doi.org/10.26858/retorika.v12i2.8833.

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Abstract: Symbolic Violence in Indonesian Novels. The general objective of this research is to find out the mechanism of symbolic violence, upper class habitus, and lower class habitus in the Indonesian novels. The approach used in this research is a qualitative approach. Data is collected using the documentation method. The results of the study of the mechanism of symbolic violence consisting of euphemisms in the form of compassion, giving, refusal are subtle. The censorship mechanism in the form of positive moral preservation in the form of honor and politeness. Upscale habitus in the form o

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45

Gugler, Josef. "How Ngũgĩ wa Thiong'o Shifted from Class Analysis to a Neo-Colonialist Perspective." Journal of Modern African Studies 32, no. 2 (1994): 329–39. http://dx.doi.org/10.1017/s0022278x00012787.

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Ngũgĩ wa Thiong'o has established himself as one of the leading second-generation African writers. His first two novels, Weep Not, Child (London, Heinemann, 1964) and The River Between (London, Heinemann, 1965), written while an undergraduate at Makerere University College, Kampala, brought him recognition as the foremost East African writer. His third novel, A Grain of Wheat (London, Heinemann, 1967), established James Ngugi, as he then called himself, as one of the most distinguished literary voices from Africa. There was a long pause before Ngũgĩ published his next novel, Petals of Blood (L

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46

Reed, John R. "FIGHTING WORDS: TWO PROLETARIAN MILITARY NOVELS OF THE CRIMEAN PERIOD." Victorian Literature and Culture 36, no. 2 (2008): 331–42. http://dx.doi.org/10.1017/s1060150308080200.

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About a decade after Waterloo, there arose in England a subgenre of fiction that can be called the military novel. George Robert Gleig is credited with originating the genre with a fictionalized autobiography entitled The Subaltern, which appeared serially in Blackwood's Magazine in 1825 and was subsequently published as a book. Military memoirs were appearing from soon after the end of the Napoleonic Wars, and the military novel was an outgrowth of that literature. Many of the authors of military novels had themselves served in the army, but the most notable of them all, Charles Lever, had no

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Radha, Dr, and Dr Premalatha C . "Post- Modern elements in the novels of Chetan Bhagat." SMART MOVES JOURNAL IJELLH 6, no. 8 (2018): 11. http://dx.doi.org/10.24113/ijellh.v6i8.4570.

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Postmodernism is a Western philosophy, a late 20th-century movement characterized by broad skepticism, subjectivism, or relativism; a general suspicion of reason; and an acute sensitivity to the role of ideology in asserting and maintaining political and economic power”.Post-Modernists are independent while expressing their ideas, they never drop their statements and theory. It is more personal than identify with some other categories. The post-modernism was started in America around 16th century later it extended to Europe and other countries.Post-modern civilization fails to accept the modif

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48

Kamara, Mohamed. "Of bastards, slaves, dogs and other things: discourses of bourgeois transgression and illegitimacy in two francophone sub-saharan novels." Dossier spécial Léon-Gontran Damas, no. 116 (August 13, 2020): 99–112. http://dx.doi.org/10.7202/1071053ar.

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The emergence and rise to preeminence of the bourgeoisie on the African political, social, and economic scenes have been the stuff of many novels. One could even argue that the rise of the sub-Saharan novel (because it is inherently connected to the colonial project) is more or less concurrent with the birth and rise of this class. In this essay, I seek to analyze the discourse of bourgeois transgression and illegitimacy as exemplified in two novels: Ahmadou Kourouma’s Les soleils des indépendances (1968) and Francis Bebey’s Le ministre et le griot (1992). The two works focus on the ruling eli

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Vyas, Diti. "Intersectional Analysis of Gender in Indian Children's Literature: Comparison of Novels Written in English and Gujarati." International Research in Children's Literature 8, no. 2 (2015): 156–68. http://dx.doi.org/10.3366/ircl.2015.0165.

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This paper examines the validity of perceived associations of ‘parochialism’ and social conservatism with regional language literature (RLL) and ‘modernity’ and ‘progressiveness’ with Indian writing in English (IWE), through a comparative examination of gender in Indian children's literature in English (ICLE) and children's literature in Gujarati (CLG). For this purpose, it adopts an intersectional framework which studies how gender functions in conjunction with other identity markers, rather than operating in isolation. The conclusions emerging from this feminist analysis of intersections of

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Kpohoué, Ferdinand. "African Community Life Pattern in some Novels of Toni Morrison and Zora Neale Hurston." Studies in Linguistics and Literature 5, no. 3 (2021): p1. http://dx.doi.org/10.22158/sll.v5n3p1.

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The objective in this paper is to investigate the preservation of the community life that characterizes African people in the novels of Toni Morrison and Zora Neale Hurston.As a matter of fact, in all of Morrison’s novels, the black community is, from one perspective, largely defined by the dominant white society and its standards. The Bluest Eye takes place in Morrison’s home town of Lorain, Ohio. In the novel, the black community of Lorain is separated from the upper-class white community, also known as Lake Shore Park, a place where blacks are not permitted. The setting for Sula is a small

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