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Dissertations / Theses on the topic 'Classification of the film terms'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Cheng, Alexandra. "TERMS: A Short Film." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/cmc_theses/1807.

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This project documents and reflects on the entire process from inception to execution of my short film, TERMS. Inspired by Yorgos Lanthimos’ The Lobster, my film falls under the genre of magical realism and explores the idea of reincarnation as a physical transformation, which acts as a vehicle through which my film’s protagonist comes to terms with her mother’s premature death. TERMS has been submitted alongside this written portion.

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Jenkins, Danica. "Cinema as 'Trojan Horse': Coming to terms with the Past in Post-Yugoslav Film." Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/28781.

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In the Western Balkan nations of the former Yugoslavia, formal processes of lustration and transitional justice have been instituted very unevenly - if at all. Differences in terms of objectives, legal frameworks, and most problematically, political will, have led to widely differing outcomes. It is generally accepted that perpetrators of war crimes and other atrocities must be brought to justice in order for nations and communities to re-establish civic society and a level of social trust. However in riven societies such as these, a prior form of social reckoning is needed to prepare for form

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3

Ferrari, Matthew P. "Mysterious Objects of Knowledge: An Interpretation of Three Feature Films by Apichatpong Weerasethakul in Terms of the Ethnographic Paradigm." Ohio : Ohio University, 2006. http://www.ohiolink.edu/etd/view.cgi?ohiou1150466591.

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4

Chao, Yang, and Peng Zhang. "One General Approach For Analysing Compositional Structure Of Terms In Biomedical Field." Thesis, Tekniska Högskolan, Högskolan i Jönköping, JTH. Forskningsmiljö Informationsteknik, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-20913.

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The root is the primary lexical unit of Ontological terms, which carries the most significant aspects of semantic content and cannot be reduced into small constituents. It is the key of ontological term structure. After the identification of root, we can easily get the meaning of terms. According to the meaning, it’s helpful to identify the other parts of terms, such as the relation, definition and so on. We have generated a general classification model to identify the roots of terms in this master thesis. There are four features defined in our classification model: the Token, the POS, the Len

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5

Stoppe, Sebastian. "Film in concert: film scores and their relation to classical concert music." Verlag Werner Hülsbusch, 2014. https://ul.qucosa.de/id/qucosa%3A15663.

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From the very beginning of cinema, music always played an important role in the history of filmmaking. Nonetheless, film music is judged by critics as a kind of low-grade art form. However, the majority of film score composers enjoyed a classical education and composed as well for the silver screen as for the concert hall. Film music also has its roots in the musical era of romanticism. Therefore, symphonic film scores can be regarded as program music in a broader sense. These scores were influenced by a motion picture instead of a poem, a landscape, or a painting. It is neither necessary nor

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Franklin, Peter. "Reger and Film Music." Internationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig, 2017. https://ul.qucosa.de/id/qucosa%3A32335.

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It is proper that I should begin by admitting that I am only an apprentice Reger-scholar. In planning this invited paper I evertheless learned much about how and why a British Mahler- and Schreker specialist, interested in the music of Hans fitzner and Franz Schmidt, might have remained so inconsistently ignorant of Reger. Setting aside, for the moment, the specific question of film music, what I have learned is clearly of levance to questions about why Reger appears not to ‘travel well’ internationally and about his reception by a UK audience.

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Avsar, Ulas. "Evaluation Of Alluvial Deposits In Gemlik Basin In Terms Of Earthquake Odes." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/12607247/index.pdf.

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Gemlik County is located in the Marmara Region (NW Turkey), which has been affected by destructive earthquakes sourced from North Anatolian Fault System throughout its history. The bulk of the settlement rests on alluvial deposits of the Gemlik pull-apart basin. So, it is vital to investigate the foundation soils in this basin and the response of them to earthquakes. Many earthquake codes were established by the authorities in different countries of the world to estimate the possible ground shaking and seismic loads which may act on buildings. In this study, Turkish Earthquake Code (TEC-1998)

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8

Böhnke, Dietmar. "Screening Scotland: The 'New' Scottish Film since the 1990s." Universität Hildesheim, 2008. https://ul.qucosa.de/id/qucosa%3A21356.

