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Journal articles on the topic 'Classical architecture'
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Knight, Terry, and George Stiny. "Classical and non-classical computation." Architectural Research Quarterly 5, no. 4 (September 2001): 355–72. http://dx.doi.org/10.1017/s1359135502001410.
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Computers have come to play an important role in architectural practice. Nonetheless, the promise of computation as a creative partner in practice, and a means to better understand and support the design process has yet to be realized. This article considers aspects of computation, and alternative ways that these have been approached in order to make computation useful in architecture and other areas of spatial design.
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Negulyaeva, T. V., and S. F. Dyadchenko. "Architecture and philosophy of antiquity: The formation of classical architecture." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 23, no. 1 (February 26, 2021): 73–84. http://dx.doi.org/10.31675/1607-1859-2021-23-1-73-84.
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The classical architecture is being constantly developed in time, and, consequently, is relevant nowadays. The paper deals with the development of classical architectural in antiquity up to the present time. This is necessary for further study of modern architecture. The aim of this work is to identify the most stable formation of the classical antique architecture. Scientific novelty lies in the systematic approach to the studying the evolution of ancient architectural theory, taking into account a variety of external factors and based on ancient philosophy. The main level of scientific knowledge is a theoretical (historical) method, which involves a study of graphic and textual information covering the era as well as a systematic analysis of the material for the identification of basic principles of the antique architecture. It is shown that the main principles of the antique architecture are being developed in a close connection with philosophy, and determine the further development of the classical direction in architecture.
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Erzen-Jale, Nejdet. "Form and meaning in architectural theory." SAJ - Serbian Architectural Journal 7, no. 2 (2015): 75–84. http://dx.doi.org/10.5937/saj1501075e.
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Often architectural theory has been articulated on prescriptive views about what architecture should be, rather than on views formulated from historical experiences and examples of architecture. In this paper I will try to offer readings of architectural form by looking at a historical example from classical Ottoman architecture and at contemporary examples, to show how different architectures treat form. In examples taken from Sinan's architecture, symbols are investigated in relation to movement, to urban settlement, to religion and power. It is hoped that this analysis will offer an understanding of how the significance of architecture in human experience and in the urban context goes beyond structure and function
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Rykwert, Joseph, and Damie Stillman. "English Neo-Classical Architecture." Eighteenth-Century Studies 24, no. 1 (1990): 113. http://dx.doi.org/10.2307/2738989.
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Cast, David, and Damie Stillman. "English Neo-Classical Architecture." Art Bulletin 72, no. 4 (December 1990): 664. http://dx.doi.org/10.2307/3045772.
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Garson, James W. "Cognition without classical architecture." Synthese 100, no. 2 (August 1994): 291–305. http://dx.doi.org/10.1007/bf01063812.
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Tegtmeyer, Susan. "The Second Williams Symposium on Classical Architecture, "Refinements in Classical Architecture: Curvature"." Journal of the Society of Architectural Historians 53, no. 3 (September 1994): 374–75. http://dx.doi.org/10.2307/990958.
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Mahmood, Yusur Basim, and Hoda A. S. Al-Alwan. "Tectonics and Sustainable Architecture: The Notion of Classical and Digital Sustainable Tectonics in Architecture." International Society for the Study of Vernacular Settlements 10, no. 8 (August 10, 2023): 457–77. http://dx.doi.org/10.61275/isvsej-2023-10-08-31.
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Tectonics–the art of construction- is an essential topic in architectural theory that deals with the potentials of structure, techniques and materials to create poetic architecture. On the other hand, sustainable architecture is a multidisciplinary field concerned with buildings designed for wellbeing, as well as to provide healthy environments while sustaining architectural qualities. The new approaches in architectural research have given way to a distinct collaboration between the two domains (tectonics and sustainability) –in both their classical and digital facets—to constitute what is known as "sustainable tectonics", as a way to generate remarkable and empathic architectural forms. The article aims to shed light on the practices that adopt implicit thought of tectonics, and its relation to sustainability. The pursuit of sustainability is thus explored through two categories: classical sustainable tectonics and digital sustainable tectonics, to finally extract the mechanism of the tectonic theory and its application in sustainable architecture. The findings offer a clear mechanism in achieving distinguished architecture, through the integration of classical tectonic factors in passive sustainable practices, and digital tectonics in active sustainable design.
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Hasbi, Rahil Muhammad, and Wibisono Bagus Nimpuno. "Pengaruh Arsitektur Modern Pada Desain Masjid Istiqlal." Vitruvian 8, no. 2 (June 25, 2019): 89. http://dx.doi.org/10.22441/vitruvian.2018.v8i2.005.
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Modern architecture in its golden age has given a lot of influences to many architectures around the world. The spread of modern architecture at that time could not be stopped and became a style that is widely used throughout the world including IndonesiaThe influence of modern architecture emerged in Indonesia during the Dutch colonial occupation. European architects at that time introduced classical European architecture and modern architecture to Indonesian society. During the Colonial occupation and at the beginning of Indonesian independence, European architects designed public buildings such as government buildings, places of worship( like mosques and churches) and commercial buildings as well as several residences using classical European architectural and modern architecture.As the example that we can still see now is the Istiqlal Mosque in Jakarta, Indonesia, which was designed by architect Friedrich Silaban who self-taught modern architecture. The design of the Istiqlal mosque at a glance looks very much influenced by modern architecture, although domes and tower as a characteristic of Middle East architecture is still been used.The mosque as a whole is designed to look monumental which emphasized the used of a mixture of modern architecture styles.
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DOLGOVA, Elena D. "AESTHETICS OF ANONYMOUS ARCHITECTURE." Urban construction and architecture 6, no. 2 (June 15, 2016): 91–95. http://dx.doi.org/10.17673/vestnik.2016.02.17.
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The article examines the anonymous architecture in terms of aesthetic knowledge. A parallel between the categories of classical aesthetics - a beautiful / ugly, and the categories of architectural activity in the Vitruvian paradigm professional / anonymous is drawn. Traced the background and process of incorporating objects anonymous architecture in non-classical aesthetic field through poetization everyday life, the emergence of technical aesthetics, aesthetics and functionalism of modernism. Non-classical aesthetics characterize objects anonymous architecture using parakategory daily, physicality, thing. We present the aesthetic characteristics of the anonymous architecture using the categories developed in the traditional aesthetics of eastern cultures - wabi, sabi, sibui and eugen. A parallel between the perception of the aesthetics and simplicity of anonymity is drawn.
