Relevant bibliographies by topics / Classicismo romano

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Classicismo romano'

Author: Grafiati
Published: 10 March 2023

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Journal articles on the topic "Classicismo romano"

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Lepri, Nicoletta. "Per una traduzione italiana delle Medidas del romano di Diego de Sagredo (1526)." Translationes 6, no. 1 (2014): 65–77. http://dx.doi.org/10.1515/tran-2015-0005.

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Abstract Le Medidas del romano, ‗Misure dell'edificio romano‘, sono un manuale per riprodurre proporzioni, ordini, modanature degli edifici antichi: il primo trattato architettonico scritto e pubblicato fuori d'Italia, nel 1526, da Diego de Sagredo (Burgos, 1490-Toledo, 1528 ca.). Basate sul Vitruvio latino di Giocondo da Verona, sulla volgarizzazione del Ciseriano, sul De re aedificatoria di Alberti, propongono il classicismo rinascimentale italiano come risorsa decorativa, non concettuale. Fra tante traduzioni, nessuna comparve in Italia, dove si rifuggí tale atteggiamento culturale, presto
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Kapp, Volker. "Baroque et classicisme dans la philologie romane de langue allemande." Dix-septième siècle 254, no. 1 (2012): 109. http://dx.doi.org/10.3917/dss.121.0109.

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Becq, Annie. "Les arts poétiques en France au XVIIIe siècle." Études littéraires 22, no. 3 (2005): 45–55. http://dx.doi.org/10.7202/500912ar.

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L'auteur définit les positions fondamentales de l'esthétique de Boileau comme «ouverture» et négation du système normatif (néoaristotélicien). L'incompréhension de cette esthétique et sa confusion avec une poétique normative à la La Harpe aboutirait à une diffamation du Stendhal «classiciste» et à une appréciation erronée de sa production de (fragments de) tragédies, comédies, épopées, considérée comme «ratée», et de sa production de «romans» et «contes» comme libération de la contrainte de l'esthétique classique. Or, Stendhal ne cessera jamais d'adhérer à l'esthétique innovatrice de Boileau,
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Schultz, Celia E. "Roman Sacrifice, Inside and Out." Journal of Roman Studies 106 (June 8, 2016): 58–76. http://dx.doi.org/10.1017/s0075435816000319.

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ABSTRACTThe ‘insider-outsider problem’ has had little impact on the study of religion in pre-Christian Rome. Classicists generally assume that the modern idea of sacrifice as the ritual killing of an animal applies to the Roman context. This study argues, however, that the apparent continuity is illusory in some important ways and that we have lost sight of some fine distinctions that the Romans made among the rituals they performed.Sacrificiumincluded vegetal and inedible offerings, and it was not the only Roman ritual that had living victims. Romansacrificiumis both less and more than the ty
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Davis, Peggy. "La quête de primitivisme ou le doute envers la civilisation." Études littéraires 37, no. 3 (2007): 117–44. http://dx.doi.org/10.7202/014107ar.

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Résumé Les Incas de Marmontel (1777) et Atala de Chateaubriand (1801) ont suscité dès leur parution une abondante imagerie. L’examen thématique d’une sélection d’estampes inspirées de ces deux romans révèle la construction d’un discours primitiviste sur la rencontre de l’Européen avec l’indigène américain. Au plan idéologique, les récits et les images soutiennent la critique de la mission civilisatrice et évangélisatrice, tandis que sur le plan esthétique, ils traduisent la crise du classicisme et son renouvellement thématique. Le corpus graphique inspiré des Incas et d’Atala se répartit en tr
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Williams, Craig A. "Greek love at Rome." Classical Quarterly 45, no. 2 (1995): 517–39. http://dx.doi.org/10.1017/s0009838800043597.

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It has long been a commonly held belief among classicists that traditional Romans frowned upon male homosexuality and associated it with the influence of Greek culture. There have always been exceptions to this belief, but when Paul Veyne published the following remarks in his 1978 article ‘La famille et l'amour sous le hautempire romain’, his views were quite heterodox:Il est faux que l'amour ‘grec’ soit, à Rome, d'origine grecque: comme plus d'une société méditerranéenne de nos jours encore, Rome n'a jamais opposé l'amour des femmes à celui des garçons: elle a opposé l'activité à la passivit
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Tognarelli, Chiara. "Sopravvivenze eroi(comi)che: l'edizione Vigo dei "Paralipomeni della Batracomiomachia" di Leopardi." AOQU (Achilles Orlando Quixote Ulysses). Rivista di epica 3, no. 2 (2022): 237–65. http://dx.doi.org/10.54103/2724-3346/19521.

