Relevant bibliographies by topics / Claude-Guy

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  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Claude-Guy'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Claude-Guy"

1

Stitou, Rajaa, Jean-Louis Doucet-Carrière, and Roland Gori. "En hommage à Claude-Guy Bruère-Dawson (1937-2020)." Cliniques méditerranéennes 103, no. 1 (April 15, 2021): 271–77. http://dx.doi.org/10.3917/cm.103.0271.

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WOOLLEN, G. "Review. Monsieur Parent. Edition presentee par Claude Martin. Maupassant, Guy de." French Studies 43, no. 4 (October 1, 1989): 482. http://dx.doi.org/10.1093/fs/43.4.482.

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Michelet, Dominique. "Stresser-Péan Guy y Claude, Tamtok, sitio arqueológico huasteco. 2 - Su vida cotidiana." Journal de la société des américanistes 94, no. 94-2 (December 20, 2008): 229–32. http://dx.doi.org/10.4000/jsa.10615.

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Wilson, E. "Claude Chabrol. By Guy Austin. (French Film Directors). Manchester University Press, 1999. viii+197 pp." French Studies 55, no. 1 (January 1, 2001): 138–39. http://dx.doi.org/10.1093/fs/55.1.138.

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Nepveu, Pierre. "Un théâtre des discours." Études françaises 39, no. 3 (May 4, 2004): 47–60. http://dx.doi.org/10.7202/008148ar.

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Résumé La présence importante et très variée du poème en prose chez les poètes de la génération de l’Hexagone paraît liée au profond questionnement identitaire et à l’instabilité des discours qui caractérisent les années 1945-1965. En puisant des exemples chez des poètes aussi différents que Thérèse Renaud, Gilles Hénault, Roland Giguère, Claude Fournier, Jean-Guy Pilon et quelques autres, cet article rattache la pratique du poème en prose à une mise en situation dramatique du sujet poétique, brisant la souveraineté de la voix lyrique, permettant un dialogue avec soi, dans un registre principalement délibératif et interrogatif. Au terme de ce parcours, la notion de « situation », centrale dans la conception du poème en prose défendue par Max Jacob, prendra une tournure sartrienne, notamment chez Jacques Brault et Gaston Miron.
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Turgeon, Alexandre. "Guy Berthiaume et Claude Corbo (dir.), La Révolution tranquille en héritage, Montréal, Boréal, 2011, 304 p." Bulletin d'histoire politique 21, no. 2 (2013): 221. http://dx.doi.org/10.7202/1014158ar.

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7

Bouchet, Thomas. "Claude MILLET, Florence NAUGRETTE, Agnès SPIQUEL [dir.],Choses vues à travers Hugo. Hommage à Guy Rosa." Revue d'histoire du XIXe siècle, no. 37 (November 15, 2008): 185–242. http://dx.doi.org/10.4000/rh19.3535.

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Borboën, Véronique. "Boucris, Luc, La scénographie : Guy-Claude François à l’oeuvre, Montpellier, L’Entretemps, 2009, 144 p., coll. « Ex Machina »." L’Annuaire théâtral: Revue québécoise d’études théâtrales, no. 46 (2009): 193. http://dx.doi.org/10.7202/045379ar.

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9

Langlois, Simon. "Bernard FORTIN, Gaétan GARNEAU, Guy LACROIX, Thomas LEMIEUX et Claude MONTMARQUETTE, L'économie souterraine au Québec. Mythes et réalités." Recherches sociographiques 39, no. 1 (1998): 178. http://dx.doi.org/10.7202/057199ar.

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Matter, E. Ann. "The Bible in All Ages?Bible de tous les temps. Charles Kannengiesser , Claude Mondésert , Jacques Fontaine , Charles Petri , Anne-Marie Bonnardière , Pierre Riché , Guy Lobrichon , Guy Bedouelle , Bernard Roussel , Jean-Robert Armogathe , Yvon Belaval , Dominique Bourel , Claude Savart , Jean-Noël Aletti." Journal of Religion 71, no. 1 (January 1991): 79–90. http://dx.doi.org/10.1086/488541.

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Dissertations / Theses on the topic "Claude-Guy"

1

Willk-Brocard, Nicole. "Une dynastie, les Hallé : Daniel (1614-1675), Claude-Guy (1652-1736), Noël (1711-1781) /." Paris : Arthéna, 1995. http://catalogue.bnf.fr/ark:/12148/cb35786164w.

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Willk-Brocard, Nicole. "Les trois Hallé : Daniel - 1614-1675, Claude-Guy - 1652-1736, Noël - 1711-1781." Paris 10, 1992. http://www.theses.fr/1992PA100035.

