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Books on the topic 'Closet drama'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Closet drama. Cohasset, CA: Bear Star Press, 2001.

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2

Alan, Ruch, ed. Clarissa's closet. New Orleans, La: Anchorage Press, 1996.

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3

Privacy, playreading, and women closet drama, 1550-1700. Cambridge, UK: Cambridge University Press, 2004.

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4

Straznicky, Marta. Privacy, playreading, and women's closet drama, 1550-1700. Cambridge, UK: Cambridge University Press, 2004.

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5

Francoeur, Bill. There's a monster in my closet! Englwood, CO (P.O. box 4267, Englewood 80155): Pioneer Drama Service, 2008.

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6

Dramatic difference: Gender, class, and genre in the early modern closet drama. Newark: University of Delaware Press, 2001.

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7

Closet performances: Political exhibition and prohibition in the dramas of Byron and Shelley. Stanford, Calif: Stanford University Press, 1998.

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8

Puchner, Martin. Stage fright: Modernism, anti-theatricality, and drama. Baltimore: John Hopkins University Press, 2002.

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9

Burroughs, Catherine B. Closet stages: Joanna Baillie and the theater theory of British romantic women writers. Philadelphia: University of Pennsylvania Press, 1997.

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10

Oh Dad, poor Dad, Mamma's hung you in the closet and I'm feelin' so sad: A farce in three scenes. New York: S. French, 1988.

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11

Gill, Peter. Another door closed. London: Faber and Faber, 2009.

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12

Peter, Gill. Another door closed. London: Faber and Faber, 2009.

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13

Peter, Gill. Another door closed. London: Faber and Faber, 2009.

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14

Marber, Patrick. Closer. New York: Grove Press, 1999.

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15

Marber, Patrick. Closer. New York: Grove Press, 1999.

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16

Closer. London: Methuen Drama, 1997.

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17

Marber, Patrick. Closer. New York: Dramatists Play Service Inc., 2000.

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18

Marber, Patrick. Closer. London: Methuen, 1999.

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19

Sedgwick, Kyra. The closer. Burbank, CA: Distributed by Warner Home Video, 2007.

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20

Cuthbert, Len. Oz in a clozet. Toronto: Playwrights Guild of Canada, 2013.

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21

Pickard, Therese, and Stephen Poliakoff. Close my eyes. [United States]: Hen's Tooth Video, 2015.

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22

Close to Croydon: A play. London: S. French, 1996.

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23

Everett, Richard. Close to the wind: A play. London: S. French, 1994.

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24

Tom, Fox, and Ken Wiederhorn. Return of the living dead. Burbank, CA: Warner Home Video, 2004.

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25

Doctolero, Suzette, and Dominic Zapata. My husband's lover: Kailan mo ipaglalaban ang isinisigaw ng iyong puso? Philippines: GMA Records Home Video, 2013.

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26

Doctolero, Suzette, and Dominic Zapata. My husband's lover: Kailan mo ipaglalaban ang isinisigaw ng iyong puso? Philippines: GMA Records Home Video, 2013.

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27

Doctolero, Suzette, and Dominic Zapata. My husband's lover: Kailan mo ipaglalaban ang isinisigaw ng iyong puso? Philippines: GMA Records Home Video, 2013.

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28

Doctolero, Suzette, and Dominic Zapata. My husband's lover: Kailan mo ipaglalaban ang isinisigaw ng iyong puso? Philippines: GMA Records Home Video, 2013.

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29

Doctolero, Suzette, and Dominic Zapata. My husband's lover: Kailan mo ipaglalaban ang isinisigaw ng iyong puso? Philippines: GMA Records Home Video, 2013.

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30

Glaap, Albert-Reiner. Contemporary Canadian plays: Overviews and close encounters. Trier: WVT, Wissenschaftlicher Verlag, 2005.

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31

"Come closer": Critical perspectives on theatre of the oppressed. New York: Peter Lang, 2011.

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32

1964-, Marber Patrick, Marber Patrick 1964-, and Marber Patrick 1964-, eds. Plays 1: Dealer's choice ; After Miss Julie ; Closer. London: Methuen Drama, 2004.

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33

Plater, Alan. Close the coalhouse door: A stage play in three acts. Newcastle-upon-Tyne: Bloodaxe, 2000.

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34

Baitz, Jon Robin. The Paris letter: A play in two acts. New York: Dramatists Play Service, Inc., 2006.

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35

Baitz, Jon Robin. The Paris letter: A play in two acts. New York: Dramatists Play Service, Inc., 2006.