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Nel 1869 Giuseppe Chiarini cura i Paralipomeni della Batracomiomachia per le edizioni di Francesco Vigo. Il libro costituisce un caso editoriale che consente di riflettere sulla ricezione del poemetto leopardiano e, più in generale, sulla perdurante vitalità del genere eroico ed eroicomico nella seconda metà dell’Ottocento: negli anni in cui il romanzo guadagna un ruolo egemonico nel sistema letterario italiano, un sodalizio di stampo classicista e ascendenza giordaniana – quello che lega Francesco Ambrosoli, Antonio Gussalli e Giuseppe Chiarini – difende l’epos, anche nella sua declinazione c
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Donoso, Isaac. "«Cabayong tabla: estudi i traducció d'un romanç filipí del regne de València (II)»." Revista de Literatura Medieval 29 (December 21, 2018): 13–40. http://dx.doi.org/10.37536/rpm.2017.29.0.69405.

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Resumen: Introducció a la conformació del romacer de tradició hispànica a les illes Filipines i la presència del Regne de València com espai literari en una literatura asiàtica. Al treball acompanya la descripció i traducció directa des del bicolà al valencià d’un dels principals romanços filipins que tracten del Regne de Valencia: Cabayong Tabla. Buhay ni Principe don Juan Asin ni Princesa Dña. Maria Sa Cahadean nin Valencia asin Asturias –«Cavall de Taula»–, text per primera vegada traduït a qualsevol llengua. Així mateix, analitzem les fonts i descrivim la història argumental i la presència
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Goldhill, Simon, and Helen Morales. "Introduction." Ramus 36, no. 1 (2007): 1–5. http://dx.doi.org/10.1017/s0048671x00000758.

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Josephus, cultural critic and chronicler of the Jewish revolt against Rome (66-73/4 CE), is one of the most polemical and compelling writers of the Roman Empire. He writes in Greek, as a Jewish leader of a revolt against Rome, who came over to the Romans. His extraordinary prose combines an extended self-justification, an explanation of Jewish culture to the Romans, through the medium of a culturally privileged Greek, and the riveting story of a failed rebellion against the dominant Empire of the Mediterranean, written now as an awkward insider of the corridors of power, recalling his own oppo
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Sanfelice, Pérola de Paula. "Homoerotismo e performances: as representações dos corpos e das relações humanas na antiguidade romana a partir das pinturas de Pompeia." Heródoto: Revista do Grupo de Estudos e Pesquisas sobre a Antiguidade Clássica e suas Conexões Afro-asiáticas 2, no. 2 (2018): 298–331. http://dx.doi.org/10.31669/herodoto.v2i2.282.

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Os estudos da antiguidade, dentre as disciplinas acadêmicas, são aqueles considerados como o mais conservador, no entanto, por meio da interdisciplinaridade, sobretudo a partir do diálogo com a Arqueologia, esta área de conhecimento tem conseguido alcançar perspectivas mais críticas, sobretudo, em pesquisas sobre o amor e a sexualidade. Nesse trabalho, dialogo, em grande parte, com as pesquisas produzidas pelo classicista Pedro Paulo Funari, que, por sua vez, inspirou diversos pesquisadores brasileiros a romper com os modelos normativos, questionando antigos conceitos e valores patriarcais a f
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Dissertations / Theses on the topic "Classicismo romano"

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Racault, Jean-Michel. "L'utopie narrative en france et angleterre de l'age classique aux lumieres (1675-1761). Etude de forme et de signification." Paris 4, 1987. http://www.theses.fr/1987PA040254.

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Souvent envisagee dans une perspective etroitement historique ou sociologique, l'utopie narrative classique est egalement justiciable d'une analyse purement litteraire. Sans qu'on puisse pour autant la couper du "mode utopique" et de ses diverses manifestations, l'utopie doit etre concue d'abord comme un genre litteraire, d'ailleurs difficile a cerner car etranger a la conscience collective du temps et plus ou moins confondu avec une nebuleuse de genres connexes constituant ses limites externes : robinsonnades, voyages imaginaires, etc. A l'interieur du domaine ainsi circonscrit, on peut toute
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Dubois, Elsa. "Le personnage gidien : la (ré)conciliation du roman et du mythe." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040173.

