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Journal articles on the topic 'Classicism – england'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Terletska, D., and V. Shpagin. "Identification of the architectural style of the Red Building of the Taras Shevchenko National University of Kyiv for Landscape Design aims." Bulletin of Taras Shevchenko National University of Kyiv. Series: Biology 77, no. 1 (2019): 68–71. http://dx.doi.org/10.17721/1728_2748.2019.77.68-71.

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The article deals with the identification of terms that define the style of the Main Building of the Taras Shevchenko National University of Kyiv in domestic and foreign scientific literature, for their further use in the search for architectural analogues for the purposes of landscape design. Since the development of classics in architecture is characterized by heterogeneity in different countries and at different times, the study is based on an analysis of the periodization systems of development of the classical style adopted within domestic and foreign scientific schools. At the first stag

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2

van der Woude, Joanne. "Indians and Antiquity: Subversive Classicism in Early New England Poetry." New England Quarterly 90, no. 3 (2017): 418–41. http://dx.doi.org/10.1162/tneq_a_00626.

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Two exceptional colonial poems, Thomas Morton's version of the events around his Maypole at Merrymount and Benjamin Tompson's epics on King Philip's War, are heavily classical, especially in their descriptions of Native Americans. The essay examines the advantages that the use of classical comparisons have over the more common tropes of Biblical typology.

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Pears, Richard. "Battle of the Styles? Classical and Gothic Architecture in Seventeenth-Century North-East England." Architectural History 55 (2012): 79–110. http://dx.doi.org/10.1017/s0066622x0000006x.

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Research over the last twenty years into seventeenth-century elite British architecture has questioned the view that Classical designs were the preserve of a narrow group of royal and aristocratic patrons at the Stuart court, and also that Inigo Jones was a ‘lonely genius’ misunderstood in his own lifetime but prophesizing the true Classicism that was to bloom in the eighteenth century.The role of patrons in defining architectural styles has also been analysed, and it has been noted that Classicism was not the only style they favoured. For earlier historians, a perception that Classical archit

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4

Jordan, Elizabeth T. "Inigo Jones and the Architecture of Poetry*." Renaissance Quarterly 44, no. 2 (1991): 280–319. http://dx.doi.org/10.2307/2862711.

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Architecture in England Remained a fledgling science until Inigo Jones's Italianate classicism burst forth in London in the first decades of the seventeenth century. His 1622 Banqueting House at Whitehall with its masterful double-cube interior astounded Londoners accustomed to the rabbit warren of Elizabethan apartments making up the surrounding Whitehall Palace; its rhythmic, subtly articulated marble façade clashed with the eclectic exteriors of neighboring buildings.

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5

Mocevičius, Albinas. "KLASICISTINIO STILIAUS PARKŲ MENO TENDENCIJOS BEI RAIDA EUROPOJE IR LIETUVOJE." JOURNAL OF ARCHITECTURE AND URBANISM 33, no. 3 (2009): 173–82. http://dx.doi.org/10.3846/13921630.2009.33.173-182.

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This paper discusses the development and tendencies of classicism-style park art at the end of the 17th and the beginning of the 19th c in Europe and Lithuania. Major attention is paid to general reasons of the appearance of classicism style, its special features and changes which were visible after contradictorily estimated epoch of baroque. On the basis of general features and planned and spatial structure of park ensembles in classicism of that time in such European countries as France, England, Germany, Russia and Poland, the author attempts to find correlations and special features in Lit

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Smylitopoulos, Christina. "Then and Now: Collecting and Classicism in Eighteenth-Century England by Joan Coutu." University of Toronto Quarterly 87, no. 3 (2018): 424–26. http://dx.doi.org/10.3138/utq.87.3.89.

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7

Ternova, Maryna. "Outlines of theoretical and practical parity in the legacy of Joseph Addison." Culturology Ideas, no. 21 (1'2022) (2021): 69–77. http://dx.doi.org/10.37627/2311-9489-21-2022-1.69-77.

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The article analyzes the situation in the scientific and artistic space of England in the transition period from classicism to the Enlightenment on the example of the legacy of Joseph Addison - a famous English writer, esthetician and politician. It was J. Addison who belonged to those intellectuals of his time who perceived, positively evaluated and - within their own capabilities - contributed to the "entry" of certain enlightenment ideas into the research space of the time. On the one hand, they significantly expanded the ideas of his contemporaries about the potential of aesthetic knowledg

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STEWART, LOUISE. "SOCIAL STATUS AND CLASSICISM IN THE VISUAL AND MATERIAL CULTURE OF THE SWEET BANQUET IN EARLY MODERN ENGLAND." Historical Journal 61, no. 4 (2018): 913–42. http://dx.doi.org/10.1017/s0018246x1700053x.

