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Dissertations / Theses on the topic 'Clemency in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Angel, Natalie. "Clementia Caesaris : the creation and dissemination of a reputation." Phd thesis, Department of Ancient History, 2007. http://hdl.handle.net/2123/5429.

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2

Oh, Yun-Rok. "Der Klaviersatz im Werk Muzio Clementis : inaugural dissertation zur Erlagung der Doktorwürde des Fachbereichs Neuere deutsche Literatur und Kunstwissenschaften der Philipps-Universität Marburg /." Göttingen : Cuvillier, 1997. http://catalogue.bnf.fr/ark:/12148/cb37522895t.

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3

Günther, Clemens [Verfasser]. "Die metahistoriographische Revolution : Problematisierungen historischer Erkenntnis in der russischen Gegenwartsliteratur / Clemens Günther." Göttingen : Böhlau Verlag Köln, 2021. http://www.v-r.de/.

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4

Carr, Jeff. "A Spectre is Haunting Samuel Clemens: A Marxist Critique of Wealth as Resolution in Mark Twain's Novels." TopSCHOLAR®, 2006. http://digitalcommons.wku.edu/theses/447.

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The distribution of wealth occurs frequently in Mark Twain's novels, especially at the resolution. Indeed, Twain uses wealth as resolution in The Adventures of Tom Sawyer, The Prince and the Pauper, The Adventures of Huckleberry Finn, and Pudd'nhead Wilson. The repeated use of this formula in the author's approach to novel writing indicates the tremendous influence that capitalism had in shaping his worldview. In his early works, Twain appears to endorse capitalism in his use of wealth as resolution. Tom Sawyer, The Prince and the Pauper, and Huckleberry Finn each conclude with the distributio

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5

Sadek, Isis. "Los "Verdaderos" patriotas : el diseño de una identidad nacional en Clemencia y El zarco de Ignacio M. Altamirano." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0025/MQ52306.pdf.

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6

Evans, Roger Steven. "Soteriologies of Early Christianity Within The Intellectual Context of The Early Roman Empire: Barnabas and Clement of Rome as Case Studies /." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487931993468974.

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7

Jensen, Anna M. "Modernity and the Good Death : Heidegger and Jose Clemente Orozco's Epic of American Civilization /." BYU ScholarsArchive, 2009. https://scholarsarchive.byu.edu/etd/1905.

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This thesis will analyze José Clemente Orozco's mural The Epic of American Civilization in terms of the problem of suffering. It will focus specifically on two panels, “Human Sacrifice in Ancient Times” and “Human Sacrifice in Modern Times.” This analysis will comprehend not only the works of art within their historical context, but also within Martin Heidegger's philosophical discussion of the question of suffering. Heidegger presents a unique perspective on the question of human suffering when he writes that Western humans have forgotten how to “dwell.” This dwelling is defined by Heidegger'

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8

Fernández, Christian. "Discursos imperiales: Clements R. Markham, sus viajes y obras en torno al Perú." Revista del Instituto Riva-Agüero, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/52263.

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En este artículo, se estudia la producción más importante del geógrafo, historiador y viajero inglés Clements R. Markham desde una perspectiva interdisciplinaria y poscolonial. Se consideran sus dos libros, producto de susviajes al Perú a mediados del siglo XIX, sus traducciones de crónicas delperiodo colonial relacionadas con el Perú, así como sus estudios originales sobre la cultura inca. Todo esto en el contexto de la era imperial victoriana de Gran Bretaña.

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9

Gabriel, Schenk. "A type of king : the figure of Arthur in mid-nineteenth to mid-twentieth century literature." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:6c284cea-e72c-49b0-ba87-29cf7b960ba9.

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This thesis analyses the figure of Arthur, in a period spanning the mid-nineteenth to mid-twentieth centuries, when that figure became increasingly protean and multifaceted, and the audience for the Arthurian legend grew in both size and variety. It argues that many authors wrote through Arthur, as well as about Arthur, using the figure to understand and test their own ideas about ideals (e.g. of manliness, kingship, or heroism) as well as problems (such as war, despotism, or ungodliness). This thesis analyses Arthur by considering him as a 'type', using a definition of the term that highlight

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10

Thomson, Stuart Rowley. "The barbarian Sophist : Clement of Alexandria's Stromateis and the Second Sophistic." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:98aca742-1277-4635-9d33-73ca18cf9071.

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Clement of Alexandria, active in the second half of the second century AD, is one of the first Christian authors to explain and defend the nascent religion in the terms of Greek philosophy and in relation to Greek paideia. His major work, the Stromateis, is a lengthy commentary on the true gnosis of the Christian faith, with no apparent overarching structure or organisational principle, replete with quotations from biblical, Jewish, Greek 'gnostic' and Christian works of all genres. This thesis seeks to read this complex and erudite text in conversation with what has been termed the ‘Second So

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11

Kreft, Florian Verfasser], Rolf [Akademischer Betreuer] [Parr, and Clemens [Akademischer Betreuer] Kammler. "Medienkompetenz von Studierenden der Germanistik : Eine evaluative Bestandsaufnahme mit Vorschlägen zur Förderung der Medienkompetenz an Hochschulen / Florian Kreft. Gutachter: Clemens Kammler. Betreuer: Rolf Parr." Duisburg, 2014. http://d-nb.info/1047062224/34.

