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Journal articles on the topic 'Classical Occasional verse'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Beers, Theodore S. "The Occasional Lyric in an Early Modern Persian Anthology." Interfaces: A Journal of Medieval European Literatures, no. 11 (August 28, 2024): 74–93. https://doi.org/10.54103/interfaces-11-05.

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This paper argues for a modest expansion of the concept of occasional verse in the context of classical Persian poetry. Discussion of occasionality in this field has traditionally focused on the panegyric ode (qaṣīda), and to a lesser degree on the epigrammatic poem (qiṭʿa). While these forms certainly represent key categories of occasional verse, it is unfortunate that the type of poetry that came to dominate the classical Persian tradition – i.e., love lyric, especially the ghazal – has less of a clear position in the discourse on occasionality. The difficulty in considering ghazals as occas

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2

Gillespie, Stuart. "Warren Hastings as a Translator of Latin Poetry." Translation and Literature 26, no. 2 (2017): 199–213. http://dx.doi.org/10.3366/tal.2017.0289.

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Warren Hastings composed occasional short verse translations and imitations of classical Latin texts over many years, perhaps particularly in later life. Almost all extant examples are recorded in autograph in the multiple volumes of his diaries now in the British Library (in some cases, elsewhere too). They have never been printed nor given scholarly attention, but are of very high quality. This note contextualizes and provides transcriptions of six of these works, viz. translations and imitations of Lucan (two passages), Horace (three odes), and Catullus.

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3

Tyryshkina, Tyryshkina Elena. "“Rus', You are but a Kiss in the Cold!” (1921) by V. Khlebnikov: Text as a Combinatory Model / Dynamic Construction." Philology & Human, no. 1 (February 4, 2024): 128–36. http://dx.doi.org/10.14258/filichel(2024)1-09.

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The paper is devoted to analysis of the poem by Velimir Khlebnikov “Rus', you are but a kiss in the frost!” (1921) as part of a study of transformation of the sonnet genre in the poet’s verses. Velimir Khlebnikov elaborates his version of a lyrical story of ‘a kiss in the frost’, originating from the poem by Alexander Pushkin “Winter. What do we do in the village?…” (1829). The love scene is represented as a natural phenomenon, embedded not only in the winter landscape but also in the Universe. There are no persons in the Nature’s integrity, and the couple of lovers are designated only by demo

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4

Bowers, Rick. "Thomas Phaer and the Assertion of Tudor English." Renaissance and Reformation 33, no. 4 (1997): 25–40. http://dx.doi.org/10.33137/rr.v33i4.11373.

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Thomas Phaer's many printed works, including legal and medical texts, occasional verses, and classical translations, all insist upon - even assert - English as a language suitable for learned consciousness. As a physician, legal theorist, man of letters, and member of Parliament, Phaer represents a new English praxis of cultural and intellectual communication. His life and work are centered in the vicissitudes of Tudor polity, wherein he works to mobilize the vernacular and, in so doing, assert early modern English culture.

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Naaman, Erez. "Authorship and Unity of the Classical Arabic Poem through the Lens of Collaborative Composition." Arabica 67, no. 1 (2020): 1–59. http://dx.doi.org/10.1163/15700585-12341558.

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Abstract When a classical Arabic poem lacked a noticeable degree of thematic coherence and formal structure, it was at risk of foreign intervention aiming to improve it. Who was recognized in such a case as the author of the poem and on which grounds? This article looks at the interrelated questions of the poem’s unity and its authorship through the lens of collaborative poetry that was practiced by completing verse composed in the past. It presents an analysis of poetic collaboration cases from the second/eighth century to the Ayyubid era, and discusses different practical approaches of poets

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6

Effendy, Chairil, and Asrori Muhammad. "The Existence of Classical Malay Literature in the Era of Industrial Revolution 4.0." Advances in Social Sciences Research Journal 11, no. 1 (2024): 208–20. http://dx.doi.org/10.14738/assrj.111.16361.

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This study aims to investigate the structure of Syair Gulung that are still being created, the materials, themes, the publics’ acceptance and the effectiveness of syair gulung. The Syair Gulung were studied from three books, namely Syair Bunga Jambu, Syair Gulung Ketapang and Kumpulan Naskah Lomba Syair Gulung. The heuristic and hermeneutic reading methods were used in this study. The findings indicate that the structure of Syair Gulung was relatively similar to the hundred-years-old general verse pattern: the opening and closing stanzas were formulaic, consisting of four words, rhyming a-a-a-

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7

West, Stephanie. "Venus observed? A note on Callimachus, Fr. 110." Classical Quarterly 35, no. 1 (1985): 61–66. http://dx.doi.org/10.1017/s0009838800014579.

