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Dissertations / Theses on the topic 'Classical culture'

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1

Butzbach, Lazaretta. "Classical Greek tragedy and the city culture of Athens." Thesis, University of Warwick, 2006. http://wrap.warwick.ac.uk/1167/.

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As argued, the connection between Athenian BC society and tragedy - an area of research far from exhausted - should be examined on the basis of an anthropological/cultural, and rather comparatively oriented perspective, rather than a purely historical or literary one. A further defence holds that such an approach explores in a fresh way the connection between the two which is based on a model of self, on the one hand, and Sophocles' and Euripides' characters on the other - both proposed to consist of the same culturally framed, yet diversely expressed components which define an individual acto
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2

Bentley, Gillian Granville. "Post-classical performance culture and the Ancient Greek novel." Thesis, King's College London (University of London), 2014. http://kclpure.kcl.ac.uk/portal/en/theses/postclassical-performance-culture-and-the-ancient-greek-novel(a9f2b1a7-b48d-4686-9f99-62fadb0422bd).html.

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Scholars have focused mainly on the sophisticated and specifically literary elements of the novel, revealing a staggering amount of intertextual traffic between the novels and canonical authors from Homer to Herodotus to Plato to Menander. While this (very successful) endeavour has raised the value of the novels’ ‘cultural capital’, it has generally neglected another important aspect of the genre—the so-called ‘low’, ‘sub-literary’ influences on the novels. No work of art exists in a cultural vacuum—as work on intertextuality has shown, novelists like Achilles Tatius and Chariton were familiar
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3

Badnall, Toni Patricia. "The wedding song in Greek literature and culture." Thesis, University of Nottingham, 2009. http://eprints.nottingham.ac.uk/12089/.

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This thesis examines the Greek wedding song and its function in literature and culture. The genre, hymenaios or epithalamium, has received little scholarly attention, particularly in English (cf. Muth, WS 1954; Tufte, Los Angeles 1970; Contiades-Tsitsoni, Stuttgart 1990, ZPE 1994; Swift, JHS 2006 & DPhil diss.). Yet an examination of the poetry of marriage, a crucial aspect in the study of the ancient world, contributes to our understanding of gender and social relations, as well as literature. Using elements of genre theory, gender studies, anthropology and cultural history, I argue that the
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4

Cho, Yejin. "The Development of Western Classical Piano Culture in Postwar Asia." BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/5937.

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The purpose of this study is to explore the past, present and future of the development of Western piano culture in Northeast Asia and the musical, social, political and economic facets thereof. Western piano was first introduced to general public as part of the Westernization process during and after World War II in Asia. During the second half of the twentieth century, Asian piano culture has experienced a period of rapid development and mass popularization along with dramatic cultural, economic and technical developments. Quantifiable evidences for this are given in the number of competitio
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5

Penman, Jill Diana. "Spolia and Spectacle: Art Collecting Culture in Late Republican Rome." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/702.

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This thesis looks at the evolution of art collection in the middle to late Roman Republic. Through the examination of military triumphs, manubial structures, and the sculpture collection of the Villa of the Papyri in Herculaneum, this paper investigates the social motivations for art collection. Art’s role in Roman society as both spolia and luxuria is discussed through use of ancient literary sources and archaeological evidence. The evolving role of collection is considered as an expression of national and social identity in a politically changing Rome.
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Katz, Rebecca Aileen. "Arma virumque: The Significance of Spoils in Roman Culture." Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493290.

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This dissertation explores the significance of spoils and the practice of spoils-taking in Roman culture. Working from the premise that spoils in the classical sense (Latin spolia, exuviae) are items singled out for their symbolic value and accordingly subjected to different treatment than other war booty (Latin praeda, manubiae), I begin by examining arma, one of the primary targets of despoliation, in order to show how this symbolic value is generated based on the identity of the spoils’ original owners. From there I show that the value of spoils depends directly upon the virtus (i.e. “manli
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7

Mihaloew, Andreya. "An Exploration of the Function of Lamps in Archaic and Classical Greek Culture: Use, Concepts, and Symbolism." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10472.

