Journal articles: 'Claude Cahun'

1

Bauduin, Tessel M. "Claude Cahun." Photography and Culture 5, no. 2 (July 2012): 239–42. http://dx.doi.org/10.2752/175145212x13330132507185.

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Knafo, Danielle. "Claude Cahun: The Third Sex." Studies in Gender and Sexuality 2, no. 1 (January 15, 2001): 29–61. http://dx.doi.org/10.1080/15240650209349169.

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Wampole, Christy. "The Impudence of Claude Cahun." L'Esprit Créateur 53, no. 1 (2013): 101–13. http://dx.doi.org/10.1353/esp.2013.0009.

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Thynne, Lizzie. "Claude Cahun: an experimental biopic." Journal of Media Practice 2, no. 3 (January 1, 2002): 168–74. http://dx.doi.org/10.1386/jmpr.2.3.168.

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Mendelsohn, Sophie. "Claude Cahun, l'effacement et l'énigme." Savoirs et clinique 12, no. 1 (2010): 158. http://dx.doi.org/10.3917/sc.012.0158.

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Sabiá, Ana Paula. "A fotografia performática de Claude Cahun." Revista Digital do LAV 12, no. 1 (April 13, 2019): 055. http://dx.doi.org/10.5902/1983734832200.

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Este ensaio busca contextualizar a obra literária e artística de Claude Cahun que, assim como no início do século XX, ainda hoje continua inclassificável. Seu trabalho situa-se, aparentemente, em algum lugar entre lugares: denominações, linguagens, gêneros, realidade e autoficção, entre o inédito e o mítico. Suas experiências radicais na arte, literatura e na política fizeram-na, simultaneamente, tanto vanguardista quanto outsider. Propôs a fluidez entre os papéis identitários pois não lhe interessava repetir-se para os outros, muito menos para si propria. Rompeu com as categorias binárias e dualismos impostos pela normativa social e em concordância com a efervescência instituída ao pensamento moderno, do marxismo à psicanálise, da interpretação da subjetividade e as inúmeras indagações filosóficas sobre a presença do sujeito no mundo, obviamente abordadas na arte, Claude colocou a busca pela ‘Verdade' sob suspeita.

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Baldacchino, Adeline. "Claude Cahun : aucune femme n’est une île." Ballast N° 7, no. 1 (January 1, 2019): 114–29. http://dx.doi.org/10.3917/ball.007.0114.

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Gravano, Viviana. "Explorations, Simulations: Claude Cahun and Self-Identity." European Journal of Women's Studies 16, no. 4 (October 21, 2009): 353–71. http://dx.doi.org/10.1177/1350506809342619.

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DOY, GEN. "PLAYING A PART: THE STORY OF CLAUDE CAHUN." Art Book 14, no. 1 (February 2007): 73. http://dx.doi.org/10.1111/j.1467-8357.2007.00783_5.x.

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Welby-Everard, Miranda. "Imaging the Actor: the Theatre of Claude Cahun." Oxford Art Journal 29, no. 1 (March 1, 2006): 1–24. http://dx.doi.org/10.1093/oxartj/kci044.

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Latimer, T. T. "ENTRE NOUS: Between Claude Cahun and Marcel Moore." GLQ: A Journal of Lesbian and Gay Studies 12, no. 2 (January 1, 2006): 197–216. http://dx.doi.org/10.1215/10642684-12-2-197.

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Meneses, Emerson Silva, and Martin Jayo. "Queer avant la lettre: moda e performance de gênero nos autorretratos de Claude Cahun." dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda 12, no. 27 (December 19, 2019): 147–64. http://dx.doi.org/10.26563/dobras.v12i27.987.