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Since we cannot hope to witness a catasterism for ourselves, we are fortunate to have a detailed first-hand account of the inauguration of Coma Berenices, the last constellation to be added to the ancient list until the seventeenth century. However, the description of the critical stages in the process presents various difficulties resulting not so much from obfuscation on Callimachus' part (natural though this might be in an account of a miracle) as from the circumstances of the poem's transmission and the problems to be expected in interpreting occasional verses more than two millennia after

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8

Murgatroyd, P. "The sea of love." Classical Quarterly 45, no. 1 (1995): 9–25. http://dx.doi.org/10.1017/s0009838800041641.

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The sea of love (a convenient heading under which to group the various marine and nautical metaphors, similes, parallels, allusions, and analogies applied to love and sex) was one of the more important amatory figures. It featured in both Greek and Latin from earliest until latest times, was employed in several genres of verse (dominating whole poems on occasion), appearing in prose as well, and reached an advanced stage of development in the hands of the Alexandrians and particularly the Augustans. The purpose of this article is to provide the first comprehensive and detailed study of the sea

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9

Costa, Ioana. "Avsonivs: vt doceam docendvs ipse." Acta Antiqua Academiae Scientiarum Hungaricae 59, no. 1-4 (2020): 601–10. http://dx.doi.org/10.1556/068.2019.59.1-4.52.

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Summary:Centones are works that might be interpreted as bis in idem, in a positive manner, being si- multaneously a revitalisation of prior works and an independent piece, which grants a perception per se. In addition to their poetic value, a major relevance draws from the text itself, as descendant of a previous source, perfectly known not only to the author of the cento, but to the public as well, capable to appreci- ate the virtuosity. Cento nuptialis composed by Ausonius is to be considered both as Vergilian inheritance manoeuvred with poetic skill and as binomial of theory and practice, p

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10

Michałowski, Piotr. "Between the treatise and epiphany, that is, about Leszek Szaruga for the eighth time." Tekstualia 4, no. 63 (2020): 135–56. http://dx.doi.org/10.5604/01.3001.0014.5822.

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The article, written on the occasion of the jubilee of an outstanding polish poet, prose writer, essayist, literary critic and literary scholar, possessing enormous achievements in each of these fields, is an attempt to determine his creative personality. The author wrote about him 8 times reserving individual books and now tries to merge his recognition into the overall portrait of the writer. He states that Szaruga is a linguistic poet and at the same time well-versed in literary tradition, as evidenced by numerous intertextual references, among others to the works of Borges in short stories

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DEMİRTAŞ, YAVUZ. "İSMAİL DEDE EFENDİ VE HOCA ZEKAİ DEDE ÜZERİNE BİR DEĞERLENDİRME." Türk Kültürü ve HACI BEKTAŞ VELİ Araştırma Dergisi 103 (September 20, 2022): 157–70. http://dx.doi.org/10.34189/hbv.103.007.

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İsmail Dede and Zekāi Dede are two great musicians who have contributed to the enrichment of the Classical Turkish Music Repertoire with their many works in many genres. They have been at the forefront of the main sources from which this repertoire has survived to the present day. Although there are many people with the title of “Dede” in Classical Turkish Music, the only person known as “Dede Efendi” is İsmail Dede who left his mark on the first half of the 19th century; Zekāi Dede, on the other hand, left his mark on the second half of the century as one of the few people known as “Hodja” (H

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12

Irsyadunnas, Irsyadunnas, and Nurmahni Nurmahni. "Rekonstruksi Tafsir Al-Quran Kontemporer (Studi Analisis Sumber dan Metode Tafsir)." Substantia: Jurnal Ilmu-Ilmu Ushuluddin 22, no. 1 (2020): 21. http://dx.doi.org/10.22373/substantia.v22i1.6119.