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Scholarship on Archaic and Classical Greek lamps has traditionally been in the form of typological studies and catalogues. This dissertation represents an alternative to such works, offering a fuller picture of the function of lamps in Greek life. Incorporating archaeological, iconographic, and literary evidence, the study takes a gendered approach to lamp use, examines the objects’ social and symbolic functions, and explores their conceptual place in Greek society. The core of the dissertation consists of three main chapters. Chapter two looks at women and lamps. It begins with an examination
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8

Hesk, Jonathan Peter. "Deception, democracy and ideology : the rhetoric of self-representation in Classical Athenian culture." Thesis, University of Cambridge, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.627018.

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9

Park, Sung-Kwon. "The Body in the Mirror: Re-imagining the Hyper-real Experience through Classical Sculpture." Thesis, Griffith University, 2007. http://hdl.handle.net/10072/366282.

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The definition of the body is uncertain within contemporary culture. This ‘body’ in question is ‘characterised’ by the pervasive and ubiquitous images of our visual culture, where mass media and advanced visual technology have created a highly simulated world. In this simulated world, the body is doubled. In this exegesis, I attempt to explore what the body means in contemporary visual culture by questioning and examining body image and its impact on our ideas of the body. I draw upon Baudrillard’s notion of ‘ hyper-reality’ and have applied it to the body image. This has resulted in my st
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10

Connors, Maureen E. "Vox populi the classical idiom in early American public opinion articles, 1789-1791 /." Fairfax, VA : George Mason University, 2008. http://hdl.handle.net/1920/3224.

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Thesis (M.A,)--George Mason University, 2008.<br>Vita: p. 116. Thesis director: Rosemarie Zagarri. Submitted in partial fulfillment of the requirements for the degree of Master of Arts in History. Title from PDF t.p. (viewed Aug. 28, 2008). Includes bibliographical references (p. 110-115). Also issued in print.
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11

Deutsch, David Henry. "Music Made Meaningful: Social Reforms and Classical Music in British Literature and Culture from 1870 to 1945." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306156820.

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12

Liokaftos, Dimitrios. "From 'classical' to 'freaky' : an exploration of the development of dominant, organised, male bodybuilding culture." Thesis, Goldsmiths College (University of London), 2012. http://research.gold.ac.uk/8006/.

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Through a combination of historical and empirical research, the present thesis explores the development of dominant, organized bodybuilding culture across three periods: early (1880s-1930s), middle (1940s-1970s), and late (1980s-present). This periodization reflects the different paradigms in bodybuilding that the research identifies and examines at the level of body aesthetic, model of embodied practice, aesthetic of representation, formal spectacle, and prevalent meanings regarding the 'nature' of bodybuilding. Employing organized bodybuilding displays as the axis for the discussion, the pro
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13

Leech, Charles Cairns Danebury. "The metasemiotics of classical music & film : the recontextualisation of Strauss and Wagner in pop culture." Thesis, Queensland University of Technology, 1999.

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Employing a cross-disciplinary theoretical base that encompasses intertextuality theory, film studies, and musicology, this thesis examines the media combination of classical music and Hollywood film, and its role in popular culture. Three classical music case histories are examined: the 'Introduction' from Strauss's Also sprach Zarathustra; the 'Ride of the Valkyries' from Wagner's opera The Valkyrie; and the 'Liebestod' from Wagner's Tristan and Isolde. Throughout these case histories (and the numerous films in which these pieces of music are heard), narrative congruence between the music
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Villalba, Babiloni Teresa Encarnación. "Recepción del legado clásico griego en la cultura alemana de finales del siglo XVIII y principios del XIX." Doctoral thesis, Universitat Jaume I, 2012. http://hdl.handle.net/10803/396658.

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El objetivo del presente trabajo es la investigación de la recepción de la cultura clásica en la cultura alemana del último tercio del siglo XVIII y la primera mitad del siglo XIX, principalmente desde el punto de vista de la evolución de concepto. Es decir, como se produce la transformación de la imagen de la Antigüedad que en un primer momento fue utilizado como sinónimo de ideal de bondad, verdad y belleza, hasta llegar a demonizarse, convirtiéndose en expresión de todo lo inhumano. Para intentar demostrar lo apuntado utilizaremos métodos propios tanto de la disciplina de Historia Antigua c
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Lundgreen, Christoph. "Josiah Ober, The Rise and Fall of Classical Greece." De Gruyter, 2016. https://tud.qucosa.de/id/qucosa%3A71349.