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Walker, Nathaniel Robert. "Classicisms of Color: Transatlantic Exchanges in African and American Traditional Architecture." Journal of Traditional Building, Architecture and Urbanism, no. 2 (November 10, 2021): 437–51. http://dx.doi.org/10.51303/jtbau.vi2.531.
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The beautiful city of Charleston, South Carolina, was built by enslaved Africans, and the painful historical connections between classical architecture and slavery have encouraged some critics to see classicism as racist. Contemporary black artist Jonathan Green, however, proposed a new way of viewing Charleston’s buildings: as a testament to black creativity and resilience that fused African architectural traditions, such as colonnaded porches and metalwork, with European ones. Following Green, this essay traces a number of trans-Atlantic architectural connections forged during the age of empires. Many different African nations, from Ethiopia to Ghana, developed great classical architectures that traveled to Europe and America through the migration of people or the publication of books. African-American designs also returned to Africa, sometimes with European accents, and found compatibility with indigenous traditions. As Green asserted, a beautiful truth emerges from this study: traditional architecture is bigger than racism. It is African, American, and human.
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Rajneesh Chaturvedi, Swati V. Chande, Amita Sharma. "SVMVC: A Refinement to classical MVC for enhancing the Performance of web applications." Tuijin Jishu/Journal of Propulsion Technology 44, no. 5 (November 29, 2023): 286–96. http://dx.doi.org/10.52783/tjjpt.v44.i5.2460.
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Web application architectures are established design patterns employed to structure the design of web applications. Typically, web application architecture is divided into distinct layers and components, each catering to various quality enhancement requirements. These design patterns are crucial for creating web applications that are scalable, maintainable, and well-organized. Among the most renowned and widely used design patterns for web applications is the Model-View-Controller (MVC) pattern. The MVC architecture's inherent attributes, such as reusability, testability, scalability, and separation of concerns, have played a pivotal role in its widespread adoption.
As performance stands out as a prominent quality indicator for web applications, this paper introduces a novel refinement to the MVC architecture, with a primary focus on enhancing the performance of web applications.
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Mišovič, Milan. "Application architectures of enterprise information systems versus service oriented architecture." Acta Universitatis Agriculturae et Silviculturae Mendelianae Brunensis 55, no. 6 (2007): 233–42. http://dx.doi.org/10.11118/actaun200755060233.
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There are two different enterprise IS architectures, older application architecture and younger service oriented architecture. The application architecture its structural element is a classical web-based application can accept a partial or complex solution of enterprise IS. The first has got problems with data-process-communication integrity disturbing among IS applications. The second is convenient for large enterprises not for small and intermediate. Classical web-based applications are too inflexible to accepted necessary changes concerning a progress in the enterprise market-production environment.The service oriented architecture of IS can be based on enterprise web-services. Computerization of such small and flexible units can be given by classical web-services. There is constructed a new web-based application that plays a structural unit role for service oriented architecture. This application consists of a sequence formed by enterprise web-services calling. Enterprise web-services can easily accept necessary changes concerning a progress in the enterprise market-production environment. That‘s why contemporary younger service oriented architecture seems to be more acceptable for any enterprise than older application architecture.
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Haselberger, Lothar. "Architectural likenesses: models and plans of architecture in classical antiquity." Journal of Roman Archaeology 10 (1997): 77–94. http://dx.doi.org/10.1017/s1047759400014744.
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Meng, Yuhan. "The Application of the Characteristics and Design Techniques of Jiangnan Classical Gardens in Suzhou Museum." Advances in Education, Humanities and Social Science Research 5, no. 1 (April 7, 2023): 9. http://dx.doi.org/10.56028/aehssr.5.1.9.2023.
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Suzhou Museum is located in the garden zone of Suzhou. As a translation of classical garden design techniques in today's architecture, it has become the landmark cultural architecture of Suzhou city.Taking Suzhou Museum as an example, this paper explores the application of Jiangnan classical gardens in modern architectural design from two aspects of features and design techniques, so as to contribute to the discussion on the inheritance and development of classical garden culture.
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Roosandriantini, Josephine, and Jessica Aprilia Poernama. "Identifikasi Langgam Arsitektur Brutalisme Pada Bangunan Geisel Library." Selasar 20, no. 2 (September 27, 2023): 42–55. http://dx.doi.org/10.30996/selasar.v20i2.8971.
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The development of architectural styles continues to change from time to time. Modern architecture is one of the phenomenal architectural styles because it is the turning point of major changes in classical architecture that has existed for thousands of years. There are several factors that triggered the emergence of modern architecture, namely the result of the industrial revolution in Europe and also the emergence of boredom and dissatisfaction of architectural artists at that time against classical architecture. Just like classical architecture, modern architecture is also divided based on its respective styles and characteristics. The indicators used in analyzing architectural styles can be in the form of material selection, material characteristics, structures, floor plans, building forms, and others. This study will focus on finding out what architectural styles are contained in the selected building object, namely the Geisel Library. The Geisel Library is a library building that is located and at the same time an icon of the University of California. The Geisel Library was chosen because of the unique shape and characteristics of the building and the lack of journals regarding the analysis of its architectural style. Methods of collecting data from research using literature studies from previous journals and building observations from the internet. The results of the research will be explained in a qualitative descriptive manner, presented in writing and tables and percentage calculations. The results of the analysis and literature of modern architectural styles, the selected building objects tend to lead to a style of brutalism accompanied by a functional and futuristic style.
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Carpo, Mario. "Drawing with Numbers: Geometry and Numeracy in Early Modern Architectural Design." Journal of the Society of Architectural Historians 62, no. 4 (December 1, 2003): 448–69. http://dx.doi.org/10.2307/3592497.
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Precision in building was pursued and achieved well before the rise of modern science and technology. This fact applies to the classical tradition as well as to medieval architecture, and is particularly evident in architectural drawings and design from the Italian Renaissance onward. In this essay, I trace the shift from geometry-the primary tool for quantification in classical architecture- to numeracy that characterizes Renaissance architectural theory and practice. I also address some more general aspects of the relation between technologies of quantification and the making of architectural forms.