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One of the weaknesses of the classical tafseer (interpretation) method is the lack of concern of the mufassir (quran interpreter) to the context of the verse, therefore, their interpretations tend to be asocial or ahistorical. This paper offers a reconstruction of methods and sources of interpretation which resulted in a form of interpretation that is pertinent to the development of science and society. In interpretation study, it is necessary to have a balance in three aspects: text, context, and perspective. It should also involve three elements in coincide, namely, asbãb al-nuzûl (the occas

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13

Suhas, Manjunath, та Shreevathsa. "Critical Analysis of Carakatattvapradīpikā by Śivadāsa Sen on Charaka Saṃhitā". Journal of Indian Medical Heritage 2, № 4 (2023): 156–63. https://doi.org/10.4103/jimh.jimh_20_24.

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Abstract Classical texts (Saṃhitās) are codified repositories of ancient wisdom. Each Saṃhitā has its style of narrating, such as a quadruplet of chapters (Catuṣka), a short sentence (Sūtra), and caesura of a verse (Pāda). Facts presented in Saṃhitās as Sūtras are made easily understandable by commentaries (vyākhyās). The practice of writing commentaries began during the Saṅgraha period. Among 43 Sanskrit commentaries written on Charaka Saṃhitā, Carakatattvapradīpikā by Śivadāsa Sen is incompletely available today. Critical analysis of the same is the need of the hour. The original classical t

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14

Aziz, Soumia, and Shah Junaid Ahmad Hashimi. "I’jaz al-Qur’ān al-Karim (An Evaluation of Historical Discourse and Dimensions)." Journal of Islamic and Religious Studies 3, no. 1 (2020): 9–26. http://dx.doi.org/10.36476/jirs.3:1.06.2018.10.

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This paper aims at an evaluation of various approaches to define and redefine the classical theory of the I‘jaz (the inimitability of the Qur’ān) in the perspective of the challenges and problems faced by the Muslim society emphasising a need to cope with the rational thinking, modernity, scientific progress, psychological advancement and civilizational development, though there has been a comparatively lesser description of the rhetoricism of the Qur’ān too. It provides an account of scholarship exploring some novel dimensions of the matchlessness of the Qur’ān in the contemporaneous context.

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15

Benthien, Claudia. "Odes to Miami." POEMA 2, no. 2 (April 30, 2024): 101–22. http://dx.doi.org/10.38072/2751-9821/p15.

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This paper investigates ›Zip Odes‹, a format developed for the O, Miami poetry festival, as an example of sociopoetic practices between the urban and digital space. Zip Odes are short poems written by residents that transform their zip code »into an occasion for place-based, lyrical celebration« (festival website). The Zip Ode’s composition principle is based on the number in the author’s zip code, and it is unlike traditional verse as words rather than syllables are counted. Each year, dozens of poems are displayed in the streets and performed in front of audiences. Further performances take

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16

Nagy Abdullah, Zana, and Sabah Muhammad Al-Barzanji. "Nali al-Shahrazouri's creed opinions on prophecies Analytical research." Journal of University of Raparin 10, no. 4 (2023): 322–42. http://dx.doi.org/10.26750/vol(10).no(4).paper15.

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Throughout the history of the Kurds, we have had many scholars and writers whose peers are few among the Kurds. Among them, a poet by the name of Mullah Khader—nicknamed Nali—rose to appearance. More significantly, he has been recognized as one of the primary figures in the development of Kurdish literature written in the Sorani dialect in the nineteenth century and the Kurdish classical poetry school. Therefore, as part of our accountability, we performed an excellent research of the terminology and idioms employed in his book by scholars and theologians. After many years, we no longer see wr

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17

Bain, David. "Salpe's ΠAIΓNIA: Athenaeus 322A And Plin. H. N. 28.38". Classical Quarterly 48, № 1 (1998): 262–68. http://dx.doi.org/10.1093/cq/48.1.262.

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Pauly's Real-Encyclopädie knows of two women named after the attractive looking,but allegedly unappetising fish, c⋯λπη. The first is mentioned several times in theelder Pliny, who on one occasion refers to her as an obstetrix, while the second features in the Deipnosophistae of Athenaeus as a writer of πα⋯γνια. In a recent issue of this journal J. N. Davidson has made the suggestion that they were one and the same person. Salpe's πα⋯γνια, Davidson argues, would not have consisted of light or frivolous verse, but of a compilation of prose recipes of a kind that is to be found in a section of a

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18

Lukhovitskiy, Lev Vsevolodovich. "Early Palaiologan Hagiography: “Old” and “New” Saints under the Shadow of Symeon Metaphrastes." Античная древность и средние века 50 (2022): 283–311. http://dx.doi.org/10.15826/adsv.2022.50.017.

