Relevant bibliographies by topics / Cliff Hardy (Fictional character)

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Academic literature on the topic 'Cliff Hardy (Fictional character)'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Cliff Hardy (Fictional character)"

1

Yusuf, Feby Meuthia, and Ena Zahari. "Pre-Assumption of Tess’ Happy Ending as Seen in Tess of The D’ubervilles by Thomas Hardy." Jurnal Ilmiah Langue and Parole 5, no. 1 (2021): 76–87. http://dx.doi.org/10.36057/jilp.v5i1.510.

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The object of this research is the struggle of women as reflected by the main character Hardy, namely Tess. The author intends to show how the picture of a woman who never gives up to get a decent life, even though in the end she chose the wrong decision and ended her own life.
 The approach used in the analysis of women's struggles is a feminist approach, this is intended to provide an ideal view of women in literary works that are the object of male domination. In this research, the writer uses three methods: data collection by applying library research, data analysis using content anal
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Döring, Nicola, and Dan J. Miller. "Consent Communication (Portrayals of Sexuality in Pornography)." DOCA - Database of Variables for Content Analysis, October 24, 2022. http://dx.doi.org/10.34778/5s.

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Pornography is a fictional media genre that depicts sexual fantasies and explicitly presents naked bodies and sexual activities for the purpose of sexual arousal (Williams, 1989; McKee et al., 2020). Regarding media ethics and media effects, pornography has traditionally been viewed as highly problematic. Pornographic material has been accused of portraying sexuality in unhealthy, morally questionable and often sexist ways, thereby harming performers, audiences, and society at large. In the age of the Internet, pornography has become more diverse, accessible, and widespread than ever (Döring,
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3

Kustritz, Anne. "Transmedia Serial Narration: Crossroads of Media, Story, and Time." M/C Journal 21, no. 1 (2018). http://dx.doi.org/10.5204/mcj.1388.

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The concept of transmedia storyworlds unfolding across complex serial narrative structures has become increasingly important to the study of modern media industries and audience communities. Yet, the precise connections between transmedia networks, serial structures, and narrative processes often remain underdeveloped. The dispersion of potential story elements across a diverse collection of media platforms and technologies prompts questions concerning the function of seriality in the absence of fixed instalments, the meaning of narrative when plot is largely a personal construction of each au
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Lavers, Katie. "Cirque du Soleil and Its Roots in Illegitimate Circus." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.882.

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IntroductionCirque du Soleil, the largest live entertainment company in the world, has eight standing shows in Las Vegas alone, KÀ, Love, Mystère, Zumanity, Believe, Michael Jackson ONE, Zarkana and O. Close to 150 million spectators have seen Cirque du Soleil shows since the company’s beginnings in 1984 and it is estimated that over 15 million spectators will see a Cirque du Soleil show in 2014 (Cirque du Soleil). The Cirque du Soleil concept of circus as a form of theatre, with simple, often archetypal, narrative arcs conveyed without words, virtuoso physicality with the circus artists prese
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Van Luyn, Ariella, Liz Ellison, and Tess Van Hemert. "Asking for Trouble." M/C Journal 14, no. 3 (2011). http://dx.doi.org/10.5204/mcj.405.

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The first thing you do when you begin your PhD is label your Endnote library “the woods.” Your supervisor has warned you: you must not get lost. I know you, your supervisor says, you’ll wander around forever, out there amongst the research. You’re too scared to tell them that you’ve already wandered off the beaten track, skirted around the signs that say "beware of the neurosis," and become entangled. According to the dictionary, neurosis is characterised by “obsessive thoughts and compulsive acts.” Perhaps you fell into this state way back at the beginning when things started getting rocky. T
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6

Bourdaa, Mélanie. "From One Medium to the Next: How Comic Books Create Richer Storylines." M/C Journal 21, no. 1 (2018). http://dx.doi.org/10.5204/mcj.1355.

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Transmedia storytelling, as defined by Henry Jenkins in 2006 in his book Convergence Culture, highlights a production strategy that aims to augment the narration of a cultural work by scattering it across several media platforms—digital or non-digital. The term is certainly quite recent, but the practices are not new and allow us to understand the evolution of the cultural industries and the creation of a new media ecosystem. As Matthew Freeman states, transmedia storytelling always relies on industrial changes, the narration adapting itself to new media synergies and novelties to create engag
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7

Döring, Nicola, and Dan J. Miller. "Performer Demographics (Portrayals of Sexuality in Pornography)." DOCA - Database of Variables for Content Analysis, October 24, 2022. http://dx.doi.org/10.34778/5o.