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AbstractAround 1520, at the court of Henry VIII of England, a new meal type emerged. Called the ‘banquet’, this took place after the main meal, in a distinct space, and consisted of sweet foods, spiced wine, and sculptural sugarwork. Originally developing at court, the sweet banquet was quickly embraced by the nobility and gentry. This article investigates the adoption of this dining practice in the wealthy country houses of early modern England and the reasons for its popularity in this specific context. It draws on state papers, published works, and household accounts to establish the ways i

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Groznov, O. D. "The Transformation of Classical Order in John Soane’s Architecture." Art & Culture Studies, no. 1 (2021): 86–103. http://dx.doi.org/10.51678/2226-0072-2021-1-86-103.

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The article provides a new approach to study the oeuvre of an architect-neoclassicist Sir John Soane. This approach is concerned to an original interpretation of architectural order by Soane. Studying the metamorphosis of classical order in Soane’s architecture can help to understand the evolution and particularity of Soane’s individual style and also to define the specific place of this style in the neo-classicist movement. The article describes the development of the architectural order in England (since the 16th century to the beginning of the 19th century) and some specific features of the

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Karyakina, Tatyana Dmitrievna. "Portrait in Western European porcelain of the XVIII century." Исторический журнал: научные исследования, no. 5 (May 2021): 9–20. http://dx.doi.org/10.7256/2454-0609.2021.5.36215.

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This article is dedicated to portrait images in Western European porcelain of the XVIII century. Research is conducted on the works created in various European countries, such as Germany (Meissen), France (Sevres), Austria (Vienna), and England (Wedgwood Pottery Manufactory). Prominent masters of porcelain &ndash;Kendler, Boizot, Grassi &ndash; are the authors of the portraits. Sculptural portrait images of August III &ndash; painter of the court of the French Queen Marie Antoinette and the Holy Roman Emperor Joseph II are notable for exquisite artistic merit. The article reviews p

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Turner, Frank M. (Frank Miller). "Nationalism and Classicism: The Classical Body as National Symbol in Nineteenth-Century England and France (review)." Victorian Studies 43, no. 1 (2000): 150–51. http://dx.doi.org/10.1353/vic.2000.0128.

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12

Radford, Dennis, and Douglas Cawthorne. "Unlocking Lutyens: a gateway to the hidden legacy of John Pell and Sir Christopher Wren." Architectural Research Quarterly 12, no. 1 (2008): 69–85. http://dx.doi.org/10.1017/s1359135508000948.

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The work and the life of the English architect Sir Edwin Landseer Lutyens (1869–1944) have been extensively documented over the past hundred years and clearly show a career with at least two phases. The first is characterised by the design of private country houses in the Arts and Crafts style and, in collaboration with the horticulturalist Gertrude Jekyll, the development of their gardens. The second begins around 1900 and reflects a shift towards Neo-Classicism, initially in country houses and later in a wider range of larger public buildings and monuments both in England and abroad. Lutyens

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Cherepennikova, Margarita. ". Goethe, Walter Scott, Manzoni and and Italian Romantics. Traditions of Historical Literature." Philology & Human, no. 4 (December 13, 2024): 50–66. https://doi.org/10.14258/filichel(2024)4-04.

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The article deals with the traditions in the genres of historical poem, drama, novel, considered within the works by Goethe, Scott, Manzoni and romantic writers of Italy of the I century. The problem of historical genres development is studied in the context of the change of aesthetic paradigms of Classicism and omanticism. The novelty of the research is determined by the importance of Goethe heritage in the formation of literary and historical concepts of the English novelist W. Scott and the Italian writer . Manzoni, the author of the novel The Betrothed, which became a sample of historical

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Tsoumas, Johannis, and Paraskevi Kertemelidou. "Designers, makers, influencers: the contribution of William Halfpenny and Thomas Chippendale to the development English Chinoiserie furniture design." Res Mobilis 13, no. 18 (2024): 23–39. http://dx.doi.org/10.17811/rm.13.18.2023.23-39.

