Relevant bibliographies by topics / Cli-fi

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Cli-fi'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 January 2023

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Journal articles on the topic "Cli-fi"

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Piechota, Dariusz. "W KRĘGU FIKCJI KLIMATYCZNEJ (CLIMATE FICTION). NA MARGINESIE LEKTURY LOTU MOTYLA BARBARY KINGSOLVER ORAZ JASNOŚCI MAI WOLNY." Humanistyka i Przyrodoznawstwo, no. 28 (December 6, 2022): 95–110. http://dx.doi.org/10.31648/hip.8509.

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Niniejszy artykuł poświęcony jest analizie nowego gatunku literackiego, jakim jest fikcja klimatyczna. Termin ten rozpowszechnił sięw drugiej dekadzie XXI w. Niektórzy naukowcy postrzegają cli-fi jako odmianę science fiction ze względu na obecne w nim motywy charakterystyczne dla utworów postapokaliptycznych. Inni z kolei traktują cli-fi jako podgatunek fikcji spekulatywnych, posługujący się różnymi konwencjami (np. thrillera, science fiction, prozy realistycznej). W przeciwieństwie do fantastyki cli-fi pełni funkcję dydaktyczną i stanowi rodzaj ostrzeżenia przed grożącą ludzkości katastrofą. Do popularnych motywów występujących w cli-fi należą: powodzie, deforestacje, wymieranie gatunków zwierząt, katastrofy spowodowane wybuchem w elektrowniach atomowych. W niniejszym artykule autora interesują dwie powieści zaliczane do cli-fi. Pierwsza z nich (Lot motyla) posługuje się poetyką realistyczną, opisując zjawisko globalnego ocieplenia. Druga (Jasność), będąca pierwszą polską cli-fi, wykorzystuje poetykę postapokaliptyczną, ukazując skutki eksplozji w elektrowni atomowej w miasteczku Bethlem
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Leyda, Julia. "Petropolitics, cli-fi and Occupied." Journal of Scandinavian Cinema 8, no. 2 (June 1, 2018): 83–101. http://dx.doi.org/10.1386/jsca.8.2.83_1.

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Pierrot, Briggetta, and Nicole Seymour. "Contemporary Cli-Fi and Indigenous Futurisms." Departures in Critical Qualitative Research 9, no. 4 (2020): 92–113. http://dx.doi.org/10.1525/dcqr.2020.9.4.92.

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In this essay, we survey recent prominent works of climate fiction, or cli-fi, through the lens of Indigenous futurism, arguing that several of these works pointedly absent or even appropriate Indigenous perspectives and traditions. We conclude that this genre potentially works to justify settler colonialism.
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Tuhus-Dubrow, Rebecca. "Cli-Fi: Birth of a Genre." Dissent 60, no. 3 (2013): 58–61. http://dx.doi.org/10.1353/dss.2013.0069.

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Jensen, Casper Bruun. "Cli-Fi, Education, and Speculative Futures." Comparative Education Review 64, no. 1 (February 2020): 150–52. http://dx.doi.org/10.1086/707328.

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Mønster, Louise. "Skandinavisk sci-fi-poesi." Passage - Tidsskrift for litteratur og kritik 34, no. 82 (December 20, 2019): 41–59. http://dx.doi.org/10.7146/pas.v34i82.118458.

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The article gives an introduction to the use of sci-fi and cli-fi in Scandinavian poetry. By focusing on seven works from Denmark, Sweden and Norway, the article discusses different ways in which sci-fi, and especially cli-fi, has become a significant element in poetry preoccupied with contemporary social, technological and environmental issues.
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Elmore, Jonathan. "Terrestrial Horror or the Marriage between Horror Fiction and Cli-Fi: What the Language of Horror can Teach us about Climate Change." International Journal of Language and Literary Studies 4, no. 3 (August 5, 2022): 158–64. http://dx.doi.org/10.36892/ijlls.v4i3.985.

