Relevant bibliographies by topics / Claude Cahun

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Claude Cahun'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 January 2023

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Journal articles on the topic "Claude Cahun"

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Bauduin, Tessel M. "Claude Cahun." Photography and Culture 5, no. 2 (2012): 239–42. http://dx.doi.org/10.2752/175145212x13330132507185.

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Knafo, Danielle. "Claude Cahun: The Third Sex." Studies in Gender and Sexuality 2, no. 1 (2001): 29–61. http://dx.doi.org/10.1080/15240650209349169.

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Wampole, Christy. "The Impudence of Claude Cahun." L'Esprit Créateur 53, no. 1 (2013): 101–13. http://dx.doi.org/10.1353/esp.2013.0009.

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Thynne, Lizzie. "Claude Cahun: an experimental biopic." Journal of Media Practice 2, no. 3 (2002): 168–74. http://dx.doi.org/10.1386/jmpr.2.3.168.

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Mendelsohn, Sophie. "Claude Cahun, l'effacement et l'énigme." Savoirs et clinique 12, no. 1 (2010): 158. http://dx.doi.org/10.3917/sc.012.0158.

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Sabiá, Ana Paula. "A fotografia performática de Claude Cahun." Revista Digital do LAV 12, no. 1 (2019): 055. http://dx.doi.org/10.5902/1983734832200.

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Este ensaio busca contextualizar a obra literária e artística de Claude Cahun que, assim como no início do século XX, ainda hoje continua inclassificável. Seu trabalho situa-se, aparentemente, em algum lugar entre lugares: denominações, linguagens, gêneros, realidade e autoficção, entre o inédito e o mítico. Suas experiências radicais na arte, literatura e na política fizeram-na, simultaneamente, tanto vanguardista quanto outsider. Propôs a fluidez entre os papéis identitários pois não lhe interessava repetir-se para os outros, muito menos para si propria. Rompeu com as categorias binárias e d
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Baldacchino, Adeline. "Claude Cahun : aucune femme n’est une île." Ballast N° 7, no. 1 (2019): 114–29. http://dx.doi.org/10.3917/ball.007.0114.

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Gravano, Viviana. "Explorations, Simulations: Claude Cahun and Self-Identity." European Journal of Women's Studies 16, no. 4 (2009): 353–71. http://dx.doi.org/10.1177/1350506809342619.

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DOY, GEN. "PLAYING A PART: THE STORY OF CLAUDE CAHUN." Art Book 14, no. 1 (2007): 73. http://dx.doi.org/10.1111/j.1467-8357.2007.00783_5.x.

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Welby-Everard, Miranda. "Imaging the Actor: the Theatre of Claude Cahun." Oxford Art Journal 29, no. 1 (2006): 1–24. http://dx.doi.org/10.1093/oxartj/kci044.

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Dissertations / Theses on the topic "Claude Cahun"

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stark, frankie. "Claude Cahun: La Visibilite Comme Resistance." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1362.

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Claude Cahun was an artist and a leader who subverted social binaries by employing a non-determinable style. This intentional ambiguity is omnipresent in all of Cahun’s works, regardless of their style. To demonstrate this commonality, I will analyze her work of theatre, Heroines, five of Cahun’s self-portraits and her autobiography, Aveux Non Avenus. Although Cahun’s artistic mediums are very different respectively, all three of these works use a sense of artistic ambiguity to resist social binaries. Such techniques of indeterminacy include subversive rewritings of famous characters and self-
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Maria, Charlotte. "Correspondances de Claude Cahun : la lettre et l'oeuvre." Caen, 2013. http://www.theses.fr/2013CAEN1710.

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La thèse concerne la correspondance de Claude Cahun. Le corpus est important, il comprend l’ensemble des lettres reçues et envoyées par Claude Cahun auxquelles nous avons pu avoir accès. Il s’agit donc d’une correspondance croisée avec Henri Michaux, André Breton et Robert Desnos, de lettres adressées à Pierre Champion, André Gide, Pierre Albert-Birot, Charles-Henri Barbier, Gaston Ferdière, Jean Humbert, Léo Malet, Roger Roussot, Jean Ryeul, Jean Legrand, Jean Schuster, George Schwob, Marianne Schwob et Jacques Viot et de lettres adressées à Claude Cahun écrites par Nicolas Calas, Jacques B.
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Ballestín, Cucala Cristina. "Más allá del surrealismo: Claude Cahun. Compromiso, resistencia y política identitaria." Doctoral thesis, Universidad de Murcia, 2011. http://hdl.handle.net/10803/320181.