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Etude de la réussite et de l'ascension sociale d'une dynastie de peintres français méconnus des XVIIe et XVIIIe siècles : les Hallé. Biographies. Catalogues raisonnés : peintures, dessins, gravures, documents. Pièces d'archives. Sources, bibliographie. Daniel, le premier de la famille (Rouen, 1614 - Paris, 1675), maître-peintre à Rouen, s'installe à Paris où il atteint à la notoriété en exécutant des tableaux religieux, presque tous disparus. Son fils, Claude-Guy (Paris, 1652-1736), peintre, dessinateur et illustrateur renommé, devient membre, puis recteur de l'Académie royale de peinture et de sculpture. Il exécute de nombreux tableaux pour les églises, disparus à la Révolution. Il est représentatif de l'art de transition entre le Grand siècle et l'art rocaille. Le dernier de la dynastie et le plus doué, Noël (Paris, 1711-1781), membre, trésorier et recteur de l'Académie royale, travaille pour le Roi, les Gobelins, les églises, et décore les hôtels particuliers de plafonds et dessus de porte. Son talent est original et très libre, ses personnages dynamiques, son coloris clair. Il est l'un des très bons peintres du XVIIIe siècle français, il est en train d'être redécouvert
Study of the achievement of an ill-know dynasty of French painters from the 17th and 18th centuries: the Hallés. Biography. Catalogue raisonné: paintings, drawings, engravings. Documents. Archives. Bibliography. Daniel, the first of the family (Rouen, 1614 - Paris, 1675), painter in Rouen, settles in Paris where he wins some fame through religious paintings, few of which are still existant. Claude-Guy, his son (Paris, 1652-1736), is a gifted painter, draughtsman and well-known illustrator. He was elected member, then rector of the Royal French Academy of painting and sculpting. He works mainly for the Church and the religious orders; most of his paintings have disappeared diring the French Revolution. He is representative of the art of painting between the end of the Grand siècle and the Roccoco. The most reknowned member of the family is his son, Noël (Paris, 1711-1781), member, treasurer and rector of the Royal Academy, overseer of the Gobelins manufactory. He works for the King, the Church, and adorns private mansions with ceilings, dessus de porte and easel paintings. He is one of the most gifted French painters of the Eighteenth century. His talent is actually being re-discovered
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3

Wilmes, Philippe Guy Claude [Verfasser], and Romain [Akademischer Betreuer] Seil. "Die Reproduzierbarkeit der röntgenologischen Bestimmung von Vorder- und Hinterhornansatz des Außenmeniskus zur Planung der Meniskustransplantation / Philippe Guy Claude Wilmes. Betreuer: Romain Seil." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2007. http://d-nb.info/1049214633/34.

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Books on the topic "Claude-Guy"

1

La scénographie, Guy-Claude François à l'œuvre. Montpellier: Entretemps, 2009.

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2

Construire pour le temps d'un regard: Guy-Claude François, scénographe. [Lyon]: Fage, 2009.

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3

Willk-Brocard, Nicole. Une dynastie les Hallé: Daniel (1614-1675), Claude-Guy (1652-1736), Noël (1711-1781). Paris: Arthena, 1995.

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4

Poupart, René. Aspects de la chanson poétique: Des lectures de Georges Brassens, Guy Béart, Claude Nougaro, Jacques Brel, et François Béranger. Paris: Didier erudition, 1988.

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Association pour la promotion et le développement de l'inventaire comtois. Peintures flamandes des églises comtoises, XVIe-XVIIe siècles, Franche-Comté: [ouvrage édité par l'Association pour la Promotion et le Développement de l'Inventaire Comtois ; textes Guy Barbier, Bénédicte Gaulard, Marie-Claude Mary]. Besançon [France]: ASPRODIC, 1999.

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6

Leirner, Closky. Classifictions: Claude Closky, Jac Leirner, Jean-Philippe Lemee, Guy Limone, Lisa Milroy, Hermann Pitz, Stephen Prina, Jean-Jacques Rullier. Presses Universitaires de Rennes 2 (PUR), 1997.

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Schmid, Marion. Intermedial Dialogues. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474410632.001.0001.

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Casting fresh light on one of the most important movements in film history, Intermedial Dialogues: The French New Wave and the Other Arts is the first comprehensive study of the New Wave's relationship with the older arts. Traversing the fields of literature, theatre, painting, architecture and photography, and drawing on André Bazin alongside recent theories of intermediality, it investigates the 'impure', intermedial aesthetics of New Wave cinema. Filmmakers under discussion include critics-turned-directors François Truffaut, Eric Rohmer, Jean-Luc Godard, Jacques Rivette and Claude Chabrol, members of the Left Bank Group Alain Resnais, AgnèsVarda and Chris Marker, but also lesser-known directors, notably the 'secret child of the New Wave', Guy Gilles. This wide-ranging book offers an original reading of the complex, often ambivalent ways in which the New Wave engages the other arts in both its discursive construction and filmic practice.
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Book chapters on the topic "Claude-Guy"

1

Draper, Matthew R., and David Polizzi. "Regurgitating the media image: towards a phenomenology of the ‘visible’ in criminal justice." In Law in Popular Belief. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9780719097836.003.0004.

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This chapter discusses the problematic social construction of crime, law enforcement, and jurisprudence and highlights some of the consequences of these media portrayals for the public and students of this topic. It then sets out an ethic of phenomenological reduction of crime and the incumbent legal processes as a solution. The chapter draws upon the work of Jean-Luc Marion, Claude Romano, Werner Marx, James Mensch, and Immanuel Levinas, to describe how reducing the complex experience of crime, law enforcement, and jurisprudence opens new understanding and new potential for exploring the very complex nature of crime and the resulting legal processes. The reduction, in this case, entails an ethical argument to reduce what is given to those experiencing these processes and to us as observers. In the case of the one accused of crime, a reduction of their experience often breaks our understanding free of the “good-guy, bad-guy” portrayals in media. Likewise, a reduction of the experience and activity of law-enforcement and jurisprudence professionals highlights their professional, personal, and interpersonal complexities as they do their jobs. Finally, it proposes that this phenomenological ethic, when taken up by the media, would actually not only increase the portrayals of these processes in a more authentic manner, but increase the potential for sharing the dramatic stories of the criminal, law-enforcement, and legal professionals. This would serve to further their agenda of telling marketable and engaging stories by highlighting the incredible personal and interpersonal complexities of the people caught up in these experiences.
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You might also be interested in the extended bibliographies on the topic 'Claude-Guy' for particular source types:
Journal articles
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