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Relevant bibliographies by topics / Classical architecture

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Academic literature on the topic 'Classical architecture'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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Journal articles on the topic "Classical architecture"

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Knight, Terry, and George Stiny. "Classical and non-classical computation." Architectural Research Quarterly 5, no. 4 (September 2001): 355–72. http://dx.doi.org/10.1017/s1359135502001410.

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Computers have come to play an important role in architectural practice. Nonetheless, the promise of computation as a creative partner in practice, and a means to better understand and support the design process has yet to be realized. This article considers aspects of computation, and alternative ways that these have been approached in order to make computation useful in architecture and other areas of spatial design.

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Negulyaeva, T. V., and S. F. Dyadchenko. "Architecture and philosophy of antiquity: The formation of classical architecture." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 23, no. 1 (February 26, 2021): 73–84. http://dx.doi.org/10.31675/1607-1859-2021-23-1-73-84.

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The classical architecture is being constantly developed in time, and, consequently, is relevant nowadays. The paper deals with the development of classical architectural in antiquity up to the present time. This is necessary for further study of modern architecture. The aim of this work is to identify the most stable formation of the classical antique architecture. Scientific novelty lies in the systematic approach to the studying the evolution of ancient architectural theory, taking into account a variety of external factors and based on ancient philosophy. The main level of scientific knowledge is a theoretical (historical) method, which involves a study of graphic and textual information covering the era as well as a systematic analysis of the material for the identification of basic principles of the antique architecture. It is shown that the main principles of the antique architecture are being developed in a close connection with philosophy, and determine the further development of the classical direction in architecture.

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Erzen-Jale, Nejdet. "Form and meaning in architectural theory." SAJ - Serbian Architectural Journal 7, no. 2 (2015): 75–84. http://dx.doi.org/10.5937/saj1501075e.

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Often architectural theory has been articulated on prescriptive views about what architecture should be, rather than on views formulated from historical experiences and examples of architecture. In this paper I will try to offer readings of architectural form by looking at a historical example from classical Ottoman architecture and at contemporary examples, to show how different architectures treat form. In examples taken from Sinan's architecture, symbols are investigated in relation to movement, to urban settlement, to religion and power. It is hoped that this analysis will offer an understanding of how the significance of architecture in human experience and in the urban context goes beyond structure and function

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Rykwert, Joseph, and Damie Stillman. "English Neo-Classical Architecture." Eighteenth-Century Studies 24, no. 1 (1990): 113. http://dx.doi.org/10.2307/2738989.

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Cast, David, and Damie Stillman. "English Neo-Classical Architecture." Art Bulletin 72, no. 4 (December 1990): 664. http://dx.doi.org/10.2307/3045772.

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Garson, James W. "Cognition without classical architecture." Synthese 100, no. 2 (August 1994): 291–305. http://dx.doi.org/10.1007/bf01063812.

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Tegtmeyer, Susan. "The Second Williams Symposium on Classical Architecture, "Refinements in Classical Architecture: Curvature"." Journal of the Society of Architectural Historians 53, no. 3 (September 1994): 374–75. http://dx.doi.org/10.2307/990958.

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Mahmood, Yusur Basim, and Hoda A. S. Al-Alwan. "Tectonics and Sustainable Architecture: The Notion of Classical and Digital Sustainable Tectonics in Architecture." International Society for the Study of Vernacular Settlements 10, no. 8 (August 10, 2023): 457–77. http://dx.doi.org/10.61275/isvsej-2023-10-08-31.