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Долгов, Александр Владимирович. "Architectural ordination in wooden architecture." Академический вестник УралНИИпроект РААСН, no. 4(55) (December 30, 2022): 41–45. http://dx.doi.org/10.25628/uniip.2022.55.4.007.
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Статья посвящена проверке гипотезы о распространенности использования архитектурной ординации как проектного метода, позволяющего достичь эвритмии фасадных форм в деревянном зодчестве. На основе проведенного автором ординационного анализа форм деревянного оконного наличника середины XIX века и фрагмента фасада екатеринбургского городского особняка конца XIX века, построенного по проекту академика архитектуры Ю. О. Дютеля, исследовательская гипотеза получила подтверждение. Установленные эвритмические соответствия принципиально аналогичны тем, что использовались в классицистической архитектуре. The article is devoted to testing the hypothesis about the prevalence of the use of architectural ordination as a design method that allows achieving the eurythmy of facade forms in wooden architecture. Based on the ordination analysis of the forms of the wooden window casing of the mid-XIX century and a fragment of the facade of the Yekaterinburg city mansion of the late XIX century, built according to the project of the academician of architecture Yu. O. Dyutel, the research hypothesis was confirmed. The established eurythmic correspondences are fundamentally similar to those used in classical architecture.
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Gao, Yuanben. "Commentary and Reflection on Contemporary Graphic Architecture through Kant's Aesthetic Critique Theory." Journal of Smart Cities 8, no. 1 (November 30, 2023): 64. http://dx.doi.org/10.26789/jsc.2023.01.003.
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Since the beginning of the 21st century, a wave of innovative graphic architecture has emerged. However, these architectural works seem to have failed to inherit the profound aesthetics and sense of beauty associated with classical graphic architecture from history. Instead, they often exhibit superficial and exaggerated qualities, sparking widespread debate and criticism. This paper aims to integrate Immanuel Kant's aesthetic critique perspective, as presented in his work "Critique of Judgment," into the discourse on contemporary graphic architecture. By incorporating Kant's analyses and arguments regarding "agreeable," "beauty," and the "sublime" into discussions of contemporary architectural aesthetics, we seek to analyze and compare the similarities and differences between these new graphic architectural works and their classical predecessors. Ultimately, we arrive at the conclusion that these contemporary graphic architectural works, which often appear superficial and clichéd, are not deserving of admiration. At the same time, we propose recommendations for the design of future graphic architecture based on these insights.
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Heba Abbas Hameed and Arshad Alanizi. "Time as a Founding Factor in Architectural Thought." Journal of Techniques 5, no. 4 (December 19, 2023): 131–40. http://dx.doi.org/10.51173/jt.v5i4.1928.
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The research dealt with the concepts of time and architectural thought and the extent of the influence of Ideas derived from the element of time on the variation and differentiation of architectural movements and schools, by reviewing a group of vocabulary such as nostalgia, present, and looking forward to the future, the null of the present and immortality in architecture and the null or deferred future, and the study of the duration of its reflection on architectural thought to lead to the differentiation of each of the architecture of Mesopotamia, Classical architecture, Modern architecture, Post-modernism, and Autonomous architecture, Deconstruction architecture according to these terms. The problem of the research was the lack of clarity on the influence of the element of time and its role in the differentiation of architectural thought. The main goal of the research is to focus on the role of the element of time in the differentiation and uniqueness of architectural thought. As for the research hypothesis, it focused on emphasizing the role of thought that distinguishes time in the differentiation of architectural thought, which in turn guarantees the uniqueness of societies, and the most important finding of the research is that Classical architecture is distinguished by its interest in the principle of nostalgia, and that there are some trends in Contemporary Iraqi Architecture based on the principle of nostalgia represented by nostalgia for formal elements, and that modern architecture urged in most of its buildings nostalgia for the present.
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Vozniak, Ekaterina, Yuri Kurbatov, and Vladimir Lisovsky. "Classical order theory in the modern architectural educational process." E3S Web of Conferences 164 (2020): 05010. http://dx.doi.org/10.1051/e3sconf/202016405010.
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The paper discusses the development of the theory of the classical orders of architecture in Russia in the XVIII – XIX centuries. The special significance of the works of professors of the Institute of Civil Engineers in the development of classical theory and in the education of outstanding architects is revealed. The problems and the need for teaching order theory for modern students are analyzed. The structure of the presentation of the most important concepts and techniques of classical architecture is indicated. A clear structuring of information will allow architects and restorers to freely operate a system of order architectural forms in the design.
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Mason, Paul, Alexander Tzonis, and Diane Lefaivre. "Classical Architecture: The Poetics of Order." Journal of Architectural Education (1984-) 41, no. 3 (1988): 57. http://dx.doi.org/10.2307/1424897.
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Deshmukh, Marion, David Watkin, and Tilman Mellinghoff. "German Architecture and the Classical Ideal." German Studies Review 11, no. 1 (February 1988): 137. http://dx.doi.org/10.2307/1430839.
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Mason, Paul. "Classical Architecture: The Poetics of Order." Journal of Architectural Education 41, no. 3 (April 1988): 57–59. http://dx.doi.org/10.1080/10464883.1988.10758492.
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Collins, Ardis B. "Hegel on Classical and Gothic Architecture." Owl of Minerva 30, no. 2 (1999): 209. http://dx.doi.org/10.5840/owl19993023.
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Liu, Yanxiao. "The Study of Performance Related to Classical Convolutional Neural Networks in the Field of Facial Emotion Recognition." Applied and Computational Engineering 8, no. 1 (August 1, 2023): 488–92. http://dx.doi.org/10.54254/2755-2721/8/20230248.
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Facial expression recognition is a challenging task that has received much attention in the past decade. This paper presents a rigorous examination of state-of-the-art Convolutional Neural Network (CNN) architectures, encompassing VGG, ResNet, MobileNet, and DenseNet, applied to the task of facial expression recognition using the FER2013 dataset. The study delineates the distinct advantages and disadvantages of each architecture with respect to performance, parameter efficiency, and computational complexity, thereby providing valuable insights into their suitability for specific applications. The selection of an appropriate CNN architecture for facial expression recognition is contingent upon the particular requirements and constraints inherent to the application. As such, the paper advocates for a nuanced approach in determining the most suitable architecture, taking into consideration factors such as computational resources, model complexity, and desired accuracy. In conclusion, the paper calls for future research endeavors to concentrate on exploring innovative architectural designs, optimizing training methodologies, and addressing the unique challenges that facial expression recognition poses. By advancing the state-of-the-art in CNN architectures and training techniques, researchers can contribute to further improvements in model performance and expand the range of their real-world applicability. Such advancements would not only benefit the field of computer vision, but also impact numerous practical applications, ranging from human-computer interaction to emotion analysis in various domains.
