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Relevant bibliographies by topics / Classical drama

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Journal articles
Dissertations / Theses
Books
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Academic literature on the topic 'Classical drama'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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Journal articles on the topic "Classical drama"

1

Xiang, Meng, and Kyung Hoon Han. "A Comparative Analysis Study on Musical Characteristics Shown in the Use of Modes in Korean and Chinese Classical Drama OSTs: Focusing on the Analysis of the Theme Melody of Major Underscores." Korean Society of Culture and Convergence 45, no. 11 (2023): 1289–99. http://dx.doi.org/10.33645/cnc.2023.11.45.11.1289.

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The purpose of this paper is to understand the musical features in the use of modes in Korean and Chinese classical drama OSTs, with the intention of providing assistance to music creators who wish to produce OSTs for classical dramas. To achieve this, we explore the overall musical flow of classical drama OSTs, focusing on the analysis of the main insert songs' thematic melodies. In order to grasp the commonalities and differences, we analyze the thematic melodies of key insert songs, covering the period from 2020 to 2023, selecting the top 12 OST songs from dramas that entered the top 3 view

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Bogdanova, Polina B. "Classical and non-classical drama structures." Verhnevolzhski Philological Bulletin 2, no. 29 (2022): 220–27. http://dx.doi.org/10.20323/2499-9679-2022-2-29-220-227.

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The article attempts to apply a structural approach to the existence and development of the dramatic genre. The au-thor proceeds from the position of two types of structures – classical (order structure) and non-classical (chaos struc-ture). The constant transformation of one structure into another throughout history demonstrates a certain stable mechanism of change, when the centripetal movements of the classical structure give way to centrifugal ones, which causes the classical structure to collapse. In the future, it opens, expands and transforms. Then this mechanism goes in reverse order.

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Dugdale, Eric. "2006 Panel: Classical Drama as Political Drama." Syllecta Classica 19, no. 1 (2008): 183–85. http://dx.doi.org/10.1353/syl.2008.0007.

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Sorrell, Martin. "Landmarks of French Classical Drama." Modern Language Review 88, no. 2 (1993): 461. http://dx.doi.org/10.2307/3733820.

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Melzer, S. E. "Orientalism in French Classical Drama." Modern Language Quarterly 65, no. 4 (2004): 616–18. http://dx.doi.org/10.1215/00267929-65-4-616.

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Maskell, D. "Orientalism in French Classical Drama." Notes and Queries 50, no. 1 (2003): 121–22. http://dx.doi.org/10.1093/nq/50.1.121.

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Maskell, David. "Orientalism in French Classical Drama." Notes and Queries 50, no. 1 (2003): 121–22. http://dx.doi.org/10.1093/nq/500121.

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Parish, Richard, Michèle Longino, and Michele Longino. "Orientalism in French Classical Drama." Modern Language Review 99, no. 1 (2004): 193. http://dx.doi.org/10.2307/3738906.

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Hammerbeck, David. "Orientalism in French Classical Drama (review)." Theatre Journal 55, no. 3 (2003): 565–67. http://dx.doi.org/10.1353/tj.2003.0115.

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Phillips, H. "Review: Orientalism in French Classical Drama." French Studies 57, no. 4 (2003): 531–32. http://dx.doi.org/10.1093/fs/57.4.531.

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Dissertations / Theses on the topic "Classical drama"

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Petruskevich, Joni. "Silence, suicide, and sacrifice, women in classical drama." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq22550.pdf.

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Hawley, Richard. "Women in Greek drama : speech, status and stereotype." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365565.

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Meineck, Peter. "Opsis : the visuality of Greek drama." Thesis, University of Nottingham, 2011. http://eprints.nottingham.ac.uk/12117/.

