Relevant bibliographies by topics / Clothing and dress Australia History

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Reports

Academic literature on the topic 'Clothing and dress Australia History'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 January 2023

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Journal articles on the topic "Clothing and dress Australia History"

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Schmidt, A. J. "Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century. By Philippe Perrot and Fashioned from Penury: Dress as Cultural Practice in Colonial Australia. By Margaret Maynard." Journal of Social History 29, no. 3 (1996): 691–92. http://dx.doi.org/10.1353/jsh/29.3.691.

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Martin, Phyllis M. "Contesting Clothes in Colonial Brazzaville." Journal of African History 35, no. 3 (1994): 401–26. http://dx.doi.org/10.1017/s0021853700026773.

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The significance of dress in mediating social relations was deeply rooted in the Central African experience. In pre-colonial times, clothing, jewellery and insignia conveyed identity, status, values and a sense of occasion. Those with access to European trade cloth and second-hand clothes integrated them into their dress. Central Africans had a strong sense of the “politics of costume” long before new sources and ideas of clothing arrived with colonialism.Brazzaville, the capital of French Equatorial Africa, then became the scene of opportunity, experimentation and choice. Foreign workers from
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Cramer, Lorinda. "Making ‘everything they want but boots’: Clothing Children in Victoria, Australia, 1840–1870." Costume 51, no. 2 (2017): 190–209. http://dx.doi.org/10.3366/cost.2017.0024.

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Dress was charged with meaning in the British colonies. Its visual cues made dress an obvious vehicle for formulating identity in material ways, and as a communicative device it was a means to measure migrants of unknown social origin — though not always with success. This article explores children's clothing in south-eastern Australia during the decades spanning the mid-nineteenth century, when the Port Phillip District transformed from a pastoral settlement into the thriving gold-rush colony of Victoria, attracting migrants from around the globe. In particular, it focuses on the material pra
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Johnston, Lucy. "Clothing in Context — Nineteenth-Century Dress and Textiles in the Thomas Hardy Archive." Costume 52, no. 2 (2018): 261–84. http://dx.doi.org/10.3366/cost.2018.0071.

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This article will consider how dress, textiles, manuscripts and images in the Thomas Hardy Archive illuminate his writing and reveal the accuracy of his descriptions of clothing in novels including Far from the Madding Crowd and Tess of the D'Urbervilles. Rural clothing, fashionable styles, drawings and illustrations will shed new light on his writing through providing an insight into the people's dress he described so eloquently in his writing. The textiles and clothing in the Archive are also significant as nineteenth-century working-class dress is relatively rare. Everyday rural clothing do
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Orifjonova, Gulrano R. "PECULIARITIES OF SURKHANDARYA ETHNOCULTURAL CLOTHING." CURRENT RESEARCH JOURNAL OF HISTORY 03, no. 01 (2022): 21–25. http://dx.doi.org/10.37547/history-crjh-03-01-05.

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This article analyzes the peculiarities of ethnocultural costumes of Surkhandarya oasis. National dress is a manifestation of material culture. The bright colors of the nation, the beautiful art of local weavers developed under the influence of national traditions, the artistic ornaments on the fabrics are reflected in the dress, which is based on the unique centuries-old traditions of each region. Like other regions of Uzbekistan, in the late XIX and early XX centuries, the Uzbek national costume was almost formed in the Southern Surkhandarya oasis. It was revealed that women’s clothes are se
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Andersson, Eva I. "Swedish Burghers' Dress in the Seventeenth Century." Costume 51, no. 2 (2017): 171–89. http://dx.doi.org/10.3366/cost.2017.0023.

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This article discusses dress, and the consumption of clothing among the burghers of seventeenth-century Stockholm. Clothing was one of the most important ways in which early modern people displayed and claimed their position in society. Through fine materials and fashionable cut, wealth and status, as well as the less tangible capital of knowledge of style and trends, could be expressed in a way that was visible to all. Clothing was therefore also a way that society was made comprehensible.
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Edwards, Tim. "Living dolls? The role of clothing and fashion in ‘sexualisation’." Sexualities 23, no. 5-6 (2018): 702–16. http://dx.doi.org/10.1177/1363460718757951.