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Groznov, Oleg D. "ENGLISH ARCHITECTURE OF THE 16th-18th CENTURIES AND TRANSFORMATIONS OF ARCHITECTURAL ORDER." Architecton: Proceedings of Higher Education, no. 3(71) (September 29, 2020): 11. http://dx.doi.org/10.47055/1990-4126-2020-3(71)-11.
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In this article, the author considers the evolution of the classical order in England from the second half of the 16th to the early 19th century.
The research is based on two methods – stylistic analysis and analysis of historical and cultural aspects in the application of the classical order by English architects over more than three hundred years and the basic principles of or approaches to such application.
It is concluded that the analysis of how the classical order was used can help us understand not only the style and idiom of every particular master but also develop a better understanding of the cultural situation or the context in which every particular architect worked.
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Monier, Vincent, Jean Claude Bignon, and Gilles Duchanois. "Use of Irregular Wood Components to Design Non-Standard Structures." Advanced Materials Research 671-674 (March 2013): 2337–43. http://dx.doi.org/10.4028/www.scientific.net/amr.671-674.2337.
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This project deals with architecture and engineering involved in the process of architectur- al design. Based on native irregular components, it aims at developing an innovative approach in the conception and rationalization of non-standard structures. Contemporary architecture and its non- classical structures require the design of customized pieces. This process which is highly energy and resources consumptive does not always take into account the inherent material properties. This pro- ject develops a way of optimizing, in architectural structures, the use of native wood pieces that are not industrially transformed (e.g. boughs) or of reused pieces of carpentry. As a consequence, the ecological footprint of the structures would be reduced.
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Tatla, Helen. "Classical architecture in the scope of Kantian aesthetics: Between Lyotard and Rancière." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 487–500. http://dx.doi.org/10.5937/saj1903487t.
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Classical architecture's inherent potentiality to constitute the principal architectural expression of western culture since Greek antiquity is due to its dual character: although it comes out from the primordial unity of things expressed by myth and religion in archaic times, it acquires its form of completion in the fifth c. BC, as a symbol of democracy and a harmonic articulation of the world on the ground of philosophical thinking. By placing the avant-guard art in the sphere of the Kantian sublime, Jean-Francois Lyotard focuses on the impossibility of an absolute relation between reason and perception or between thinking and image, in modernity. He considers that in cases where this happens, it gives birth to political monsters. He connects postmodern expressions of classicism in architecture with Freud's "Interpretation of Dreams" and the Kantian beautiful. Jacques Ranciere's approach to a Kantian in basis aesthetic consideration of modernity is opposite to that proposed by Lyotard. Instead of the sublime, Ranciere relates the beautiful with the rupture between thinking and perception . In this respect, fragments of the past can stimulate a creative procedure in the present. This investigation aims to contribute to the dialogue for a renovated approach to the role of classicism in architecture today.
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Nabilunnuha, M. B., S. Hervanda, G. E. Xian, A. Tjong, F. R. Indarti, N. E. Nuffida, A. Ardhyanto, and D. Novianto. "Sustainability principle in Nusantara architecture: case study of the Tongkonan House, the Betawi Stage House, the Gadang House, and Lamin House." IOP Conference Series: Earth and Environmental Science 1007, no. 1 (March 1, 2022): 012015. http://dx.doi.org/10.1088/1755-1315/1007/1/012015.
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Abstract This study aims to analyze and identify the principles of sustainability in case studies of several traditional Indonesian architectures, or more specifically known as Nusantara Architecture. This paper discussed the identification, application of principal thinking, analysis, and observation through literature review and hypothesis. In these three case studies, which are the Tongkonan House, Panggung Betawi House, and Gadang House, we found that each building was represented by the choice of forms, materials, functions, and structures, which used the local resources, and as well as the meaning of architectural elements found in the details. During the modernization, the characteristics of the Nusantara Classical Architecture began to be applied to the current architecture which emerged as the Nusantara Contemporary Architecture. Through this paper, we encourage the complexity of architectural design knowledge that reflect the genius-logic, technological development, identity, lifestyle, ethical and aesthetic values of the Indonesian, which have been developed by the ancestors and it is important to always become a consideration and precedent for the architects, planners, and decision-makers in the future.
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Granelli, Fabrizio, Riccardo Bassoli, Janis Nötzel, Frank H. P. Fitzek, Holger Boche, and Nelson L. S. da Fonseca. "A Novel Architecture for Future Classical-Quantum Communication Networks." Wireless Communications and Mobile Computing 2022 (April 25, 2022): 1–18. http://dx.doi.org/10.1155/2022/3770994.
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The standardisation of 5G is reaching its end, and the networks have started being deployed. Thus, 6G architecture is under study and design, to define the characteristics and the guidelines for its standardisation. In parallel, communications based on quantum-mechanical principles, named quantum communications, are under design and standardisation, leading to the so-called quantum internet. Nevertheless, these research and standardisation efforts are proceeding in parallel, without any significant interaction. Thus, it is essential to discuss an architecture and the possible protocol stack for classical-quantum communication networks, allowing for an effective integration between quantum and classical networks. The main scope of this paper is to provide a joint architecture for quantum-classical communication networks, considering the very recent advancements in the architectural design of 6G and the quantum internet, also defining guidelines and characteristics, which can be helpful for the ongoing standardisation efforts. For this purpose, the article discusses some of the existing main standardisation processes in classical communications and proposed protocol stacks for quantum communications. This aims at highlighting the potential points of connection and the differences that may imply future incompatible developments. The standardisation efforts on the quantum internet cannot overlook the experience gained and the existing standardisation, allowing the creation of frameworks in the classical communication context.
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Granelli, Fabrizio, Riccardo Bassoli, Janis Nötzel, Frank H. P. Fitzek, Holger Boche, and Nelson L. S. da Fonseca. "A Novel Architecture for Future Classical-Quantum Communication Networks." Wireless Communications and Mobile Computing 2022 (April 25, 2022): 1–18. http://dx.doi.org/10.1155/2022/3770994.
