Relevant bibliographies by topics / Classical Occasional verse

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Academic literature on the topic 'Classical Occasional verse'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Classical Occasional verse"

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Beers, Theodore S. "The Occasional Lyric in an Early Modern Persian Anthology." Interfaces: A Journal of Medieval European Literatures, no. 11 (August 28, 2024): 74–93. https://doi.org/10.54103/interfaces-11-05.

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This paper argues for a modest expansion of the concept of occasional verse in the context of classical Persian poetry. Discussion of occasionality in this field has traditionally focused on the panegyric ode (qaṣīda), and to a lesser degree on the epigrammatic poem (qiṭʿa). While these forms certainly represent key categories of occasional verse, it is unfortunate that the type of poetry that came to dominate the classical Persian tradition – i.e., love lyric, especially the ghazal – has less of a clear position in the discourse on occasionality. The difficulty in considering ghazals as occas
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2

Gillespie, Stuart. "Warren Hastings as a Translator of Latin Poetry." Translation and Literature 26, no. 2 (2017): 199–213. http://dx.doi.org/10.3366/tal.2017.0289.

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Warren Hastings composed occasional short verse translations and imitations of classical Latin texts over many years, perhaps particularly in later life. Almost all extant examples are recorded in autograph in the multiple volumes of his diaries now in the British Library (in some cases, elsewhere too). They have never been printed nor given scholarly attention, but are of very high quality. This note contextualizes and provides transcriptions of six of these works, viz. translations and imitations of Lucan (two passages), Horace (three odes), and Catullus.
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Tyryshkina, Tyryshkina Elena. "“Rus', You are but a Kiss in the Cold!” (1921) by V. Khlebnikov: Text as a Combinatory Model / Dynamic Construction." Philology & Human, no. 1 (February 4, 2024): 128–36. http://dx.doi.org/10.14258/filichel(2024)1-09.

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The paper is devoted to analysis of the poem by Velimir Khlebnikov “Rus', you are but a kiss in the frost!” (1921) as part of a study of transformation of the sonnet genre in the poet’s verses. Velimir Khlebnikov elaborates his version of a lyrical story of ‘a kiss in the frost’, originating from the poem by Alexander Pushkin “Winter. What do we do in the village?…” (1829). The love scene is represented as a natural phenomenon, embedded not only in the winter landscape but also in the Universe. There are no persons in the Nature’s integrity, and the couple of lovers are designated only by demo
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4

Bowers, Rick. "Thomas Phaer and the Assertion of Tudor English." Renaissance and Reformation 33, no. 4 (1997): 25–40. http://dx.doi.org/10.33137/rr.v33i4.11373.

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Thomas Phaer's many printed works, including legal and medical texts, occasional verses, and classical translations, all insist upon - even assert - English as a language suitable for learned consciousness. As a physician, legal theorist, man of letters, and member of Parliament, Phaer represents a new English praxis of cultural and intellectual communication. His life and work are centered in the vicissitudes of Tudor polity, wherein he works to mobilize the vernacular and, in so doing, assert early modern English culture.
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Naaman, Erez. "Authorship and Unity of the Classical Arabic Poem through the Lens of Collaborative Composition." Arabica 67, no. 1 (2020): 1–59. http://dx.doi.org/10.1163/15700585-12341558.

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Abstract When a classical Arabic poem lacked a noticeable degree of thematic coherence and formal structure, it was at risk of foreign intervention aiming to improve it. Who was recognized in such a case as the author of the poem and on which grounds? This article looks at the interrelated questions of the poem’s unity and its authorship through the lens of collaborative poetry that was practiced by completing verse composed in the past. It presents an analysis of poetic collaboration cases from the second/eighth century to the Ayyubid era, and discusses different practical approaches of poets
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Effendy, Chairil, and Asrori Muhammad. "The Existence of Classical Malay Literature in the Era of Industrial Revolution 4.0." Advances in Social Sciences Research Journal 11, no. 1 (2024): 208–20. http://dx.doi.org/10.14738/assrj.111.16361.