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"La presente tesis se inscribe en el proceso de recuperación de la escritora y fotógrafa conocida como Claude Cahun. Tras el silencio que durante más de cuarenta años envolvió su obra, la reaparición de su trabajo fotográfico en las últimas décadas del siglo XX ha suscitado un gran interés por la extraordinaria actualidad de su propuesta identitaria. El mundo del arte y la vanguardia de las teorías post-feministas advierten el trazado avant la lettre de la práctica discursiva que promueven. El éxito de su proyecto plástico conlleva, sin embargo, el olvido habitual de su obra escrita. Raramente
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Oehsen, Kristine von. "'Claude Cahun' : published/unpublished : the textual identities of Lucy Schwob : 1914-1944." Thesis, University of East Anglia, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397796.

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Arvisais, Alexandra. "L'esthétique du partage dans l'œuvre littéraire et picturale de Claude Cahun et Moore." Thesis, Lille 3, 2018. http://www.theses.fr/2018LIL3H006/document.

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L’œuvre polymorphe de Claude Cahun, auteure-artiste de la première moitié du XXe siècle, et de Moore, artiste-plasticienne, repose essentiellement sur l’idée de partage. De 1913 à 1954, Cahun et Moore ont élaboré une œuvre qui relève en grande partie d’une création partagée, c’est-à-dire qu’elle est faite à quatre mains de manière symbiotique, tandis qu’une autre partie est assumée par chacune des collaboratrices. Leur travail prend la double voie de l’écriture et de l’expression artistique (dessin, photographie, photomontage, objet) pour placer leur vision du sujet équivoque et de l’art sous
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Leperlier, François. "Claude Cahun (Lucy Schwob), 1894-1954 : du symbolisme au surréalisme et à la Résistance." Paris 1, 1991. http://www.theses.fr/1991PA010518.

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A partir de nombreux documents inédits ou méconnus, cette recherche s'attache à reconstituer l'itinéraire intellectuel de Claude Cahun en relation étroite avec les enjeux réfléchis de l'expérience personnelle. Poète, essayiste, comédienne, photographe, plasticienne, Claude Cahun ne cessera de questionner le statut et la finalité de l'art tels qu'ils se posent pour un sujet que révoltent la résistance de la nature et les sommations de l'histoire et qui puise dans cette révolte même de nouveaux motifs d'espérer et d'agir. Profondément marquée par l'esprit symboliste (nièce de Marcel Schwob) et l
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Duch, Anne. "L’autoportrait textuel par Claude Cahun : Énonciation, formes génériques et détournement dans Aveux non avenus (1930)." Doctoral thesis, Stockholms universitet, Romanska och klassiska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-145751.

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The purpose of the present thesis is to examine the modes of enunciation (“mode d’énonciation”) and the use of text genres in relation to thematic and semantic aspects of Claude Cahun’s book, Aveux non avenus (Disavowals: or, Cancelled Confessions)(1930), which consists of text fragments. Claude Cahun, who is mostly known for her photographic self-portraits, was active on the margins of surrealism in Paris in the 1920s. The text fragments of Aveux non avenus can be compared to a collage technique that she also uses in the photomontages which open each chapter of the book. As an author, Claude
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Vayzman, Liena. "The self-portraits of Claude Cahun : transgression, self-representation and Avant-Garde photography 1917 - 1947 /." [S.l. : s.n.], 2002. http://swbplus.bsz-bw.de/bsz103907793inh.htm.

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Gambi, Henrique do Nascimento. "Entre o inconfessável e o indizível: autobiografia e autorretrato em Aveux non avenus, de Claude Cahun." Universidade Federal de Minas Gerais, 2015. http://hdl.handle.net/1843/ECAP-9U5HTQ.

