Academic literature on the topic 'Classical Laudatory poetry'

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Journal articles on the topic "Classical Laudatory poetry"

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Paniagua Blanc, Marina. "La poesía mexicana en la "Gazeta de México" a finales del siglo XVIII. Entre la herencia barroca y la Ilustración." Cuadernos de Estudios del Siglo XVIII, no. 28 (December 7, 2018): 131. http://dx.doi.org/10.17811/cesxviii.28.2018.131-156.

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RESUMENLa "Gazeta de México" no fue una revista literaria y solo en ciertas ocasiones publicó alguna poesía; sin embargo recogió mucha información sobre esa temática y actuó como propagandista de ediciones de obras, certámenes, censuras, etc. A través de esa información podemos acercarnos al panorama literario novohispano, en un momento de auge del Neoclasicismo. La publicación mostró un especial interés por la poesía laudatoria y épica relacionada con los acontecimientos de la monarquía; también por algunos autores clásicos como Virgilio y Horacio y sus traductores, así como por Tomas de Iria
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Begass, Christoph. "Kaiserkritik in Konstantinopel. Ein Spottepigramm auf Kaiser Anastasius bei Johannes Lydus und in der Anthologia Palatina." Millennium 14, no. 1 (2017): 103–50. http://dx.doi.org/10.1515/mill-2017-0004.

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Abstract In De magistratibus John Lydus refers to an epigram of eight lines insulting emperor Anastasius (491-518) as a money-collecting Charybdis. A similar version of this poem can be found in the Greek Anthology where it is divided into two epigrams of four lines each (AP XI 270 -71). In a first step, a critical edition of the epigram is established. On this basis it becomes clear that the earlier version referred to by Lydus comes close to the original poem. A detailed commentary reveals it as work of an able and witty poet who was familiar with both classical epic poetry and the formulas
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Currie, B. G. F. "The Pindaric First Person in Flux." Classical Antiquity 32, no. 2 (2013): 243–82. http://dx.doi.org/10.1525/ca.2013.32.2.243.

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This article argues that in Pindar's epinicians first-person statements may occasionally be made in the persona of the chorus and the athletic victor. The speaking persona behind Pindar's first-person statements varies quite widely: from generic, rhetorical poses—a laudator, an aoidos in the rhapsodic tradition (the “bardic first person”), an Everyman (the “first person indefinite”)—to strongly individualized figures: the Theban poet Pindar, the chorus, the victor. The arguable changes in the speaker's persona are not explicitly signalled in the text. This can lead to significant ambiguities c
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Toscano, Pasquale S. "Epic Regained: Phillis Wheatley’s Admonitory Poetics in the ‘Little Columbiad’." Classical Receptions Journal, September 23, 2020. http://dx.doi.org/10.1093/crj/claa010.

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Abstract Although many scholars have discussed Phillis Wheatley’s subversive appropriation of the classics, they have been reluctant to locate a similar strain of subtle repudiation in her Revolutionary War poems. The present article reexamines these verses — ‘To His Excellency General Washington’ (1775), ‘On the Capture of General Lee’ (1776), and ‘On the Death of General Wooster’ (1778) — in light of the tradition of (neo)classical heroic poetry. I read them as a formally innovative epic, dispersed across three apparently ‘patriotic lyrics’ (Levernier (1993: 175)) and dubbed the ‘Little Colu
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"Polos euergetês: Rhetoric and Poetry in the Gorgias." Mnemosyne 61, no. 3 (2008): 353–64. http://dx.doi.org/10.1163/156852507x235191.

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AbstractHalfway through his conversation with Sokrates in the Gorgias, Polos claims that it would be easy to refute the philosopher's argument that it is better to act with justice than without it. Asking his interlocutor to proceed with the refutation, Sokrates urges him (470c): 'do not tire of doing favours (ευεργετων) for a friend'. In its metre and sense, this phrase is reminiscent of Pindaric lyric, and its vocabulary recalls that of Olympian 2.93-4 in particular; it will be argued here that a 'Pindaric' reading of Sokrates' injunction to Polos is appropriate. Sokrates' adoption of the la
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Meusel, Eduard. "THE EAGLE BASKING IN THE LIGHT OF FAME: THE INDO-EUROPEAN POETIC BACKGROUND OF PINDAR, NEMEAN 3.80–4." Classical Quarterly, September 23, 2021, 1–18. http://dx.doi.org/10.1017/s0009838821000896.

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Abstract This article contributes to a discussion raised more than forty years ago in this journal by Richard Stoneman on how to interpret the unexpected image of an eagle at Pind. Nem. 3.80. Without excluding the possibility of a reference to the poet himself, this article argues, mainly based on a survey on the traditional elements used in that passage, that the eagle also refers—at least partially—to the victorious athlete Aristocleides. This is demonstrated by an internal investigation of the structure of the ode and the use of signal words (–θεν, δέδορκεν, φάος). Moreover, the image of th
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Books on the topic "Classical Laudatory poetry"

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Chauvot, Alain. Procope de Gaza, Priscien de Césarée, Panégyriques de l'empereur Anastase Ier. Habelt, 1986.

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Apollinaris, Sidonius. Apollinaris Sidonius, Carm. 22: Burgus Pontii Leontii. W. de Gruyter, 1993.

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Nisetich, Frank J. Pindar and Homer. Johns Hopkins University Press, 1989.

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Bill, Shepherd, and Howell Anthony 1945-, eds. Silvae: A selection. Anvil Press Poetry, 2007.

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Statius, P. Papinius. Silvae. Giardini, 1985.

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Statius, P. Papinius. Silvae IV. Bristol Classical Press, 1998.

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Statius, P. Papinius. Silvae IV. Clarendon Press, 1988.

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Statius, P. Papinius. Estacio, Silvas III.: Introducción, edición crítica, traducción y commentario. Fundación Pastor de Estudios Clásicos, 1992.

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Statius, P. Papinius. P. Papini Stati Silvae. E Typographeo Clarendoniano, 1990.

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Luca, Canali, and Pellegrini Maria, eds. Selve =: Silvae. A. Dadò, 2000.

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