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This study aims to investigate the structure of Syair Gulung that are still being created, the materials, themes, the publics’ acceptance and the effectiveness of syair gulung. The Syair Gulung were studied from three books, namely Syair Bunga Jambu, Syair Gulung Ketapang and Kumpulan Naskah Lomba Syair Gulung. The heuristic and hermeneutic reading methods were used in this study. The findings indicate that the structure of Syair Gulung was relatively similar to the hundred-years-old general verse pattern: the opening and closing stanzas were formulaic, consisting of four words, rhyming a-a-a-
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7

West, Stephanie. "Venus observed? A note on Callimachus, Fr. 110." Classical Quarterly 35, no. 1 (1985): 61–66. http://dx.doi.org/10.1017/s0009838800014579.

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Since we cannot hope to witness a catasterism for ourselves, we are fortunate to have a detailed first-hand account of the inauguration of Coma Berenices, the last constellation to be added to the ancient list until the seventeenth century. However, the description of the critical stages in the process presents various difficulties resulting not so much from obfuscation on Callimachus' part (natural though this might be in an account of a miracle) as from the circumstances of the poem's transmission and the problems to be expected in interpreting occasional verses more than two millennia after
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8

Murgatroyd, P. "The sea of love." Classical Quarterly 45, no. 1 (1995): 9–25. http://dx.doi.org/10.1017/s0009838800041641.

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The sea of love (a convenient heading under which to group the various marine and nautical metaphors, similes, parallels, allusions, and analogies applied to love and sex) was one of the more important amatory figures. It featured in both Greek and Latin from earliest until latest times, was employed in several genres of verse (dominating whole poems on occasion), appearing in prose as well, and reached an advanced stage of development in the hands of the Alexandrians and particularly the Augustans. The purpose of this article is to provide the first comprehensive and detailed study of the sea
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9

Costa, Ioana. "Avsonivs: vt doceam docendvs ipse." Acta Antiqua Academiae Scientiarum Hungaricae 59, no. 1-4 (2020): 601–10. http://dx.doi.org/10.1556/068.2019.59.1-4.52.

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Summary:Centones are works that might be interpreted as bis in idem, in a positive manner, being si- multaneously a revitalisation of prior works and an independent piece, which grants a perception per se. In addition to their poetic value, a major relevance draws from the text itself, as descendant of a previous source, perfectly known not only to the author of the cento, but to the public as well, capable to appreci- ate the virtuosity. Cento nuptialis composed by Ausonius is to be considered both as Vergilian inheritance manoeuvred with poetic skill and as binomial of theory and practice, p
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Michałowski, Piotr. "Between the treatise and epiphany, that is, about Leszek Szaruga for the eighth time." Tekstualia 4, no. 63 (2020): 135–56. http://dx.doi.org/10.5604/01.3001.0014.5822.

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The article, written on the occasion of the jubilee of an outstanding polish poet, prose writer, essayist, literary critic and literary scholar, possessing enormous achievements in each of these fields, is an attempt to determine his creative personality. The author wrote about him 8 times reserving individual books and now tries to merge his recognition into the overall portrait of the writer. He states that Szaruga is a linguistic poet and at the same time well-versed in literary tradition, as evidenced by numerous intertextual references, among others to the works of Borges in short stories
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Books on the topic "Classical Occasional verse"

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Haan, Estelle. Thomas Gray's Latin poetry: Some classical, neo-Latin and vernacular contexts. Latomus revue d'études latines, 2000.

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2

Bill, Shepherd, and Howell Anthony 1945-, eds. Silvae: A selection. Anvil Press Poetry, 2007.

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Statius, P. Papinius. Silvae. Giardini, 1985.

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Statius, P. Papinius. Silvae IV. Bristol Classical Press, 1998.

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Statius, P. Papinius. Silvae IV. Clarendon Press, 1988.

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Statius, P. Papinius. Estacio, Silvas III.: Introducción, edición crítica, traducción y commentario. Fundación Pastor de Estudios Clásicos, 1992.

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Statius, P. Papinius. P. Papini Stati Silvae. E Typographeo Clarendoniano, 1990.

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8

Luca, Canali, and Pellegrini Maria, eds. Selve =: Silvae. A. Dadò, 2000.

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9

Martial. Epigramme: Lateinisch-deutsch. Artemis & Winkler, 1999.

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10

Martial. Epigrammi. Biblioteca universale Rizzoli, 1996.

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Book chapters on the topic "Classical Occasional verse"

1

Jahner, Jennifer. "Classroom Historicisms." In Literature and Law in the Era of Magna Carta. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198847724.003.0002.