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Tectonics–the art of construction- is an essential topic in architectural theory that deals with the potentials of structure, techniques and materials to create poetic architecture. On the other hand, sustainable architecture is a multidisciplinary field concerned with buildings designed for wellbeing, as well as to provide healthy environments while sustaining architectural qualities. The new approaches in architectural research have given way to a distinct collaboration between the two domains (tectonics and sustainability) –in both their classical and digital facets—to constitute what is known as "sustainable tectonics", as a way to generate remarkable and empathic architectural forms. The article aims to shed light on the practices that adopt implicit thought of tectonics, and its relation to sustainability. The pursuit of sustainability is thus explored through two categories: classical sustainable tectonics and digital sustainable tectonics, to finally extract the mechanism of the tectonic theory and its application in sustainable architecture. The findings offer a clear mechanism in achieving distinguished architecture, through the integration of classical tectonic factors in passive sustainable practices, and digital tectonics in active sustainable design.

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Hasbi, Rahil Muhammad, and Wibisono Bagus Nimpuno. "Pengaruh Arsitektur Modern Pada Desain Masjid Istiqlal." Vitruvian 8, no. 2 (June 25, 2019): 89. http://dx.doi.org/10.22441/vitruvian.2018.v8i2.005.

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Modern architecture in its golden age has given a lot of influences to many architectures around the world. The spread of modern architecture at that time could not be stopped and became a style that is widely used throughout the world including IndonesiaThe influence of modern architecture emerged in Indonesia during the Dutch colonial occupation. European architects at that time introduced classical European architecture and modern architecture to Indonesian society. During the Colonial occupation and at the beginning of Indonesian independence, European architects designed public buildings such as government buildings, places of worship( like mosques and churches) and commercial buildings as well as several residences using classical European architectural and modern architecture.As the example that we can still see now is the Istiqlal Mosque in Jakarta, Indonesia, which was designed by architect Friedrich Silaban who self-taught modern architecture. The design of the Istiqlal mosque at a glance looks very much influenced by modern architecture, although domes and tower as a characteristic of Middle East architecture is still been used.The mosque as a whole is designed to look monumental which emphasized the used of a mixture of modern architecture styles.

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DOLGOVA, Elena D. "AESTHETICS OF ANONYMOUS ARCHITECTURE." Urban construction and architecture 6, no. 2 (June 15, 2016): 91–95. http://dx.doi.org/10.17673/vestnik.2016.02.17.

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The article examines the anonymous architecture in terms of aesthetic knowledge. A parallel between the categories of classical aesthetics - a beautiful / ugly, and the categories of architectural activity in the Vitruvian paradigm professional / anonymous is drawn. Traced the background and process of incorporating objects anonymous architecture in non-classical aesthetic field through poetization everyday life, the emergence of technical aesthetics, aesthetics and functionalism of modernism. Non-classical aesthetics characterize objects anonymous architecture using parakategory daily, physicality, thing. We present the aesthetic characteristics of the anonymous architecture using the categories developed in the traditional aesthetics of eastern cultures - wabi, sabi, sibui and eugen. A parallel between the perception of the aesthetics and simplicity of anonymity is drawn.

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Dissertations / Theses on the topic "Classical architecture"

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Holder, R. J. "Victorian classical town halls." Thesis, University of Reading, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.373468.

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Baxter, Todd A. "Meta-classical architecture thinking beyond the box /." Cincinnati, Ohio : University of Cincinnati, 2007. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1179367078.

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Thesis (Master of Architecture)--University of Cincinnati, 2007.
Title from PDF t.p. (viewed on July 17, 2007.) Keywords: Quantum Architecture; Superposition; Duality Includes bibliographical references.

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BAXTER, TODD A. "META-CLASSICAL ARCHITECTURE: THINKING BEYOND THE BOX." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179367078.

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Fu, Haoyu. "From Geometry to Classical." Thesis, Virginia Tech, 2018. http://hdl.handle.net/10919/85000.