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Demokratie, verstanden als politische wie ökonomische Teilhabe größerer Teile der Bevölkerung und eine Kultur von geregelter Konkurrenz, Innovation und Austausch haben zu einem für die Vormoderne ganz außergewöhnlich hohen Wirtschaftswachstum und damit mittelbar zur bekannten kulturellen Blüte der griechischen Welt geführt. Nicht weniger als dies ist die These des beeindruckenden Buches, das weit über die Alte Geschichte hinaus Interesse wecken und für Debatten sorgen wird – eben gerade, weil nicht die (bekannten) Errungenschaften der Griechen im Mittelpunkt stehen, sondern deren institutionel
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Rockwell, Nicholas Ryan. "The Boeotian army the convergence of warfare, politics, society, and culture in the classical age of Greece /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1680034161&sid=14&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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17

Habetzeder, Julia. "Evading Greek models : Three studies on Roman visual culture." Doctoral thesis, Stockholms universitet, Institutionen för arkeologi och antikens kultur, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-79421.

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For a long time, Roman ideal sculptures have primarily been studied within the tradition of Kopienkritik. Owing to some of the theoretical assumptions tied to this practice, several important aspects of Roman visual culture have been neglected as the overall aim of such research has been to gain new knowledge regarding assumed Classical and Hellenistic models. This thesis is a collection of three studies on Roman ideal sculpture. The articles share three general aims: 1. To show that the practice of Kopienkritik has, so far, not produced convincing interpretations of the sculpture types and mo
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18

Dowrey, Alexandra E. "The Classics and the Broader Public in Philadelphia, 1783-1788: Avenues for Engagement." Thesis, Virginia Tech, 2014. http://hdl.handle.net/10919/48416.

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In early Philadelphia, 1783-1788, the classics formed a pervasive presence on the city's cultural, political, and physical landscape. As the American nation commenced its republican experiment, references to the classics in Philadelphia especially emerged as a vehicle and vocabulary employed by statesmen for fashioning a people, political culture, and national identity. According to political theories of republicanism, statesmen in Philadelphia had a vested interest in cultivating the virtue of their citizens. As symbols and lessons in patriotism and virtue, classical antiquity was incorpor
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19

Wisuttipat, Nattapol. "Performing Far from Home: Efficacy of Thai Classical Music Pedagogy among Non-Culture Bearers in the United States." Kent State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent1531612662887015.

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20

Dunstan, Kaylie Jane. "Percussion and Theatrical Techniques: An Investigation into Percussion Theatre Repertoire and its Presence in Australian Classical Music Culture." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/14645.

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Percussion theatre is a relatively new term that can be effectively used to discuss a body of musical repertoire for percussion that employ theatrical techniques. A generic approach of percussion theatre may include the specialised use of lighting, props, costume, space, and in some cases multimedia. At the focal point of this thesis are the techniques of acting, vocalisation and gesture. It discusses how the skill set of the percussionist can be expanded to better suit the broader performance demands required by compositions. Percussionists who perform percussion theatre repertoire would
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21

Gierow, Kristine. "The Protovillanova culture in San Giovenale : A study of ceramics and huts." Thesis, Uppsala universitet, Antikens kultur och samhällsliv, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-353421.

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This study presents an overview of the spreading of the Protovillanovan culture on the Acropolis of San Giovenale through a typological study of the materials such as the oval huts and the ceramics of this period. Through a typological study of ceramics this study will be able to define what type of ceramic vessels are more common during the Protovillanova period. The oval huts are included in this study in order to see the size and the spreading of the proto-urban society of San Giovenale.
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22

DeJardin, Kathleen Rose. "The accompanied vocalise and its application to selected baroque, classical, Romantic and twentieth century songs and arias." Diss., The University of Arizona, 1992. http://hdl.handle.net/10150/185928.

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The accompanied vocalise has been a vehicle for voice training since the "golden age of 'bel canto' thinspace". These vocalises or exercises enable the student to concentrate on using pure tone and to develop various aspects of technical skill and musical style. The use of these accompanied vocalises can detect perceived problems or weaknesses before the students encounters them in songs and arias. The pedagogical and instructional value of the selected vocalises are examined for their possible efficacy in strengthening a student's perceived weakness. In order to determine the relevance of the
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23

Anderson, Peter John. "‘Fame Is The Spur’: Memoria, Gloria, and Poetry Among the Elite in Flavian Rome." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1044975253.

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24

Bittarello, Maria Beatrice. "The re-creation of ancient classical religions on the World Wide Web : Neopaganism as contemporary mythopoesis." Thesis, University of Stirling, 2007. http://hdl.handle.net/1893/226.