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In seinem Überblick über das neue schottische Kino geht Dietmar Böhnke (Leipzig) auf die politischen, ökonomischen und kulturellen Gründe der 'Renaissance' nach und diskutiert eine Reihe neuerer Filme, neben international bekannten wie Brave Heart und Trainspotting auch andere, die die Themen und stilistischen Merkmale dieses Kinos typisch zum Ausdruck bringen, etwa Lynne Ramsays Morvern Callar und Ken Loachs Ae Fond Kiss.

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Leising, Daniel, Joachim Scharloth, Oliver Lohse, and Dustin Wood. "What Types of Terms Do People Use When Describing an Individual’s Personality?" Sage, 2014. https://tud.qucosa.de/id/qucosa%3A35383.

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An important yet untested assumption within personality psychology is that more important person characteristics are more densely reflected in language. We investigated how ratings of importance and other term properties are associated with one another and with a term’s frequency of use. Research participants were asked to provide terms that described individuals they knew, which resulted in a set of 624 adjectives. These terms were independently rated for importance, social desirability, observability, stateness versus traitness, level of abstraction, and base rate. Terms rated as describing

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10

Speh, Peter (Peter Daniel). "A classification of real and complex nilpotent orbits of reductive groups in terms of complex even nilpotent orbits." Thesis, Massachusetts Institute of Technology, 2012. http://hdl.handle.net/1721.1/73443.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Mathematics, 2012.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (p. 83).<br>Let g be a complex, reductive Lie algebra. We prove a theorem parametrizing the set of nilpotent orbits in g in terms of even nilpotent orbits of subalgebras of g and show how to determine these subalgebras and how to explicitly compute this correspondence. We prove a theorem parametrizing nilpotent orbits for strong involutions of G in terms of even nilpotent orbits of complex subalgebras of g and show how to explicitly

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11

Rabe, Roman, Martina Reinhold, Juliane Linke, et al. "Sechs Bereiche – eine Bibliothek: Die Teams der Zentralbibliothek stellen sich vor." SLUB Dresden, 2017. https://slub.qucosa.de/id/qucosa%3A16605.

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Für die Zentralbibliothek wurde in den Jahren der Planung ein neues Organisationskonzept erstellt, das die besten Elemente aus den Strukturen der Hauptbibliothek, der Musikbibliothek und der medien@age verbindet. Die positiven Erfahrungen von medien@age und Musikbibliothek mit eigenverantwortlichen kleineren Teams bilden die Basis für die neue Struktur. Von 2014 bis 2016 absolvierte das Team-Modell, in der Haupt-und Musikbibliothek etwas eingeschränkt, eine erfolgreiche Erprobungsphase. Seit 1. Januar 2017 ist es umgesetzt. In der Zentralbibliothek betreuen sechs Teams folgende Bereiche: • Jug

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Donath, Matthias. "August der Starke im Film." Via Regia Verlag, 2020. https://slub.qucosa.de/id/qucosa%3A76178.

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Die Popularisierung August des Starken im 20. Jahrhundert ist ganz maßgeblich dem Film und dem ab den 1950er-Jahren verbreiteten Fernsehen zu verdanken. Welche Filme dazu beitrugen und wie jede 'Film-Generation' den Stoff mit welcher Absicht bearbeitete, darüber gibt der Artikel Auskunft.:Der galante König – August der Starke (1920) August der Starke (1935/36) Der Gefangene des Königs (1935) Die blauen Schwerter (1949) Hrabina Cosel (1968) August der Starke – Ein ganzes Volk nennt ihn Papa (1970) Sachsens Glanz und Preußens Gloria (1982-1987) August der Starke (1984) Geschichte Mitteldeutschla

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Goodfellow, Benjamin. "Terms and Definitions for Suicide: Steps Towards the Elaboration of an International and Intercultural Nomenclature for Suicidal Behaviours." Thesis, Griffith University, 2018. http://hdl.handle.net/10072/382741.