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This paper focuses on the dystopian camp of climate fiction and its affinities with another fiction genre: horror. During cli-fi’s rise, horror has enjoyed a resurgence of popular interest and sustained and reinvigorated scholarly interest in the past few years. While horror and dystopian cli-fi have different roots and conceptual underpinnings, there are points of contact between the genres, when the horrible in horror fiction spawns from environmental collapse or when the climatic in cli-fi drives what horrifies. My central claim is that these contact points, the overlap between cli-fi and horror fiction, become critical research nodes for developing the necessary societal, cultural, and intellectual framework for living in a destroyed world. I suggest a label for the crossover between cli-fi and horror fiction: terrestrial horror. Analyzing multiple texts within this subgenre renders visible the societal, cultural, and intellectual changes necessary for the kinds of posthumanism needed in a destroyed world.
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Griffin, Lauren N. "Audience Reactions to Climate Change and Science in Disaster Cli-fi Films: A Qualitative Analysis." Journal of Public Interest Communications 1, no. 2 (December 22, 2017): 133. http://dx.doi.org/10.32473/jpic.v1.i2.p133.

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Little scholarly attention has been paid to how audiences interpret pop culture messages about climate. This paper addresses this issue by taking up the case of disaster cli-fi films and exploring how audiences react to film representations of climate change. It draws on data from focus groups to evaluate audience responses to disaster cli-fi films. Analysis reveals that by only briefly discussing climate change in their plotlines, the films weaken their environmental message. The paper concludes with a discussion of the effects of disaster cli-fi films on environmental attitudes and suggestions for further research.
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Junqueira, Antonio Hélio. "Cli-fi e narrativas distópicas do futuro." ALCEU 21, no. 43 (May 24, 2021): 90–105. http://dx.doi.org/10.46391/alceu.v21.ed43.2021.216.

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O artigo discute, a partir da crítica de uma obra ficcional, as dimensões discursivas da ironia na narrativa distópica do futuro, no qual a vida humana e a própria sobrevivência do planeta encontram-se ameaçadas pelo avanço inexorável do consumismo, do progresso capitalista e dos seus impactos sobre a crise climática global. Metodologicamente, o texto explora os conceitos bakhtinianos da linguagem do riso na conformação dos sentidos sociais, buscando identificar seu potencial enquanto estratégia argumentativa. A análise aponta para a eficácia discursiva da ironia para abordar o comportamento humano irremovível frente às promessas dos prazeres inesgotáveis do lazer permanente e do consumismo e o fracasso da máquina autopoiética guattariana na produção de novas subjetividades e do agenciamento coletivo para a produção de novas realidades, ambos fenômenos necessários ao enfrentamento do iminente colapso ambiental.
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Buitendijk, Tomas. "Book Review of Cli-Fi. A Companion." Ecozon@: European Journal of Literature, Culture and Environment 10, no. 2 (September 28, 2019): 198–99. http://dx.doi.org/10.37536/ecozona.2019.10.2.3255.

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Dissertations / Theses on the topic "Cli-fi"

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Rochester, Rachel. "Postcolonial Cli-Fi: Advocacy and the Novel Form in the Anthropocene." Thesis, University of Oregon, 2018. http://hdl.handle.net/1794/23736.