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This article considers the role that clothing and fashion have played, or continue to play, in ‘sexualisation’. It is pointed out that fashion, as in clothing, has often played a very small part in much wider discussions about ‘sexualisation’ much of which fails to problematise the meaning of the clothing concerned. The article thus considers what might constitute ‘sexualised’ clothing or fashion – whether this is simply baring of flesh, too ‘adult’, or somehow ‘pornographic’ in its derivations or connotations. In addition, fashion and dress have a long history of forming heated concern for fe
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Cova, Ioana, and Laura Toșan. "Challenges in Displaying Archaeological and Historic Vestments from the Collections of the National Museum of Transylvanian History." Acta Musei Napocensis. Historica, no. 57 (January 15, 2021): 275–84. http://dx.doi.org/10.54145/actamn.57.14.

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"The focus of this paper is represented by the display of female and male clothing pieces as well as luxurious ornaments, from the premodern and modern collections of The National History Museum of Transylvania, as exhibited in the temporary exhibition Cornucopia. Luxury in Transylvanian noble world.1 The aim is to underline the challenges the conservators had in mounting the items of dress, while considering the conservation restrictions (the mounting would not damage the object) as well as display requirements (an appropriate arranging of historic clothing). In order to properly display the
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Zhang, Yang, and Xuetao Wang. "A Comparative Study of Heilongjiang Minority Costumes and Customs (taking Oroqen and Manchu as examples)." Historical and social-educational ideas 13, no. 1 (2021): 79–92. http://dx.doi.org/10.17748/2075-9908-2021-13-1-79-92.

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National clothes and jewelry, one might say, are the symbol of a particular nation. Such factors of influence as, different living conditions, culture, history and others, lead to their great diversity. Each nation has its own unique clothing and jewelry, exploring them you can even deeper understand the national culture and see the unique cultural value. Using the analytical method, and taking as an example the small peoples of Heilunjiang, let us compare the national dress, jewelry and customs, study the clothing and jewelry of the Manchus and Orochon. Analyzing from the point of view of clo
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Unsworth, Rebecca. "Hands Deep in History: Pockets in Men and Women's Dress in Western Europe, c. 1480–1630." Costume 51, no. 2 (2017): 148–70. http://dx.doi.org/10.3366/cost.2017.0022.

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Pockets are now standard and accepted aspects of clothing, but their presence in dress has not always been so assured. This article examines the use of pockets in western Europe from the late fifteenth to the early seventeenth centuries, demonstrating that pockets were adopted into clothing much earlier than has often been believed. It discusses the physical form of pockets in the dress of both genders and the types of garments into which they were inserted. It also explores the possible reasons for the uptake of pockets, the uses to which they were put and the sorts of objects which were kept
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Dissertations / Theses on the topic "Clothing and dress Australia History"

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Eluwawalage, Damayanthie. "History of costume : the consumption, governance, potency and patronage of attire in colonial Western Australia." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2004. https://ro.ecu.edu.au/theses/830.

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This dissertation represents a new' departure in the study of dress in colonial Western Australia, focusing on the rationale behind individual and collective clothing practices in the new society. As a study of significant social and cultural practices, rather than an account of fashion, this research contributes to the understanding of previously disregarded elements in colonial Western Australian ethno-economic and social histories. The study investigates the internal and external influences which impacted upon colonial inhabitants' ways of dressing, their societal attitudes and social demea
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Elliott, Jane E. "The colonies clothed : a survey of consumer interests in New South Wales and Victoria, 1787-1887 /." Title page, contents and introduction only, 1988. http://web4.library.adelaide.edu.au/theses/09PH/09phe462.pdf.

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Feik, Jennifer. "An analysis of textile roles in pre-history Olmec and Chinese civilizations." online access from Digital Dissertation Consortium access full-text, 2004. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?1419178.

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Douglass, Melinda. "The utilization of clothing imagery into the fabrication of jewelry." Virtual Press, 1989. http://liblink.bsu.edu/uhtbin/catkey/724959.

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The primary objective of this creative project was to develop an imagery source through the observation and analysis of historical and contemporary clothing. The secondary objective was to produce both jewelry and functional objects in metal that reflected the author's personal interpretation of such garment forms. This body of work employed a variety of traditional metalsmithing techniques.<br>Department of Art
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Jones, Stacey Elizabeth. "Why women's clothing? a critical history of clothing collections : a regional case study /." Connect to PDF file Connect to PDF file, 2005. http://purl.fcla.edu/fcla/etd/UFE0009404.

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Mayer, Tara. "Clothing and the imperial image : European dress, identity and authority in late eighteenth and early nineteenth century North India." Thesis, SOAS, University of London, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.572826.