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Variability in terms and definitions to describe suicidal behaviours and ideation may have led researchers to duplicate their efforts in suicidology thereby possibly wasting valuable resources in a field where funding is scarce. Published nomenclatures appear not to reach a global use. This situation pushed some scholars to advocate for the use of a common nomenclature and a common classification to describe suicidal behaviour that would appeal to the majority of users, whatever their background and whichever their country. A first step towards a universal nomenclature could be to assess the v

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Cole, Rachel Louise. "Reasonable Adults and Vulnerable Minors: A history of the media classification system in Australia." Thesis, The University of Sydney, 2019. http://hdl.handle.net/2123/20793.

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Media classification is now a largely uncontroversial practice in everyday life, but the means by which we arrived at our current processes for classifying media content have not been simple or straightforward. The history of these developments provides considerable insight into relations between popular culture, citizenship norms, and mechanisms of governance. This thesis is focused on the Australian case, which provides insight into the processes of Australian nation-building, given its origins in the first decade of the twentieth century and thus immediately after Federation, and how the co

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15

Schulte, Strathaus Stefanie. "What has happened to this film?" map - media archive performance ; 2014/5 (E-Journal, URL: http://www.perfomap.de, ISSN 2191-0901), 2014. https://slub.qucosa.de/id/qucosa%3A7330.

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Mit seinen 8.000 Titeln spiegelt das Archiv des Arsenal – Institut für Film und Videokunst ein halbes Jahrhundert internationaler Filmkunst jenseits des Mainstreams anhand der lebendigen Geschichte einer Berliner Institution, die in ihrer Struktur weltweit einzigartig ist. In der Sammlung befinden sich Filme aus aller Welt, aller Genres, Längen und Formate. Das Arsenal versteht seine Sammlung als „Living Archive“ – ein Archiv, das nur in Bezug auf den Betrachter Bedeutung haben kann. Für das hier vorgestellte und kontextualisierte Projekt wurden über einen Projektzeitraum von zwei Jahren (201

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16

Kosub, Tobias. "Ferromagnet-Free Magnetoelectric Thin Film Elements." Doctoral thesis, Universitätsbibliothek Chemnitz, 2016. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-qucosa-215612.

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The work presented in this thesis encompasses the design, development, realization and testing of novel magnetoelectric thin film elements that do not rely on ferromagnets, but are based entirely on magnetoelectric antiferromagnets such as Cr2O3. Thin film spintronic elements, and in particular magnetoelectric transducers, are crucial building blocks of high efficiency data processing schemes that could complement conventional electronic data processing in the future. Recent developments in magnetoelectrics have revealed, that exchange biased systems are ill-suited to electric field induced sw

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Sanchez-Stockhammer, Christina. "How comics communicate on the screen: Telecinematic discourse in comic-to-film adaptations." Bloomsbury, 2020. https://monarch.qucosa.de/id/qucosa%3A74551.

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This paper explores the relation between the popular “Tintin” comics by the Belgian artist Hergé and Steven Spielberg’s successful film adaptation “The Adventures of Tintin” (2011) from a linguistic perspective. It explores how language use in the scriptovisual medium of the comic (which combines still images and printed text) is rendered in the audiovisual medium of film (which combines moving images and spoken language). After discussing general linguistic similarities between comics and films and the use of language in each of the two media, the paper compares the representation of voice, a

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18

Böhnke, Dietmar. "A Devolved Cinema?: The ‘New’ Scottish Film since the 1990s." Wissenschaftlicher Verlag, 2011. https://ul.qucosa.de/id/qucosa%3A31943.

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19

Matthes, Patrick. "Magnetic and Magneto-Transport Properties of Hard Magnetic Thin Film Systems." Doctoral thesis, Universitätsverlag der Technischen Universität Chemnitz, 2015. https://monarch.qucosa.de/id/qucosa%3A20376.