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How were Greek plays viewed in the fifth century BCE and by deepening our understanding of their visual dimension might we increase our knowledge of the plays themselves? The aim of this study is to set out the importance of the visual (opsis) when considering ancient Greek drama and provide a basis for constructing a form of “visual dramaturgy” that can be effectively applied to the texts. To that end, this work is divided into five sections, which follow a “top-down” analysis of ancient dramatic visuality. The analysis begins with a survey of the prevailing visual culture and Greek attitudes

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Plant, Irene Elizabeth. "Ancient drama : stagecraft and signcraft." Thesis, King's College London (University of London), 1999. https://kclpure.kcl.ac.uk/portal/en/theses/ancient-drama--stagecraft-and-signcraft(d99beb86-ebb2-4f7d-8f0d-10f923015ec9).html.

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Michelakis, Pantelis. "The mythological figure of Achilles in classical Athenian drama." Thesis, University of Cambridge, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300854.

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Miller, Louise May Whilhemina. "Classical mythology and the contemporary playwright." Thesis, Kingston University, 2014. http://eprints.kingston.ac.uk/29879/.

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This practice-based thesis explores, through the creation of three new full-length plays, the ways in which a contemporary playwright might engage with classic mythology, specifically ancient Greek mythology in the development of new work. The plays form a triptych, each inspired by a single, yet interconnected Greek myth: their mythic inspirations are as follows, Sodium (2010-11) Theseus and the Minotaur, Sulphur (2011-12) Ariadne at Naxos, and Silver (2010) Icarus and Daedalus. Non-dramatically extant ancient Greek myths were selected in order to seek to explore dramatic possibilities beyond

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Salis, Loredana. "'So Greek with consequence' : classical tragedy in contemporary Irish Drama." Thesis, Ulster University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.421897.

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Sibley, Eleanor. "The role of Athena in fifth century Athenian drama." Thesis, University of Nottingham, 1995. http://eprints.nottingham.ac.uk/28597/.

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The goddess Athena is currently perceived through a series of contradictions. She is both warrior and reconciler, killer and patron of the artisan, a goddess who denies her own womanhood and ignores the existence of women. Using Homer's Iliad and Odyssey and the extant complete plays of Aeschylus, Sophocles, Euripides and Aristophanes, this thesis reconciles each of these contradictions both within themselves and with each other. It finds that Athena had a prominent role as goddess of the polis: as a warrior she protected the polis from the external threat of war, and as a reconciler she prote

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Al-Muhammad, Hasan. "Domestics in the English comedy : 1660-1737." Thesis, Bangor University, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267347.

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Kampourelli, Vassiliki. "Space in Greek tragedy." Thesis, King's College London (University of London), 2002. https://kclpure.kcl.ac.uk/portal/en/theses/space-in-greek-tragedy(bd3d0365-0a17-47b5-a2b0-e7739f9c0255).html.

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Books on the topic "Classical drama"

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Katsourēs, Andreas G. Studies in classical drama. A.G. Katsouris, 1997.

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C, Coldewey John, and Streitberger W. R, eds. Drama: Classical to contemporary. Prentice Hall, 2001.

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C, Coldewey John, and Streitberger W. R, eds. Drama: Classical to contemporary. Prentice Hall, 1998.

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Aristophanes, Menander of Athens, Plautus Titus Maccius, Terence, and Segal Erich 1937-, eds. Classical comedy. Penguin, 2006.

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N, Šipová Pavlina, and Sarkissian Alena 1979-, eds. Staging of classical drama around 2000. Cambridge Scholars, 2007.

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D, Arnott Peter, Aristophanes, and Plautus Titus Maccius, eds. Two classical comedies. H. Davidson, 1986.

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Dahl, Mary Karen. Politicalviolence in drama: Classical models, contemporary variations. UMI Research Press, 1987.

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H, Klaus Carl, Gilbert Miriam, and Field Bradford S, eds. Stages of drama: Classical to contemporary theater. 4th ed. Bedford/St. Martin's, 1999.

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H, Klaus Carl, Gilbert Miriam, and Field Bradford S, eds. Stages of drama: Classical to contemporary theater. 5th ed. Bedford/St. Martin's, 2003.

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1927-, Corrigan Robert Willoughby, ed. Classical tragedy: Greek and Roman. Applause Theatre Books, 1990.