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The standardisation of 5G is reaching its end, and the networks have started being deployed. Thus, 6G architecture is under study and design, to define the characteristics and the guidelines for its standardisation. In parallel, communications based on quantum-mechanical principles, named quantum communications, are under design and standardisation, leading to the so-called quantum internet. Nevertheless, these research and standardisation efforts are proceeding in parallel, without any significant interaction. Thus, it is essential to discuss an architecture and the possible protocol stack for classical-quantum communication networks, allowing for an effective integration between quantum and classical networks. The main scope of this paper is to provide a joint architecture for quantum-classical communication networks, considering the very recent advancements in the architectural design of 6G and the quantum internet, also defining guidelines and characteristics, which can be helpful for the ongoing standardisation efforts. For this purpose, the article discusses some of the existing main standardisation processes in classical communications and proposed protocol stacks for quantum communications. This aims at highlighting the potential points of connection and the differences that may imply future incompatible developments. The standardisation efforts on the quantum internet cannot overlook the experience gained and the existing standardisation, allowing the creation of frameworks in the classical communication context.
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Karima, Miftahul, Iwan Sudradjat, and Indah Widiastuti. "Hibridisasi Gaya Arsitektur Bangunan Pemerintahan di Rokan Hilir Masa Bupati Periode 2001-2021." ATRIUM: Jurnal Arsitektur 9, no. 1 (July 12, 2023): 55–71. http://dx.doi.org/10.21460/atrium.v9i1.223.
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Title: Hybridization of Architectural Styles in Government Buildings in Rokan Hilir during the Regents' Term from 2001-2021
The Architecture of Government buildings in Rokan Hilir Regency, Riau Province, Indonesia, demonstrates a change in style during the terms of three Regents who served between 2001 and 2021. The architectural style of government buildings initially referred to the Malay architectural style but later shifted orientation to architecture with various dome-shaped roofs. This article explains the changes in the architectural style of government buildings in Rokan Hilir from 2001 to 2021 and maps them genealogically. The research was conducted using a historical method, utilizing primary data from field observations and interviews and secondary data from development project archives and literature. The results of this research provide a genealogy of architectural styles in government office buildings in Rokan Hilir, regarding the Traditional, Modern, Dome, and Neo-Classical styles. Throughout their development, these four references underwent a process of hybridization, resulting in five hybrid styles as follows: Traditional-Neo-Classical Hybrid, Neo-Classical-Dome Hybrid, Traditional-Dome Hybrid, Dome-Modern Hybrid, and Traditional-Neo-Classical-Dome Hybrid.
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Ding, Li, and Lee Spector. "Multi-Objective Evolutionary Architecture Search for Parameterized Quantum Circuits." Entropy 25, no. 1 (January 3, 2023): 93. http://dx.doi.org/10.3390/e25010093.
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Recent work on hybrid quantum-classical machine learning systems has demonstrated success in utilizing parameterized quantum circuits (PQCs) to solve the challenging reinforcement learning (RL) tasks, with provable learning advantages over classical systems, e.g., deep neural networks. While existing work demonstrates and exploits the strength of PQC-based models, the design choices of PQC architectures and the interactions between different quantum circuits on learning tasks are generally underexplored. In this work, we introduce a Multi-objective Evolutionary Architecture Search framework for parameterized quantum circuits (MEAS-PQC), which uses a multi-objective genetic algorithm with quantum-specific configurations to perform efficient searching of optimal PQC architectures. Experimental results show that our method can find architectures that have superior learning performance on three benchmark RL tasks, and are also optimized for additional objectives including reductions in quantum noise and model size. Further analysis of patterns and probability distributions of quantum operations helps identify performance-critical design choices of hybrid quantum-classical learning systems.
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Sitnikova, Elena V., and Aleksandr B. Khramtsov. "Traditions of Classicism in the Wooden Architecture of Historical Cities (by the Example of Tyumen)." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 69 (2023): 397–410. http://dx.doi.org/10.37816/2073-9567-2023-69-397-410.
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The paper addresses an urgent issue, the preservation of the wooden architecture of historical cities, and dwells in particular, on an All-Russian phenomenon — wooden buildings in the classicist style. In the construction of historical cities of Russia and Siberia in the nineteenth century. mandatory construction on “exemplary” projects led to the widespread spread of classical wooden architecture. Although the construction of Tyumen in the second half of the nineteenth century was no exception, as the other cities of the country, it had unique features. A comprehensive scientific analysis of wooden buildings in the classicist style on the territory of the city of Tyumen obtained following results: objects in this style were identified with their systematization according to spatial planning and architectural and artistic characteristics; characteristic features determined. The scientific novelty of the study consists in the systematization of the types of classical wooden buildings in Siberian cities (through the example of Tyumen) on the basis of bibliographic, archival and field studies. The architectural analysis of the objects allowed for making conclusions about the value of wooden classical houses, the need for their fixation (making sketches, photo fixation, dimensional drawings), further study and preservation. The theoretical and practical significance of the paper lies in the collected, analyzed and systematized material on the wooden architecture of the historical Siberian city, which can be used in the preparation for the lectures on the history of architecture of Siberia, promotion of historical and architectural heritage, in the implementation of projects to preserve the wooden architecture of cities and in other areas.
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Mallet, Alain, Aitziber Anakabe, Jacques Sombrin, and Raquel Rodriguez. "Multiport-Amplifier-Based Architecture Versus Classical Architecture for Space Telecommunication Payloads." IEEE Transactions on Microwave Theory and Techniques 54, no. 12 (December 2006): 4353–61. http://dx.doi.org/10.1109/tmtt.2006.885904.
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Song, Hanzhi. "“Ren” and Spatial Design in Ancient Chinese Architecture: A Discussion from the Perspective of Confucian Aesthetic Concepts." Advances in Social Science and Culture 6, no. 1 (December 14, 2023): p29. http://dx.doi.org/10.22158/assc.v6n1p29.
