Relevant bibliographies by topics / Classical music (c 1750 to c 1830)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Classical music (c 1750 to c 1830)'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Classical music (c 1750 to c 1830)"

1

Gibson, Jonathan. "The Materializing Rhetorics of Early Music." Resonance: The Journal of Sound and Culture 4, no. 2 (2023): 115–42. http://dx.doi.org/10.1525/res.2023.4.2.115.

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Ever since Pierre Schaeffer’s admonition in his Traité des objets musicaux of 1966 to avoid “preoccupations about how things are made” by “turning our backs on the instrument” and “listening to sound objects with their instrumental causes hidden,” materially oriented studies of sound have attended increasingly to sound objects and to ontologies of sound broadly, often turning away from considerations of the tactile materiality of sound sources. Deviating from this trend, this study focuses squarely on sound source materiality, and on our motivations for either foregrounding or dismissing it in
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2

Thistlethwaite, Nicholas. "Re-Making the English Organ: Musical and Liturgical Contexts, 1830–1870." Nineteenth-Century Music Review 12, no. 1 (2015): 71–93. http://dx.doi.org/10.1017/s1479409815000051.

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The article describes the evolution of the English organ under the influence of changes in musical style and liturgical practice between 1830 and 1870. A preliminary discussion of the Georgian organ and the performance conventions of its players provides a benchmark against which to measure the ensuing changes. S.S. Wesley is taken as a case study with reference to changes made to the Hereford Cathedral organ in 1832; it is argued that these reflect Wesley's musical priorities, a point that is further illustrated by a consideration of the registration markings found in the original manuscripts
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RICE, JOHN A. "ANTONIO SALIERI (1750–1825), ED. JANE SCHATKIN HETTRICK PLENARY MASS IN C WITH TE DEUM Recent Researches in the Music of the Classical Era 103 Middleton, WI: A-R Editions, 2016 pp. xxii + 265, isbn 978 0 895 79836 7." Eighteenth Century Music 14, no. 2 (2017): 310–12. http://dx.doi.org/10.1017/s1478570617000161.

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KITLV, Redactie. "Book reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 166, no. 1 (2010): 107–83. http://dx.doi.org/10.1163/22134379-90003627.

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Syed Muhd Khairudin Aljunied, Rethinking Raffles; A study of Stamford Raffles’ discourse on religions amongst Malays. (Nathan Porath) Walter Angst, Wayang Indonesia; Die phantastische Welt des indonesischen Figurentheaters/The fantastic world of Indonesian puppet theatre. (Dick van der Meij) Adrienne Kappler and others, James Cook and the exploration of the Pacific. (H.J.M. Claesen) Aurel Croissant, Beate Martin and Sascha Kneip (eds), The politics of death; Political violence in Southeast Asia. (Freek Colombijn) Frank Dhont, Kevin W. Fogg and Mason C. Hoadley (eds), Towards an inclusive democ
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5

Alfonso F., Alfonso F. "Los designios de la política comercial de Chile: adecuaciones mediante y pragmatismo en las medidas legislativas, 1850-1914." 3 29, no. 3 (2022): 1–22. http://dx.doi.org/10.18232/1314.

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Accominotti, O. y Flandreau, M. (2008). Bilateral treaties and the most-favored-nation clause: the myth of trade liberalization in the nineteenth century. World Politics, 60(2), 147-188. doi: 10.1353/wp.0.0010 Anguita, R. (1913). Leyes promulgadas en Chile desde 1810 hasta el 1 de junio de 1913. Santiago de Chile: Imprenta, Litografía i Encuadernación Barcelona. Bairoch, P. (1989). European trade policy, 1815-1914. En P. Mathias y S. Pollard (eds.), The cambridge economic history of europe from the decline of the roman empire: vol. 8. The industrial economies: the development of economic and s
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6

Phillips, Nicola. "The Politics of Libel: Thomas Erskine, Freedom of the Press, and Transatlantic Legal Culture, c. 1780–1830." Law and History Review, June 13, 2023, 1–26. http://dx.doi.org/10.1017/s0738248023000275.

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Abstract This article analyzes how the multidirectional movement of legal and popular printed texts, newspapers, letters, and citizens contributed to the political and legal influence of individual lawyers across the Atlantic. It is based on a case study of leading common law barrister and Whig MP Thomas Erskine (1750–1823). It examines the dissemination of Erskine's legal and political arguments, and other publications in support of freedom of the press and the constitutional importance of trial by jury in libel trials. Erskine's Country Whig politics, key role in the passage of the 1792 Libe
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Dissertations / Theses on the topic "Classical music (c 1750 to c 1830)"

1

Haskell, Julie. "Notated and implied piano pedalling: c.1780-1830." Thesis, 2011. http://hdl.handle.net/2440/69337.

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This doctoral submission comprises two volumes and is entitled ‘Notated and Implied Piano Pedalling c.1780–1830’. Volume One consists of six CDs and contains performances of works composed between 1781 and 1832, recorded on historical instruments housed in the collection at Cornell University, Ithaca, NY. The repertoire includes works by C.P.E. Bach, Mozart, Haydn, Beethoven, Hyacinthe Jadin, Clementi, Dussek, Field, Voří!ek, Schubert, Felix Mendelssohn, Chopin, Robert Schumann and Liszt. The works are performed on seven different pianos, six replicas and one original instrument, dating from 1
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Books on the topic "Classical music (c 1750 to c 1830)"

1

Manfredini, Vincenzo. A critical translation from the Italian of Vincenzo Manfredini's Difesa della musica moderna/In defense of modern music (1788). E. Mellen Press, 2002.

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2

Simpson, Robert Wilfred Levick. Beethoven symphonies. Ariel Music, BBC publications, 1986., 1986.

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3

Brown, Clive. A portrait of Mendelssohn. Yale University Press, 2003.

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4

Maria, Thomas de Sancta. The art of playing the fantasia =: Libro llamado el arte de tañer fantasía. Latin American Literary Review Press, 1991.

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5

Head, Matthew William. Orientalism, masquerade and Mozart's Turkish music. Royal Musical Association, 2000.

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6

Mandel'shtam, Nadezhda. Mozart & Salieri: An essay on Osip Mandelstam & the poetic process. 2nd ed. Ardis, 1994.

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7

Little, Meredith. Dance and the music of J.S. Bach. Indiana University, 2001.

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8

Little, Meredith. Dance and the music of J.S. Bach. Indiana University Press, 1991.

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9

Bizet, Georges. Carmen: An opera in four acts. Hutchinson, 1986.

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10

Bizet, Georges. Carmen: Opéra-comique en quatre actes = Oper in vier Akten : Textbuch, Französisch-Deutsch. Philipp Reclam jun., 1997.

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