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O objetivo do artigo é analisar o uso de vestimentas e demais itens de moda nos autorretratos da fotógrafa francesa Claude Cahun (1894-1954), focando a sua função nas performances de gênero apresentadas nas imagens. Para tanto, procedemos a análise de três fotografias, com base no método iconográfico de Erwin Panofsky. A análise nos permite concluir que a vestimenta (juntamente com outros itens de moda) é um elemento crucial de inteligibilidade das imagens, servindo como um instrumento para o reconhecimento de identidades de gênero. A relevância do trabalho decorre do reconhecimento que Cahun tem recebido ultimamente como precursora das discussões contemporâneas de gênero, bem como da falta de trabalhos que tenham analisado sua obra especificamente na área de Moda.

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13

Bourse, Alexandra. "Claude Cahun : la subversion des genres comme arme politique." Itinéraires, no. 2012-1 (September 1, 2012): 137–45. http://dx.doi.org/10.4000/itineraires.1300.

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Sprio, Margherita. "Feminisms, mirrors: Claude Cahun and Sarah Pucill – a dialogue." Moving Image Review & Art Journal (MIRAJ) 4, no. 1 (December 1, 2015): 260–66. http://dx.doi.org/10.1386/miraj.4.1-2.260_5.

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FREEMAN, ALANNA. "CLAUDE CAHUN: A SENSUAL POLITICS OF PHOTOGRAPHY BY GEN DOY." Art Book 16, no. 2 (May 2009): 59–60. http://dx.doi.org/10.1111/j.1467-8357.2009.01030_2.x.

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16

Oberhuber, Andrea. "Claude Cahun, Marcel Moore, Lise Deharme and the Surrealist book." History of Photography 31, no. 1 (March 2007): 40–56. http://dx.doi.org/10.1080/03087298.2007.10443501.

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17

McGurk, Siobhan. "Claude Cahun, Symbolism and Surrealism: The Importance of Historical Contextualisation." History Compass 10, no. 1 (January 2012): 47–55. http://dx.doi.org/10.1111/j.1478-0542.2011.00818.x.

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18

Zachmann, Gayle. "The Photographic Intertext: Invisible Adventures in the Work of Claude Cahun." Contemporary French and Francophone Studies 10, no. 3 (September 2006): 301–10. http://dx.doi.org/10.1080/17409290600883852.

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19

Rice, S. "Claude Cahun: contexte, posture, filiation. Pour une esthetique de l'entre-deux." French Studies 64, no. 4 (September 29, 2010): 501–2. http://dx.doi.org/10.1093/fs/knq129.

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20

Zachmann, Gayle. "CLAUDE CAHUN AND THE POLITICS OF CULTURE: RESISTANCE, JOURNALISM, AND PERFORMATIVE ENGAGEMENT." Contemporary French Civilization 35, no. 2 (January 2011): 19–46. http://dx.doi.org/10.3828/cfc.2011.35.2.2.

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21

Zami, Layla. "Dissidence, Dissidance: Claude Cahun & Marcel Moore's Visions and/in Oxana Chi's Motions." Women & Performance: a journal of feminist theory 30, no. 3 (September 1, 2020): 345–53. http://dx.doi.org/10.1080/0740770x.2020.1907688.

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22

Hutchison, Sharla. "Convulsive Beauty: Images of Hysteria and Transgressive Sexuality: Claude Cahun and Djuna Barnes." symploke 11, no. 1 (2003): 212–26. http://dx.doi.org/10.1353/sym.2003.0012.

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23

Oberhuber, Andrea. "Aimer, s’aimer à s’y perdre? Les jeux spéculaires de Cahun-Moore." Aimer, no. 4 (August 9, 2011): 87–114. http://dx.doi.org/10.7202/1005478ar.