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This paper adopts the unique perspective of Confucian aesthetic principles to investigate their profound impact on the interrelationship between “Ren” (benevolence) and spatial design in classical Chinese architecture. Drawing upon core Confucian concepts such as “Ren”, “Tian Ren He Yi” (the unity of man and nature), and “Jin Shan Jin Mei” (the pursuit of perfection), the study meticulously analyzes specific instances of classical architectural layouts and spatial designs, providing a detailed exposition of the manifestation of “Ren”. Subsequently, it elucidates how Confucian aesthetic principles influence classical architecture by inheriting and developing the spirit of benevolence and adeptly applying an aesthetic consciousness of the unity of space and time. Simultaneously, the paper distinctly presents the profound insights of Confucian aesthetic principles on contemporary spatial design and societal development. This influence extends beyond the formal and structural aspects of architecture, permeating deeply into the cultural connotations embedded in architecture. It injects distinctive and valuable design wisdom into contemporary society, contributing not only to the comprehension of the cultural value of ancient architecture but also furnishing a novel framework for contemporary spatial design. In doing so, it offers concrete and far-reaching guidance for the construction of a harmonious society.
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Getka-Kenig, Mikołaj. "Chrystian Piotr Aigner, ancient monuments, and the architectural discourse of Polish resurrection in the Age of Revolution." Classical Receptions Journal 12, no. 2 (October 26, 2019): 175–99. http://dx.doi.org/10.1093/crj/clz019.
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Abstract The role of ancient classical monuments in the history of Polish neoclassicism at the turn of the nineteenth century may seem to be insignificant. However, among many building types, there was one in the case of which ancient classical monuments served as an important source of inspiration for contemporary building practice. It was the architecture of public commemoration that engaged in the discourse of national resurrection after the late-eighteenth-century partitions of the Polish state. Apart from their general associations with natural order and permanent stability, classical architectural models could directly invoke historical or mythological precedents which helped clarify the ambiguities of the resurrection. However, it is notable that such memorials did not only share the propagation of the idea of national resurrection. They also had the same designer, Chrystian Piotr Aigner (1756–1841), who showed an exceptional interest in ancient architecture. This article argues that not only the direct engagement of those commemorative structures in the discourse of national resurrection, but also the choice of the designer with a special penchant for classical antiquity accounted for the unusual use of classical models as design templates in those specific architectural undertakings.
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Mišovič, Milan, and Ivana Rábová. "Classical Process diagrams and Service oriented Architecture." Acta Universitatis Agriculturae et Silviculturae Mendelianae Brunensis 61, no. 4 (2013): 1023–32. http://dx.doi.org/10.11118/actaun201361041023.
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SOA (Service Oriented Architecture) has played in the last two decades a very useful role in the design philosophy of the target software. The basic units of software for which the mentioned philosophy is valid are called services. Generally it is counted that the advance implementation of services is given by using so–called Web services that are on the platform of the Internet 2.0. Naturally, there has been counted also with the fact that the services will be used in software applications designed by professional programmers. Later, the concept of software services was supported by the enterprise concept of the SOE type (Service oriented Enterprise) and by the creation of the SOA paradigm.Many computer scientists, including Thomas Erl – doyen of SOA, do not understand SOA either as an integrated technology or as a development methodology. Proofs of this statement are in the following definitions.SOA is a form of technology architecture that adheres to the principles of service – orientation. When realized through the Web services technology platform, SOA establishes the potential to support and promote these principles throughout the business processes and automation domains of an enterprise (Erl, 2006). Thomas Erl (Erl, 2007) has expressed the idea of SOA implementation using the following definition.SOA establishes an architectural model that aides to enhance the efficiency, agility, and productivity of an enterprise by positioning services as the primary means through which solution logic is represented in support of the realization of strategic goals associated with service-oriented computing. Nevertheless the key principles, on which SOA is constructed (Erl, 2006), are not significantly reflected in any of the previous definitions. Some of the mentioned principles are still included at least in the more free definitions of SOA, for example (Barry, 2003).A service-oriented architecture is essentially a collection of services. These services communicate with each other. The communication can involve either simple data or it could two or more services coordinating some activity. From the above mentioned we can pronounce a brief description of SOA. “SOA is an architectural style for consistency of business process logic and service architecture of the target software.”It is a complex of means for solution of special analysis, design, and integration of enterprise applications based on the use of enterprise services. The service solutions of the classic business process logic are, of course, based on the application of at least seven key principles of SOA (free relations, service contract, autonomy, abstraction, reusing, composition, no states). Key attributes of SOA are verbally described in (Erl, 2006). They are so important that a separate article should be devoted to their nature and formalization. On the other hand, there is also clear that each service solution of business logic should respect the principles published in SOA Manifesto, 2009, which are essentially derived from the key principles of SOA.In many publications there are given the SOA reference models usually composed of several layers (presentation layer, business process layer, composite services layer, application layer) giving a meta idea of SOA implementation. Perfect knowledge of the business process logic is a necessary condition for the development of a proper service solution. The different types of business processes should be described in the necessary details and contexts.Interestingly, the SOA paradigm does not provide its own method of finding and describing business processes by giving a layered transparent business process diagram. On the other hand, the methodology provides deep understanding of not only the characteristics of services, but also their functionality and implementation of the key principles of SOA (Erl, 2006).Let us assume that the required process diagrams can be achieved by using some of the advanced methods and descriptions. Among many other methods and description, we can introduce for example methods as Eriksson–Penker Business Extensions, ARIS, BORM (Business Object Relation Modeling) and description as BPMN (Business Process Modeling Notation).This offers the idea of using these methods and descriptions for the SOA paradigm for the purposes of process models conversion into schemes of services with built-in orchestration. Conversion of transformations should be based on the knowledge of two artifacts. The first is the output artifact – everything what diagram process provides for the target service scheme and the second is the input artifact – all what service schemes need.The issue of conversion transformations is the main topic of this contribution. Their implementation will allow software companies to move forward in the creation of service production and it gives a new view of the enterprise functionality in a service solution to company management.
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Bondarko, V. M., S. D. Solnushkin, and V. N. Chikhman. "Visual Illusions and Perception of Classical Architecture." Experimental Psychology (Russia) 16, no. 3 (October 27, 2023): 69–85. http://dx.doi.org/10.17759/exppsy.2023160305.