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Gide est aujourd’hui assez peu étudié en France, notamment dans le cycle secondaire, comme si la pensée du « contemporain capital » était devenue ésotérique, voire obsolète. Notre thèse entend montrer la nécessité de lire Gide : déjouant l’enfermement nombriliste majoritairement à l’œuvre dans le XX° siècle finissant et au XXI° siècle commençant, où le Je complaisamment s’observe et de facto empêche l’autre de se dire, notre auteur restaure un âge d’or dans une époque problématique. Inquiéteur certainement, mais dans un but conciliateur, sans aucun doute, Gide parvient à réconcilier le mythe e
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Marnieri, Maria Teresa. "Critical and iconographic reinterpretations of three early gothic novels. Classical, medieval, and renaissance influences in William Beckford’s Vathek, Ann Radcliffe’s romance of the forest and Matthew G. Lewis’s the Monk." Doctoral thesis, Universitat Autònoma de Barcelona, 2016. http://hdl.handle.net/10803/399574.

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El propósito de esta disertación doctoral es lo de investigar y comprender de mejor manera las influencias múltiples que, juntas al desarrollo y a la divulgación de la traducción literaria (puestas de relieve por Stuart Gillespie y David Hopkins), tuvieron un papel importante en el ascenso de las primeras novelas góticas al final del siglo dieciocho. Considerando que este trabajo está profundamente influenciado e inspirado por la crítica literaria reconocida a nivel internacional sobre la literatura gótica, esta investigación evita asumir perspectivas criticas típicas del siglo veinte y
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Saliceto, Elodie. "Néoclassicismes littéraires : La représentation de l'Italie et ses enjeux esthétiques, de Chateaubriand à Stendhal." Thesis, Saint-Etienne, 2010. http://www.theses.fr/2010STET2131.

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Ce travail s'attache à décrire la représentation de l'Italie par des auteurs français ou francophones à l'articulation des XVIIIe et XIXe siècles (1790-1829). Son objectif est de réhabiliter le principe esthétique de "néoclassicisme" à travers le paradigme italien, et d'en démontrer la pertinence en tant que catégorie d'analyse littéraire élaborée a posteriori. Le choix d'une telle terminologie implique d'emblée la permanence d'un idéal "classique" de représentation, dont il s'agit d'examiner les modalités et de mesurer l'infléchissement au sein de démarches plurielles d'écriture. Le parcours
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Atzori, Martina. "Aurea aetas, poésie latine et renouveau de l’Église au début du XVIe siècle." Thesis, Bourgogne Franche-Comté, 2020. http://indexation.univ-fcomte.fr/nuxeo/site/esupversions/64e4efb0-0246-4577-8689-c2eda81e80ab.

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Léon X est élu au trône pontifical en mars 1513 dans un moment historique caractérisé par une crise profonde des institutions ecclésiastiques et des mœurs du clergé. Au début du XVle siècle, le mythe atemporel et universel de l'âge devient ainsi la clé de lecture d'un programme politique complexe, dans lequel les ambitions des Médicis concourent au renforcement de l'autorité du pontife et à l'élan réformateur tant des laïcs que des factions les plus pieuses du monde catholique : ceux-ci considèrent l'élection de ce pape comme la source d'un nouvel espoir pour la tant souhaitée Reformatio eccle
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Cahill, James Matthew. "The classical in the contemporary : contemporary art in Britain and its relationships with Greco-Roman antiquity." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/271333.

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From the viewpoint of classical reception studies, I am asking what contemporary British art (by, for example, Sarah Lucas, Damien Hirst, and Mark Wallinger) has to do with the classical tradition – both the art and literature of Greco-Roman antiquity. I have conducted face-to-face interviews with some of the leading artists working in Britain today, including Lucas, Hirst, Wallinger, Marc Quinn, and Gilbert & George. In addition to contemporary art, the thesis focuses on Greco-Roman art and on myths and modes of looking that have come to shape the western art historical tradition – seeking to
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Gayard, Laurent. "La N. R. F. : une politique de la littérature ? : un exemple de renouvellement des élites intellectuelles, 1908-1968." Paris, EHESS, 2012. http://www.theses.fr/2012EHES0111.