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The term Chinoiserie, i.e. the tendency to incorporate elements of Chinese culture into European art and architecture, redefined the concept of style in seventeenth-century France and influenced the aesthetic formation of European arts and design in the century that followed. The term became particularly popular in England, as it was also associated with the need for renewal after the excessive ornamentation, elaborate symbolism and intense theatricality of Baroque, as well as the aesthetic and ideological perfection of Classicism. As early as the first half of the eighteenth century, the arch

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15

Taylor, Stephen. "Sir Robert Walpole, the Church of England, and the Quakers Tithe Bill of 1736." Historical Journal 28, no. 1 (1985): 51–77. http://dx.doi.org/10.1017/s0018246x00002211.

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The Church of England has received little attention either as an issue or as a force in mid-eighteenth-century politics. The contrast with the immediate post-revolutionary decades, when the Church and churchmen were at the centre of political debate, is striking. This development has been explained in terms of the achievement of political stability, one manifestation of which was the transition from the whig–tory dichotomy of the reign of Anne into a court–country one by 1725, with the issues dividing the two parties losing both ideological and political significance. Among the debates which w

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16

Shvidkovsky, Dmitry. "The Architecture of the Enlightenment and the Birth of Modernity: from the High Baroque to Late Classicism." Scientific and analytical journal Burganov House. The space of culture 16, no. 3 (2020): 21–46. http://dx.doi.org/10.36340/2071-6818-2020-16-3-47-60.

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The article is devoted to the architecture of the Enlightenment in a broad sense. The author is convinced that this period is the time of the beginning of Modernity, the birth of the Early Modern Times architecture. He thinks that the cycle of the development of humanity, which architecture has been expressing most clearly of all other arts since the 17th century - the epoch of the English Revolution, has not ended yet. The ideas developed at that time continue to exist in our minds. They are still actual for contemporary architecture, developing it and solving the problems established at our

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17

Buck, Pamela. "Joan Coutu. Then and Now: Collecting and Classicism in Eighteenth-Century England. Montreal: McGill-Queen's University Press, 2015. Pp. 340. $100.00 (cloth)." Journal of British Studies 55, no. 3 (2016): 601–2. http://dx.doi.org/10.1017/jbr.2016.38.

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18

Findlay, Michael. "So High you can't get over it: Neo-classicism, Modernism and Colonial Practice in the forming of a Twenieth Century Architectural Landmark." Architectural History Aotearoa 3 (October 30, 2006): 7–19. http://dx.doi.org/10.26686/aha.v3i.6795.

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Amyas Connell (1901-80) was a New Zealand architect and a leading figure in British modernism. His first commission, High and Over (1929-31) for the archaeologist and classical scholar Bernard Ashmole was described as the first fully worked out modernist house built in England. The project drew attention from a wide range of architectural critics including Howard Robertson and the Country Life writer Christopher Hussey. A short film entitled The House of a Dream made by British Pathé ensured the house was seen by the large cinema audience in 1931. High and Over became more contentious over tim

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19

Turner, Frank M. "BOOK REVIEW: Athena S. Leoussi.NATIONALISM AND CLASSICISM: THE CLASSICAL BODY AS NATIONAL SYMBOL IN NINETEENTH-CENTURY ENGLAND AND FRANCE. New York: St. Martin's Press, 1998." Victorian Studies 43, no. 1 (2000): 150–51. http://dx.doi.org/10.2979/vic.2000.43.1.150.

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20

Connor, Steven, Johannes Hedberg, Sarah Wintle, et al. "Reviews and notices." Moderna Språk 85, no. 1 (1991): 84–112. http://dx.doi.org/10.58221/mosp.v85i1.10417.

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Includes the following reviews: pp. 84-86. Steven Connor. Zadworna-Fjellestad, D. & Björk, L. (eds), Criticism in the Twilight Zone: Postmodern Perspectives on Literature and Politics. pp. 86-87. Johannes Hedberg. Allen, R.E. (ed), The Concise Oxford Dictionary of Current English (8th ed). pp. 88-89. Sarah Wintle. Thurin, E.I., The Humanization of WIlla Cather: Classicism in an American Classic. pp. 89-90. Christopher Murray. Pine, R., Brian Friel and Ireland's Drama. pp. 91-92. Jeffrey S. Miller. Buxton, D., From The Avengers to Miami Vice: Form and Ideology

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21

Murray, Oswyn. "CLASSICS IN ENGLAND." Classical Review 50, no. 1 (2000): 256–59. http://dx.doi.org/10.1093/cr/50.1.256.

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22

Contogouris, Ersy. "Joan Coutu, Then and Now : Collecting and Classicism in Eighteenth-Century England, Montreal & Kingston : McGill-Queen’s University Press, 2015, 340 pp., 16 col. + 80 b/w illus., $ 77, Cloth & eBook, isbn 9780773545434." RACAR : Revue d'art canadienne 41, no. 2 (2016): 125. http://dx.doi.org/10.7202/1038077ar.

