Relevant bibliographies by topics / Classicisme (architecture)

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Classicisme (architecture)'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Classicisme (architecture)"

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Moignet-Gaultier, Anne. "Le relevé de la ligne en architecture et l’idée de classicisme grec." Journal des savants 2, no. 1 (2009): 173–209. http://dx.doi.org/10.3406/jds.2009.5896.

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Gerasimov, A. P., and M. I. Korzh. "The influence of classicism on urban planning in West Siberia." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 23, no. 3 (2021): 81–97. http://dx.doi.org/10.31675/1607-1859-2021-23-3-81-97.

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The of direction and style terms are of great importance in architecture and art history. The same names may have sometimes a completely different meaning. Classicism as one of the main trends in world architecture and art is now quite freely interpreted by different authors, which results in inaccurate definitions of architectural style of an object and the time of its construction. All this creates certain difficulties in studying not only historical buildings, but also their restoration or reconstruction.The article raises several questions related to the direction style. The first is the o
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Terletska, D., and V. Shpagin. "Identification of the architectural style of the Red Building of the Taras Shevchenko National University of Kyiv for Landscape Design aims." Bulletin of Taras Shevchenko National University of Kyiv. Series: Biology 77, no. 1 (2019): 68–71. http://dx.doi.org/10.17721/1728_2748.2019.77.68-71.

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The article deals with the identification of terms that define the style of the Main Building of the Taras Shevchenko National University of Kyiv in domestic and foreign scientific literature, for their further use in the search for architectural analogues for the purposes of landscape design. Since the development of classics in architecture is characterized by heterogeneity in different countries and at different times, the study is based on an analysis of the periodization systems of development of the classical style adopted within domestic and foreign scientific schools. At the first stag
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Babinovich, N. U., and E. V. Sitnikova. "CLASSICISM IN HOUSING DEVELOPMENT IN EUROPEAN RUSSIA AND SIBERIA." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, no. 2 (April 29, 2019): 9–23. http://dx.doi.org/10.31675/1607-1859-2019-21-2-9-23.

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The article discusses the general trends in the development of classicism in the architecture of Russia and Siberia. Prerequisites for this development are studied and the examples of famous architectural monuments and the main styles are given. The relevance of this study is conditioned by the problems of preserving historic buildings in Russia and the loss of valuable building elements. Classical architecture is characterized by strict forms widely adopted in the 19th century. For a long time, it was recognized as a background housing and was destructed in the Soviet period. At present, thes
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Tatla, Helen. "Classical architecture in the scope of Kantian aesthetics: Between Lyotard and Rancière." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 487–500. http://dx.doi.org/10.5937/saj1903487t.

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Classical architecture's inherent potentiality to constitute the principal architectural expression of western culture since Greek antiquity is due to its dual character: although it comes out from the primordial unity of things expressed by myth and religion in archaic times, it acquires its form of completion in the fifth c. BC, as a symbol of democracy and a harmonic articulation of the world on the ground of philosophical thinking. By placing the avant-guard art in the sphere of the Kantian sublime, Jean-Francois Lyotard focuses on the impossibility of an absolute relation between reason a
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Babinovich, N. U., and E. V. Sitnikova. "Classicism and city planning in Russia and Siberia." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 22, no. 3 (2020): 23–36. http://dx.doi.org/10.31675/1607-1859-2020-22-3-23-36.

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The paper considers the general trends in classicism and city planning in Russia and Siberia. The prerequisites for the classicism development are studied on the example of the famous architectural monuments; the main style characteristics are considered. This study concerns the problems of preserving historic buildings in the cities of Russia and the loss of valuable building elements. Classical architecture offers simple clean design widely used in the 19th century and recognized as a background building in all cities of the country. It was most of all subject to destruction during the Sovie
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Starodubtscev, Oleg V. "Philosophical Ideas of the Romanticism and Russian Ecclesiastical Architecture of the 19th Century." Observatory of Culture, no. 5 (October 28, 2015): 49–51. http://dx.doi.org/10.25281/2072-3156-2015-0-5-49-51.

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The article considers philosophical views of the Romanticism regarding the Russian ecclesiastical architecture of the 19th century. Resting upon some paradigmatic architectural research, the author demonstrates principal features of the ecclesiastical architecture evolution in particular, to which it is sometimes impossible to apply common for the architecture of the 19th century in general rules and regularities. Among other things, the following thesis is proposed: the Romanticism is not the first stage of the Eclecticism but a natural continuation of the Classicism. Moreover, in the ecclesi
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Remizova, Olena, та Natalya Novak. "Dialogue of epochs in postmodern urban planning concepts of the late ХХth and early ХХIst centuries". Budownictwo i Architektura 17, № 4 (2019): 067–75. http://dx.doi.org/10.24358/bud-arch_18_174_07.