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Book chapters on the topic "Classical drama"

1

Sinclair, T. A. "Drama." In A History of Classical Greek Literature. Routledge, 2024. http://dx.doi.org/10.4324/9781003530213-8.

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Rose, H. J. "Attic Drama." In Outlines of Classical Literature. Routledge, 2023. http://dx.doi.org/10.4324/9781003394990-3.

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Goswami, Gutimali. "The ‘Feminine’ Construction in Indian Classical Drama." In Indian Classical Literature. Routledge India, 2024. http://dx.doi.org/10.4324/9781003482499-3.

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Brereton, Geoffrey. "Towards Classical Tragedy." In French Tragic Drama in The Sixteenth and Seventeenth Centuries. Routledge, 2022. http://dx.doi.org/10.4324/9781003281825-5.

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Fahey, Maria Franziska. "“Unchaste Signification”: Classical, Elizabethan, and Contemporary Theories of Metaphor." In Metaphor and Shakespearean Drama. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230308800_1.

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Juhász-Ormsby, Ágnes. "Classical Reception in Sixteenth-Century Hungarian Drama." In A Handbook to Classical Reception in Eastern and Central Europe. John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781118832813.ch20.

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Schmitz, Thomas. "A Sophist’s Drama: Lucian and Classical Tragedy." In Beyond the Fifth Century, edited by Ingo Gildenhard and Martin Revermann. De Gruyter, 2010. http://dx.doi.org/10.1515/9783110223781.289.

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Berkman, Len. "Trauma and Morality in Classical Greek Drama." In Theatre Responds to Social Trauma. Routledge, 2024. http://dx.doi.org/10.4324/9781003197034-18.

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Strong, Anise K. "Hypatia and Brian: Early Christianity as Greek Mythological Drama." In Classical Myth on Screen. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137486035_17.

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Strauss, Barry S. "Ritual, Social Drama and Politics in Classical Athens." In American Journal of Ancient History, edited by Ernst Badian. Gorgias Press, 2017. http://dx.doi.org/10.31826/9781463237530-004.

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Conference papers on the topic "Classical drama"

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Sameti, Mozhdeh. "DIALOGUE AND DIALOGISM IN DIEGETIC DRAMA." In Proceeding of the Thirteenth International Conference at the Faculty of Foreign Languages. Alfa BK University Belgrade, 2024. https://doi.org/10.46793/lld24.134s.

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Diegetic drama is between a purely narrative text and a purely dialogical text. Diegesis (narrative) is a concept taken from Plato’s theories, usually opposed to mimesis (imitation). This type of drama became an established genre in the modern era in opposition to the classical Aristotelian drama. Brecht’s “epic theatre” is one of the well-known types of diegetic theatre and drama, whose purpose was to combat the audience’s passivity and invite them to activate their thinking. After Brecht, other dramatists, such as Beckett, created diegetic dramas combining third-person, abstract narratives (

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2

YANG, LING, and SHENG-DONG YUE. "AN ANALYSIS OF THE CHARACTERISTICS OF MUSIC CREATION IN MEFISTOFELE." In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35726.

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Successful opera art cannot be separated from literary elements, but also from the support of music. Opera scripts make up plots with words. Compared with emotional resonance directly from the senses, music can plasticize the abstract literary image from the perspective of sensibility. An excellent opera work can effectively promote the development of the drama plot through music design, and deepen the conflict of drama with the "ingenious leverage" of music. This article intends to analyze the music design of the famous opera, Mefistofele, and try to explore the fusion effect of music and dra

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Bryleva, Natalia. "CHINESE XIQU THEATER ON THE PAGES OF DREAM OF THE RED CHAMBER: THE PHENOMENON OF “HOME THEATER” IN THE QING PERIOD." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.15.

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The Dream of the Red Chamber by Cao Xueqin, being the pinnacle of Chinese classical literature, has been studied and commented on for several centuries. Being a recognized encyclopedia of old Chinese life, this novel provides the reader with numerous information about various aspects of the life of the aristocracy of Qing China. The theme of the theatre is one of the most interesting aspects of traditional culture, reflected in the pages of “Hongloumen”. The novel provides information about the peculiarities of the social status of actors, the composition of theatre troupes and their varieties

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Brūzgienė, Rūta. "The Musicality of Lithuanian Poetry: Codes of a Different Speaking." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8934.

