Relevant bibliographies by topics / Clavier-ubung III by J.S

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Academic literature on the topic 'Clavier-ubung III by J.S'

Author: Grafiati
Published: 4 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Clavier-ubung III by J.S"

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Беличенко, Наталия. ""Fiori musicali" Фрескобальди – Clavier-übung III И. С. Баха: фугетта-ричеркар". Проблеми взаємодiї мистецтва, педагогiки та теорiї і практики освiти. Когнітивне музикознавство - Problems of Interaction of Art, Pedagogy and Theory and Practice of Education . Cognitive musicology, № 46 (1 грудня 2017): 4–19. https://doi.org/10.5281/zenodo.2532805.

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Статья посвящена рассмотрению жанра фугетты в творчестве И. С. Баха  в контексте композиционно-стилевой системы его выдающегося итальянского предшественника. Цель исследования – установление генеалогических «корней» баховской хоральной фугетты в связи с большими фугированными (монотематическими и многотемными) инструментальными жанрами Дж. Фрескобальди, а именно, ричеркарами и канцонами. В работе устанавливаются общие моменты органных циклов «Fiori musicali» Фрескобальди и Clavier-übung III И.С.Баха: несводимость к органной мессе, подтверждением чему явл
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Melamed, Daniel R. "Bach's Clavier-Ubung III: The Making of a Print. With a Companion Study of the Canonic Variations on "Vom Himmel Hoch," BWV 769 . Gregory Butler , J. S. Bach . Bach Interpretation: Articulation Marks in Primary Sources of J. S. Bach . John Butt , J. S. Bach . The Forkel-Hoffmeister & Kuhnel Correspondence: A Document of the Early 19th-Century Bach Revival . Johann Nicolaus Forkel , Hoffmeister & Kuhnel , George B. Stauffer . The Bach Manuscripts of Johann Peter Kellner and His Circle: A Case Study in Reception History . Russell Stinson , J. S. Bach . Bach and the Riddle of the Number Alphabet . Ruth Tatlow , J. S. Bach ." Journal of the American Musicological Society 45, no. 2 (1992): 339–52. http://dx.doi.org/10.1525/jams.1992.45.2.03a00060.

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Беличенко, Наталия. "Хоральные фугетты Баха в системе "variierte – fugierte" хоралов". Аспекти історичного музикознавства, VІІ (1 листопада 2016): 37–46. https://doi.org/10.5281/zenodo.2536103.

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Цель статьи - рассмотрение хоральной фугетты в органном творчестве И.С. Баха как жанра, глубоко укорененного в современной ему композиторской и исполнительской практике и обладающего всеми типичными признаками немецкой хоральной обработки XVIII века. В результате становится возможным по-новому взглянуть как на внутреннее содержание данного жанра, так и на место, которое он занимает в общей жанровой системе эпохи барокко.   Bach chorale fughettas in the variierte - fugierte chorale system The goal of this article is to study chorale fughettas in J.S. Bach’s organ works as a genre whi
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Melamed, Daniel R. "Review: Bach's Clavier-Übung III: The Making of a Print. With a Companion Study of the Canonic Variations on Vom Himmel Hoch, BWV 769 by Gregory Butler, J. S. Bach; Bach Interpretation: Articulation Marks in Primary Sources of J. S. Bach by John Butt, J. S. Bach; The Forkel-Hoffmeister & Kühnel Correspondence: A Document of the Early 19th-Century Bach Revival by Johann Nicolaus Forkel, Hoffmeister & Kühnel, George B. Stauffer; The Bach Manuscripts of Johann Peter Kellner and His Circle: A Case Study in Reception History by Russell Stinson, J. S. Bach; Bach and the Riddle of the Number Alphabet by Ruth Tatlow, J. S. Bach." Journal of the American Musicological Society 45, no. 2 (1992): 339–52. http://dx.doi.org/10.2307/831452.

