Relevant bibliographies by topics / Classicism

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Classicism'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Classicism"

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Malloch, S. J. V. "THE CLASSICISM OF HUGH TREVOR-ROPER." Cambridge Classical Journal 61 (August 26, 2015): 29–61. http://dx.doi.org/10.1017/s1750270515000068.

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Hugh Trevor-Roper was educated as a classicist until he transferred to history, in which he made his reputation, after two years at Oxford. His schooling engendered in him a classicism that was characterised by a love of classical literature and style, but rested on a repudiation of the philological tradition in classical studies. This reaction helps to explain his change of intellectual career. His classicism, however, endured: it influenced his mature conception of the practice of historical studies, and can be traced throughout his life. This essay explores a neglected aspect of Trevor-Rope
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Bongard-Levin, Grigorij Maksimovič. "Classics, classicism, civilization." Bulletin de la Classe des lettres et des sciences morales et politiques 18, no. 7 (2007): 341–46. http://dx.doi.org/10.3406/barb.2007.38992.

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Ternova, Maryna. "Theoretical heritage of English classicists: art history aspect." Bulletin of Mariupol State University. Series: Philosophy, culture studies, sociology 11, no. 22 (2021): 118–28. http://dx.doi.org/10.34079/2226-2830-2021-11-22-118-128.

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The article is dedicated to the analysis of the theoretical heritage of English classicists, which has taken a prominent place in the history of one of the important stages of European cultural creation. It has been noted that covering the difficult period between the 16th - early 19th centuries, classicism demonstrated the stability of both aesthetic and artistic principles, based on which various classicist models developed. It has been proved that among the Italian, French, and German models of classicism, the English one was distinguished by its integrity and scale. Besides, having insigni
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BULANCEA, Gabriel. "CLASSICISM AND NEO-CLASSICISMS IN THE HISTORY OF MUSIC." International Multidisciplinary Scientific Conference on the Dialogue between Sciences & Arts, Religion & Education 5, no. 1 (2021): 115–22. http://dx.doi.org/10.26520/mcdsare.2021.5.115-122.

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In one of his articles, Octavian Paler draws attention in a metaphorical-mythologizing manner upon one of the risks taken by those who chose tradition as their source of inspiration. The epigonic spirit, because this is what he refers to, cannot escape idolatrising tradition, phenomenon that happens within an alterity of the creative identity, within the pettiness of controlling the artistic means, within the infatuation of his own image which is placed under the protection of the great creative figures. The epigone masters in an embryonic form some techniques which, for various reasons, he ca
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CHAPIN, KEITH. "SCHEIBE’S MISTAKE: SUBLIME SIMPLICITY AND THE CRITERIA OF CLASSICISM." Eighteenth Century Music 5, no. 2 (2008): 165–77. http://dx.doi.org/10.1017/s1478570608001474.

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ABSTRACTIt is as a classicist that Johann Adolph Scheibe has entered the annals of music history, either as a propagator of the principles of French literary classicism, or as a champion of a ‘galant’ style that later critics would view as a foundation for a German musical classicism. But if Scheibe insisted on a quality of striking simplicity, using words clearly indebted to those of Nicolas Boileau, the doyen of seventeenth-century French critics, he was no classicist according to the French model. While all classicists depend to a certain degree on the regulation of their material – for suc
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Peppis, Paul. "Re-gendering Smart Classicism: Franklin P. Adams, Dorothy Parker, and the Middlebrow Classical Verse Revival." Modernist Cultures 17, no. 2 (2022): 221–45. http://dx.doi.org/10.3366/mod.2022.0369.

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This essay analyses a strain of modern classicism other than the high modernist classicism of Hulme, Pound, and Eliot. Its practitioners were middlebrow writers associated with the newspaper columns and ‘smart magazines’ thriving in New York City during the 1910s and 1920s. Led by the columnist, popular poet, and Algonquin Round Table fixture, Franklin P. Adams, ‘smart classicism’ took its inspiration from ancient Rome's elegists, satirists, and epigrammatists. Adams's smart classicist poems complicate current accounts of early twentieth-century American poetry, of modern(ist) classicism, and
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Chun, Tarryn Li-Min. "Surface Classicism." Prism 20, no. 2 (2023): 462–86. http://dx.doi.org/10.1215/25783491-10992800.