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Durability, Utility and Beauty are the three Vitruvian principles of architecture. They are also my belief of what constitutes architecture. In order to pursue the essence of architecture, I hope to find at least in part an answer through the study of classical buildings that adhere to those principles. Classical architecture is often organized through basic geometric elements such as square, circle and triangle. These geometric elements have endured the history of architecture and suggest being applicable to any contemporary building. Since ancient time, humans had intimate relationships with animals, including horses. Even today, where the utility of the horse is no longer important, people still love to engage with horses on many levels. From this perspective, a horse is in a way a symbol that syncretize ancient and modern times. A horse stable offers itself as a great example to study the relationship between man and horse. As a site, Blacksburg, a small town with a significant animal research branch of the university has rich pasture resources. The proposed architecture seeks to recognize the long-standing horse culture in classical terms, a very usable and beautiful ensemble, based on strong principal geometric elements.
Master of Architecture

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Sung, Li-wen. "Decoding Chinese Classical Architecture for Contemporary Architectural Design - With Special Reference to Modern Architectural Development in Taiwan." Diss., Virginia Tech, 2006. http://hdl.handle.net/10919/40260.

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This research began with an exploration of the phenomenon of cultural conflict and fusion in the process of architectural modernization in Taiwan. It will examine the impact of modern and contemporary theories on the practice of architecture of the island. It will then seek out the essence of Chinese classical architecture in order to develop an approach for the development of the future Chinese/Taiwanese architecture. In addition, the findings of the study could serve as a reference for scholars who would pursue historical and theoretical studies of in the subject, or for architects who are seeking design concepts to enhance their projects. The study utilizes an interpretive-historical methodology. It emphasizes that researchers should investigate social phenomena within broader and more complex contexts of what to uncover the underlying cultural factors. To highlight their significance, the author will pursue a hypothetic project to examine and demonstrate the meaningfulness and applicability of the concepts learned from the research. Efforts were made to discover ways in which Taiwanese and Chinese architectural culture can deal with foreign influences, such that it will be able to enjoy the benefits of modernization while maintaining its unique character and identity. Moreover, it will attempt to uncover ways in which Chinese architecture can in fact influence the global contemporary architectural culture. Finally, it is hoped that this work will produce a useful reference for students, scholars and architects who wish to develop design projects that reflect and celebrate regional cultures.
Ph. D.

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PONTES, ANA PAULA GONCALVES. "SILENT DIALOGUES: MODERN BRAZILIAN ARCHITECTURE AND THE CLASSICAL TRADITION." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2004. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=6226@1.

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CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO
O Movimento Moderno da arquitetura afirmou-se nas primeiras décadas do século XX como proposta de ruptura radical com o passado, desejando instaurar uma nova estética afinada com o espírito da era industrial. Sem desconsiderar as profundas transformações que a nova linguagem operou na arquitetura, este trabalho busca investigar os possíveis diálogos entre obras modernas e a tradição clássica, tendo em vista edifícios de arquitetos brasileiros. A discussão insere-se no debate recente da historiografia brasileira, que busca abordar a arquitetura moderna sob seus múltipos aspectos, valorizando as qualidades ambivalentes que tornam as obras mais complexas e interessantes, como já vem fazendo há mais tempo a crítica internacional, sobretudo com as interpretações que apontam para as relações de Le Corbusier com a tradição clássica. Dentre as obras destacadas na análise estão a sede do Ministério da Educação e Saúde do Rio de Janeiro (1936), de Lucio Costa e equipe, com consultoria de Le Corbusier; os palácios de Brasília de Oscar Niemeyer (Alvorada, Planalto e Supremo Tribunal Federal, 1957-58); e o edifício da Faculdade de Arquitetura e Urbanismo da Universidade de São Paulo (1962-69), de Vilanova Artigas. A escolha de exemplos representativos e ao mesmo tempo variados da produção brasileira permite compreender as diversas formas com que a arquitetura moderna se relacionou com a tradição clássica, especialmente nos momentos em que desejou corporificar nos edifícios os ideais emblemáticos de seu tempo histórico.
The Modern Movement in Architecture gained ground in the first decades of the 20th Century as a proposal of radical rupture with the past, willing to establish a new aesthetic in tune with the spirit of the industrial era. Not wanting to disregard the deep changes which the new language produced in architecture, this dissertation aims to investigate the possible dialogues between modern works and classical tradition, having in mind buildings of Brazilian architects. The discussion is inserted in the recent debate of Brazilian historiography, which intends to approach the modern architecture taking into account its multiple aspects, highlighting ambivalent qualities which make the works more complex and interesting, as the international critic has been showing for some time, especially with the interpretation that points to the relations between Le Corbusier and the classical tradition. Among the works distinguished in this analysis are the headquarters building of Ministério da Educação e Saúde do Rio de Janeiro (Education and Health Department of Rio de Janeiro, 1936), by Lucio Costa and his team, with consultancy of Le Corbusier; the palaces of Brasília by Oscar Niemeyer (Alvorada, Planalto and Supreme Federal Court, 1957-58) 1957-58) Court and the building of the FAU/USP (College of Architecture and Urbanism of São (College of Architecture and Urbanism of São Paulo University, 1962- 69), by Vilanova Artigas. The choice of representative and, at the same time, varied examples of the Brazilian production allows us to understand the different forms with which the Modern Architecture has established relations with the classical tradition, especially when it aimed to embody in the buildings the emblematic ideals of its historical time.