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Research on the interactions between literature and other art forms, observed since the appearance of syncretic art, took off in the 18th century. These multifaceted and multidisciplinary connections between time-based arts are systematized in W. Wolf’s general concept of intermediality at the end of 20th century. Based on this concept, the paper will provide some aspects of the musicality of Lithuanian poetry. The study is based on works by V. Daujotytė, V. Česnulevičiūtė, O. Juozapaitienė, J. Girdzijauskas, V. Kubilius, Ž. Ramoškaitė, D. Razauskas, W. Wolf, and others; comparative methodolog

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Wang, Wanjun, Xintao Ding, Chao Liu, and Jinghua Wu. "The Classic Television Dramas Restoration Based on Super Resolution." In 2021 International Conference on Computer Information Science and Artificial Intelligence (CISAI). IEEE, 2021. http://dx.doi.org/10.1109/cisai54367.2021.00208.

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Versen, M., and A. Schramm. "Electrical Failure Analysis and Characterization of Leakage Paths Leading to Single Cell Failures in 128Mbit SDRAMs." In ISTFA 2003. ASM International, 2003. http://dx.doi.org/10.31399/asm.cp.istfa2003p0242.

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Abstract A common failure signature in dynamic random access memories (DRAMs) is the single cell failure. The charge is lost and thereby the information stored in trench capacitors can be destroyed by high resistive leakage paths. The nature of the leakage path determines the properties of the failure such as temperature-, voltage- and timing-dependencies and its stability. In this study, high resistive leakage paths were investigated and delimited from classical shorts by estimating the order of magnitude of the leakage current and by comparison to a simple resistive leakage path. Such an inv

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Jayasinghe, Manouri K. "Overreaching Ambition, the Harbinger of Tragedy: Observing the English Literary Periods." In SLIIT International Conference on Advancements in Sciences and Humanities 2023. Faculty of Humanities and Sciences, SLIIT, 2023. http://dx.doi.org/10.54389/nrym5114.

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Ambition, innocently defined as ‘something one ardently desires to achieve,’ by the Oxford Learners Dictionary, harbors a paradoxical trait - its capacity for peril when taken to excess. This enigma finds early expression in the myth of Icarus, whose disregard for moderation led to his tragic demise. Across the annals of English literature, from the Renaissance to the Modern era, this theme of ambition’s double-edged sword echoes prominently. Works like Christopher Marlowe’s The Tragedy of Dr. Faustus, the Shakespearean tragedies both Macbeth and Julius Caeser straddling the Elizabethan and Ja

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Levina, Polina. "The impulse of classic stories in Václav Havel’s drama (on the example of the plays “Temptation” and “Leaving”)." In The Slavic world: Commonality and Diversity. Institute of Slavic Studies, Russian Academy of Sciences, 2023. http://dx.doi.org/10.31168/2619-0869.2023.3.02.

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Tipa, Violeta. "The Night Guguta project: theatrical experiments." In Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.07.

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The study highlights the role of the Night Guguta Project in the theatrical art of the Republic of Moldova. A team of young actors are making their debut with this project. They have oriented themselves both from the thematic perspective and from that of the actor’s mastery to the requirements of the current audience, imposing themselves as an explosion of the new in local theatrical art. This new “explosion” started three decades after the formation the troupe, which came from the “Schukin” Theater School in Moscow, and imposes a new breath, a novel vision in the Moldovan theatrical art. Nigh

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Ruan, Luyang. "A Comparative Study of the Artistic Features of Chinese and Japanese Classical Dramas—— Taking Kunqu The Palace of Eternal Life and Noh Yang Guifei as examples." In Proceedings of the 2nd International Conference on Humanities Education and Social Sciences (ICHESS 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/ichess-19.2019.10.

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