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Abstract This article examines digital classicism in contemporary Chinese performance through the case study of an excerpt of the dance-drama Zhici qinglü 只此青綠 (Journey of a Legendary Landscape Painting) performed at the 2022 CCTV Spring Festival Gala. It argues that the mobilization of digital performance technologies in Zhici qinglü and other contemporary large-scale performance in the PRC generates what might be termed “surface classicism”—an engagement with the past that sublimates elements of classical art and literature into the realm of digitally enhanced visuality. Surface classicism l
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Faragher, M. "The fourth ‘R’ is rooted belief: Rex Warner and the politics of revisionist classicism." Literature & History 28, no. 2 (2019): 214–30. http://dx.doi.org/10.1177/0306197319870377.

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This article traces the historical devaluation of classicism within British academic and intellectual circles in the interwar years. I argue that the political tensions of the 1930s contributed to the movement away from a traditional classical approach and towards one informed by political and civic responsibility. In his novels and essays, Rex Warner’s focus on pedagogy repeatedly suggests that Latin or Greek tutelage, without the necessary focus on the liberal democratic values, can inadvertently bolster right-wing fascistic thought. Concern about classicism’s value within modern democracies
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Canovas, Frédéric. "De Gide à Denis ou de Cézanne à Athman : la relation peintre–écrivain face à la question du classicisme." Romanica Wratislaviensia 64 (October 27, 2017): 57–73. http://dx.doi.org/10.19195/0557-2665.64.6.

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FROM GIDE TO DENIS OR FROM CÉZANNE TO ATHMAN : THE PAINTER–WRITER RELATIONSHIP AND THE ISSUE OF CLASSICISMIn 1900, French writer André Gide purchased Maurice Denis’s Homage to Cézanne, nowadays in the collection of Musée d’Orsay. Considered a turning point in Denis’s career, the painting cele­brates the new values of classicism that Denis discovered in the company of Gide while in Rome two years earlier. This essay discusses the similarities between the painter’s and the writer’s own definitions of classicism, while focusing also on the way in which each one of them applied this definition to
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Eichholz, Patrick. "Dadaism and Classicism in The Waste Land." Twentieth-Century Literature 67, no. 3 (2021): 269–92. http://dx.doi.org/10.1215/0041462x-9373720.

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Out of the wreckage of the First World War, classicism and dadaism charted two opposing paths forward. While one movement sought to overturn the institutions complicit in prolonging the war, the other sought to buttress these same institutions as a safeguard against the chaos of modern life. This essay studies the peculiar convergence of these contradictory movements in The Waste Land. The article provides a full account of Eliot’s postwar engagement with dadaism and classicism before examining the influence of each movement on The Waste Land. Walter Benjamin’s theory of baroque allegory will
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Dissertations / Theses on the topic "Classicism"

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Ridlen, Michael Traver. "Prud'hon's evolving classicism." Diss., University of Iowa, 2017. https://ir.uiowa.edu/etd/5614.

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Attempting to make sense of the oeuvre of Prud’hon in 1876, Edmond de Goncourt in his Catalogue Raisonné de Prud’hon contrasts Prud’hon’s paintings with the predominant art of David and his students. He describes Prud’hon as an isolated romantic artist, full of elegance, going against the virile masculine academic traditions of his day. Goncourt sees in Prud’hon the epitome of an erotic classicism, which he considers unique for his time. I seek to demonstrate that Prud’hon’s embrace of classicism reflects and propels a variety of contexts from the literary, aesthetic, philosophical, and cultur
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Spadafora, Mark Joseph. "Classicism : seen through contemporary furniture /." Online version of thesis, 1992. http://hdl.handle.net/1850/11647.

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Rozsa, Balazs. "The formal world of Viennese classicism /." Thesis, Connect to this title online; UW restricted, 2007. http://hdl.handle.net/1773/11349.

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Pirolini, Alessandro. "Preston Sturges : between classicism and postmodernism." Thesis, University of London, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.418303.