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Stubbs, Jerome D. "A critical reading of Eisenman's "The end of the classical"." Thesis, Georgia Institute of Technology, 1988. http://hdl.handle.net/1853/21661.

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Sumertas, Firuzan Melike. "Female Patronage In Classical Ottoman Architecture: Five Case Studies In Istanbul." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/12607671/index.pdf.

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The aim of this thesis is to discuss and illustrate the visibility of Ottoman imperial women in relation to their spatial presence and contribution to the architecture and cityscape of sixteenth and seventeenth century istanbul. The central premise of the study is that the Ottoman imperial women assumed and exercised power and influence by various means but became publicly visible and acknowledged more through architectural patronage. The focus is on istanbul and a group of buildings and complexes built under the sponsorship of court women who resided in the Harem section of Topkapi Palace. The case studies built in Istanbul in the sixteenth and seventeenth centuries are examined in terms of their location in the city, the layout of the complexes, the placement and plan of the individual buildings, their orientation, mass characteristics and structural properties. It is discussed whether female patronage had any recognizable consequences on the Ottoman Classical Architecture, and whether female patrons had any impact on the building process, selection of the site and architecture. These complexes, in addition, are discussed as physical manifestation and representation of imperial female power. Accordingly it is argued that, they functioned not only as urban regeneration projects but also as a means to enhance and make imperial female identity visible in a monumental scale to large masses in different parts of the capital.

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Chibireva, Natalia. "Architecture, ideology and order : the idea of the classical in 1930s architecture and Nazi spatial strategies." Thesis, University of Nottingham, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391395.

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Campbell, Lee Winston. "Recognizing classical ballet steps using plase space constraints." Thesis, Massachusetts Institute of Technology, 1994. http://hdl.handle.net/1721.1/61085.

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Books on the topic "Classical architecture"

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Porphyrios, Demetri. Classical architecture. New York: McGraw-Hill, Inc, 1992.

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Pagan, Hugh. Architecture: Classical times to the classical revival. London: B. Weinreb Architectural Books, 1985.

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B. Weinreb Architectural Books Limited. Architecture: Classical times to the classical revival. London: B. Weinreb, 1985.

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Yarwood, Doreen. Classical architecture, 1420-1800. London: Batsford, 1992.

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Stillman, Damie. English neo-classical architecture. London: Zwemmer, 1988.

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Stillman, Damie. English neo-classical architecture. London: Zwemmer, 1988.

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Newenham, Summerson John. The Classical Language of Architecture. Cambridge, Massachusetts, USA: The M.I.T. Press, 1989.

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Robert, Adam. Classical architecture: A complete handbook. London: Viking, 1990.