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The present thesis is about the investigation of ferromagnetic thin film systems with respect to exchange coupling, magnetization reversal behavior and effects appearing in magnetic heterostructures, namely the exchange bias and the giant magnetoresistance effect. For this purpose, DC magnetron sputtered thin films and multilayers with perpendicular magnetic anisotropy were prepared on single crystalline and rigid as well as flexible amorphous substrates. The first part concentrates on magnetic data storage applications based on the combination of the concept of bit patterned media and three d

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20

Villessèche, Julie. "The Board and the Commission (1909-present) : study of a language criterion through film classification." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE2084/document.

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Cette thèse pose la question du travail des examinateurs au travers des classifications britannique et française de films : au Royaume-Uni, le BBFC (British Board of Film Classification) est l’institution en charge de la classification des films ; en France, c’est la Commission de Classification des Œuvres cinématographiques qui s’en occupe. La problématique de ce sujet est : comment les pratiques des examinateurs et les évolutions sociales et institutionnelles ont façonné la création et le développement d’un critère langage au sein des systèmes de classification britannique et français ? En e

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Kuzovkov, Vladimir, Eugene Kotomin, and Guntars Zvejnieks. "Modelling of diffusion-controlled pattern formation in thin metallic film growth on crystalline substrates: Modelling of diffusion-controlled pattern formation in thinmetallic film growth on crystalline substrates." Diffusion fundamentals 2 (2005) 28, S. 1-2, 2005. https://ul.qucosa.de/id/qucosa%3A14358.

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22

Jaegermann, Wolfram. "Oxide Thin Film Li-Battery Materials: Synthesis, Interface Properties and Electrochemical Performance." Diffusion fundamentals 21 (2014) 3, S.1, 2014. https://ul.qucosa.de/id/qucosa%3A32391.

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23

Böhnke, Dietmar. "Neo-Victorianism: The Victorian Age in Postmodern British Fiction and Film." trafo, 2010. https://ul.qucosa.de/id/qucosa%3A32038.

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24

Jakobsson, Anna-Karin. "Klassifikation av litteratur om film och TV : En komparativ studie av Klassifikationssystem för svenska bibliotek (SAB) och FIAF Classification scheme for literature on film and television." Thesis, Högskolan i Borås, Institutionen Biblioteks- och informationsvetenskap / Bibliotekshögskolan, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-19049.

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The aim of this thesis is to compare two different classification schemes with each other and see what the differences and similarities are when classifying literature concerning film and television. One of the schemes is of general kind, Klassifikationssystem för svenska bibliotek (SAB) and the other is a special system, FIAF Classification scheme for literature on film and television. The focus of the examination is on comparing the structure, contents and division of firstly the main classes and secondly on comparing the notation and the auxiliary tables in the schemes. The theoretical fram

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Stoppe, Sebastian. "John Williams’s Film Music in the Concert Halls." Brepols, 2018. https://ul.qucosa.de/id/qucosa%3A38210.

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Film music has its roots in late-romantic concert music. A number of composers of so-called “serious music” also composed for the film. And some Golden Age film composers came from the concert-music realm and, once they started their association with Hollywood, continued to pen works for the concert stage too. Film music had to struggle for a long time against the prejudice that saw it as music not to be taken seriously; it was regarded as “neglected art”. Nevertheless, film-music concerts have experienced a blossoming in the recent years. There is a large variety, from programmes that only pe

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Böhnke, Dietmar. "Neil Jordan, 'The Crying Game' (1992)." Wissenschaftlicher Verlag, 2013. https://ul.qucosa.de/id/qucosa%3A32034.

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Tam, Yee Lok. "A critical study on wenyi and wenyi film in republican China." HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/488.