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23

Walsh, Hannah. "Bristol Classics Hub – reflections on the first year." Journal of Classics Teaching 18, no. 36 (2017): 37–39. http://dx.doi.org/10.1017/s2058631017000228.

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The Bristol Classics Hub was set up in September 2016 to promote and support the teaching of classical subjects in state schools in the South West of England. Funded by Classics for All and the Institute of Greece, Rome and the Classical Tradition and delivered in partnership with the University of Bristol, the hub aims to widen access to Classics by offering a powerful and stable focus for regional development.

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24

Acostová, Anna. "Development of the garden design of 18th century in Sankt Petersburg and comparison with main European patterns." Acta Universitatis Agriculturae et Silviculturae Mendelianae Brunensis 55, no. 1 (2007): 185–94. http://dx.doi.org/10.11118/actaun200755010185.

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The 18th century was the period when the Russian empire started to open to the western culture. The economic and cultural development of this country started after the reforms of the emperor Petr I. Large number of the imperial palaces where built after the foundation of Santk Petersburg in 1703. Peter I was a big admirer of the western culture, his knowledge about it increased during two visits through Europe. Therefore, the formal gardens and baroque palaces built during the reign of Peter the Great are called Peter’s baroque.Until 1715 were all Russian gardens influenced by the Holland patt

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Buhaievskyi, Sergiy, Lyudmila Haponova, Olga Nazarko, and Volodymyr Buhaievskyi. "History of bridge architecture to the XVIIIth century." Bulletin of Kharkov National Automobile and Highway University, no. 107 (December 26, 2024): 100. https://doi.org/10.30977/bul.2219-5548.2024.107.0.100.

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Abstract. Problem. Bridge construction and the warehouse history development of lighting architecture and living technology. The contribution to the material from this diet was based on the close interconnection of the design and the artistic appearance of the material. The history of the bridge development construction is laid out in the context of the foreign cultural and technical level of the analyzed era. Knowledge of the architectural design basics expands the professional and secluded look of future fachists, the creative taste of art, encourages developers to create constructively and

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26

Case, Alice, and Maria Haley. "Classics for All North. The view from Liverpool." Journal of Classics Teaching 21, no. 42 (2020): 86–87. http://dx.doi.org/10.1017/s2058631020000549.

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In June 2019 the Classics for All Hubs in the North of England (Blackpool, Liverpool, Durham/North-East England and Manchester/Leeds) met together in Leeds and agreed to combine our forces, rebranding ourselves as Classics for All North. The intention was to create a stronger presence in the North for schools and teachers of classical subjects and to share events and planning. We now have a combined Classics for All North website (https://classicsforallnorth.org.uk/) and social media presence (Twitter handle @ClassicsNorth, Instagram @CfANorth), we produce a combined quarterly newsletter and,

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27

Stapleton, Julia. "Ernest Barker: Classics, England-Britain, and Europe, 1906–1960." Polis: The Journal for Ancient Greek Political Thought 23, no. 2 (2006): 203–21. http://dx.doi.org/10.1163/20512996-90000093.

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Ernest Barker’s contributions to the study of classical political thought have remained a benchmark in that field for much of the twentieth century. This introduction seeks to place his output in historical context, examining the professional, political and personal factors which underpinned his success as an interpreter of Plato and Aristotle, especially. It considers his education, the popular nature of his work, his ambiguous relationship to the establishment, his English-British patriotism, his European connections and perspective, his dual career as a scholar and journalist, and his liber

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28

Bennett, Kristen Abbott. "Orgel, Stephen. Wit’s Treasury: Renaissance England and the Classics." Renaissance and Reformation 45, no. 2 (2022): 338–40. http://dx.doi.org/10.33137/rr.v45i2.39789.

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29

Stray, Christopher A. "Culture and discipline: Classics and society in Victorian England." International Journal of the Classical Tradition 3, no. 1 (1996): 77–85. http://dx.doi.org/10.1007/bf02676905.

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30

Calder, William M., and Christopher Stray. "Classics Transformed: Schools, Universities, and Society in England, 1830-1960." Classical World 93, no. 1 (1999): 109. http://dx.doi.org/10.2307/4352376.

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31

Selitrina, T. "Sergei Aksakov in England (on the problem of national identity)." Philology and Culture, no. 2 (June 25, 2024): 199–204. http://dx.doi.org/10.26907/2782-4756-2024-76-2-199-204.