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Que penser d’une jeune artiste qui se présente tantôt en Méduse ou en beauté orientale, tantôt en bouddha, en haltérophile ou en Gretchen? Que penser de cet autoportrait dédoublé « en damier » qui fait écho au portrait d’une femme « en rayures », celui-ci également dédoublé? Comment décoder des photomontages — tous plus énigmatiques les uns que les autres — conçus en collaboration avec cette même femme « en rayures », et qui se retrouvent intercalés dans un texte intitulé Aveux non avenus? Que signifie « aimer », lorsque l’être aimé est notre alter ego? Cette histoire d’amour entre soi et la projection de soi peut-elle éviter l’abîme? Cet article propose de réfléchir sur la notion d’« aimer » chez Claude Cahun et Suzanne Malherbe alias Marcel Moore, en interrogeant le côté « narcissique » et autoréflexif que révèlent la plupart des autoportraits, l’autobiographie et les photomontages, d’une part, et le désir lesbien stigmatisé à l’époque comme un « faux masque », d’autre part. Dans un deuxième temps, il s’intéressera à ce couple symbiotique que forment l’auteure-photographe Cahun et la graphiste-peintre Moore, symbiose artistique qui leur permet de créer des oeuvres à leur image.

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24

Roque, Renato. "Claude Cahun Je me vois done je suis pour imaginer que je suis autre.." Revelar: Revista de Estudos da Fotografia e Imagem 3 (2018): 76–94. http://dx.doi.org/10.21747/17775302/rev3a3.

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25

Hancock, Austin. "Queering Modernism's Masculine Arena: In the Boxing Ring with Claude Cahun and Marcel Moore." Modernism/modernity 28, no. 4 (2021): 735–59. http://dx.doi.org/10.1353/mod.2021.0058.

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26

Maria, Charlotte. "L’écriture de la lettre chez Claude Cahun: «genre indéterminé» pour une artiste «sans étiquette»." Les Lettres Romanes 63, no. 3-4 (January 2009): 211–21. http://dx.doi.org/10.1484/j.llr.3.205.

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27

Knight, Juanita Marchand, and Crystal Marchand. "Them and the Timbre of Gender." Public 31, no. 62 (December 1, 2020): 41–59. http://dx.doi.org/10.1386/public_00054_1.

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Inspired by a question—“Trans singers exist, but what would we do with them?”—Marchand Knight, a classically trained soprano, began composing Them, an opera based on the lives of genderqueer artists Claude Cahun and Marcel Moore. These questions emerged as central to the piece: Does gender have a timbre? What are the semiotics of gender that are implicitly (or explicitly) embedded in operatic composition by librettists and composers, and how can they be used or dismantled in this work? How has the taming of the classical voice by the German Fach system stymied Western awareness of what falls outside the box? Through a combination of secondary and primary source research on opera culture, voice science and training methodologies, aesthetics, timbre perception, and gender semiotics, Marchand Knight and Marchand challenge the notion of gendered voices by looking at sounds praised outside of white, Eurocentric, patriarchal, classical vocal pedagogies.

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28

Gregg, Ronald. "The Documentaries of Barbara Hammer: Lesbian Creativity, Kinship, and Erotic Pleasure in the Historical Margins." Camera Obscura: Feminism, Culture, and Media Studies 36, no. 3 (December 1, 2021): 105–17. http://dx.doi.org/10.1215/02705346-9349399.

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Abstract Lesbian filmmaker Barbara Hammer turned from experimental filmmaking to feature-length documentaries in the early 1990s. These late documentaries illustrate her distinct perspective on queer history and affect, which was influenced by 1970s lesbian feminism and queer scholarship in the 1980s and 1990s. Her structure and style in these films draw on the tools of both conventional historical documentaries and experimental film. Offering an astonishing range of evidence, Hammer creatively presents queer plenty from the margins of the archive. Through this evidence, Hammer affirms past queer lives, celebrating and highlighting rebelliousness, agency, creativity, queer kinship, and passion. Additionally, Hammer attempts to communicate with and embody the past, physically and emotionally seeking out and feeling the interior and exterior lives of her biographical subjects, who are predominantly creative women, including the poet Elizabeth Bishop, the Dada artist Hannah Höch, the surreal photographer Claude Cahun, and the painter Nicole Eisenman.