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The thesis argues that Neopaganism on the Web is an example of mythopoesis and aims at showing both the novelty and the limits of such mythopoesis. I use the term "mythopoesis" in its original Greek meaning, i.e. "the creation (the making/crafting) of a myth or myths", thus stressing the dynamic way in which the process of creation (of myths, rituals, divinities, identities—all implicitly or explicitly played out, connected, and organised as "stories", which can be told, written or performed, as well as represented as images) unfolds in Neopaganism. Neopagan mythopoesis on the Web is new, orig
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Sato, Yasuko. "Neither past nor present the pursuit of classical antiquity in early modern and modern Japan /." online access from Digital Dissertation Consortium access full-text, 2002. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3060262.

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Camargo, Henrique. "Por uma visualidade do ballet clássico: entrecruzamentos entre os sentidos das imagens do corpo na historiografia e na prática do ballet clássico." Universidade Federal de Goiás, 2018. http://repositorio.bc.ufg.br/tede/handle/tede/8252.

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Midtgaard, Magdalena L. "Ballet, culture and elite in the Soviet Union : On Agrippina Vaganova´s Ideas, Teaching Methods, and Legacy." Thesis, Umeå universitet, Institutionen för idé- och samhällsstudier, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-123163.

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Balettutbildning har varit auktoritär och elitistisk i århundraden. Med utgångspunkt i Agrippina Vaganova och hennes metodiska systematisering av balettundervisning diskuteras frågor om elit, lärande och tradition inom balettundervisning. Vaganova var en länk mellan tsartidens Ryssland och det nya Sovjet och bidrog aktivt till att balett som konstform, trots sin aristokratiska bakgrund, fördes vidare och blev en viktig kulturpolitiskt aktivitet i Sovjet. Med underlag i texter av Bourdieu och Said diskuteras elit, kulturellt kapital och elitutbildning för att förklara några av de politiska och
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King, Daniel A. "Painful stories : the experience of pain and its narration in the Greek literature of the Imperial period (100-250)." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:c5509a42-cd3f-4e11-b9a1-8a3b6fa84101.

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This research project investigates the relationship between pain and the practices of explaining and narrating it to others. Current scholarship argues that the representation of suffering became, during the Imperial period, an increasingly effective and popular strategy for cultivating authority and that this explains the success of Christian culture’s representation of itself as a community of sufferers. One criticism of this approach is that the experience of pain has often been assumed, rather than analysed. Here, I investigate the nature of pain by attending to its intimate relationship w
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Menon, Vidyakartik Vijayadas. "Reasons Why Dravidian Boys in Australia Do or Do Not Choose to Learn Bharatanatyam." Thesis, Griffith University, 2017. http://hdl.handle.net/10072/367366.

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This thesis explores the attitudes of Dravidian boys in Australia towards learning and performing bharatanatyam—a classical dance form that traces its origins to Tamil Nadu in South India. The study argues that at present, research into immigrant South Asian men’s attitudes towards performing identity through classical art forms such as bharatanatyam is highly disjointed and underdeveloped. This thesis identifies significant gaps in existing research, including the role of performing arts education in the negotiation of cultural and gender identity among immigrant men; the experiences of the S
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Belza, Anna A. "(Re)assessing the Western String Model: Archaeological Data from the Cyclades Post-1979." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1540564767146931.

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Merino, Martin Nelson Hernani. "Suscetibilidade para a cultura de consumo global sob a ótica de marcas globais: um estudo de características comuns entre culturas baseado na teoria clássica e na teoria de resposta ao item." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/12/12139/tde-03042014-201746/.

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Mais da metade da população no mundo vive em povoados e cidades. Estes lugares correspondem àqueles que têm sido imediata e diretamente influenciados pela globalização. Nesse cenário, muitas empresas multinacionais estão alterando seus portfólios de marcas em favor de marcas globais; essa situação faz com que surja o conceito de cultura de consumo global - conjunto de símbolos relacionados ao consumo e comportamentos que são comumente entendidos, mas não, necessariamente, compartilhados pelos consumidores e negócios ao redor do mundo. Isso dependeria da suscetibilidade para a cultura de consum
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Babb, G. Kyle Boyd Jean Ann. ""Roll over Beethoven" the reaction of classical music recording divisions to the continuing emergence of a consumer culture in America between 1956 and 1982 /." Waco, Tex. : Baylor University, 2007. http://hdl.handle.net/2104/5043.