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The postmodern architecture of the last third of the XX century saw a steady tendency of appealing to classical heritage aimed at combining modern technologies and historical associations with classical architecture. The work considers postmodern urban planning concepts of the late XX-the beginning of ХХI centuries. Methods of interpreting the order system in the architecture of postmodernism are analyzed by comparing such theoretical concepts as R. Bofi ll›s industrial classicism, the new urbanism of L. and R. Krier, the theory of the city by Aldo Rossi. Architects postmodernists searching fo
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Pears, Richard. "Battle of the Styles? Classical and Gothic Architecture in Seventeenth-Century North-East England." Architectural History 55 (2012): 79–110. http://dx.doi.org/10.1017/s0066622x0000006x.

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Research over the last twenty years into seventeenth-century elite British architecture has questioned the view that Classical designs were the preserve of a narrow group of royal and aristocratic patrons at the Stuart court, and also that Inigo Jones was a ‘lonely genius’ misunderstood in his own lifetime but prophesizing the true Classicism that was to bloom in the eighteenth century.The role of patrons in defining architectural styles has also been analysed, and it has been noted that Classicism was not the only style they favoured. For earlier historians, a perception that Classical archit
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Di Mambro, Rebecca. "James Smith at Hamilton: a Study in Scottish Classicism." Architectural History 55 (2012): 111–43. http://dx.doi.org/10.1017/s0066622x00000071.

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Despite the revived attention that James Smith's (c. 1645–1731) career has received since Howard Colvin's 1974 study of his Palladian drawings, his life and his work remain stubbornly enigmatic. An architect working in late seventeenth-century Scotland, Smith was a member of the Scots College of Rome before renouncing his Catholic faith and devoting himself to the creation of some of the country's most important architecture of the post-Restoration period. A scarcity of concrete evidence about his European architectural training contributes to his mystique, though progressive movements in the
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Dissertations / Theses on the topic "Classicisme (architecture)"

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Dotte, Isabelle. "Architectures balnéaires à Arcachon. Du néo classicisme aux prémices de l'art nouveau." Thesis, Pau, 2018. http://www.theses.fr/2018PAUU1034/document.

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Par tradition, les habitants de La Teste se baignaient depuis bien longtemps sur la plage d’Arcachon, où, dès le début du XIXe siècle, une cabane de résinier fut louée à des « estrangers » ayant osé s’aventurer sur ces rives inconnues. Il fallut attendre les années 1820 pour que les premiers hébergements liés aux bains de mer soient mis en place. Leurs constructions répondaient aux codes néo-classiques, conformes aux pratiques architecturales de l’époque. Les premiers « chalets », influencés par ce style, surent, néanmoins apporter quelques particularités. Mais ce ne fut qu’avec l’invention de
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Gaillard, Béatrice. "Les Franque : une dynastie d’architectes avignonnais au XVIIIe siècle." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040276.

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Issus d’une longue lignée de maîtres maçons et d’entrepreneurs, les architectes Jean-Baptiste Franque (1658-1758) et ses deux fils, François II (1710-1793) et Jean-Pierre (1718-1810), furent particulièrement actifs durant tout le XVIIIe siècle à Avignon, dans le Comtat Venaissin, mais aussi en Provence, en Languedoc et dans le Vivarais. Après des études à l’Académie de France à Rome, François II Franque devait connaître une brillante carrière à Paris et en province où il fut employé à de nombreuses reprises par les bénédictins mauristes.Cette étude monographique s’intéresse à la formation, à l
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Jacquemart, Jean-Pierre. "L'architecture comtoise au second seizième siècle : classicisme renaissant et maniérisme." Besançon, 1995. http://www.theses.fr/1995BESA1036.

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Apres les devastations de 1479, la reconstruction des cites comtoises s'inspire longtemps des schemas medievaux. A partir de 1522-1525, l'esthetique renaissante penetre en franche-comte, grace a l'impulsion de notables, proches de marguerite d'autriche. L'edification du palais granvelle a besancon, en 1534, s'inscrit encore dans la ligne du quattrocento. Des 1560, s'effectue dans le nord de la province, puis a dole, l'emergence de la sensibilite artistique nee de la rencontre entre le modele bisontin et les realisations de dijon, langres et du pailly. Vers 1575, le long regne des le rupt a dol
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Taillard, Christian. "Victor Louis, 1731-1800 : le triomphe du goût français à l'époque néo-classique /." Paris : PUPS, 2008. http://catalogue.bnf.fr/ark:/12148/cb41415555c.

