Relevant bibliographies by topics / Claudio Monteverdi

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  1. Dissertations / Theses

Academic literature on the topic 'Claudio Monteverdi'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Dissertations / Theses on the topic "Claudio Monteverdi"

1

Haramaki, Gordon. "Beyond the seconda prattica Claudio Monteverdi and the poetics of genre after Orfeo /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1579964151&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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2

Chiarelli, Francesca. "'Il Lume Rinchiuso' The poetics of the 'seconda prattica' Monteverdi's fifth, sixth and seventh books of madrigals." Thesis, Royal Holloway, University of London, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307643.

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3

Hafar, Matthew Alan. "The psalmody of Monteverdi : choral settings of the vesper psalms CX and CXI." Diss., University of Iowa, 1992. https://ir.uiowa.edu/etd/6031.

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4

Weaver, Jamie. ""Del vario stile in cui piango e ragiono" : a study of compositional ethics in Florence and northern Italy during the early seventeenth century /." view abstract or download file of text, 2006. http://proquest.umi.com/pqdweb?did=1288647861&sid=2&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2006.<br>Typescript. Includes vita and abstract. "Suggestions for performance practice": leaves 209-230. Includes bibliographical references (leaves 251-270). Also available for download via the World Wide Web; free to University of Oregon users.
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5

Mihelcic, Sonja. "Similarities in the Use of Dramatic Recitative Style in the Music of Claudio Monteverdi and Giuseppe Verdi, with Some Performance-Practice Issues." Thesis, connect to online resource, 2001. http://www.library.unt.edu/theses/open/20012/mihelcic%5Fsonja/index.htm.

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6

Sulpício, Carlos Afonso [UNESP]. "Transformação e formação da técnica do trompete: de Monteverdi a Stockhaunsen." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/103395.

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Made available in DSpace on 2014-06-11T19:32:42Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-08-13Bitstream added on 2014-06-13T20:23:50Z : No. of bitstreams: 1 sulpicio_ca_dr_ia.pdf: 7470036 bytes, checksum: 2fbae8d3ec3077336f3d5bf6542ea06f (MD5)<br>Esta tese tem como objetivo traçar um panorama histórico sobre a evolução da técnica do trompete percorrendo uma linha cronológica que parte de Monteverdi e chega a Stockhausen com enfoque na relação compositor/instrumento/instrumentista. Inicialmente, apresentamos uma breve abordagem dos primórdios do trompete e apontamos a importânci
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7

Küster, Konrad. "«Doppelmotivik»: Textinterpretation und musikalische Form. Überlegungen an Monteverdi-Madrigalen mit und ohne Generalbaß." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A37092.

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8

Koldau, Linda Marie. "“Divino Claudio” oder Komponist seiner Zeit? Claudio Monteverdis Dixit Dominus-Vertonungen und die Entwicklung des concertato-Stils um die Mitte des Seicento." Bärenreiter Verlag, 2000. https://slub.qucosa.de/id/qucosa%3A36699.

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9

Crawford, Glenda S. "A Conductor's Guide to Selected Concerted Madrigals from Madrigals Book 8 (Madrigali Guerrieri et Amorosi) by Claudio Monteverdi." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1321367858.

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10

Zduniak, Maria. "Novitäten im Breslauer Stadttheater: Richard Strauss - Salome (1906), Claudio Monteverdi - L''Orfeo (1913), Ludomir Różycki Eros und Psyche (1917)." Musikgeschichte in Mittel- und Osteuropa ; 3 (1998), S. 136-145, 1998. https://ul.qucosa.de/id/qucosa%3A15459.

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Am Anfang des 20. Jahrhunderts zählte das Breslauer Stadttheater, obwohl mit nur einer kleinen Orchester-Besetzung ausgestattet, zu den bemerkenswerten europäischen Opernbühnen. Es war aufgeschlossen für musikalische Novitäten. Als Beweis dafür sind u.a. die Breslauer Premieren Salome (1906) von Richard Strauss, L\''Orfeo (1913) von Claudio Monteverdi und die Uraufführung der Oper Eros und Psyche (1917) von Ludomir Różycki zu nennen.
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