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Through the filters of postcolonial theory, environmental humanities, and digital humanities, this project considers the capabilities and limitations of novels to galvanize action in response to environmental crises. My findings suggest that novels are well equipped to engage in environmental education, although some of the form’s conventions must be disrupted to fully capitalize upon its strengths. The modern novel is conventionally limited in scope, often resorts to apocalyptic narratives that can breed hopelessness, is dedicated to a form of realism that belies the dramatic weather events exacerbated by climate change, defers authority to a single voice, and is logocentric. By supplementing conventional novels with a variety of paratexts, including digital tools, scientific findings, non-fiction accounts of past, present, and future activism, and authorial biography, it is my contention that the novel’s potency as a pedagogical tool increases. After addressing this project’s stakes and contexts in my Introduction, Chapter II assesses three South Asian novels in English that are concerned with sustainable development: Bhabani Bhattacharya’s Shadow from Ladakh, Bharati Mukherjee’s Jasmine, and Aravind Adiga’s The White Tiger. I conclude by considering how StoryMaps might further disrupt pro-sustainable development propaganda alongside more traditional novels. Chapter III examines how explicitly activist South Asian novelists construct authorial personae that propose additional solutions to the environmental problems identified in their novels, focusing on Amitav Ghosh’s The Hungry Tide and Indra Sinha’s Animal’s People. Chapter IV coins the term “locus-colonial novel,” a novel that decenters the human, situating place at the fulcrum of a work of historical fiction, using Hari Kunzru’s Gods without Men as one exemplar. I examine Kunzru’s novel alongside promotional materials for planned Mars missions to consider how narratives of colonialism on Earth might lead to a more socially and environmentally sustainable colonial model for Mars. Chapter V introduces the concept of a digital locus-colonial novel that allows users to develop informed, environmentally focused scenarios for colonial Mars. Through these chapters, this dissertation identifies specific rhetorical techniques that allow conscientious novels to create imaginative spaces where readers might explore solutions to the social, economic, and increasingly environmental problems facing human populations worldwide.
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Santos, Lilia Fátima de Sa Pereira. "Bringing the Climate Crisis into the Classroom through Dystopian Cli-fi." Master's thesis, 2021. https://hdl.handle.net/10216/137877.

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"The “New Human Condition” in Literature: Climate, Migration, and the Future." Master's thesis, 2019. http://hdl.handle.net/2286/R.I.53648.

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abstract: This thesis examines perceptions of climate change in literature through the lens of the environmental humanities, an interdisciplinary field that brings history, ecocriticism, and anthropology together to consider the environmental past, present and future. The project began in Iceland, during the Svartárkot Culture-Nature Program called “Human Ecology and Culture at Lake Mývatn 1700-2000: Dimensions of Environmental and Cultural Change”. Over the course of 10 days, director of the program, Viðar Hreinsson, an acclaimed literary and Icelandic Saga scholar, brought in researchers from different fields of study in Iceland to give students a holistically academic approach to their own environmental research. In this thesis, texts under consideration include the Icelandic Sagas, My Antonia by Willa Cather, Tropic of Orange by Karen Tei Yamashita, and The Water Knife by Paolo Bacigalupi. The thesis is supported by secondary works written by environmental humanists, including Andrew Ross, Steve Hartman, Ignacio Sanchez Cohen, and Joni Adamson, who specialize in archeological research on heritage sites in Iceland and/or study global weather patterns, prairie ecologies in the American Midwest, the history of water in the Southwest, and climate fiction. Chapter One, focusing on the Icelandic Sagas and My Antonia, argues that literature from different centuries, different cultures, and different parts of the world offers evidence that humans have been driving environmental degradation at the regional and planetary scales since at least the 1500s, especially as they have engaged in aggressive forms of settlement and colonization. Chapter Two, focused on Tropic of Orange, this argues that global environmental change leads to extreme weather and drought that is increasing climate migration from the Global South to the Global North. Chapter Three, focused on The Water Knife, argues that climate fiction gives readers the opportunity to think about and better prepare for a viable and sustainable future rather than wait for inevitable apocalypse. By exploring literature that depicts and represents climate change through time, environmental humanists have innovated new methods of analysis for teaching and thinking about what humans must understand about their impacts on ecosystems so that we can better prepare for the future.
Dissertation/Thesis
Masters Thesis English 2019
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"Our Shared Storm: Exploring Five Scenarios of Climate Fiction Futures." Master's thesis, 2020. http://hdl.handle.net/2286/R.I.57078.