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Peck, Joshua J. "THE BIOLOGICAL IMPACT OF CULTURE CONTACT: A BIOARCHAEOLOGICAL STUDY OF ROMAN COLONIALISM IN BRITAIN." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1237945824.

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Dorsten, Sara E. "Priest of Wisdom: A Historical Novel Studying Ancient Greek Culture through Creative Writing." Ohio Dominican University Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=oduhonors1430788202.

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Grove, Jennifer Ellen. "The collection and reception of sexual antiquities in the late nineteenth and early twentieth century." Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/15064.

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Sexually themed objects from ancient Greece and Rome have been present in debates about our relationship with the past and with sexuality since they were first brought to modern attention in large numbers in the Enlightenment period. However, modern engagement with this type of material has very often been characterised as problematic. This thesis pushes beyond the story of reactionary censorship of ancient depictions of sex to demonstrate how these images were meaningfully engaged with across intellectual life in late nineteenth- and early twentieth-century Britain and America. It makes a sig
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Correa, Marcio Guedes [UNESP]. "Gêneros musicais e suas múltiplas funções e significados no repertório e nas diversas áreas de conhecimento." Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/154837.

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Montesini, Cláudia de Fátima. "Do clássico ao comezinho : intertextualidade e ironia em Papéis avulsos, de Machado de Assis /." São José do Rio Preto : [s.n.], 2010. http://hdl.handle.net/11449/94176.

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Orientador: Maria Celeste Tommasello Ramos<br>Banca: João Batista Toledo Prado<br>Banca: Lúcia Granja<br>Resumo: Este trabalho tem por objetivo analisar as referências à Cultura Clássica na coletânea de contos Papéis avulsos (1882), de Machado de Assis. Adotando a metodologia fenomenológica-hermenêutica, e tendo como base teórica os estudos de Bakhtin, Kristeva, Jenny e Compagnon, buscaremos verificar como o diálogo intertextual coopera para o desenvolvimento do sentido nas narrativas curtas machadianas. Para tanto, em um primeiro momento, extrairemos do texto as citações e desvendaremos seu c
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Sousa, Kathya Cibelle Abreu de. "A contribuição do pensamento de Rousseau na construção da antropologia como disciplina acadêmica no século XIX /." Marília : [s.n.], 2008. http://hdl.handle.net/11449/88828.

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Orientador: Christina de Rezende Rubim<br>Banca: Aluísio Almeida Schumacher<br>Banca: Ana Lúcia Pastore Schritzmeyer<br>Resumo: O objetivo deste trabalho é compreender a contribuição de Jean Jacques Rousseau na construção do pensamento sobre as diferenças entre os homens e que no século seguinte se constituiu enquanto disciplina acadêmica de antropologia e de que forma ela ocorreu. Suas obras mais significativas foram utilizadas, contextualizando-se as idéias dentro do momento histórico em que se desenvolveram na Europa dos séculos XVIII e XIX. Os conceitos de cultura/natureza, identidade/dive
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Hague, Stephen G. "A modern-built house ... fit for a gentleman : elites, material culture and social strategy in Britain, 1680-1770." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:2fc553a3-8922-4793-b893-e6686518e61e.

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A 1755 advert in the Gloucester Journal listed for sale, 'A MODERN-BUILT HOUSE, with four rooms on a floor, fit for a gentleman'. In the late-seventeenth and eighteenth centuries, 'gentlemen's houses' like the one described evolved as a cultural norm. This thesis offers a social and cultural reading of an under-studied group of small free-standing classical houses built in the west of England between 1680 and 1770. By developing a profile of eighty-one gentlemen's houses and one hundred and thirty-four builders and owners, this study unites subjects such as the history of architecture, landsca
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Sousa, Kathya Cibelle Abreu de [UNESP]. "A contribuição do pensamento de Rousseau na construção da antropologia como disciplina acadêmica no século XIX." Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/88828.

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Made available in DSpace on 2014-06-11T19:23:38Z (GMT). No. of bitstreams: 0 Previous issue date: 2008-12-22Bitstream added on 2014-06-13T20:47:56Z : No. of bitstreams: 1 sousa_kca_me_mar.pdf: 564771 bytes, checksum: 71d2abc323fd55dbe3a26dfd3eaf74a1 (MD5)<br>O objetivo deste trabalho é compreender a contribuição de Jean Jacques Rousseau na construção do pensamento sobre as diferenças entre os homens e que no século seguinte se constituiu enquanto disciplina acadêmica de antropologia e de que forma ela ocorreu. Suas obras mais significativas foram utilizadas, contextualizando-se as idéias den
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41

Hempartian, Azita. "Traduire Shâmlu, poète iranien en français." Thesis, Aix-Marseille, 2013. http://www.theses.fr/2013AIXM3134.