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This article focuses on the hagiographical rewriting from the Palaiologan Period. Having outlined the corpus of relevant texts, the author discusses the two paradigms that currently permeate the scholarship dealing with the Late Byzantine hagiography, the “old saints” paradigm and the “metaphrasis” paradigm. Both approaches, despite their indisputable heuristic value, do not take into consideration all aspects of hagiographical rewriting in the period in question. The first paradigm is not adequate because, first, it is virtually impossible to determine how great the chronological distance bet

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19

Haykel, Bernard, та Aron Zysow. "What Makes a Maḏhab a Maḏhab: Zaydī debates on the structure of legal authority". Arabica 59, № 3-4 (2012): 332–71. http://dx.doi.org/10.1163/157005812x629284.

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Abstract Over the centuries Zaydīs have been called upon to respond to a series of challenges from within and without to the internal cohesion of their tradition. Noting that Zaydīs did not commonly follow the legal opinions of their eponym Zayd b. ʿAlī (d. 112/740), Sunnī critics challenged them to justify their adoption of the label Zaydī. The classical response was provided by the Yemeni imam al-Manṣūr ʿAbd Allāh b. Ḥamza (d. 614/1217), who explained affiliation to Zayd in theological and political terms. Within Zaydism itself, however, disagreement among leading imams on questions of law o

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20

Collini, Stefan. "The Idea of ‘Character’ in Victorian Political Thought." Transactions of the Royal Historical Society 35 (December 1985): 29–50. http://dx.doi.org/10.2307/3679175.

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When in the summer of 1902 Helen Bosanquet published a book called The Strength of the People she sent a copy to Alfred Marshall. On the face of it, this might seem a rather unpromising thing to have done. Mrs Bosanquet, an active exponent of the Charity Organisation Society's ‘casework’ approach to social problems, had frequently expressed her dissatisfaction with what she regarded as the misleading abstractions of orthodox economics, and in her book she had even ventured a direct criticism of a point in Marshall's Principles. Marshall, then Professor of Political Economy at Cambridge and at

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21

Sirén, Torsti. "“Verum Est Ipsum Factum” – True is What Has Been Made as Such." Journal of Military Studies 1, no. 1 (2010): 1–43. http://dx.doi.org/10.1515/jms-2016-0171.

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Abstract In traditional International Relations theory (IR), states have been approached from empiricist perspective by using methods and terminologies that consider states as homogeneous ‘speaking billiard balls’, which compete for power, prestige and so forth with each other. This article does not argue that traditional paradigms of IR (such as Classical Realism or Neorealism) would not count any more, vice versa, but what this article argues is that for being able to understand more deeply such topical social phenomena as terrorism, strategic communities, spread of nuclear weapons, nuclear

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22

Dover, K. J. "Some Types of Abnormal Word-Order in Attic Comedy." Classical Quarterly 35, no. 2 (1985): 324–43. http://dx.doi.org/10.1017/s0009838800040209.

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On the analogy of the colloquial register in some modern languages, where narrative and argument may be punctuated by oaths and exclamations (sometimes obscene or blasphemous) in order to maintain a high affective level and compel the hearer's attention, it is reasonable to postulate that Attic conversation also was punctuated by oaths, that this ingredient in comic language was drawn from life, and that the comparative frequency of ║ (|) M M (M) Δ in comedy is sufficiently explained thereby. There are obvious affinities between some passages of comedy, relaxed conversation in Plato and Xenoph

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Çınarcı, Mehmet Nuri, and Merima Grabčanović. "Historic Ottoman Poet Biographers." Prilozi za orijentalnu filologiju, no. 70 (November 30, 2021): 79–102. http://dx.doi.org/10.48116/issn.2303-8586.2020.70.79.