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This research aims to analyze Claude Cahun's novel 'Aveux Non Avenus' (1930), whose paradoxical character can be noticed in its title: unfounded confessions. The novel consists of a multiplicity of genres that make up the textual part, such as dreamlike accounts, dramatized dialogues and aphorisms, having its theme as Claude Cahun herself. A visual part, made up of photocollages, complements the veil/unveil game of the artist. It is hypothesized that the textual and visual resources used by the author are a way of creating a continuously reinvented multiform subject. These resources were analy
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Gewurtz, Michelle Sara. "Three women/three margins : political engagement and the art of Claude Cahun, Jeanne Mammen, and Paraskeva Clark." Thesis, University of Leeds, 2010. http://etheses.whiterose.ac.uk/1427/.

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Books on the topic "Claude Cahun"

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Vicente, Aliaga Juan, Leperlier François, Jeu de paume (Gallery : France), Palau de la Virreina (Barcelona, Spain), and Art Institute of Chicago, eds. Claude Cahun. Hazan, 2011.

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Vincente, Aliaga Juan, and Institut Valencia d'Art Modern, eds. Claude Cahun. Generalitat Valencia, 2001.

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Cahun, Claude. Claude Cahun, écrits. Jean-Michel Place, 2002.

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Cahun, Claude. Claude Cahun: Bilder. Schirmer/Mosel, 1997.

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Cahun, Claude. Claude Cahun: Introduction par Francois Leperlier. Nathan, 1999.

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Leperlier, François. Claude Cahun: L'écart et la métamorphose : essai. Jean-Michel Place, 1992.

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Doy, Gen. Claude Cahun: A sensual politics of photography. I.B. Tauris, 2007.

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Doy, Gen. Claude Cahun: A sensual politics of photography. I.B. Tauris, 2007.

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Claude Cahun e Suzanne Malherbe: L'immaginario di un sodalizio. Sestante, 2012.

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Absence where as: Claude Cahun and the unopened book. Nightboat Books, 2009.

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Book chapters on the topic "Claude Cahun"

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Grant, Ben. "Autofiction and Self-Portraiture: Jenny Diski and Claude Cahun." In Palgrave Studies in Life Writing. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78440-9_15.

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AbstractThis chapter argues that the contemporary British writer Jenny Diski and the Modernist French photographer and writer Claude Cahun are both literary self-portraitists, as this term is defined by Michel Beaujour. This is evident in their similar approaches to the themes of masquerade, narcissism, and naming. By reading Diski’s The Dream Mistress and Cahun’s Disavowals in the light of Julia Kristeva’s account of narcissism, as well as theories of autofiction and self-portraiture, the chapter further contends that self-portraiture arises from a distinct conception of the self, and of the psychological origins of artistic creativity. On this basis, it can be contrasted with autofiction, and autofiction and self-portraiture can then be seen to be related to each other as the two poles of contemporary life-writing.
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Apter, Emily. "Towards a Unisex Erotics: Claude Cahun and Geometric Modernism." In Modernist Eroticisms. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137030306_8.

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Kutzick, Franziska. "4. »It's queer!«: (Weibliche) Sehstörungen und Schmerzironie in Claude Cahuns Aveux non avenus (1930)." In Schmerz, Gender und Avantgarde. transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839465219-008.

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"Cahun, Claude." In Who's Who in Lesbian and Gay Writing. Routledge, 2003. http://dx.doi.org/10.4324/9780203402214-19.

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"Claude Cahun." In Surrealist Painters and Poets. The MIT Press, 2001. http://dx.doi.org/10.7551/mitpress/6565.003.0025.

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"Claude Cahun." In Fairy Tales for the Disillusioned. Princeton University Press, 2017. http://dx.doi.org/10.1515/9781400883455-022.

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"A Brief Chronology." In Claude Cahun. I.B.Tauris, 2007. http://dx.doi.org/10.5040/9780755604029.0005.

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"Introduction." In Claude Cahun. I.B.Tauris, 2007. http://dx.doi.org/10.5040/9780755604029.0006.

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"Afterword." In Claude Cahun. I.B.Tauris, 2007. http://dx.doi.org/10.5040/9780755604029.0007.

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"Notes." In Claude Cahun. I.B.Tauris, 2007. http://dx.doi.org/10.5040/9780755604029.0008.

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Conference papers on the topic "Claude Cahun"

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Kohl, Kethlen. "CLAUDE CAHUN: AS CABEÇAS E AS PECULIARIDADES DAS (RE)EXISTÊNCIAS." In 30º Encontro Nacional da ANPAP - (RE)EXISTÊNCIAS. Even3, 2022. http://dx.doi.org/10.29327/30enanpap2021.383697.

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