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Wenyi film has long been a research focus of Chinese film studies since the 1980s. An abundance of scholars has been writing on the topic of wenyi film, defining its generic nature as literature and art film or film adaptation of great literature, or understanding it in relation to themes of love and human relationships. Many scholars have explored the role of wenyi films in post-war Hong Kong and Taiwan cinemas. Yet, in terms of Republican Chinese cinema, only brief accounts on some wenyi directors or works can be found. This dissertation aims to answer the question of what is wenyi film? by

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Zhang, Panpan, Sheng Yang, Roberto Pineda-Gómez, et al. "Electrochemically Exfoliated High-Quality 2H-MoS₂ for Multiflake Thin Film Flexible Biosensors." Wiley-VCH, 2019. https://tud.qucosa.de/id/qucosa%3A73171.

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2D molybdenum disulfide (MoS₂) gives a new inspiration for the field of nanoelectronics, photovoltaics, and sensorics. However, the most common processing technology, e.g., liquid‐phase based scalable exfoliation used for device fabrication, leads to the number of shortcomings that impede their large area production and integration. Major challenges are associated with the small size and low concentration of MoS₂ flakes, as well as insufficient control over their physical properties, e.g., internal heterogeneity of the metallic and semiconducting phases. Here it is demonstrated that large semi

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Vollbrecht, Ralf, and Christine Dallmann. "Editorial - Transhumanismus, Migration, Gender – Aktuelle gesellschaftliche Aspekte im Film." Technische Universität Dresden, 2018. https://tud.qucosa.de/id/qucosa%3A31425.

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Mit Transhumanismus, Migration und Gender werden in dieser Ausgabe von Medienwelten drei aktuelle gesellschaftliche Aspekte thematisiert, die im Rahmen von Filmanalysen sowie einer empirischen Rezeptionsstudie zu den Lieblingsfilmen und Lieblingshelden von Kindern bearbeitet werden.

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Ebbrecht-Hartmann, Tobias. "Blicke auf das Grauen. German Concentration Camps – Ein Film als Quelle." HATiKVA e.V. – Die Hoffnung Bildungs- und Begegnungsstätte für Jüdische Geschichte und Kultur Sachsen, 2014. https://slub.qucosa.de/id/qucosa%3A35004.

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Butzmann, Frieder. "Komische Geräuschkomposition und visuelle Musik in Jacques Tatis Film PLAY TIME." map - media archive performance ; 2012/3 (E-Journal, URL: http://www.perfomap.de), 2012. https://slub.qucosa.de/id/qucosa%3A4368.

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In der Produktion von Kinofilmen werden Bild und Ton aus technischen Gründen separat behandelt: Es gibt die Bildkamera und auch das Tonaufnahmegerät. Auch in der Filmbetrachtung werden die Erörterungen über das bewegte Bild, die Narration, die Filmmusik, die Geräuschebene gerne als getrennte Diskurse geführt. Gleichzeitig gibt es im frühen 21. Jahrhundert eine weit verbreitete Faszination für mediale Übergänge, für Transmediales, Visuelle Musik oder speziell für die Ästhetik der Geräusche im Film. Im Zentrum der folgenden Betrachtungen stehen die oft sehr komischen Verschränkungen von visuell

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Hertwig, Niklas. "„Film ab!” Max von Allweyer und seine Schulfilm-Unternehmung: Lichtbildvorführungen an Volksschulen im ländlichen Oberbayern 1926-1929." Institut für Sächsische Geschichte und Volkskunde, 2020. https://slub.qucosa.de/id/qucosa%3A74362.

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33

Wallbaum, Christopher. "The analytical short film: Form – Functions – Excursus – Criteria." Georg Olms Verlag, 2018. https://slub.qucosa.de/id/qucosa%3A34615.

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This chapter presents the form of the Analytical Short Film (ASF), its functions for communication, education and research and criteria for its validity. Embedded is a fundamental reflection about the relations between something whole and its parts to give reasons for dealing with blurredness in both, practice in lessons and video practice.

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Chumakov, Dmytro. "High Frequency Behaviour of Magnetic Thin Film Elements for Microelectronics." Doctoral thesis, Technische Universität Dresden, 2006. https://tud.qucosa.de/id/qucosa%3A24960.