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<p>We carried out psychophysical experiments to study perception mechanisms of images that are elements of building projections in ancient and classical architecture. The curvature of isolated lines and lines superimposed on a fan picture (Wundt-Hering illusion), as well as the orientation of lines in the presence of distractors with varying inclination and separation (tilt illusion) were estimated. We used the methods of constant stimuli and the forced choice procedure. The experiments were carried out on three subjects with a large number of presentations of stimuli, which made it possible to evaluate the statistical significance of the obtained dependences. The values of distortions in the illusion of Wundt-Hering (WH) and in the tilt illusion were determined. It is shown that the curvature of single lines without fan lines is estimated adequately. The analysis of the results led to the conclusion that corrections of the orientation and curvature of elements in classical architecture compensate for the distortions of visual perception. At the same time, the curvature of some elements may be due to the aesthetics of perception.</p>
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Margasov, A. O. "Neural ordinary differential equations and their probabilistic extension." Proceedings of the Komi Science Centre of the Ural Division of the Russian Academy of Sciences 6 (2021): 14–19. http://dx.doi.org/10.19110/1994-5655-2021-6-14-19.
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This paper describes the transition from neural network architecture to ordinary differential equations and initial value problem. Two neural network architectures are compared: classical RNN and ODERNN, which uses neural ordinary differential equations. The paper proposes a new architecture of p-ODE-RNN, which allows you to achieve a quality comparable to ODE-RNN, but is trained much faster. Furthermore, the derivation of the proposed architecture in terms of random process theory is discussed.
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Idham, Noor Cholis. "JAVANESE ISLAMIC ARCHITECTURE: ADOPTION AND ADAPTATION OF JAVANESE AND HINDU-BUDDHIST CULTURES IN INDONESIA." JOURNAL OF ARCHITECTURE AND URBANISM 45, no. 1 (February 1, 2021): 9–18. http://dx.doi.org/10.3846/jau.2021.13709.
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Javanese Islamic architecture appears to be highly influenced by previous cultures, even though Islam has brought a new civilisation since the 13th century in Indonesia. The classical mosques and houses seem to follow Javanese and Hindu-Buddhist principles in their buildings, elements and spatial arrangements. This paper examines how the Javanese adapted their architecture to meet Islamic values while preserving their previous traditions. The concept of architectural synchronisation in Javanese architecture is examined from the traces observed in the temple dioramas, depictions of contemporary cultural products, and several traditional buildings. The adoptions and adaptations that appear in some significant objects such as old mosques and houses are traced back to previous transformation principles. Architectural harmonisation for new needs seemingly bases on religion as the most potent driving aspect. However, what is interesting is that in the case of Java, embracing a new religion does not mean forgetting existing traditions. On the other hand, the principle of acculturation has created a peaceful transition in architecture. Some evidence suggests that Javanese high culture, such as the classical grand mosque and the joglo house, succeeded in translating Javanese and Hindu-Buddhist ideas into Islamic architecture in very distinctive ways.
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Remizova, Olena, and Natalya Novak. "Dialogue of epochs in postmodern urban planning concepts of the late ХХth and early ХХIst centuries." Budownictwo i Architektura 17, no. 4 (February 28, 2019): 067–75. http://dx.doi.org/10.24358/bud-arch_18_174_07.
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The postmodern architecture of the last third of the XX century saw a steady tendency of appealing to classical heritage aimed at combining modern technologies and historical associations with classical architecture. The work considers postmodern urban planning concepts of the late XX-the beginning of ХХI centuries. Methods of interpreting the order system in the architecture of postmodernism are analyzed by comparing such theoretical concepts as R. Bofi ll›s industrial classicism, the new urbanism of L. and R. Krier, the theory of the city by Aldo Rossi. Architects postmodernists searching for sense and architectural language began to address to the historical past, using signs and images of classical architecture. Leaders of postmodern movement, trying to return to architecture the «eternal values» lost by modernism, opened a way for new creative searches and transformation of the order system elements. Its representatives were attracted by the «double code» of the order architecture, which allowed to solve complex town-planning problems. Postmodernism declared the idea of «architecture parlante». The notion of «postmodern classicism» disguised the compositional search for dialogue with any classical epoch – antiquity, renaissance, baroque, classicism itself. The order language of these epochs, possessing a tremendous potential of utterance, allowed the architect to create all the new meanings and texts. The article discusses the change of semantic meanings occurring in modern urbanism, the interpretation of order compositions, the notion of «order tradition» and the expansion of the semantics of the order system in historical and cultural context. The article shows that the theory of postmodernism actualized the notion of «order tradition» and expanded the semantics of the order system by its application in modern city planning concepts.
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Xie, Xusheng, Xin Wen, and Fengfeng Deng. "Applications of 3D Image Using Internet of Things in the Exhibition of Classical Architecture Art Style." Mobile Information Systems 2021 (July 26, 2021): 1–6. http://dx.doi.org/10.1155/2021/2283354.
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Classical architecture is an architectural, cultural heritage with specific historical value. It is also a city with historical and cultural heritage and even a testimony of the profound historical culture of a country. Therefore, urbanization is unavoidable, and it directly influences historical buildings. This study aims to combine the three-dimensional image techniques and the Internet of Things (IoT) technology to research the development of classical architectural artistic style. This article presents the acquisition equipment, methods, precautions, and data processing of real-life 3D image data of the classical architectural heritage. We realized the online publishing of real-world 3D services of classical architectural heritage through the real-world 3D display system developed through the Internet of Things and mobile terminals. The model was verified through simulation tests. The combination of image processing techniques and analysis methods such as simulated annealing improved the accuracy of the prediction model. The proposed model can provide data support for policy formulation, technical intervention, and targeted field investigation on architectural heritage by screening research objects.
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Wettstein, Domonkos. "Új klasszicizálás vagy „másik modern”? Az átmenet narratívája Kotsis Iván városépítészetében és Balaton-parti munkásságában." Kellék. Filozófiai folyóirat, no. 69 (December 5, 2023): 55–70. http://dx.doi.org/10.61901/kellek.2023.69.05.
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The tendencies in 20th century architecture were determined by the relationship between the classical tradition of architecture and modernity. In the 1930s, modern architecture came to the fore more and more, but at the same time, both in international architecture and in Hungary, alternative efforts appeared that sought a dialogue between modern architecture, historical traditions and local specificities. This search for an alternative was present in modern architecture throughout the 20th century and is still effective today. The trends with different colors are characterized by the modern concept of the other in the written history of architectural theory. The purpose of this study is to present the interactions between the international and domestic tendencies of the “other modern” through the work of Iván Kotsis. Iván Kotsis was a significant figure in architecture between the two world wars, and in addition to his creative career, he was also a decisive character in the architectural education of the University of Applied Sciences. His views became guidelines for later generations. His work is illustrative to the transition between historicizing and modern architecture, while experimentation with local, regional character was also a decisive inspiration for him in this transition. He established close international relations with the dominant European architects of the era, including the Stuttgart School, classified as an alternative school, and the German architects Paul Schmitthenner and Paul Bonatz. In order to bring a contribution to the field of the history of architectural ideas, the study examines his creative concepts and the relationship between classical and modern architecture on the basis of his autobiography, archival publications and contemporary literature.