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36

The Paris letter: A play in two acts. New York: Grove Press, 2006.

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37

International Shakespeare Conference (2008 Stratford-upon-Avon, England). Shakespeare closely read: A collection of essays. Lanham, Md: Fairleigh Dickinson University Press, co-published with The Rowman & Littlefield Pub. Group, 2011.

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38

1943-, Occhiogrosso Frank, ed. Shakespeare closely read: A collection of essays. Lanham, Md: Fairleigh Dickinson University Press, co-published with The Rowman & Littlefield Pub. Group, 2011.

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39

Trujillo, José Ramón. Novela corta y teatro en el barroco español (1613-1685): Studia in honorem prof. Anthony Close. Madrid: SIAL Ediciones, 2012.

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40

Badham, John. The jack bull. New York, NY: HBO Home Video, 1999.

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41

Heyam, Kit. The Reputation of Edward II, 1305-1697. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463729338.

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During his lifetime and the four centuries following his death, King Edward II (1307-1327) acquired a reputation for having engaged in sexual and romantic relationships with his male favourites, and having been murdered by penetration with a red-hot spit. This book provides the first account of how this reputation developed, providing new insights into the processes and priorities that shaped narratives of sexual transgression in medieval and early modern England. In doing so, it analyses the changing vocabulary of sexual transgression in English, Latin and French; the conditions that created space for sympathetic depictions of same-sex love; and the use of medieval history in early modern political polemic. It also focuses, in particular, on the cultural impact of Christopher Marlowe’s Edward II (c.1591-92). Through such close readings of poetry and drama, alongside chronicle accounts and political pamphlets, it demonstrates that Edward’s medieval and early modern afterlife was significantly shaped by the influence of literary texts and techniques. A ‘literary transformation’ of historiographical methodology is, it argues, an apposite response to the factors that shaped medieval and early modern narratives of the past.

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42

Soldani, Simonetta, ed. Enzo Collotti e l'Europa del Novecento. Florence: Firenze University Press, 2011. http://dx.doi.org/10.36253/978-88-6453-290-5.

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Emerging from a convention in honour of Enzo Collotti, this book traces his interests and fields of study. These gravitate around the tragic experiences of the Second World War, always played out in a perspective where the horizon is a Europe centred on Germany and on the lacerations that rippled out from Germany itself to embrace the entire continent with the consolidation of Nazism as a totalitarian power grounded in an ideology that was intrinsically reactionary and violently racist. There are six axes of investigation, closely intermeshed, addressed in the various contributions: socialism between the two wars; the lacerations of Germany; the European manifestations of Fascism; the experience of the Shoah, the construction of a shared historic memory of the dramas of the twentieth century and the problems of the Italian "eastern border".

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43

Burroughs, Catherine. The Stages of Closet Drama. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199600304.013.032.

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44

Closet Drama: History, Theory, and Genre. Taylor & Francis Group, 2018.

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45

Straznicky, Marta. Privacy, Playreading, and Women's Closet Drama, 15501700. Cambridge University Press, 2005.

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46

Straznicky, Marta. Privacy, Playreading, and Women's Closet Drama, 1550-1700. Cambridge University Press, 2009.

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47

Raber, Karen L. Dramatic Difference: Gender, Class, and Genre in the Early Modern Closet Drama. Rowman & Littlefield Publishers, Incorporated, 2001.

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48

Closer (Methuen Drama). Methuen, 2007.

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49

Bevan, Tim, Chris Clark, Steven Knight, John Crowley, and Eric Fellner. Closed circuit. 2014.

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50

Sierhuis, Freya. Politics, Imagination, and Desire in the Work of Fulke Greville. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199935338.013.142.

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This article examines a number of the key political and philosophical questions in the poetry, drama, and philosophical treatises of Fulke Greville, first Lord Brooke (1554–1628), arguing that the philosophical complexity and linguistic obscurity for which Greville’s style is known offer an appropriate tool for the examination of some of his enduring intellectual preoccupations: the paradoxes of political power and the rise and fall of empires, examined in the choruses of his Ottoman closet drama Mustapha; and the examination of the mechanisms of idolatry and spiritual servitude that link the erotic poetry of the lyric sequence Caelica to the treatises on monarchy and religion. A Dedication to Sir Philip Sidney, Greville’s biography of his long-deceased friend, by contrast, offers a different perspective on political life and freedom, one that is constructed on Sidney’s exemplarity and modeled on the ethics of friendship.

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