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Magnetismus ist ein Phänomen, das eine wichtige Rolle in einer Vielfalt technischer Anwendungen spielt. Ohne den Einsatz magnetischer Effekte und Materialen wäre der heutzutage erreichte technische Fortschritt unmöglich, da viele grundlegende Techniken wie Stromerzeugung, elektrischer Antrieb, Informationsübertragung und viele andere auf magnetische bzw. elektromagnetische Phänomene zurückzuführen sind. Dabei haben die ferromagnetischen Materialen stets zur Effizienz von elektrischen und elektronischen Anwendungen beigetragen, weswegen an diesen Materialen auch entsprechend viel geforscht word

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Vollbrecht, Ralf. "Typen der Zeiterfahrung im Film „Das Ende des Regenbogens“." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2016. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-195941.

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Am Beispiel einer Filmanalyse zum Film „Das Ende des Regenbogens“ wird gezeigt, wie sich mit medienpädagogischen Mitteln pädagogische Themen erschließen lassen. Für den biografie-theoretischen Kontext des Filmseminars ist hier als Interpretationsperspektive die Zeiterfahrung von Jugendlichen gewählt worden<br>At the example of a film analysis to the film „Das Ende des Regenbogens“ (The End of the Rainbow) is shown how with media-educational means educational subjects can be opened. For the biography-theoretical context of the film seminar the time experience of young people has been chosen her

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Koch, Lars, and Tobias Nanz. "Szenarien des Dritten Weltkriegs: Ausnahmesituationen und souveräne Akteure im Film." J.B. Metzler, Part of Springer Nature, 2016. https://tud.qucosa.de/id/qucosa%3A34453.

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Der Beitrag untersucht die Filme WarGames (USA 1983), Krieg und Frieden (BRD 1982) und Der Dritte Weltkrieg (BRD 1998) als Dokumente aus der letzten Phase des Kalten Krieges. Die Filme behandeln Ausnahmesituationen, in denen jeweils die Grenzen souveräner Entscheidung in einer lebensbedrohlichen Krise verhandelt werden. Sie entwerfen eine mögliche Zukunft ebenso wie einen kontrafaktischen Verlauf der Geschichte. Ihre Dynamik beziehen die zwar fiktionalen, aber denkbaren Erzählungen aus der Spieltheorie, aus Simulationen und aus der Kraft der historischen Imagination.

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Le, Thi Tuyet Anh, and Son Hoang Lien. "Study on forest tenure in Vietnam in terms of justice, dispute resolution, gender, pro-poor and inclusiveness." Technische Universität Dresden, 2018. https://tud.qucosa.de/id/qucosa%3A33124.

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This article is an important content of the research on 'Assessment of Forest Tenure Policies and Regulation in Vietnam '. This assessment reviewed 79 legal documents related to forest land tenure that includes: 1 Constitution; 8 Laws; 1 Resolution; 20 Decrees; 30 Circulars, 18 Decisions and 1 Directive. The objective of this paper was to assess some facets of Justice, Dispute Resolution, Gender, Pro-poor and Inclusiveness in the system of Vietnam forest tenure policies. The main research method was based on the assessment framework Voluntary Guidelines on the Responsible Governance of Tenure

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Böhnke, Dietmar. "Konferenzbericht “British Film 2000–2010: Crossing Borders, Transferring Cultures: University of Mainz at Germersheim, 19–21 February 2010." University Press, 2010. https://ul.qucosa.de/id/qucosa%3A34290.

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von, Maffei Christian, Frauke Görges, Werner Kissling, Wolfgang Schreiber, and Christine Rummel-Kluge. "Using films as a psychoeducation tool for patients with schizophrenia." Universitätsbibliothek Leipzig, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-169650.

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Background: Relapses and, subsequently, readmissions are common in patients with schizophrenia. Psychoeducation has been shown to reduce the number and duration of readmissions. Yet, only little more than 20% of psychiatric patients in German speaking countries receive psychoeducation. Among other reasons, costs may be considered too high by hospitals. The objective of the present study was to test the feasibility of a new cost-efficient approach in the psychoeducation of patients with schizophrenia. In this study, films were used to impart knowledge about the illness to inpatients.