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Xuan Dien, Luong, Nguyen Kim Nga, Nguyen Thi Tuyet Mai, Nguyen Xuan Truong, Ken-ichi Yamashita та Ken-ichi Sugiura Sugiura. "Metal Complexes of π-Expanded Ligands (3): Synthesis and Characterization of tris[2-[(octylimino)methyl]-1-pyrenolato-N,O] cobalt(III)". VNU Journal of Science: Natural Sciences and Technology 35, № 2 (2019). http://dx.doi.org/10.25073/2588-1140/vnunst.4898.

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Abstract: The reactions of Co(OAc)2 with two equivalents of 1-hydroxy-2-[(octylimino)methyl-pyrene L, performed in air, lead to the formation of the cobalt(III) complex, tris[2-[(octylimino)methyl]-1-pyrenolato-N,O] cobalt(III) CoL3, accommodating three chelating pyrene-based salicylaldiminato-type ligands. The complex CoL3 and the referent tris(salicylaldiminato) cobalt(III) 1’(CoIII) were obtained in excellent yields, and their characterisation by 1H NMR, IR, mass spectroscopy, elemental analysis and X-ray diffraction revealed that they were of diamagnetic nature, octahedral geometry with th
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Ha, Nguyen Van, Doan Thanh Dat, and Trieu Thi Nguyet. "Stereoelectronic Properties of 1,2,4-Triazole-Derived N-heterocyclic Carbenes - A Theoretical Study." VNU Journal of Science: Natural Sciences and Technology 35, no. 4 (2019). http://dx.doi.org/10.25073/2588-1140/vnunst.4935.

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A theoretical study on stereo and electronic properties of a series of six 1,2,4-triazole-derived carbenes bearing different N4-substituents, namely isopropyl (1), benzyl (2), phenyl (3), mesityl (4), 2,6-diisopropylphenyl (5) and 1-naphthyl (6), has been carried out. Structures of the six carbenes were first optimized using Gaussian® 16 at B3LYP level. Their molecular geometries and electronic structures of the frontier orbitals were examined. The results suggest the similarity in nature of their HOMOs, which all posses s symmetry with respect to the heterocycle and essentially be the lone el
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Dissertations / Theses on the topic "Clavier-ubung III by J.S"

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SO, JEONG-HWA. "Rhetorical Perspectives on the Large Settings of Catechism Chorales in J. S. Bach's Clavierübung III." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1216409097.

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Books on the topic "Clavier-ubung III by J.S"

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Bruhn, Siglind. J. S . Bach's Well-Tempered Clavier: In-Depth Analysis and Interpretation, volume III. Mainer Intl Ltd, 1993.

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Walker, Paul. Bach's Well-Tempered Clavier. Oxford University PressNew York, 2025. https://doi.org/10.1093/oso/9780197666647.001.0001.

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Abstract This book, one of a series sponsored by the American Bach Society, presents J. S. Bach’s Well-Tempered Clavier as it is currently understood by the scholarly community. Because a primary goal of the series is to reach out to nonspecialists, both musical notation and footnotes are avoided. The book situates Bach’s collection in its historical context, summarizes what is known about the different origins of Books I and II, describes at length what a fugue is and how it works, and explains Bach’s use of the term “well-tempered” and how it relates to the physics of music. The central chap
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Book chapters on the topic "Clavier-ubung III by J.S"

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Stauffer, George B. "Clavier-Übung III." In J. S. Bach. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780195108026.003.0023.

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Abstract In 1739, in conjunction with the bicentennial celebration of Martin Luther’s visit to Leipzig in 1539, Bach published Clavier-Übung III, a weighty collection of organ works containing a large prelude and fugue, chorale preludes on the German Missa and Lutheran Catechism, and four manual duets. The chorale preludes, based on the founding hymns of the Lutheran Church, display modal harmonies and a wide range of styles, including ritornello forms, organ trios, and galant fughettas. Several settings are written in stile antico, or Renaissance vocal style, including the six-part “Aus tiefe
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