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Ce travail de recherche au croisement de l'histoire, des sciences politiques et de la littérature a pour objectif de montrer de quelle manière la NRF peut être considée comme une institution et un lieu de renouvellement des élites si l'on considère son évolution sur un temps long, de 1908 à 1968. À travers de l'histoire de la revue au cours de soixante ans, cette thèse met à l'épreuve la validité des concepts de génération, de milieu et de sociabilités intellectuelles en montrant de quelle manière la première génération des fondateurs, dans un contexte marqué par le recul du fait religieux et
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SANCHEZ, DE MAYO PABLO. "Il vegetarismo nel mondo greco-romano: classicismo e cristianesimo." Doctoral thesis, 2020. http://hdl.handle.net/11573/1391836.

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La presente Tesi di Dottorato ha come obiettivo quello di studiare il vegetarismo nel mondo greco-romano, soffermandosi sulle motivazioni di natura filosofico-religiosa e etica che servirono per giustificarlo e su come questi valori furono trasferiti dal mondo classico a quello cristiano. Sono state analizzate le fondamenta del vegetarismo nel mondo greco, con particolare attenzione all’orfismo e al pitagorismo, proseguendo poi con il loro sviluppo nel mondo romano, con particolare attenzione allo stoicismo, nel mondo post-classico, nel neopitagorismo e nel neoplatonismo, e studiando nella sec
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Petracca, Elena. "Robert van Audenaerde (1663-1743): artista e incisore marattesco." Doctoral thesis, 2021. http://hdl.handle.net/2158/1253552.

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Studio monografico sull'incisore e pittore fiammingo Robert van Audenaerde (Gent 1663-1743). La tesi si concentra in particolare sull'attività incisoria dell'artista durante il suo lungo soggiorno italiano, trascorso prima a Roma e successivamente a Verona e conclusosi nel 1720. Nel primo volume della tesi vengono ricostruite le vicende biografiche dell'artista e la sua carriera grazie all'utilizzo di documenti d'archivio, di stampe realizzate da Van Audenaerde e delle fonti antiche, mentre nel secondo volume sono analizzate nel dettaglio le opere incisorie di cui si riportano, ove è stato pos
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Mesquita, Jorge Manuel Simão. "Fundamentos da cultura Greco-romana no Bom Jesus do Monte." Master's thesis, 2018. http://hdl.handle.net/1822/60362.

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Dissertação de mestrado em Património Cultural<br>O Bom Jesus do Monte é um santuário de excelência que se localiza nos arredores da cidade de Braga e que merece a atenção e admiração dos bracarenses, assim como dos inúmeros turistas, crentes e não crentes, que se deslocam ao local. Esta pesquisa tem como objetivo estudar alguns aspetos da cultura greco-romana presentes no Bom Jesus do Monte, em Braga. Existem vários estudos sobre este sacro-monte, porém as referências à mitologia clássica presentes no local são um ponto pouco explorado e abordado nestes estudos. Neste sentido, deu-se es
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Books on the topic "Classicismo romano"

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1928-, Haskell Francis, Gasparri Carlo, and Jodice Mimmo 1934-, eds. Classicismo d'Età romana: La collezione Farnese. Guida, 1988.

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interviewer, Prescendi Francesca 1967, and Morresi Daniele interviewer, eds. Dai Romani a noi. Il mulino, 2019.

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Vivas, Gustavo García. Ronald Syme: El camino hasta "la revolución romana" (1928-1939). Universitat de Barcelona, 2016.

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Classical canons: Rhetoric, classicism and treaty interpretation. Ashgate, 2001.

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Kiilerich, Bente. Late fourth century classicism in the plastic arts: Studies in the so-called Theodosian renaissance. Odense University Press, 1993.

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Griegos y romanos en la Primera República Colombiana: La antigüedad clásica en el pensamiento emancipador neogranadino, 1810-1816. Academia Colombiana de Historia, 2007.

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Doering, Detmar. Die Wiederkehr der Klugheit: Edmund Burke und das Augustan Age. Königshausen & Neumann, 1990.