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12

Garnica, Brocos Helen Flor. "El discurso de lo mórbido en Cuentos malévolos de Clemente Palma: entre las excretas y la sífilis." Master's thesis, Pontificia Universidad Católica del Perú, 2019. http://hdl.handle.net/20.500.12404/15364.

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La presente investigación se concentra en el análisis de los cuentos “Un paseo extraño”, “El príncipe alacrán” y “Leyenda de haschisch” contenidos en Cuentos malévolos (1913) de Clemente Palma, ello a partir de los postulados sobre el olor que establece Alain Corbin, la concepción de las excretas de Dominique Laporte, la existencia de lo abyecto en Julia Kristeva y la concepción de la sífilis según Susan Sontag. El objetivo es demostrar que Clemente Palma construye un imaginario basado en la morbidez a partir de los lineamientos del decadentismo que se concentran en la recreación de la

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13

Tully, Carol Lisa. "Creating a national identity : a comparative study of German and Spanish Romanticism with particular reference to the Marchen of Ludwig Tieck, the Brothers Grimm and Clemens Brentano and the Costumbrismo of Blanco White, Estebanez Calderon and Lopez Soler." Thesis, Queen Mary, University of London, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.338921.

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14

Puschner, Marco. "Antisemitismus im Kontext der politischen Romantik Konstruktionen des "Deutschen" und des "Jüdischen" bei Arnim, Brentano und Saul Ascher." Tübingen Niemeyer, 2007. http://d-nb.info/99147208X/04.

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15

Dietrich, Christian. "Clemens Peck: Im Labor der Utopie. Theodor Herzl und das „Altneuland“-Projekt." HATiKVA e.V. – Die Hoffnung Bildungs- und Begegnungsstätte für Jüdische Geschichte und Kultur Sachsen, 2014. https://slub.qucosa.de/id/qucosa%3A35091.

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16

Vandoorne, Romero Pierre Emile Illa. "Bibliotecas y voces imposibles : dos casos fantásticos en la literatura peruana del siglo XX." Master's thesis, Pontificia Universidad Católica del Perú, 2011. http://tesis.pucp.edu.pe/repositorio/handle/123456789/7774.

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Existen varios caminos para intentar definir aquello que le da su especificidad a un tipo de literatura. Podríamos empezar preguntándonos, por ejemplo, cuál es el contexto histórico, social y cultural en el cual surge una forma de narrar temas específicos, o preguntarnos qué motivos recurrentes contribuyen a configurar un corpus particular. En el caso de la literatura fantástica, las diferentes perspectivas desde las cuales se emprende su estudio conducen inevitablemente a cuestionamientos sobre su naturaleza. Las fronteras de la literatura fantástica varían según las aproximaciones teóricas a

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17

Orjinta, Ikechukwu Aloysius [Verfasser], and Clemens [Akademischer Betreuer] Pornschlegel. "Womanism as a method of literary text interpretation : a study of emergent women’s images under religious structures in selected works of Heinrich Böll / Aloysius-Gonzagas Ikechukwu Orjinta. Betreuer: Clemens Pornschlegel." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2011. http://d-nb.info/1038152372/34.

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18

Puschner, Marco. "Antisemitismus im Kontext der politischen Romantik Konstruktionen des "Deutschen" und des "Jüdischen" bei Arnim, Brentano und Saul Ascher." Tübingen Niemeyer, 2008. http://www.reference-global.com/action/showBook?doi=10.1515%2F9783484970595.

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19

Fantini, Enrico. "Stili personali. Uno studio della poesia italiana dal 1930 al 1956." Doctoral thesis, Scuola Normale Superiore, 2017. http://hdl.handle.net/11384/86096.

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20

Sánchez, Franco Moisés Samuel Ysmael. "La representación del sujeto aristócrata y del sujeto juvenil drogado en Historietas malignas de Clemente Palma." Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2007. https://hdl.handle.net/20.500.12672/591.

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Realiza un recuento cronológico de los discursos interpretativos que la narrativa de Palma ha recibido desde la publicación de Cuentos malévolos en 1904. Asimismo, clasifica metacriticamente, en virtud de un enfoque comparativo, dichos comentarios para de esa forma establecer las tradiciones o rutas de lectura, es decir, los patrones estéticos o ideológicos que han permitido y permiten aún entender la narrativa palmista. En ese orden de cosas, devela además por qué Historietas malignas ha sido un libro despreciado por la crítica o, en su defecto, cuáles han sido los juicios que ha recibido es

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21

Chávez, Salazar Jessica Alejandra. "Clemencia, La Navidad en las montañas y El Zarco de Ignacio Manuel Altamirano como medio difusor de un proyecto de nación entre los años 1857 a 1867." Tesis de Licenciatura, Universidad Autónoma del Estado de México, 2021. http://hdl.handle.net/20.500.11799/111032.