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abstract: This project uses the tools of speculative climate fiction to explore and imagine the future of the United Nations climate negotiations in each of the five Shared Socioeconomic Pathway (SSP) scenarios. Climate fiction (cli-fi) proves a powerful but imperfect tool for envisioning future challenging and turning scientific models into meaningful narratives.
Dissertation/Thesis
Masters Thesis Sustainability 2020
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Holá, Kateřina. "Síla fikce: zpracování enviromentální tematiky v americké kinematografii." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-398242.

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This master thesis deals with one of the current trends in cinema - the so-called climate change film. Film as a popular medium is able to influence public debate and this paper's main objective is to explain how environmental issues can be portrayed in film and how such films shape the climate change debate. In the first, theoretical part of this thesis, the aim is to briefly introduce the history and context of climate change debate from the 1970s to the present day based on sources primarily from interdisciplinary cultural and environmental studies. It also explains how environmental problems started to arise in different art spheres, above all in American cinema from 1995 to the present. The second part analyzes four American feature films of different genres: The Day After Tomorrow (2004) directed by Roland Emmerich's, The Road (2009) directed by John Hillcoat, Before the Flood (2016) directed by Fisher Stevens and Darren Aronofsky's mother! (2017). The final chapter summarizes the findings, explains the currently prevalent apocalyptic narrative and discusses why such approach is not effective and how filmmakers need to transform climate change stories into positive narratives that inspire change and hope.
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Books on the topic "Cli-fi"

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Goodbody, Axel, and Adeline Johns-Putra, eds. Cli-Fi. Peter Lang UK, 2018. http://dx.doi.org/10.3726/b12457.

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Cli-Fi: A Companion. Lang AG International Academic Publishers, Peter, 2018.

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Goodbody, Axel, and Adeline Johns-Putra. Cli-Fi: A Companion. Lang AG International Academic Publishers, Peter, 2019.

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Goodbody, Axel, and Adeline Johns-Putra. Cli-Fi: A Companion. Lang AG International Academic Publishers, Peter, 2019.

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Goodbody, Axel, and Adeline Johns-Putra. Cli-Fi: A Companion. Lang AG International Academic Publishers, Peter, 2019.

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Rubin, Edward. Heatstroke Line: A Cli-Fi Novel. Sunbury Press, Inc., 2015.

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Rubin, Edward L. Heatstroke Line: A CLI-Fi Novel. Sunbury Press, Inc., 2015.

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Malpede, Karen. Other Than We: A Cli-Fi Fable. Laertes Press, Incorporated, 2020.

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Friedman, Richard. A Climate Carol and Other Cli-Fi short stories. Kinsman Press, 2018.

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Mundler, Helen E. Noah Myth in Twenty-First-Century Cli-Fi Novels: Rewritings from a Drowning World. Boydell & Brewer, Incorporated, 2022.

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Book chapters on the topic "Cli-fi"

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Gladwin, Derek. "Cli-fi." In Ecological Exile, 167–85. Abingdon, Oxon ; New York, NY : Routledge is an imprint of the Taylor & Francis Group, an Informa Business, [2018] | Series: Routledge environmental humanities: Routledge, 2017. http://dx.doi.org/10.9774/gleaf.9781315641478_10.

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Ryle, Martin. "Cli-Fi? Literature, Ecocriticism, History." In Climate Change and the Humanities, 143–58. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-55124-5_7.

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O'Mara, Joanne, and Kynan Robinson. "Mining The Cli-Fi World." In Serious Play, 114–30. New York : Routledge, [2017]: Routledge, 2017. http://dx.doi.org/10.4324/9781315537658-11.

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Reno, Seth T. "Contemporary Cli-fi as Anthropocene Literature." In The Anthropocene, 171–82. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003095347-18.

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Gaard, Greta. "From ‘cli-fi’ to critical ecofeminism." In Contemporary Perspectives on Ecofeminism, 169–92. Abingdon, Oxon ; New York, NY : Routledge is an imprint of the Taylor & Francis Group, an Informa Business, [2016] | Series: Routledge explorations in environmental studies: Routledge, 2015. http://dx.doi.org/10.4324/9781315778686-10.