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Moore, Cameron. "Embracing Tradition: Classical Studio in 2022." Asylum 2 (December 31, 2023): 303–15. http://dx.doi.org/10.34074/aslm.2023204.
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The year 2022 saw the return of Classical Studio within the Unitec | Te Pūkenga School of Architecture after a ten-year hiatus. In Classical Studio, the goal isn’t necessarily to teach how to design a classical building, but to give third- and fourth-year students a deeper understanding of proportional and compositional principles, and a way to generate and evaluate with traditional design methodology. This time the studio was offered to second-year students, presenting new pedagogical opportunities. The criteria for the second-year studio are outlined, as well as how a classical approach to architectural design is aligned with these criteria. The brief was found in a 101-year-old issue of N.Z. Building Progress, in an architectural competition conceived and judged by Reginald Ford, the founding member of Gummer and Ford, perhaps New Zealand’s most influential architectural practice. In a departure from the traditional Unitec Classical Studio, the students were required to present their final designs with CAD instead of watercolour, the opportunities and challenges of which are discussed. This article explains the design process behind the studio, how the brief was interrogated and developed, and what steps the students took to learn how to design a classical building. But more importantly, what lessons were learned from following this process, and how a sampling of classical instruction can fit into a modern architectural education.
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Krastiņš, Jānis. "Nancy Art Nouveau Architecture." Architecture and Urban Planning 19, no. 1 (January 1, 2023): 66–75. http://dx.doi.org/10.2478/aup-2023-0007.
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Abstract The north-eastern French city of Nancy is one of the centres of Art Nouveau. It has been analysed in detail in many classical reviews Art Nouveau, but mainly in relation to decorative applied art works produced at the Nancy School of Art. The study pays attention also to the Nancy architecture. The architectural and artistic qualities of the iconic Art Nouveau architectural monument Villa L. Majorelle are analysed in detail, and the basic data about works of É. André, H. Gutton, J. Hornecker, L. Weissenburger, and other Nancy architects are systematized, indicating their place both in the cityscape of Nancy and in the historical context of Art Nouveau architecture in general.
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Yugai, V. V., and E. V. Sitnikova. "Classicism in Tyumen wooden architecture late in the 19th and early 20th centuries. Field research." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 25, no. 3 (June 24, 2023): 81–95. http://dx.doi.org/10.31675/1607-1859-2023-25-3-81-95.
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Purpose: To find classical wooden buildings of the 19th and early 20th centuries in Tyumen.Methodology: Architectural and typological analyses of wooden buildings of the 19th and early 20th centuries.Research findings: The materials are developed concerning the current state of the classical wooden buildings in Tyumen, including historical and modern photographs and description of such buildings.Practical implication: The obtained results can be used to prepare lectures, reports and communications on the history of architecture in Siberia.Value: The full-scale studies of classical buildings underlie further research of wooden objects of classicism.
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Li, Xuan. "Appreciation of Chinese Modern Garden Architecture from A Multi-dimensional Aesthetic Perspective." Highlights in Science, Engineering and Technology 18 (November 13, 2022): 273–83. http://dx.doi.org/10.54097/hset.v18i.2685.
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With the development of the era, traditional architecture and modern culture in the process of collision, interweaving, integration and innovation, gradually formed the development ideological trend of architectural culture. Chinese modern garden architecture in learning from the classical landscape elements, and also in the integration of the New Chinese design elements. From the perspective of multi-dimensional aesthetic, the appreciation of the external image, the perception of the emptiness and the thinking of the connotation of Chinese modern garden architecture are successively carried out, gradually approached and further explore the true nature of architecture and the virtual perception of internalization, reconstruction time background and architectural culture of art language, guide the development direction of Chinese garden architecture in the future.
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Anil, Ar Seema. "From Temples to Theaters: Unveiling the Layers of Life in Classical Greece and Rome through Architectural Typologies." INTERANTIONAL JOURNAL OF SCIENTIFIC RESEARCH IN ENGINEERING AND MANAGEMENT 07, no. 12 (December 30, 2023): 1–13. http://dx.doi.org/10.55041/ijsrem27856.
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This research comprehensively explores the architectural legacies of Ancient Greek and Roman civilizations, delving into the innovative concepts of order in Greek architecture and the classical orders of Doric, Ionic, and Corinthian. The Parthenon, an iconic Greek temple, serves as an exemplar of these orders, highlighting aesthetic and structural ideals. Beyond temples, Greek architecture embraces diverse typologies like marketplaces, theaters, palaestrae, bouleuterions, and auditoriums. Shifting focus to Roman civilization renowned for grandeur and gladiatorial spectacles, the paper examines architectural contributions and monumental structures, exemplified by the Pantheon's innovative material usage and dome construction. The exploration extends to various Roman typologies, including theaters, amphitheaters, thermae, and aqueducts, revealing the multifaceted nature of Roman urban planning. Chronologically tracing Greek architectural evolution, the paper examines the Parthenon's construction and refinements. Greek typologies such as theaters, agora, stoae, palaestra, and bouleuterion are scrutinized for cultural significance and civic importance. Transitioning to Roman architectural developments, the paper highlights contributions, innovations, and monumental structures defining Roman civilization. Roman thermae and aqueducts emerge as engineering marvels, underscoring sophistication in public spaces. Surviving structures in the Roman Forum symbolize Roman achievements. This exploration aims to unravel intricate connections between the built environment and socio-cultural, political, and economic dynamics in both ancient societies. The legacy of Greek and Roman architecture, seen in temples, public spaces, and cultural hubs, leaves an indelible mark on history, offering insights into collective identities and aspirations of classical antiquity. Key Words: Architectural Legacies, Classical Orders, Greek Typologies, Roman Urban Planning, Socio-cultural Dynamics