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Gady, Alexandre. "Jacques Lemercier (avant 1586-1654) : architecte et ingénieur du roi." Tours, 2001. http://www.theses.fr/2001TOUR2029.

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Dans le contexte monographique qui a permis de renouveler, ces deux dernières décennies, nos connaissances de l'architecture française du XVIIe siècle, il restait à étudier une figure majeure du "siècle de Louis XIII" : Jacques Lemercier. Comme ses contemporains François Mansart, Pierre Le Muet et Louis Le Vau, celui-ci appartient en effet à une période charnière où les multiples changements et innovations obligent à fixer le plus précisément possible la place de chacun. Fils d'un maître maçon d'envergure, né à Pontoise, Lemercier a fait une carrière exceptionnelle. Après une longue formation
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Potay, Corinne. "L'architecture de l'âge classique à Nîmes : fin XVIème siècle-finXVIIIème siècle." Lyon 2, 1991. http://www.theses.fr/1991LYO20059.

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L'architecture du midi de la France présente des faciès très variés d'une localité à l'autre. Chaque ville a conservé ses spécificités à travers les mutations des 17e et 18e siècles, intégrant à sa manière les innovations esthétiques et architecturales de l'"âge classique". L'originalité des formules mises en œuvre a Nîmes, et le fait qu'elles n'avaient pas été étudiées auparavant, justifiaient donc une approche monographique à l'échelle de la ville. Cette étude est basée sur un inventaire photographique, descriptif et historique des immeubles, églises, et édifices publics. La présentation du
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Brucculeri, Antonio Poulot Dominique. "Louis Hautecoeur et l'architecture classique en France : du dessein historique à l'action publique /." Paris : Picard, 2007. http://catalogue.bnf.fr/ark:/12148/cb41164013b.

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Texte remanié de: Thèse de doctorat--Urbanisme--Paris 8, 2002. Titre de soutenance : L'architecture classique en France et l'approche historique de Louis Hautecoeur : sources, méthodes et action publique.<br>Bibliogr. p. 360-390. Notes bibliogr. Index.
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Hartmann, Claudia. "Das Schloss Marly : eine mythologische Kartause : Form und Funktion der Retraite Ludwigs XIV /." Worms : Werner Verl, 1995. http://catalogue.bnf.fr/ark:/12148/cb35838025b.

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Thérien, Marie-France. "Le décor de l'Opéra Garnier : approche psychologique de l'architecture, entre classicisme et romantisme." Thesis, Université Laval, 2009. http://www.theses.ulaval.ca/2009/26563/26563.pdf.

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Hernu-Bélaud, Juliette. "De la planche à la page. Pierre Bullet et l’architecture en France sous Louis XIV." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040169.

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Le sort qui touche tous les architectes qui ont vécu et travaillé dans l’ombre de Jules Hardouin-Mansart semble ne devoir cesser qu’avec les monographies qui leur sont peu à peu consacrées. C’est le premier objectif de cette thèse. Pierre Bullet est en effet l’un de ces oubliés dont le rôle est difficilement saisissable à première vue. Il témoigne pourtant, par ses réalisations, par ses activités, et à travers son Architecture pratique, d’une évolution tant dans la manière de voir et de faire l’architecture, que dans les habitudes constructives. Cette étude s’attache à définir et à expliquer c
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Books on the topic "Classicisme (architecture)"

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Liane, Lefaivre, and Bilodeau Denis, eds. Le classicisme en architecture: La poétique de l'ordre. Dunod, 1985.

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Castex, Jean. Renaissance baroque et classicisme: Histoire de l'architecture, 1420₋1720. Hazan, 1990.

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Victoir, J. Henri Beyaert: Du classicisme à l'art nouveau. Editions de la Dyle, 1992.

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Escribe, Dominique. Eglises de Nice, du néo-classicisme à l'art déco. Ville de Nice, Direction de la culture, 2001.

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Greenhalgh, Michael. What is classicism? Academy Editions, 1990.

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Wolf, Koenraad de. Barok, Rococo & Classicisme, 1625-1800: Met een addendum over 1000 jaar heren van Leeuwergen. Marnixring Sotteghem, 2001.