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Wright, Laura. "Cli-Fi: Environmental Literature for the Anthropocene." In New Approaches to the Twenty-First-Century Anglophone Novel, 99–116. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-32598-5_6.

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Martens, Gunther. "Alexander Kluges literarisches Oeuvre als »Cli-Fi«." In Stichwort: Kooperation, 191–208. Göttingen: V&R unipress, 2017. http://dx.doi.org/10.14220/9783737007498.191.

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Parham, John. "Digital Cli-Fi." In The Cambridge Companion to Literature and Climate, 146–61. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781009057868.010.

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Milner, Andrew, and J. R. Burgmann. "Cli-fi in Other Media." In Science Fiction and Climate Change, 171–89. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621723.003.0008.

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This chapter explores cli-fi in other print media (short stories, published poetry, comics and graphic novels), recorded popular music (folk and rock), and audio-visual media (cinema, television and videogames). It identifies rhetorically effective instances of cli-fi from a wide range of media, notably Carol Ann Duffy’s ‘Keep It in the Ground’, Brian Wood’s The Massive, Anohni’s Hopelessness, Franny Armstrong’s The Age of Stupid and Darren Aronofsky’s Noah. But it concludes, nonetheless, that it is in cli-fi novels and trilogies, especially those that deal with mitigation and negative or positive adaptation, that the major effort to respond to the climate crisis has taken shape. The more general conclusion, then, is that longer narrative forms seem best suited to climate fiction.
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"Cli-fi in Other Media." In Science Fiction and Climate Change, 171–89. Liverpool University Press, 2020. http://dx.doi.org/10.2307/j.ctvzsmck6.11.

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Conference papers on the topic "Cli-fi"

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Winters, Steven. "CLI-FI AT 2Y: LEARNING GEOSCIENCE THOUGH CLIMATE-CHANGE FICTION." In 66th Annual GSA Southeastern Section Meeting - 2017. Geological Society of America, 2017. http://dx.doi.org/10.1130/abs/2017se-290946.

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Cascar, J. M., and J. L. Kavarro. "ARACHIDGIIC ACID METABOLISM II PLATELETS STORED FOR FIVE DAYS." In XIth International Congress on Thrombosis and Haemostasis. Schattauer GmbH, 1987. http://dx.doi.org/10.1055/s-0038-1644685.

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Arachidonlc acid (AA) netabolisn has been extensively studied in fresh platelets, but there Is little infomation available for stored platelets . we stored platelets in CLI bags far five days at 22+/-2°C and, on days 0, 3 and 5, six si of platelet concentrate were revved from the container and platelets were labeled with (C-14J-AA. Both incorporation and distribution of radiotracer sere studied in rest and thrcnfcln stivlated platelets.Total uptake of, (C-14)-AA dropped fron day 0 to 5 (p 0.01). Distribution oh day 0 was sinilar to fresh platelets. Incorporation of (C-14)-AA on phosphatidyl inositol (FI) decayed fron 12.4+/-1.5 on day 0, to 7.9+/-0.9 on day 3 (p 0.001), While the percentage attached on phosphatidylserine (PS),increased fron 5.3+/-0.9 to 8.8+/-1.5 (p 0.001). There were not any changes fron day 3 to 5.On day 0,17.7+/-5.2X of radiactlvity was released fron phospholipids by thronbin. This anount decreased to 7.3+/-2.5X (p 0.01) on day 5. I^xaiment in breakdown of both PI and phosphatidylcholine (PC) was detected. Generation of phosphatidic acid (PA) by thronbin, decreased fron 2.6+/-0.4X of total radiactlvity on day 0 to 1.4+/-0.3X on day 3 (p 0.001) and 0.9+/-0.2X on day 5 (p 0.01). Ve did not find changes in TxB2 and HHT, but HETE decayed fron 7.2+/-2.9X on day 0, to 2.3t/-0.9% on day 5 (p 0.01).We concluded that both activities of phospholipases A-2 and C are affected by storage.
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