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Schmidt-Grund, Rüdiger, Hannes Krauß, Christian Kranert, Michael Bonholzer, and Marius Grundmann. "Temperature dependence of the dielectric function in the spectral range (0.5–8.5) eV of an In2O3 thin film." American Institute of Physics, 2014. https://ul.qucosa.de/id/qucosa%3A31187.

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We present the dielectric function of a bcc-In2O3 thin film in the wide spectral range from nearinfrared to vacuum-ultraviolet and for temperatures 10 K–300K, determined by spectroscopic ellipsometry. From the temperature dependence of electronic transition energies, we derive electron-phonon coupling properties and found hints that the direct parabolic band-band transitions involve In-d states. Further we discuss possible excitonic contributions to the dielectric function.

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Sittner, Anneke. "Natalia Borisova: Mit Herz und Auge. Liebe im sowjetischen Film und in der Literatur: Buchbesprechung." De Gruyter, 2014. https://tud.qucosa.de/id/qucosa%3A71370.

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Es sei „nicht ohne Pikanterie“, als Deutsche über den polnischen Nationalismus zu schreiben, bemerkt Stephanie Zloch in ihrer Monografie „Polnischer Nationalismus. Politik und Gesellschaft zwischen den beiden Weltkriegen“ (Köln-Weimar-Wien 2010: 5). Die Schweizerin Isabelle Vonlanthen wiederum stellte in einem Radiointerview vom März 2013 fest, ihr würde es leichter fallen zu diesem Thema zu forschen, da sie aus ihrer Außenposition heraus weniger auf historische Empfindlichkeiten achten müsse. In ihrer Studie „Dichten für das Vaterland“ analysiert sie national engagierte Lyrik und Publizistik

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Schäfer, Horst. "Filmsprache und Filmanalyse in der Medienpädagogik." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2016. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-195928.

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In der Praxis der Filmseminare mit Studentinnen und Studenten hat sich gezeigt, dass diese meist nicht über hinreichendes Vorwissen für Filmanalysen verfügen und ihnen auch die Fachbegriffe im Bereich der filmischen Gestaltungsmittel fehlen. Da die Filmanalyse-Seminare allein schon wegen der jedes Universitäts-Zeitraster sprengenden Filmlänge sinnvollerweise als Blockveranstaltungen durchgeführt werden, bekommen die Studenten zur Vorbereitung und als Hilfmittel für eigene Filmanalysen eine grundständige Einführung. Dieses Basiswissen über „Filmsprache und Filmanalyse in der Medienpädagogik“ is

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Schwarzer, Norbert, and Peggy Heuer-Schwarzer. "Failure analysis on laminate structures of windsurfing boards using thin film modelling techniques." Universitätsbibliothek Chemnitz, 2006. http://nbn-resolving.de/urn:nbn:de:swb:ch1-200600125.

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Within this paper recently developed mathematical tools for the modelling of contact problems on thin film structures [1] for multilayers and gradient coatings are adapted to allow the investigation of laminate structures of transversal isotropy. Applying series approaches using Bessel and Sinus functions complete three dimensional solutions can be found for relatively complex laminate structures allowing to model quasistatic contact, impact and bending loads. Worked into a small computer program the approach can be used to model laminate structures with up to 100 different layers on an ordina

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Collyer, Paddie. "An examination of the development of the British Board of Film Censors seen through the archives of three local authorities from 1912 until 1982 and of the British Board of Film Classification : with a particular focus on 'The Last Temptation of Christ' (1988), 'Natural Born Killers' (1994), and 'Crash' (1996)." Thesis, Southampton Solent University, 2003. http://ssudl.solent.ac.uk/605/.

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Zhang, Zhipeng, Wenckstern Holger von, Jörg Lenzner, Michael Lorenz, and Marius Grundmann. "Visible-blind and solar-blind ultraviolet photodiodes based on (InxGa1-x)2O3." American Institute of Physics, 2016. https://ul.qucosa.de/id/qucosa%3A23547.