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Porphyrios, Demetri. Classical architecture: The living tradition. New York: McGraw-Hill, 1992.

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Smith, Thomas Gordon. Classical architecture: Rule and invention. Layton, UT: G.M. Smith, Inc., 1988.

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Book chapters on the topic "Classical architecture"

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Gloag, John, and Hilton Wright. "Classical Architecture." In Guide to Western Architecture, 59–84. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003333494-3.

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Qi, Zhou, and Ji Qiu. "Chinese Classical Revival." In Routledge Handbook of Chinese Architecture, 288–99. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315851112-25.

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Kuran, Aptullah. "ARCHITECTURE: THE CLASSICAL OTTOMAN ACHIEVEMENT." In Süleymân the Second and His Time, edited by Halil Inalcik and Cemal Kafadar, 317–32. Piscataway, NJ, USA: Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463231774-022.

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Bedeschi, Francesco. "Classical Architecture as Parametric Construct." In Architectonics and Parametric Thinking, 50–56. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003252634-7.

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Gruber, Petra. "Classical Approaches to Investigate Overlaps Between Biology and Architecture." In Biomimetics in Architecture, 50–109. Vienna: Springer Vienna, 2011. http://dx.doi.org/10.1007/978-3-7091-0332-6_3.

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Mclaughlin, Brian P. "Classical Constituents in Smolensky’s ICS Architecture." In Structures and Norms in Science, 331–43. Dordrecht: Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-017-0538-7_20.

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Dolan, Marion. "Art, Architecture, and Astronomy in Classical Greece." In Decoding Astronomy in Art and Architecture, 147–70. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76511-8_11.

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Levin, Gail. "Modern and Postmodern Art and Architecture." In A Companion to the Classical Tradition, 371–92. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996775.ch26.

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Duvernoy, Sylvie. "Classical Greek and Roman Architecture: Examples and Typologies." In Handbook of the Mathematics of the Arts and Sciences, 1–21. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70658-0_60-1.

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Duvernoy, Sylvie. "Classical Greek and Roman Architecture: Examples and Typologies." In Handbook of the Mathematics of the Arts and Sciences, 1181–201. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-57072-3_60.

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Conference papers on the topic "Classical architecture"

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Johnson, Jeremy R., Werner Krandick, and Anatole D. Ruslanov. "Architecture-aware classical Taylor shift by 1." In the 2005 international symposium. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1073884.1073913.

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Wang Yi and Zhou Junjun. "Application of classical methodologies in improving architecture." In 2010 2nd International Conference on Networking and Digital Society (ICNDS). IEEE, 2010. http://dx.doi.org/10.1109/icnds.2010.5479345.

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Colangelo, Dave, Niusha Manavi Namaghi, Nicholas Silver, and Tomás Cotik. "Ombra Musici II: Classical Music Performance and Public Space." In MAB '23: Media Architecture Biennale 2023. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3627611.3627617.

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GARCIA SENCHERMES, A. "SPAIN GOES CLASSICAL - 10 YEARS OF CONVERT HALL AND OPERA HOUSES." In Acoustics, Architecture and Auditoria 1992. Institute of Acoustics, 2024. http://dx.doi.org/10.25144/20698.

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Trushkina, Nataliia. "CURRENT ISSUES OF CRITICAL INFRASTRUCTURE PROTECTION SYSTEM ARCHITECTURE DESIGN: FOREIGN EXPERIENCE." In SCIENTIFIC PRACTICE: MODERN AND CLASSICAL RESEARCH METHODS. European Scientific Platform, 2023. http://dx.doi.org/10.36074/logos-26.05.2023.008.

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Sousa, Alberto J. "Towards a Reinterpretation of the So-Called Brazialian Neo-Classical Architecture." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.22.