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Pliam, Steven L. "Cosmographic Origins for a New Classicism." Thesis, Virginia Tech, 1994. http://hdl.handle.net/10919/35809.

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The spirit of the Latin 'classicus' as a broad ideology has in one sense existed through every age of modern human history. It could begin to be described as an attitude that is resistant to sudden change and is not interested in dramatic breaks with tradition or the avant garde. It embraces the methodical evolution of aesthetic and artistic values that are connected at their origin to a cosmography which is conceived within every given age. This large-scale conception of existence which encompasses all of what is known in the cosmos is a primary manifestation of every culture. Several system
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Dufour, Élodie. "Comment peut-on être classique au tournant des XIXe et XXe siècles?" Thesis, Université Grenoble Alpes (ComUE), 2017. http://www.theses.fr/2017GREAL016/document.

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Les recherches portent sur Anatole France, Henri de Régnier et René Boylesve, auteurs souvent jugés passéistes et anachroniques par la postérité. Au croisement de deux disciplines, les études littéraires et linguistiques, je me propose d'interroger la curieuse et paradoxale démarches d'auteurs qui, en pleine modernité, ont délibérément continué d'entretenir des liens avec le classicisme - avec toute la plasticité que recèle la notion -, un classicisme dont ils adaptent d'ailleurs la formule (et qui n'est ni celui de Paul Valéry, ni celui de la NRF, ni celui des maurrassiens) .Un questionnement
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Verdier, Antoine. "Le dispositif posthumain comme vanité contemporaine." Thesis, Montpellier 3, 2014. http://www.theses.fr/2014MON30101.

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La figure de l’homme a traversé l’histoire de la représentation, mais les valeurs signifiantes du mondecontemporain ne sont plus compatibles avec les conditions d’une histoire de l’idéal humain classique. Eneffet , face à l’évidence des changements induits par les avancées technologiques, nano et biotechnologiques,numériques, cognitives et génétiques, l’apparition d’une humanité augmentée semble irréversible. Entrel’angoisse d’un avenir profondément détérioré par les assauts d’un ultra libéralisme et le messianisme destechnoprohètes , l’expression d’un corps autre, « posthumain », conjugue éma
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Guarini, Marcello 1970. "Rules and representations in the classicism-connectionism debate." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq31115.pdf.

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Locks, Adam. "Bodybuilding and the emergence of a post classicism." Thesis, University of Winchester, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.431213.

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This thesis is concerned with the history of professional bodybuilding in America and pays particular attention to the development within its subculture of definitions of the perfect body. This history has involved a shift from a bodybuilding aesthetic which adhered to what was imagined to be a classical archetype, to what, in recent years, has become a more extreme, excessive, ideal. Previous analyses of bodybuilding have primarily offered anthropological and ethnographic methodologies, the result of which has been largely to document the practice of bodybuilding via the opinions of the men (
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Gonçalves, Alexander. "Estilo e formação na filosofia do jovem Nietzsche." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-03032016-143531/.

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Num âmbito geral, nosso objetivo será identificar e analisar as origens da concepção estético-ética de estilo utilizada pelo jovem Nietzsche, bem como analisar a relação entre os conceitos de estilo (Stil) e formação (Bildung) nestes escritos juvenis. Num âmbito específico, o escopo do presente trabalho consiste em mostrar a tese de que o estilo, para o jovem Nietzsche, é tomado como um princípio estético-ético fundamental para que a filosofia realize a sua meta: a formação do homem. Pretendemos mostrar que Nietzsche pensa a ideia da formação do homem em estreita relação com a proposta classic
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Books on the topic "Classicism"

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1958-, Gastil Raymond, ed. Modern classicism. Rizzoli, 1988.

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Greenhalgh, Michael. What is classicism? Academy Editions, 1990.

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Leoussi, Athena S. Nationalism and Classicism. Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780230372689.

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Gertrud, Seidmann, Henig Martin, and Plantzos Dimitris, eds. Classicism to neo-classicism: Essays dedicated to Gertrud Seidmann. Archaeopress, 1999.