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29

Coste, Bénédicte. ""La prairie fraternelle dont je suis avec vous l'herbe multicolore": quand l'éthique de Claude Cahun queerise la théorie queer." Contemporary French Civilization 37, no. 2-3 (January 2012): 273–88. http://dx.doi.org/10.3828/cfc.2012.18.

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30

Gianoncelli, Eve. "« La poudre à canon et la mèche allumée » : Claude Cahun/Lucy Schwob et Marcel Moore/Suzanne Malherbe, un couple de femmes avant-gardiste." Les Études Sociales 170, no. 2 (2019): 179. http://dx.doi.org/10.3917/etsoc.170.0179.

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31

RODINSON, Maxime. "Claude Cahen (1909-1991)." CEMOTI, no. 13 (January 1, 1992): 193–96. http://dx.doi.org/10.4000/cemoti.365.

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32

Garcin, Jean-Claude. "Claude Cahen (1909-1991)." Journal of the Economic and Social History of the Orient 35, no. 2 (1992): 104–8. http://dx.doi.org/10.1163/156852092x00066.

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33

Ehrenkreutz, Andrew E. "Claude Cahen 1909–1991." Middle East Studies Association Bulletin 26, no. 1 (July 1992): 154–56. http://dx.doi.org/10.1017/s0026318400025578.

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34

Petry, Carl F., Raoul Curiel, and Rika Gyselen. "Itinéraires d'Orient: Hommages à Claude Cahen." Journal of the American Oriental Society 118, no. 4 (October 1998): 604. http://dx.doi.org/10.2307/604828.

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مؤنس عوض, محمد. "کلود کاهن Claude Cahen 1909 - 1991م." مجلة بحوث الشرق الأوسط 5, no. 54 (March 2, 2020): 57–76. http://dx.doi.org/10.21608/mercj.2020.74841.

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36

Martin, Jean-Marie. "La Féodalité Vue par Claude Cahen." Arabica 43, no. 1 (1996): 244–49. http://dx.doi.org/10.1163/1570058962582886.

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37

Cahen, Claude. "Appendice." Arabica 43, no. 1 (1996): 66–70. http://dx.doi.org/10.1163/1570058962582985.

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AbstractClaude Cahen a rédigé ce compte-rendu de l'ouvrage De la connaissance historique publié en 1955 par Henri-Irénée Marrou. Il l'a proposé à la revue Esprit dirigée alors par Jean-Marie Domenach. La rédaction d'Esprit ne semble pas avoir donné suite, car on lit, de la main de Claude Cahen, sur le texte dactylographié et resté inédit: «Envoyé à Esprit en février 1955. Pas de réaction.»

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38

Cahen, Claude. "Regard sur mon Parcours d'Historien." Arabica 43, no. 1 (1996): 3–6. http://dx.doi.org/10.1163/1570058962582868.

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39

Eddé, Anne-Marie. "Claude Cahen et les Sources Arabes des Croisades." Arabica 43, no. 1 (1996): 89–97. http://dx.doi.org/10.1163/1570058962582949.

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40

Cahen, Claude. "Préface à la Réimpression de sa Thèse par Claude Cahen." Arabica 43, no. 1 (1996): 85–88. http://dx.doi.org/10.1163/1570058962583029.

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AbstractEn 1981, Claude Cahen avait accepté de voir sa thèse rééditée et avait rédigé une préface qui a été retrouvée dans ses papiers. Ce projet a néanmoins échoué, dans la mesure où la maison Geuthner était en réalité détentrice du copyright et refusa alors de le céder.

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41

Mouton, Jean-Michel. "Itineraires d'Orient. Hommages a Claude Cahen. Res Orientalis VI." Studia Islamica, no. 82 (1995): 154. http://dx.doi.org/10.2307/1595591.