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Pornography is a fictional media genre that depicts sexual fantasies and explicitly presents naked bodies and sexual activities for the purpose of sexual arousal (Williams, 1989; McKee et al., 2020). Regarding media ethics and media effects, pornography has traditionally been viewed as highly problematic. Pornographic material has been accused of portraying sexuality in unhealthy, morally questionable and often sexist ways, thereby harming performers, audiences, and society at large. In the age of the Internet, pornography has become more diverse, accessible, and widespread than ever (Döring,
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8

Barbour, Kim, P. David Marshall, and Christopher Moore. "Persona to Persona Studies." M/C Journal 17, no. 3 (2014). http://dx.doi.org/10.5204/mcj.841.

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Sometimes a particular concept—a simple term—is the spark to a series of ideas. It might be ostentatious and perhaps hubristic that the editors of an issue on persona might imagine that their choice of the term persona has provided this intellectual spark. Fully aware of that risk, we want to announce that it has. The response to the call for papers related to persona was our first sign that something special was being initiated. The sheer number and interdisciplinary breadth of the abstracts and ultimate submissions was evidence that the term ‘persona’ was the catalyst to an explosion of idea
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9

Hunter, John C. "Organic Interfaces; or, How Human Beings Augment Their Digital Devices." M/C Journal 16, no. 6 (2013). http://dx.doi.org/10.5204/mcj.743.

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In many ways, computers are becoming invisible and will continue to do so. When we reach into our pockets and pull out our cell phones to find a place to eat or message a friend on Facebook, we are no longer consciously aware that we are interacting with a user experience that has been consciously designed for our computer or device screen—but we are.— Andy Pratt and Jason Nunes, Interactive Design In theory, cell phones and other information and communication technologies (ICTs) are just a means for us to interact with people, businesses, and data sources. They have interfaces and, in a large
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10

Kuang, Lanlan. "Staging the Silk Road Journey Abroad: The Case of Dunhuang Performative Arts." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1155.

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The curtain rose. The howling of desert wind filled the performance hall in the Shanghai Grand Theatre. Into the center stage, where a scenic construction of a mountain cliff and a desert landscape was dimly lit, entered the character of the Daoist priest Wang Yuanlu (1849–1931), performed by Chen Yizong. Dressed in a worn and dusty outfit of dark blue cotton, characteristic of Daoist priests, Wang began to sweep the floor. After a few moments, he discovered a hidden chambre sealed inside one of the rock sanctuaries carved into the cliff.Signaled by the quick, crystalline, stirring wave of sou
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Books on the topic "Cliff Hardy (Fictional character)"

1

Corris, Peter. Lugarno: A Cliff Hardy novel. Bantam Books, 2001.

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Corris, Peter. Master's mates: A Cliff Hardy novel. Allen & Unwin, 2003.

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Corris, Peter. Appeal denied: A Cliff Hardy novel. Allen & Unwin, 2007.

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Corris, Peter. Saving Billie: A Cliff Hardy novel. Allen & Unwin, 2005.

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5

Dixon, Franklin W. The house on the cliff. Applewood Books, 1991.

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Dixon, Franklin W. The House on the Cliff. Applewood Books, 1991.

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Dixon, Franklin W. The House on the Cliff. Penguin USA, Inc., 2009.

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8

Dixon, Franklin W. The house on the cliff. Grosset & Dunlap, 1987.

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9

Corris, Peter. Taking care of business: Cliff Hardy cases. Allen & Unwin, 2004.

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10

Corris, Peter. O'Fear. Bantam Books, 1990.

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Book chapters on the topic "Cliff Hardy (Fictional character)"

1

Millgate, Michael. "Pessimistic Meliorist." In Thomas Hardy, A Biography Revisited. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780199275656.003.0022.

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Abstract Reviewers of Wessex Poems, echoing the reception of Hardy ‘s later novels, repeatedly invoked the term ‘pessimism ‘, as if in so doing they were simultaneously defining a distinctive philosophical position and enforcing an adverse critical judgement. Hardy ‘s exasperation at being so crudely categorized was exceeded only by his overwhelming sense of the inconceivability of ‘optimism ‘ in a world of such radical imperfection. Picking up a reference to Browning in an article on ‘Form in Poetry ‘ for which Gosse had taken Wessex Poems as his text, Hardy exclaimed: ‘The longer I live the
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Ford, Mark. "Prologue." In Woman Much Missed. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192886804.003.0001.

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Abstract This prologue presents an in-depth account of the four days of Hardy’s initial visit to St Juliot (7–11 March 1870—he travelled there on business as an architect, having been hired to oversee the restoration of St Juliot Church). It considers the numerous poems commemorating his first meeting with Emma and the difference that this chance encounter made to his life. These poems include ‘She Opened the Door’, ‘When I Set Out for Lyonnesse’, ‘Green Slates’, ‘Beeny Cliff’, ‘The Old Gown’, and ‘At the Word “Farewell”’. Both Hardy and Emma left prose accounts of their meeting, and readings
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