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A, Papadakēs, and Watson Harriet, eds. New classicism: Omnibus volume. Rizzoli, 1990.

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Mainardi, Patricia. The persistence of classicism. Sterling and Francine Clark Art Institute, 1995.

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A, Papadakēs, and Watson Harriet, eds. New classicism: Omnibus volume. Academy Editions, 1990.

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Williams, Michael. Film Stardom, Myth and Classicism. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137291493.

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H, Stephenson R., ed. Friedrich Nietzsche and Weimar classicism. Camden House, 2005.

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Gerhart, Hoffmeister, ed. A reassessment of Weimar classicism. Edwin Mellen Press, 1996.

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Book chapters on the topic "Classicism"

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Wallace, E. Bert. "Classicism." In Style: An Approach to Appreciating Theatre. Routledge, 2022. http://dx.doi.org/10.4324/9780429283147-6.

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Bruce, Susan, and Richard Beynon. "Neo-Classicism." In William Shakespeare. Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-90441-9_2.

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Angle, Stephen C., Chen Bisheng, Chen Ming, et al. "Confucian Classicism." In Progressive Confucianism and its Critics. Routledge, 2024. http://dx.doi.org/10.4324/9781003533924-6.

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Wimsatt, William K., and Cleanth Brooks. "Roman Classicism: Longinus." In Literary Criticism. Routledge, 2022. http://dx.doi.org/10.4324/9781003141624-8.

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Wimsatt, William K., and Cleanth Brooks. "Roman Classicism: Horace." In Literary Criticism. Routledge, 2022. http://dx.doi.org/10.4324/9781003141624-7.

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Rodocanachi, C. P. "Classicism and Romanticism." In Athens and the Greek Miracle. Routledge, 2024. http://dx.doi.org/10.4324/9781003483298-16.

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Sellers, M. N. S. "North American Classicism." In American Republicanism. Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-13347-5_4.

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Agosti, Gianfranco. "Classicism, paideia,Religion." In The Strange Death of Pagan Rome. Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.gifbib-eb.1.102173.

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Martindale, Joanna. "Classicism and Imitation." In English Humanism. Routledge, 2025. https://doi.org/10.4324/9781003618737-3.

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Dittmar, Hank. "Three Classicists: Classicism in an Era of Pluralism." In My Kind of City. Island Press/Center for Resource Economics, 2019. http://dx.doi.org/10.5822/978-1-64283-037-8_10.

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Conference papers on the topic "Classicism"

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Kain, R. M. "Crevice Corrosion of Stainless Type Materials in Seawater: Divergent Views and Other "Classics" Revisited." In CORROSION 1994. NACE International, 1994. https://doi.org/10.5006/c1994-94488.

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Abstract Numerous articles have expounded the crevice corrosion behavior of "stainless" alloys in natural seawater and on the factors affecting initiation and propagation of such attack. Several "classics" are revisited to illustrate, for example, divergent views on avoiding crevice corrosion, use of various test methods and the influence of environmental variables.
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Chen, Jiali, Xusen Hei, Yuqi Xue, Zihan Wu, Jiayuan Xie, and Yi Cai. "Classic4Children: Adapting Chinese Literary Classics for Children with Large Language Model." In Findings of the Association for Computational Linguistics: NAACL 2025. Association for Computational Linguistics, 2025. https://doi.org/10.18653/v1/2025.findings-naacl.133.

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Голубков, Андрей Васильевич. "Французские теоретики классицизма 1670-Х гг.: Рационализм VS идеализм". У Գրական ուղղությունները և դպրոցները համաշխարհային դասական գրականության և ազգային գրականությունների համատեքստում. ՀՀ ԳԱԱ Մ․ Աբեղյանի անվան գրականության ինստիտուտ, 2024. https://doi.org/10.54503/978-5-8080-1557-9-52.