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42

Micheau, Françoise. "De l'Occident à l'Orient: Claude Cahen, Historien des Croisades." Arabica 43, no. 1 (1996): 71–84. http://dx.doi.org/10.1163/1570058962583038.

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43

BIANQUIS, Th. "Claude Cahen, historien de l'Orient arabe médiéval, analyse et prospective." Journal Asiatique 281, no. 1 (January 1, 1993): 1–18. http://dx.doi.org/10.2143/ja.281.1.2006130.

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44

Emin Şen, Mehmet. "Claude Cahen, Introduction to the History of the Muslim East." History Studies International Journal Of History Volume 4 Issue 1, no. 4 (2012): 573–77. http://dx.doi.org/10.9737/hist_525.

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45

Cobb, Paul M. "Itinéraires d'Orient: Hommages à Claude Cahen. Raoul Curiel , Rika Gyselen." Journal of Near Eastern Studies 57, no. 3 (July 1998): 220–21. http://dx.doi.org/10.1086/468641.

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46

Rottet, Kevin J. "Clause subordination structures in language decline." Journal of French Language Studies 8, no. 1 (March 1998): 63–95. http://dx.doi.org/10.1017/s0959269500000570.

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AbstractThe field of language-death studies has invited a growing number of researchers to explore what happens to the internal structure of a language as it declines. However, little work has been done to date on minority varieties of French in the context of language-death studies. This paper examines some intergenerational changes in subordination (conditionals and subjunctive clauses) in a Cajun French community, exploring the gradual loss of non-indicative moods and the abandonment of finite clauses in subjunctive contexts in favour of innovative non-finite clause types via a continuum of variation.

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47

Bianquis, Thierry. "Pour un Réexamen de l'Apport de Claude Cahen sur la Fiscalité." Arabica 43, no. 1 (1996): 135–45. http://dx.doi.org/10.1163/1570058962582921.

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48

Ocak, Ahmet Yaşar. "Un Seldjoukide Anatolien Contemporain: Professeur Claude Cahen (ou cinquante ans de recherche en histoire turque)." Arabica 43, no. 1 (1996): 116–34. http://dx.doi.org/10.1163/1570058962582994.

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49

Cahn, Claude. "Court of Justice of the eu Rules Collective and Inaccessible Electrical Metres Discriminate against Roma: chez Razpredelenie Bulgaria ad v. Komisia za zashtita ot diskriminatsia (C-83/14)." European Journal of Migration and Law 18, no. 1 (March 15, 2016): 112–25. http://dx.doi.org/10.1163/15718166-12342092.

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The judgment of 16 July 2015 is ecj’s first substantive ruling in a case concerning racial discrimination against Roma. This is noteworthy, given the centrality of Roma to the jurisprudence of the European Court of Human Rights in the area of discrimination (on the European Court of Human Rights, Roma and racial discrimination, see C. Cahn (2015), ‘Triple Helix: The Jurisprudence of the European Court of Human Rights, Roma and Racial Discrimination’, in: Claude Cahn, Human Rights, State Sovereignty and Medical Ethics, Leiden: Brill Nijhoff, pp. 106–148.). The ecj ruling in the chez case is important for a number of reasons, including for recognizing that the ban on discrimination by association applies also to cases of indirect discrimination. Its most significant contribution however is its reflections on the role of stigma in driving discrimination based on racial or ethnic origin. Also of note is its rejection of a number of approaches used in national law – in Bulgaria and elsewhere – as incompatible with European Union anti-discrimination law. The judgment is among the most important ecj rulings to date on discrimination. The current article discusses some of the noteworthy aspects of the case.

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50

Morgan, D. O. "Claude Cahen: Orient et occident au temps des Croisades. (Collection Historique.) 302 pp. Paris: Éditions Aubier Montaigne, 1983." Bulletin of the School of Oriental and African Studies 48, no. 1 (February 1985): 134–35. http://dx.doi.org/10.1017/s0041977x00027130.

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Journal articles on the topic 'Claude Cahun'

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