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La littérature persane est surtout connue en Occident par les excellentes traductions en français d'illustres poètes classiques comme Omar Khayyam, Roumi, Hafîz. Genre majeur de la littérature persane, la poésie s'impose pendant des siècles avec ses règles draconiennes de prosodie et de versification. Dans les années 1930, une jeune génération de poètes, sensibles aux transformations sociales, politiques, culturelles et ayant découvert la poésie et la littérature occidentales, s'est engagée dans une lutte systématique contre ces règles intangibles. Le pionnier de ce mouvement est Nimâ Yshij. I
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Delahaye, Adrien. "Archéologie et images de l'austérité spartiate : l'apport de l'iconographie et de la culture matérielle laconiennes à l'histoire de Sparte (VIe-Ve siècles av. J.-C.)." Thesis, Paris 1, 2019. http://www.theses.fr/2019PA01H047.

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Étudier l’histoire de Sparte pose de manière accrue la question des sources. À la faiblesse de la documentation écrite disponible s’ajoute le problème du « Mirage spartiate », c’est-à-dire de la construction d’un discours historiographique empreint de fantasmes, en particulier par des auteurs anciens le plus souvent non Spartiates. Si ce dernier est patiemment déconstruit depuis le travail fondateur de F. Ollier, on relève cependant qu’il l’a essentiellement été à partir des testimonia littéraires, tandis que les realia archéologiques restaient peu exploitées. Les vases laconiens, figurés ou n
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Oppenheim, Michael Hale. "Cross-cultural pedagogy in North Indian classical music." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/43062.

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This thesis is an investigation of pedagogy in North Indian classical music. Historical, cultural, and philosophical elements of pedagogy in the Hindustani musical tradition are addressed in an overview of music education in traditional Indian contexts, the twentieth century, and in cross-cultural contexts. Themes include orality in Indian culture, the traditional guru-shishya parampara, the role of nationalism in twentieth century educational reforms, and the impact of technology in the latter half of the twentieth century. Trends in music education in India are then compared and contrasted w
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Montesini, Cláudia de Fátima [UNESP]. "Do clássico ao comezinho: intertextualidade e ironia em Papéis avulsos, de Machado de Assis." Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/94176.

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Made available in DSpace on 2014-06-11T19:26:54Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-08-02Bitstream added on 2014-06-13T20:27:13Z : No. of bitstreams: 1 montesini_cf_me_sjrp.pdf: 552849 bytes, checksum: 21c3bcbf620d054985b1bd2efccf02a3 (MD5)<br>Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)<br>Este trabalho tem por objetivo analisar as referências à Cultura Clássica na coletânea de contos Papéis avulsos (1882), de Machado de Assis. Adotando a metodologia fenomenológica-hermenêutica, e tendo como base teórica os estudos de Bakhtin, Kristeva, Jenny e Compagnon,
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Gomes, Sandra Maria. "O incompreensível ruído que nos persuade: imagens do passado e da mídia no romance contemporâneo 'Corazón tan blanco'." Programa de Pós-Graduação em Letras e Linguística da UFBA, 2005. http://www.repositorio.ufba.br/ri/handle/ri/11449.

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Submitted by Edileide Reis (leyde-landy@hotmail.com) on 2013-05-16T12:26:01Z No. of bitstreams: 1 Sandra Maria Gomes.pdf: 880349 bytes, checksum: b794d1f6df5ec4831c5aaf9de86c81b5 (MD5)<br>Approved for entry into archive by Alda Lima da Silva(sivalda@ufba.br) on 2013-05-28T18:35:58Z (GMT) No. of bitstreams: 1 Sandra Maria Gomes.pdf: 880349 bytes, checksum: b794d1f6df5ec4831c5aaf9de86c81b5 (MD5)<br>Made available in DSpace on 2013-05-28T18:35:58Z (GMT). No. of bitstreams: 1 Sandra Maria Gomes.pdf: 880349 bytes, checksum: b794d1f6df5ec4831c5aaf9de86c81b5 (MD5) Previous issue date: 2005<br>A dic
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D'ORLANDO, DARIO. "Archeologia e Cultura delle aree interne della Provincia Sardinia: l'archeologia come indicatore culturale, economico e insediativo durante la fase di occupazione romana in Sardegna." Doctoral thesis, Università degli Studi di Cagliari, 2021. http://hdl.handle.net/11584/313354.