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A través de distintas citas obtenidas de las novelas Clemencia, La Navidad en las montañas y El Zarco se reconstruye un mensaje nacionalista que el autor Ignacio Manuel Altamirano trasmite por medio de sus obras. El proyecto de Altamirano surgió con la intención de solucionar las problemáticas que enfrentaba el país para poder llegar al progreso y obtener una unidad nacional. El contexto histórico de Ignacio Manuel Altamirano y de sus obras fue relevante para la investigación y aparece a lo largo de todo el trabajo. Lo anterior, proporcionó elementos importantes para la construcción final de

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22

Dedié, Catherine. "‚Mythische‘ Motivierung : Narrative Strukturen in Prosatexten der Frühromantik." Thesis, Bourgogne Franche-Comté, 2017. http://www.theses.fr/2017UBFCH040.

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Le but de notre étude était d'identifier des structures « analogues au mythe » dans des textes en prose du préromantisme allemand. La théorie sur laquelle nous nous appuyons est la théorie du « mythe formel » selon Clemens Lugowski. Notre hypothèse était qu'il y avait très souvent, dans les romans et contes du préromantisme allemand, des structures et qualités « mythiques » (au sens de mythe formel) qui sont liées de façon équivoque à des structures narratives modernes. Ces structures mythiques et prémodernes se manifestent particulièrement dans la motivation de l'action et dans l‘accumulation

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23

Hepworth, Nathan Henry. "For God and Country: The Politicization of English Martyrology." Miami University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=miami1313587275.

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24

Filippon, Maria Isabel. "A casa do imigrante italiano, a linguagem do espaço de habitar." reponame:Repositório Institucional da UCS, 2007. https://repositorio.ucs.br/handle/11338/241.

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Este trabalho parte de uma de uma investigação que perpassa a literatura, arquitetura e história, no qual se procura identificar os significados e as transformações do espaço de habitar do imigrante, no contexto da cultura da Região Colonial Italiana, no nordeste do Estado do Rio Grande do Sul. O enfoque histórico é concebido desde o cenário europeu, no período da imigração italiana, e dos avanços tecnológicos do século XIX, até meados da década de 1940. O estabelecimento dos imigrantes italianos, no sul Brasil, se efetivou no período do Governo Imperial, na Província de São Pedro, e as terras

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25

Carbonera, Ildo. "Trajetórias da narrativa ítalo-brasileira : 'dove è la cuccagna?'." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2008. http://hdl.handle.net/10183/15306.

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Marcado por fortes tendências para o gênero ensaístico, num intercâmbio constante e instável entre Ficção, História e Experiência Pessoal, o presente estudo tem por base os romances Os Malavoglia (Giovanni Verga), Pai patrão (Gavino Ledda), Vita e Stória de Nanetto Pipetta (Aquiles Bernardi), O quatrilho, A cocanha e A babilônia (José Clemente Pozenato), Juliano Pavolini e A suavidade do vento (Cristovão Tezza), Mamma, son tanto felice, O mundo inimigo e Vista parcial da noite (Luiz Ruffato). O corte epistemológico pode ser representado por duas trajetórias: a) da Itália para a América – Brasi

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26

Buis, Emmanuelle. "Circulations libertines dans le roman européen : 1736-1803 : étude des influences anglaises et françaises sur la littérature allemande." Paris 3, 2008. http://www.theses.fr/2008PA030063.

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Cette thèse a pour objet l’étude des influences du libertinage galant anglais et français sur la création allemande du dernier tiers du XVIIIe siècle. Le succès de diffusion outre-Rhin de quatre romans de séduction emblématiques du genre (Clarisse Harlove, Les Egarements du coeur et de l’esprit, Le Paysan perverti et Les Liaisons dangereuses), plusieurs fois traduits et commentés par la critique contemporaine, légitime la recherche d’échos au sein de la production allemande de la fin du siècle ; le recensement de preuves scientifiques d’intérêt (aveux d’influences, commentaires critiques ou in

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27

Silva, Ana Cristina Henriques Mendes da. "O modernismo de Clement Greenberg : forma e conteúdo." Master's thesis, 2017. http://hdl.handle.net/10451/33424.

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Passados vinte e três anos da sua morte, Clement Greenberg continua a ser um nome a ter em conta na crítica de arte contemporânea, nomeadamente quando falamos de Modernismo. Não se pode escamotear a importância da sua teoria, geralmente apelidada de formalista, nem a influência que a mesma teve em gerações de artistas, desde os anos 30 do século XX até aos nossos dias. Também é um facto que, se por um lado, encontramos múltiplos defensores e até discípulos, por outro gerou fortes críticas e tentativas várias de desconstrução dos seus princípios artísticos. Partindo da leitura de um corpus de t

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