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The article presents the assessment of S. Aksakov’s artistic heritage by English critics and writers. We prove that the Russian writer unites European cultures by using universal content. Along with the classics of Russian literature – I. Turgenev, L. Tolstoy and F. Dostoevsky, S. Aksakov’s prose has worldwide significance. The year 1991 was declared by UNESCO the Year of Sergei Aksakov. Aksakov’s “The Family Chronicle” was translated into German by Sergei Rachinsky and was highly praised by A. Herzen. After James Duff translated Aksakov’s trilogy into English, the writer, along with Turgenev,

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32

Ponce, Francisco A., and Andres M. Lozano. "Highly cited works in neurosurgery. Part II: the citation classics." Journal of Neurosurgery 112, no. 2 (2010): 233–46. http://dx.doi.org/10.3171/2009.12.jns091600.

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Object The term “citation classic” has been used in reference to an article that has been cited more than 400 times. The purpose of this study is to identify such articles that pertain to clinical neurosurgery. Methods A list of search phrases relating to neurosurgery was compiled. A topic search was performed using the Institute for Scientific Information Web of Science for phrases. Articles with more than 400 citations were identified, and nonclinical articles were omitted. The journals, year of publication, topics, and study types were analyzed. Results There were 106 articles with more tha

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33

Abrams, Lesley, and C. J. Arnold. "From Roman Britain to Saxon England." Classical World 80, no. 4 (1987): 324. http://dx.doi.org/10.2307/4350049.

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Walas, Anna H. "4. NORTHERN ENGLAND." Britannia 52 (November 2021): 397–407. http://dx.doi.org/10.1017/s0068113x21000374.

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Wilson, Pete. "4. NORTHERN ENGLAND." Britannia 47 (September 13, 2016): 303–18. http://dx.doi.org/10.1017/s0068113x16000349.

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Collins, Rob. "4. NORTHERN ENGLAND." Britannia 49 (September 13, 2018): 347–55. http://dx.doi.org/10.1017/s0068113x18000338.

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Collins, Rob. "4. NORTHERN ENGLAND." Britannia 50 (August 27, 2019): 420–28. http://dx.doi.org/10.1017/s0068113x19000382.

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Collins, Rob. "4. NORTHERN ENGLAND." Britannia 51 (September 16, 2020): 397–406. http://dx.doi.org/10.1017/s0068113x20000410.

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Walas, Anna H. "4. NORTHERN ENGLAND." Britannia 53 (November 2022): 421–40. http://dx.doi.org/10.1017/s0068113x22000411.

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Walas, Anna H. "4. NORTHERN ENGLAND." Britannia 54 (November 2023): 349–60. http://dx.doi.org/10.1017/s0068113x23000296.

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Walas, Anna H. "ENGLAND 3. HADRIAN'S WALL." Britannia 52 (November 2021): 395–96. http://dx.doi.org/10.1017/s0068113x21000362.

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Wild, Felicity, and David Shotter. "Roman North-West England." Britannia 17 (1986): 468. http://dx.doi.org/10.2307/526576.

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RCHME. "Excavations and Roman England." Britannia 26 (1995): 315. http://dx.doi.org/10.2307/526886.

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Jones, G. D. B., H. Welfare, and V. Swan. "Roman Camps in England." Britannia 27 (1996): 489. http://dx.doi.org/10.2307/527079.

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Wilson, Pete. "ENGLAND 3. HADRIAN'S WALL." Britannia 47 (September 13, 2016): 298–302. http://dx.doi.org/10.1017/s0068113x16000337.

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Collins, Rob. "ENGLAND 3. HADRIAN'S WALL." Britannia 49 (September 24, 2018): 342–47. http://dx.doi.org/10.1017/s0068113x18000326.

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Collins, Rob. "ENGLAND 3. HADRIAN'S WALL." Britannia 50 (August 27, 2019): 416–19. http://dx.doi.org/10.1017/s0068113x19000370.

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Collins, Rob. "ENGLAND 3. HADRIAN'S WALL." Britannia 51 (September 16, 2020): 395–97. http://dx.doi.org/10.1017/s0068113x20000409.

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Walas, Anna H. "ENGLAND 3. HADRIAN'S WALL." Britannia 53 (November 2022): 410–20. http://dx.doi.org/10.1017/s0068113x2200040x.

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Walas, Anna H. "ENGLAND 3. HADRIAN'S WALL." Britannia 54 (November 2023): 341–49. http://dx.doi.org/10.1017/s0068113x23000284.

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