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Brazilian architectura d historians have identified in Brazilian architecture a style of classicist nature, adopted during the period ranging broadly from 1810, which has been regarded as the Brazilian version of European Neo-classicism – and therefore has been named Neo-classical – and as a language derived mainly from French models. The have said, at the same time, that the French architect Grandjean de Montigny (who lived in Rio de Janeiro from 18 16 until his death in 1850) was the main propagator of that style and also the most prominent of the designers who made use of it. A careful research that I undertook during more than two years led me to an understanding which differs from these views.

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Dalvi, Aniket S., Filip Mazurek, Leon Riesebos, Jacob Whitlow, Swarnadeep Majumder, and Kenneth R. Brown. "Modular Architecture for Classical Simulation of Quantum Circuits." In 2022 IEEE International Conference on Quantum Computing and Engineering (QCE). IEEE, 2022. http://dx.doi.org/10.1109/qce53715.2022.00127.

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Jin, Tian. "Using Hybrid Schedules to Safely Outperform Classical Polyhedral Schedules." In 2015 International Conference on Parallel Architecture and Compilation (PACT). IEEE, 2015. http://dx.doi.org/10.1109/pact.2015.52.

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Possignolo, Rafael Trapani, and Cintia Borges Margi. "A Quantum-classical Hybrid Architecture for Security Algorithms Acceleration." In 2012 IEEE 11th International Conference on Trust, Security and Privacy in Computing and Communications (TrustCom). IEEE, 2012. http://dx.doi.org/10.1109/trustcom.2012.49.

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Stirbu, Vlad, and Tommi Mikkonen. "Software Architecture Challenges in Integrating Hybrid Classical-Quantum Systems." In 2023 IEEE International Conference on Quantum Computing and Engineering (QCE). IEEE, 2023. http://dx.doi.org/10.1109/qce57702.2023.10212.

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Reports on the topic "Classical architecture"

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Blackburn, Michael R. A General Architecture for Classical Conditioning of Perceptual-Motor Sequences. Fort Belvoir, VA: Defense Technical Information Center, January 1990. http://dx.doi.org/10.21236/ada422541.

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Cunningham, Stuart, Marion McCutcheon, Greg Hearn, Mark Ryan, and Christy Collis. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Sunshine Coast. Queensland University of Technology, December 2020. http://dx.doi.org/10.5204/rep.eprints.136822.

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The Sunshine Coast (unless otherwise specified, Sunshine Coast refers to the region which includes both Sunshine Coast and Noosa council areas) is a classic regional hotspot. In many respects, the Sunshine Coast has assets that make it the “Goldilocks” of Queensland hotspots: “the agility of the region and our collaborative nature is facilitated by the fact that we're not too big, not too small - 330,000 people” (Paddenburg, 2019); “We are in that perfect little bubble of just right of about everything” (Erbacher 2019). The Sunshine Coast has one of the fastest-growing economies in Australia. Its population is booming and its local governments are working together to establish world-class communications, transport and health infrastructure, while maintaining the integrity of the region’s much-lauded environment and lifestyle. As a result, the Sunshine Coast Council is regarded as a pioneer on smart city initiatives, while Noosa Shire Council has built a reputation for prioritising sustainable development. The region’s creative economy is growing at a faster rate that of the rest of the economy—in terms of job growth, earnings, incomes and business registrations. These gains, however, are not spread uniformly. Creative Services (that is, the advertising and marketing, architecture and design, and software and digital content sectors) are flourishing, while Cultural Production (music and performing arts, publishing and visual arts) is variable, with visual and performing arts growing while film, television and radio and publishing have low or no growth. The spirit of entrepreneurialism amongst many creatives in the Sunshine Coast was similar to what we witnessed in other hotspots: a spirit of not necessarily relying on institutions, seeking out alternative income sources, and leveraging networks. How public agencies can better harness that energy and entrepreneurialism could be a focus for ongoing strategy. There does seem to be a lower level of arts and culture funding going into the Sunshine Coast from governments than its population base and cultural and creative energy might suggest. Federal and state arts funding programs are under-delivering to the Sunshine Coast.

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