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This article is devoted to the analysis of several significant texts of French aesthetic thought of the 1670s, in which the corpus of ideas that received the designation of “Classicism” in the middle of the XIXth century was embodied: “Les entretiensd’Ariste et d’Eugène” by Dominique Bouhours, 1671; “L’art poétique” by Nicolas Boileau- Despréaux, 1674; “Les réflexionssur la poétique de ce temps et sur les ouvrages des poètesanciens et modernes” by René Rapin, 1674; “Traité du poëmeépique” by René Le Bossu, 1675; etc.). The selected works created in the era of the so-called “Classicism of Louis
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Sousa, Alberto J. "Towards a Reinterpretation of the So-Called Brazialian Neo-Classical Architecture." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.22.

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Brazilian architectura d historians have identified in Brazilian architecture a style of classicist nature, adopted during the period ranging broadly from 1810, which has been regarded as the Brazilian version of European Neo-classicism – and therefore has been named Neo-classical – and as a language derived mainly from French models. The have said, at the same time, that the French architect Grandjean de Montigny (who lived in Rio de Janeiro from 18 16 until his death in 1850) was the main propagator of that style and also the most prominent of the designers who made use of it. A careful rese
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Sipovskaya, Natalia V. "Classicism in Russian Interiors of Historicism Period." In 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.020.

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Мазина, Юлия Ильинична, and Надежда Еновна Камзина. "CYCLICAL CHANGES IN THE ARCHITECTURE OF CLASSICISM, PHILOSOPHICAL AND CULTURAL ASPECTS." In Научные исследования в современном мире. Теория и практика: сборник статей всероссийской научной конференции (Вологда, Апрель 2023). Crossref, 2023. http://dx.doi.org/10.37539/230412.2023.30.65.005.

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В статье рассматриваются вопросы формообразования в архитектуре классицизма с точки зрения художественно-образных, композиционных и конструктивных факторов. Приводятся примеры базисных признаков гармонической архитектуры, определено их значение как статичных и динамичных элементов, формирующих основные художественно-эстетические признаки архитектуры классицизма. The article deals with the issues of shaping in the architecture of classicism from the point of view of artistic-figurative, compositional and constructive factors. Examples of the basic features of harmonic architecture are given, th
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Gonçalves, Clara Germana, and Maria João Dos Reis Moreira Soares. "Le Corbusier: architecture, music, mathematics: longing for classicism?" In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.791.

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Abstract: This paper aims to study the role of the relationships between architecture, music and mathematics in Le Corbusier's thought and work and their relevance in his reinterpretation of classical thinking. It seeks to understand to what extent working with this triad – a foundational and, up until the seventeenth century, dogmatic aspect of architecture in general and of its aesthetics in particular – expresses a will not to break with the fundamental and defining aspects of what could be considered as architectural thought rooted in classical tradition: that which is governed by the will
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Varakina, Galina. "CLASSICISM IN THE SYSTEM OF VALUES OF MODERN SOCIETY." In 6th SWS International Scientific Conference on Social Sciences ISCSS 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscss.2019.5/s26.002.

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Vulpe, Monica-Ioana. "Education Through Transition Between Classicism And Modernism Using Robotic Process Automation Technology." In 9th International Conference Edu World 2022 Education Facing Contemporary World Issues. European Publisher, 2023. http://dx.doi.org/10.15405/epes.23045.56.

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Gurevich, P. "The poetics of plastic arts images in canonical art world of Russian classicism." In XX International scientific and practical conference "Russian cultural space: language – mentality – understanding". LLC MAKS Press, 2020. http://dx.doi.org/10.29003/m1446.rcs_xx-2019/179-184.

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Reports on the topic "Classicism"

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McGinn, Bernard. The Meanings of the Millennium. Inter-American Development Bank, 1996. http://dx.doi.org/10.18235/0006225.

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Eggertsson, Gauti, and Cosimo Petracchi. Mr. Keynes and the “Classics”; A Suggested Reinterpretation. National Bureau of Economic Research, 2021. http://dx.doi.org/10.3386/w29158.

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Humanities Part 1: Literature Group Classics, Literature and Languages. Academy of Science of South Africa (ASSAf), 2015. http://dx.doi.org/10.17159/assaf/0021.

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Health hazard evaluation report: HETA-2002-0184-2888, Aero-Classics, Ltd., Huron, Ohio. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 2003. http://dx.doi.org/10.26616/nioshheta200201842888.

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