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Ottoman poet biographies, whose main purpose is to provide information about the lives, arts and works of poets, are among the most important sources of classical Turkish literature with their examples written more than once in every century from the 16th century to the XX century. The poets, whose biographies give information about their lives, are composed of people who have undertaken different duties belonging to different layers of the Ottoman social structure. After all, the most important point that brings together the biographies of these people, who have serious differences in status,

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24

Zivojinovic, Mirjana, and Viktor Savic. "The agreement between Saint Sava and the administration of Mount Athos on the land purchase of a vineyard (1228) the origin and fate of the Greek and Serbian texts." Zbornik radova Vizantoloskog instituta, no. 60-1 (2023): 455–520. http://dx.doi.org/10.2298/zrvi2360455z.

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A comparative analysis of the Greek and Serbian versions of the text is used to establish the authenticity of the agreement between archbishop Sava and the representatives of the Mount Athos administration at the time of Protos Eusebius (August 1228), but also to identify layers from different periods, common for a document that has multiple copies. The paper seeks to determine the methods of creating the two versions and the precise relationship between the underlying manuscript traditions, as well as the diplomatic status of some versions, especially the two earlier Greek and the only Serbia

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Bakker, Boudewijn. "Levenspelgrimage of vrome wandeling? Claes Janszoon Visscher en zijn serie Plaisante Plaetsen." Oud Holland - Quarterly for Dutch Art History 107, no. 1 (1993): 97–116. http://dx.doi.org/10.1163/187501793x00135.

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AbstractJosua Bruyn's article 'Towards a Scriptural Reading of Seventeenth-Century Dutch Landscape Paintings' (1987) elicited a great deal of criticism for both its method and its occasionally sweeping conclusions. To a certain extent this criticism is understandable. It does not however mean that recently initiated, cautious attempts to peer below the surface of the painted landscape should be aborted. It is still highly unlikely that the landscape was the only Dutch 'genre' without any intentions other than to beguile the eye. Following Wiegand and Falkenburg, each of whom has researched and

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Šitina, Ana. "Časoslov Blažene Djevice Marije (Horae Beatae Mariae Virginis) iz Znanstvene knjižnice u Zadru." Ars Adriatica, no. 4 (January 1, 2014): 267. http://dx.doi.org/10.15291/ars.500.

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The illuminated Book of Hours dedicated to the Blessed Virgin Mary which was originally held in the former Paravia Library is today located at the Research Library in Zadar. Unfortunately, no information exists about this manuscript. It is bound between covers made of wood veneer and sheathed with black leather. It consists of 156 folios which contain the Office of the Blessed Virgin Mary, the book of hours dedicated to the Blessed Virgin Mary, the book of hours dedicated to the Holy Spirit, Holy Cross, a portion of the office for the dead, seven funerary psalms and various prayers for specifi

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27

Hollstein, Andreas. "The pattern of state organization in the new constitution of Lithuania: A third way between the presidential and parliamentary systems?" Politologija 14, no. 2 (1999): 17–56. https://doi.org/10.15388/polit.1999.2.2.

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In this article, Andreas Hollstein refers to the Constitution of the Republic of Lithuania and, by that token, discusses the pattern of state power structure as established by it. The author focuses the analysis upon the following question: does the Constitution of the Republic of Lithuania of 1992 establish a third way between the parliamentary and presidential democracy? In this article, he first questions and, later, recognizes that such a way is but void and that the Constitution of the Republic of Lithuania should be interpreted as parliamentary, enriched with some attributes of the presi

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28

Mairizal, T. "Konstribusi Ibnu Qayyim Terhadap Ayat-Ayat Hukum." BIDAYAH: STUDI ILMU-ILMU KEISLAMAN, June 27, 2018, 13–28. https://doi.org/10.47498/bidayah.v9i1.142.

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Ayat Aá¸¥kam can be interpreted as the verses relating to the deeds of mukallaf, either in the form of demands, preferences, or decrees. The details and classification of the verses of the law revealed by the scholars are diverse, but it shows a large number as well as evidences by the works of classical and modern scholars. Ibnu Qayyim al-Jauziyyah was known as one of the reformers in Islamic law, had a scrupulous conclusion ability, and produced over a hundred works. Nevertheless, he did not write any book related to tafsir (Intrepretation). His interpretations were spreading in his various

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Pelevin, Mikhail. "Licit magic in Pashto: artistry and ethnicity in the verses of two classical Pashtun poets." Journal of the Royal Asiatic Society, December 16, 2024, 1–19. https://doi.org/10.1017/s1356186324000245.