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The project aims to a complete analysis of the settlement pattern of Roman Sardinia from the conquer of the Island until the arrival of the Vandals. The sample areas were two rural territories located respectively south-west and north-west from the borders of the inner part of the Island controlled by Sardinian Barbarian people. The second chapter focus on the acculturation and Romanization issues in the international debate while the third concerns an historical presentation of Roman Sardinia and a critical analysis of the economic exploitation theories and positions about Romanisation in the
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NOVA, ISABELLA. "AUCTORICTAS HOMERICA? OMERO E LA CULTURA GRECA D'ETA' CLASSICA." Doctoral thesis, Università Cattolica del Sacro Cuore, 2015. http://hdl.handle.net/10280/6610.

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Questo lavoro ha per oggetto il trattamento degli episodi del ciclo troiano presenti, da un lato, nei poemi omerici, e, dall’altro, nella letteratura e nell’arte figurativa di età classica. L’obiettivo è quello di stabilire quale fosse l’autorità dell’Iliade e dell’Odissea nel V e IV secolo per gli autori e gli artisti che si trovavano a riprendere i medesimi argomenti. Attraverso un esame attento dei casi in cui si riscontrano differenze tra la riproposizione di età classica e la versione dei poemi omerici, è emerso, da un lato, che le differenze rispetto a Omero non costituiscono casi sporad
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NOVA, ISABELLA. "AUCTORICTAS HOMERICA? OMERO E LA CULTURA GRECA D'ETA' CLASSICA." Doctoral thesis, Università Cattolica del Sacro Cuore, 2015. http://hdl.handle.net/10280/6610.

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Questo lavoro ha per oggetto il trattamento degli episodi del ciclo troiano presenti, da un lato, nei poemi omerici, e, dall’altro, nella letteratura e nell’arte figurativa di età classica. L’obiettivo è quello di stabilire quale fosse l’autorità dell’Iliade e dell’Odissea nel V e IV secolo per gli autori e gli artisti che si trovavano a riprendere i medesimi argomenti. Attraverso un esame attento dei casi in cui si riscontrano differenze tra la riproposizione di età classica e la versione dei poemi omerici, è emerso, da un lato, che le differenze rispetto a Omero non costituiscono casi sporad
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Jelínek, Jakub. "Finanční dopady ekonomické krize na hudební festivaly klasické hudby v České republice." Master's thesis, Vysoká škola ekonomická v Praze, 2013. http://www.nusl.cz/ntk/nusl-196563.

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The main objective of this thesis is to map and interpret the financial impacts of the economic crisis on a selected group of classical music cultural events by describing the influence of the possible decline in financial resources on their output and efficiency. The first part of the thesis presents the theoretical basis of culture financing and cultural policy in the Czech Republic and sums up the fundamental economic theories of the behaviour of economy during economic crisis, thus providing a starting point for further interpretation of the performance of these organizations. The second p
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Piacente, Leonardo Henrique. "O encontro do Cristianismo com a cultura cl?ssica: a quest?o em Irineu de Li?o." Pontif?cia Universidade Cat?lica de Campinas, 2016. http://tede.bibliotecadigital.puc-campinas.edu.br:8080/jspui/handle/tede/963.

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Submitted by SBI Biblioteca Digital (sbi.bibliotecadigital@puc-campinas.edu.br) on 2017-06-28T12:49:58Z No. of bitstreams: 1 LEONARDO HENRIQUE PIACENTE.pdf: 1178258 bytes, checksum: ff6627db41d7b7353cfeec2f755778a1 (MD5)<br>Made available in DSpace on 2017-06-28T12:49:58Z (GMT). No. of bitstreams: 1 LEONARDO HENRIQUE PIACENTE.pdf: 1178258 bytes, checksum: ff6627db41d7b7353cfeec2f755778a1 (MD5) Previous issue date: 2016-12-14<br>The encounter of nascent Christianity with classical Greco-Roman culture in the second century AD had points of confluence, dispersion and conjugation. The thought of
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