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UV and deep-UV selective photodiodes from visible-blind to solar-blind were realized based on a Si-doped (InxGa1–x)2O3 thin film with a monotonic lateral variation of 0.0035<x<0.83. Such layer was deposited by employing a continuous composition spread approach relying on the ablation of a single segmented target in pulsed-laser deposition. The photo response signal is provided from a metal-semiconductor-metal structure upon backside illumination. The absorption onset was tuned from 4.83 to 3.22 eV for increasing x. Higher responsivities were observed for photodiodes fabricated from indium-rich

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Fischer, Axel, Thomas Koprucki, Annegret Glitzky, et al. "OLEDs: Light-emitting thin film thermistors revealing advanced selfheating effects." SPIE, 2015. https://tud.qucosa.de/id/qucosa%3A35054.

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Large area OLEDs show pronounced Joule self-heating at high brightness. This heating induces brightness inhomogeneities, drastically increasing beyond a certain current level. We discuss this behavior considering 'S'-shaped negative differential resistance upon self-heating, even allowing for 'switched-back' regions where the luminance finally decreases (Fischer et al., Adv. Funct. Mater. 2014, 24, 3367). By using a multi-physics simulation the device characteristics can be modeled, resulting in a comprehensive understanding of the problem. Here, we present results for an OLED lighting panel c

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Schmidt-Grund, Rüdiger, Christian Kranert, Wenckstern Holger von, Vitaly Zviagin, Michael Lorenz, and Marius Grundmann. "Dielectric function in the spectral range (0.5–8.5)eV of an (Alx Ga1−x )2O3 thin film with continuous composition spread." American Institute of Physics, 2015. https://ul.qucosa.de/id/qucosa%3A31190.

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We determined the dielectric function of the alloy system (AlxGa1−x)2O3 by spectroscopic ellipsometry in the wide spectral range from 0.5 eV to 8.5 eV and for Al contents ranging from x = 0.11 to x = 0.55. For the composition range x<0.4, we observe single phase material in the b-modification and for larger Al content also the occurrence of γ-(Al,Ga)2O3. We derived spectra of the refractive index and the absorption coefficient as well as energy parameters of electronic bandband transitions by model analysis of the dielectric function. The dependence of the dielectric functions lineshape and

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Kranert, Christian, Jörg Lenzner, Marcus Jenderka, et al. "Lattice parameters and Raman-active phonon modes of (InxGa1–x)2O3 for x < 0.4." American Institute of Physics, 2014. https://ul.qucosa.de/id/qucosa%3A31217.

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We present X-ray diffraction and Raman spectroscopy investigations of (InxGa1–x)2O3 thin films and bulk-like ceramics in dependence of their composition. The thin films grown by pulsed laser deposition have a continuous lateral composition spread allowing the determination of phonon mode properties and lattice parameters with high sensitivity to the composition from a single 2-in. wafer. In the regime of low indium concentration, the phonon energies depend linearly on the composition and show a good agreement between both sample types. We determined the slopes of these dependencies for eight d

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Fraunholz, Uwe. "Baumeister der neuen Gesellschaft: Chemiker und chemische Industrie im DEFA-Spielfilm." Technische Universität Dresden, 2006. https://tud.qucosa.de/id/qucosa%3A27804.

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Roser, Traugott. "The Reality of Fear: Preaching in a Frightened World." Institut für Praktische Theologie, 2019. https://ul.qucosa.de/id/qucosa%3A36314.

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Fear is a recurrent theme in today’s popular culture. Film director Steven Spielberg’s lifelong work presents the full range from awe and fear to terror, heading towards a deeply humanist approach of overcoming fear. This article puts homiletics into the context of current sociocultural discourse by applying the concept of ‘paradigm scenario’ (Ronald de Sousa) to fear in media culture and preaching. Preaching, like film, works with emotions such as fear and anxiety, initiating strong physical and mental reaction. To preach within a fearful world demands that one be aware of the psychology of f

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