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Abstract Regular remarks of early modern Pashtun authors about the language of their literary works and their ethnicity may be read as an attempt to confirm a distinct place for Pashto writings in the Persophone cultural space and also as an echo of the then-ongoing discourse on Pashtun identity. This article examines the verses of Ashraf Khān Khaṫak (d. 1694) and Kāẓim Khān Khaṫak (d. 1780), who sporadically pondered on artistry and ethnicity as intertwined issues within the framework of the classical genre of self-praise (fakhriyya) and left critical essays on Pashto poetry in the forms of q

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Tongiorgi, Duccio. "Gli Amori delle piante: materialismo filosofico e galanterie poetiche in età napoleonica." Versants. Revista suiza de literaturas románicas 71, no. 2 (2024). https://doi.org/10.22015/v.rslr/71.2.5.

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Il tema degli “amori delle piante” – già ben attestato nella letteratura classica e poi particolarmente fortunato dal XVII secolo – assume una rilevanza significativa nella poesia italiana di età napoleonica; a determinarne il successo è senz’altro la fortuna, che tracima anche al limitare dell’Ottocento, della poesia didascalica e scientifica, in specie se piegata a motivi occasionali: in questo caso, tipicamente, i versi “per nozze”. Ma il tema offre molte declinazioni, che fanno affiorare – si pensi agli Amori delle piante di Darwin, nella traduzione di Gherardini – impegnativi riferimenti

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"The Poetic Citations contained in Tafsir Al-Qurtubi and its Rhetorical Advantages." Fahm-i-Islam 4, no. 1 (2021): 191–205. http://dx.doi.org/10.37605/fahmiislam.v4i1.246.

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In order to perceive the meanings and importance of the words of Allah, the Muslim scholars have done their very best to keep and understand the rich and poetic classical Arabic language in both of its forms; prose and poetry fully taking care of its original state and good condition. Classic Arabic is more important as it plays its role as a store of lingu istic tools for understanding the Holy Quran and Sunnah of the Holy Prophet (S A W) Abu Abdullah Al-Qurtabi (d.671) a famous commentator of the Holy Quran quoted on many occasions from Arab poets in his tafsir work “Al- Jame Le-Ahkam-e-Qura

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Toscano, Pasquale S. "Epic Regained: Phillis Wheatley’s Admonitory Poetics in the ‘Little Columbiad’." Classical Receptions Journal, September 23, 2020. http://dx.doi.org/10.1093/crj/claa010.

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Abstract Although many scholars have discussed Phillis Wheatley’s subversive appropriation of the classics, they have been reluctant to locate a similar strain of subtle repudiation in her Revolutionary War poems. The present article reexamines these verses — ‘To His Excellency General Washington’ (1775), ‘On the Capture of General Lee’ (1776), and ‘On the Death of General Wooster’ (1778) — in light of the tradition of (neo)classical heroic poetry. I read them as a formally innovative epic, dispersed across three apparently ‘patriotic lyrics’ (Levernier (1993: 175)) and dubbed the ‘Little Colu

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Munir, Muhammad. "Debates on the Rights of Prisoners of War in Islamic Law." Islamic Studies 49, no. 4 (2010). https://doi.org/10.52541/isiri.v49i4.3671.

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This paper explores the rights of protection available to the prisoners of war under Islamic law. It analyzes the differences of opinion among the early fuqahi’ regarding the POWs. The paper finds that the Qur’an mentions only two ways to terminate captivity, that is, mann (freedom gratis) and fida’(ransom) (Qur’an 47: 4) a verse that was not superseded; that ransom was taken by the Prophet only from the POWs of Badr whereas the general practice of the Prophet (peace be on him) and his caliphs was to set POWs free without any condition or ransom. Non-Muslim states used to ask for ransom for th

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Abdul Rahman Ubaid Hussain. "سورة الضحى وتاريخية القرآن في الأدبيات الاستشراقية". الدراسات الإسلامية 58, № 3 (2024). http://dx.doi.org/10.52541/adal.v58i3.3062.

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Orientalists’ researches on the history of the Qur’an were based on claims that it was written in separate periods, the multiplicity of its authors, and the influence of Jewish and Christian beliefs and legislation on its development. Because the short and naive Meccan suras were completely excluded from the circle of their studies on the history and development of Prophet characteristics, as a crude primary product, sūraẗ al-ḍuḥa became a fertile ground for Orientalists’ interpretations that do not pay attention to traditional commentaries or occasions for revelation (āsbāb al-nuzūl). Althoug

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Ethan, Schmidt. "Carmen de Incendio." Database of Religious History, June 27, 2024. https://doi.org/10.5281/zenodo.12574163.