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Ledoux, maître à penser des architectes russes: Du classicisme au postmodernisme, XVIIIe-XXe siècle. Éditions du patrimoine, Centre des monuments nationaux, 2010.

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The architecture and planning of classical Moscow: A cultural history. American Philosophical Society, 1989.

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The lost meaning of classical architecture: Speculations on ornament from Vitruvius to Venturi. MIT Press, 1988.

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Newenham, Summerson John. The Architecture of the Eighteenth Century. Thames and Hudson, 1986.

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Book chapters on the topic "Classicisme (architecture)"

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Zweers, G. A. "Greek Classicism in Living Structure? Some Deductive Pathways in Animal Morphology." In Architecture in Living Structure. Springer Netherlands, 1985. http://dx.doi.org/10.1007/978-94-009-5169-3_12.

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Werning, Markus. "Synchrony and Composition: Toward a Cognitive Architecture between Classicism and Connectionism." In Foundations of the Formal Sciences II. Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-017-0395-6_19.

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"Classicism." In The Visual Dictionary of Architecture. AVA Publishing SA Bloomsbury Publishing Plc, 2008. http://dx.doi.org/10.5040/9781350096462.0069.

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"Classicisms." In Art and Architecture of Ireland Volume III: Sculpture 1600-2000. Royal Irish Academy, 2014. http://dx.doi.org/10.3318/978-1-908996-64-0.classicisms.

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CHITHAM, ROBERT. "CHARACTERISTICS OF CLASSICISM." In The Classical Orders of Architecture. Elsevier, 1985. http://dx.doi.org/10.1016/b978-0-85139-779-5.50047-1.

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Abramson, Daniel M. "Commercialization and backlash in late Georgian architecture." In Articulating British Classicism. Routledge, 2017. http://dx.doi.org/10.4324/9781315096841-6.

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"National Socialism, Classicism, and Architecture." In Brill’s Companion to the Classics, Fascist Italy and Nazi Germany. BRILL, 2017. http://dx.doi.org/10.1163/9789004299061_016.

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Robertson, James. "Architectures of confidence?: Spanish Town, Jamaica, 1655–1792." In Articulating British Classicism. Routledge, 2017. http://dx.doi.org/10.4324/9781315096841-9.

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"VI. Classicism Fulfilled." In The Architecture of the Roman Empire, Volume II: An Urban Appraisal. Yale University Press, 1988. http://dx.doi.org/10.37862/aaeportal.00121.008.

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Watts, Carol. "A ‘Rarie-shew System of Architecture’: Bath and the cultural scenography of Palladianism." In Articulating British Classicism. Routledge, 2017. http://dx.doi.org/10.4324/9781315096841-5.

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Conference papers on the topic "Classicisme (architecture)"

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Sousa, Alberto J. "Towards a Reinterpretation of the So-Called Brazialian Neo-Classical Architecture." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.22.

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Brazilian architectura d historians have identified in Brazilian architecture a style of classicist nature, adopted during the period ranging broadly from 1810, which has been regarded as the Brazilian version of European Neo-classicism – and therefore has been named Neo-classical – and as a language derived mainly from French models. The have said, at the same time, that the French architect Grandjean de Montigny (who lived in Rio de Janeiro from 18 16 until his death in 1850) was the main propagator of that style and also the most prominent of the designers who made use of it. A careful rese
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Gonçalves, Clara Germana, and Maria João Dos Reis Moreira Soares. "Le Corbusier: architecture, music, mathematics: longing for classicism?" In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.791.

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Abstract: This paper aims to study the role of the relationships between architecture, music and mathematics in Le Corbusier's thought and work and their relevance in his reinterpretation of classical thinking. It seeks to understand to what extent working with this triad – a foundational and, up until the seventeenth century, dogmatic aspect of architecture in general and of its aesthetics in particular – expresses a will not to break with the fundamental and defining aspects of what could be considered as architectural thought rooted in classical tradition: that which is governed by the will
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Garcia Lammers, Federico, and Jessica Garcia Fritz. "The Dark God of Efficiency and the Economical Forms of Eladio Dieste." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.7.

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“Efficiency is the dark god to whom we sacrifice so many things”. Since the rise of the Industrial Revolution in the 18th century, “innovation as progress” became a mantra of industrialized societies. As new materials and the methods for making them emerged, architectural education shifted from an École des Beaux-Arts education rooted in the principles of classicism to an arts and crafts based education definitive of the Bauhaus. This shift allowed architecture students the opportunity to work with new materials such as iron, steel, and reinforced concrete. Throughout the 20th century, innovat
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