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This chapter situates the most popular compositional treatise of the later Middle Ages—Geoffrey of Vinsauf’s Poetria nova—against the backdrop of the English Interdict of 1208–14. The Poetria nova belongs to the cohort of new artes poetriae of the late twelfth and thirteenth centuries. Manuals designed to help grammar instructors teach verse and prose composition, they formulated lessons through examples drawn from the classical canon and the “real world” of contemporary affairs. Though rarely discussed as an occasional poem in its own right, Poetria nova shows itself very much concerned with
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2

"APPENDIX 3 DILLINGHAM'S OCCASIONAL LATIN VERSE." In Sporting with the Classics. The American Philosophical Society Press, 2010. http://dx.doi.org/10.70249/9780871694089-011.

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Nichols, Roger. "Surrealism and Faith 1934–1939." In Poulenc. Yale University Press, 2020. http://dx.doi.org/10.12987/yale/9780300226508.003.0005.

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This chapter recounts the first Bernac/Poulenc recital that took place at the École normale de musique after Francis Poulenc's North African tour with Maria Modrakowska in February 1935. It talks about Plume d'eau claire and Rodeuse au front de verre, which Poulenc thought belonged to his more familiar style of almost classical arrangement of harmonies spiced up with a few unimpeachable chromaticisms. It also describes Poulenc's compositions during the remainder of 1935 that turned their back temporarily on surrealism in favour of less demanding fare, including two pieces of incidental music.
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Kellner, Menachem. "Two Types of Faith." In Must a Jew Believe Anything? Liverpool University Press, 1999. http://dx.doi.org/10.3828/liverpool/9781874774495.003.0002.

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This chapter shows that the Torah and the Talmud see religious faith in terms of steadfast loyalty and trust which find expression in behaviour, and not in terms solely of intellectual acquiescence in certain propositions. It is this characteristic of classical Judaism which explains why systematic theology and dogma are so foreign to its spirit. To that end, this chapter considers the occurrence of the term emunah in the Torah. In perusing a concordance and examining the verses in context, the chapter asserts that the basic, root meaning of emunah is trust and reliance — not intellectual acqu
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Aleksandrova, Tatiana L. "Literary-Historical Information in the Works of John Tzetzes." In “The History of Literature”: Non-scientific sources of a scientific genre. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0684-0-180-196.

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Neither classical antiquity, nor Byzantium knew any history of literature in the modern sense, following other principles of division in the field of philology. The literary-historical data were transmitted either in colophons of published works, or in the literary pieces of different genres: biographies of the authors, “scientific mixture”, literary letters, sometimes in didactic epics. Byzantine literature of the 12th century, and in particular the making of famous erudite Joannes Tzetzes continue this tradition. His literary output is vast and includes letters, didactic poems, scholia in ve
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Sperber, Daniel. "Market Control." In The City in Roman Palestine. Oxford University Press, 1999. http://dx.doi.org/10.1093/oso/9780195098822.003.0007.

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He is indeed a familiar personality in classical literature and frequently appears in literary epigraphic and papyrological sources. His duties are fairly well defined and have been competently described on a number of occasions. Likewise, we know him from Rabbinic sources, in which he appears under the guise of different spellings and even different names. Here I shall try to sum up Rabbinic evidence on the subject and thus define the office and duties of the agoranomos in Roman Palestine. The notion of authoritative supervision of the weights and measures in use in a market is ancient and is
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Conference papers on the topic "Classical Occasional verse"

1

Cocieru, Mariana. "Contribuția etnologului Sergiu Moraru la dezvoltarea folcloristicii din Basarabia – itinerar biografic și științific." In Conferința științifică națională "Sergiu Moraru: 75 de ani de la naștere". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/sm.75.2021.01.

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In the present study, the author traces the biographical landmarks and the preoccupations of the ethnologist Sergiu Moraru for the safeguarding of the intangible cultural heritage by conducting field researches and scientific use of registered materials. He worked for almost 23 years in the academic field (at Department of Ethnography and Arts Study of the Academy of Sciences of Moldova, then at the Folklore Sector of the Institute of Language and Literature of the ASM, at the Department of Ethnography and Arts of the Institute of Ethnography and Folklore of ASM), holding the positions: lower
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