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The Carmen de Incendio is an extensive narrative poem composed in iambic verse by the Byzantine teacher, literatus, and deacon Konstantinos Stilbes, and transmitted via the manuscript Marcianus Graecus 524. It is an invaluable source for examining the worldview of a Byzantine ecclesiastical dignitary in the face of tragedy and urban crisis, and his sense of collective sin and potential collective redemption. It describes in an ekphrastic mode a disastrous fire ravaged Constantinople on July 25th, 1197, and the way it swept away houses, workshops, warehouses neighborhoods, churches, and whole s

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ŞENTÜRK, Nurullah. "Linguistic Metaphor and Its Indications in Nahj al-Balagha." Mesned İlahiyat Araştırmaları Dergisi, September 16, 2022. http://dx.doi.org/10.51605/mesned.1161326.

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Nahj al-Balagha, which is attributed to Ali bin Abu Talib, has done the subject of research and examina-tion on different occasions, as its value is known in language and rhetoric circles. Many commentaries were written on this work called Nehcü'l-Belâga. The words that remained closed in the annotations were explained by the commentator, and arts such as rhetoric, metaphor, metaphor and allusion were mentioned. In this study, we described the meaning changes in Nahj al-Balagha and the factors that cause this. In our study, we examined the factors that cause semantic changes such as usin

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Yıldız, Musa, and Ayşe İspir Kurun. "Meanings of the Term 'Shahīd' from the Jāhilīyah Poetry to the Qur'ānic Text." March 20, 2020. https://doi.org/10.37697/eskiyeni.657072.

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Semantics examines topics and phenomena such as semantic change and the factors leading to these changes, among others. Scholars of semantics conduct diacronic studies observing the semantic change of a word within a certain period of time. Such a change sheds light on the transformation of the intellectual world of the people using this word. Thus, semantic studies are significant for social sciences and often conducted within an interdisciplinary framework. A certain word turns into a term in a process during which it takes up new meanings in particular fields besides its dictionary meaning.

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Cristina Frosini. "The art of composing: between autonomy and heteronomy." TECHNE - Journal of Technology for Architecture and Environment, May 25, 2021, 44–50. http://dx.doi.org/10.36253/techne-10978.

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«Music conveys different meanings to everyone, and sometimes, it can even communicate different things at different times to the same person», Daniel Barenboim once said. This is tantamount to saying that music is influenced by the context in which it is played, whilst at the same time influencing the context of those who are listening to it. As such, music exists within a system of relationships. From this, it follows that music can be interpreted as a public art – when it is performed in front of an audience – when it is played by one or more musicians in the presence of a listener or listen

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Franks, Rachel. "Before Alternative Voices: The Sydney Gazette and New South Wales Advertiser." M/C Journal 20, no. 1 (2017). http://dx.doi.org/10.5204/mcj.1204.

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IntroductionIn 1802 George Howe (1769-1821), the recently appointed Government Printer, published Australia’s first book. The following year he established Australia’s first newspaper; an enterprise that ran counter to all the environmental factors of the day, including: 1) issues of logistics and a lack of appropriate equipment and basic materials to produce a regularly issued newspaper; 2) issues resulting from the very close supervision of production and the routine censorship by the Governor; and 3) issues associated with the colony’s primary purposes as a military outpost and as a penal s

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Servais, Olivier, and Sarah Sepulchre. "Towards an Ordinary Transmedia Use: A French Speaker’s Transmedia Use of Worlds in Game of Thrones MMORPG and Series." M/C Journal 21, no. 1 (2018). http://dx.doi.org/10.5204/mcj.1367.

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Game of Thrones (GoT) has become the most popular way of referring to a universe that was previously known under the title A Song of Ice and Fire by fans of fantasy novels. Indeed, thanks to its huge success, the TV series is now the most common entry into what is today a complex narrative constellation. Game of Thrones began as a series of five novels written by George R. R. Martin (first published in 1996). It was adapted as a TV series by David Benioff and D.B. Weiss for HBO in 2011, as a comic book series (2011—2014), several video games (Blood of Dragons, 2007; A Game of Thrones: Genesis,

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