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Seminario internazionale di studi storici "Da Roma alla terza Roma" (9th 1989 Moscow, Russia). Rimsko-konstantinopolʹskoe nasledie na Rusi: Idei͡a︡ vlasti i politicheskai͡a︡ praktika : IX Mezhdunarodnyĭ seminar istoricheskikh issledovaniĭ "Ot Rima k Tretʹemu Rimu" Moskva, 29-31 mai͡a︡ 1989 g. = L'eredità Romano-Co[n]stantinopolitana nella Russia medioevale : idea del potere e pratica politica : IX Seminario Internazionale di studi storici "Da Roma alla terza Roma" Mosca, 29-31 maggio 1989. Rossiĭskai͡a︡ akademii͡a︡ nauk, Institut Rossiĭskoĭ istorii, 1995.

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Novel and romance: The Odyssey to Tom Jones. Macmillan, 1989.

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Rankine, Patrice D. Ulysses in Black: Ralph Ellison, classicism, and African American literature. University of Wisconsin Press, 2007.

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Book chapters on the topic "Classicismo romano"

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Williams, Michael. "‘A Monument to Youth and Romance’: The Death of Rudolph Valentino." In Film Stardom, Myth and Classicism. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137291493_7.

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Donno, Fabrizio De. "Orientalism and Classicism: The British-Roman Empire of Lord Bryce and His Italian Critics." In Tributary Empires in Global History. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307674_3.

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Kaldellis, Anthony. "Classicism, Barbarism, and Warfare: Prokopios and the Conservative Reaction to Later Roman Military Policy." In American Journal of Ancient History (New Series 3-4, 2004-2005 [2007]), edited by T. Corey Brennan. Gorgias Press, 2004. http://dx.doi.org/10.31826/9781463213930-010.

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Wimsatt, William K., and Cleanth Brooks. "Roman Classicism: Horace." In Literary Criticism: A Short History. Routledge, 2021. http://dx.doi.org/10.4324/9781003140917-6.

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Wimsatt, William K., and Cleanth Brooks. "Roman Classicism: Longinus." In Literary Criticism: A Short History. Routledge, 2021. http://dx.doi.org/10.4324/9781003140917-7.

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"Trois Romans Expérimentaux." In Entre Classicisme et Modernité. BRILL, 2003. http://dx.doi.org/10.1163/9789004486591_011.

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Fitzgerald, William. "Voicing Antiquity." In The Living Death of Antiquity. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192893963.003.0004.

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In this chapter, the ancient collection of anonymous poems known as the Anacreontea and the Horatian pastiches of the French Parnassian poet Charles Leconte de Lisle (Études latines, 1852) are examined as ‘neoclassical’ versions of the ancient sympotic themes of drinking and loving. Here classicism meets cliché. Each of these collections is a stripped-down version of an earlier poet (the archaic Greek poet Anacreon and the Roman poet Horace) that aspires to a neoclassical simplicity. The chapter examines the relation between the drinking event and the timelessness of (neo)classicism; the role of pastiche as immortalization; and the emergence of a distinctive poetics of simplicity in these works. The reception of the Anacreontea, especially during the core neoclassical period, and the character of French Parnassian classicism’s obsession with whiteness are also discussed. The chapter ends by considering the difference between Leconte de Lisle’s use of ancient topoi of transience and the very different use in Baudelaire’s essay The Painter of Modern Life.
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Morse, Heidi. "Roman Studios." In Classicisms in the Black Atlantic. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198814122.003.0006.

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The Roman residencies of two American artists, nineteenth-century sculptor Edmonia Lewis and contemporary photographer Carrie Mae Weems, illustrate the value of locating classical receptions in the African diaspora in unexpected places and mediums. Rome’s status as the epicenter of ancient imperialism, as well as a hub for the intertwined legacies of race and neoclassicism in transatlantic modernity, makes it a particularly charged site for black women artists. Analyzing photographs in Weems’s 2006 series Roaming as portals into the cultural and geographic spaces occupied by Lewis as she designed her 1876 sculpture Death of Cleopatra, this chapter demonstrates the breadth and vibrancy of black women’s visual interventions into modern perceptions of the classical past. Inspired by the enduring material and cultural presences of ancient Egypt in modern Rome, both artists mark out Roman spaces as historic as well as contemporary spaces for blackness, rather than facades performing whiteness.
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Elsner, Jaś. "CLASSICISM IN ROMAN ART." In Classical Pasts. Princeton University Press, 2021. http://dx.doi.org/10.2307/j.ctv19fvxqg.14.

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"Pour un Nouveau Roman." In Entre Classicisme et Modernité. BRILL, 2003. http://dx.doi.org/10.1163/9789004486591_010.

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