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Pennick, Morgan Faith. "Dress and personal appearance in Late Antiquity : the clothing of the middle and lower classes." Thesis, University of Kent, 2014. https://kar.kent.ac.uk/50489/.

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This thesis examines the dress and personal appearance of members of the middle and lower classes during Late Antiquity. Although members of this social stratum are often represented in Late Antique written sources, their clothing is rarely described in any detail, nor can artistic depictions be relied upon to illustrate their garments realistically. Information has therefore been assembled on garments and garment fragments from over 52 museum and archaeological collections, in order to assess the ways that cloth and clothing was made, embellished, cared for and recycled during this period. To
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Kok, Chui-wah Ranee, and 郭翠華. "Qipao: living and evolving tangible and intangible cultural heritage." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48345052.

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“Clothing always shows people’s personality.” said William Shakespeare. “Even we bow our heads with silence, our clothing and bearing will still reveal our past experiences.” As for a Chinese woman, Qipao reminds and even reveals her own background and roots. Qiapo is so widely recognized that people from different countries relate it to China once they see it. Such a Chinese female identity has been built for decades. Qipao has been seen as the National Costume throughout the 20th Century until nowadays. It expressed the patriotic purposes in the sense of Chinese and the rest of the worl
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Howell, Geraldine. "A Critical History of the significance of Clothing Dress Practice and Appearance for Women in Britain 1939-1945." Thesis, University of Reading, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.520112.

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Wu, Hao, and 吳昊. "History of Chinese women's costume." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B3124080X.

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Books on the topic "Clothing and dress Australia History"

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Fashioned from penury: Dress as cultural practice in colonial Australia. Cambridge University Press, 1994.

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Another Tasmanian paradox: Clothing and thermal adaptations in aboriginal Australia. Archaeopress, 2007.

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Bosworth, Michal. Australian lives: A history of clothing, food, and domestic technology. Nelson, 1988.

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Wilson, Verity. Chinese dress. Bamboo Publishing in association with the Victoria and Albert Museum, 1990.

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1951-, Thomas Ian, and Victoria and Albert Museum, eds. Chinese dress. Weatherhill, 1996.

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Parks, Peggy J. Clothing. Kidhaven Press, 2004.

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Amy, De La Haye, and Wilson Elizabeth 1936-, eds. Defining dress: Dress as object, meaning, and identity. Manchester University Press, 1999.

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Fabri, Charles Louis. Indian dress: A brief history. Disha Books, 1994.

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Working dress: A history of occupational clothing. Holmes & Meier, 1986.

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Marly, Diana De. Working dress: A history of occupational clothing. Batsford, 1986.

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Book chapters on the topic "Clothing and dress Australia History"

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Lemire, Beverly. "Redressing the History of the Clothing Trade: Ready-Made Apparel, Guilds and Women Outworkers, 1650–1800." In Dress, Culture and Commerce. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230372757_3.

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Afrouz, Rojan, and Beth R. Crisp. "Anti-oppressive Practice in Social Work with Women Wearing Hijab." In Exploring Islamic Social Work. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95880-0_12.

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AbstractReligious beliefs are central to the identity of many people, often signalled by their physical appearance, for example, clothing, hair or jewellery. If prevented from such a form of self-expression, some take action against what they consider a contravention of their human rights. The predominance of this discourse can obscure the possibility that there are others who are forced to signal a religious viewpoint which they may not subscribe to. This chapter explores the wearing of hijab by Afghan women who have lived in Australia less than 10 years. While some choose to wear hijab, there were others who spoke of being forced to wear hijab as a form of domestic violence. Furthermore, whereas for some, not wearing hijab represents a freedom to dress in accordance with their understandings of Australia as a secular society, a few felt that wearing clothes which marked them as Islamic increased the likelihood of attracting xenophobia and discrimination. Hence, for many women, decisions around hijab represented compromise between the demands of their family, the Afghan community and the wider Australian society, rather than a free choice. Consequently, if social workers assume women’s religious beliefs and identity are congruent with their appearance they may inadvertently be contributing to women’s oppression. As such, this chapter explores notions of anti-oppressive practice when working with Muslim women living in non-Muslim majority countries, particularly in respect of dress codes which are associated with Islam.
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Wu, Chunming. "Ethno-Archaeological Investigation to the “Straw and Bark Woven Clothing” of Island Yi and Southern Man in South of China and Southeast Asia." In The Archaeology of Asia-Pacific Navigation. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-4079-7_6.

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AbstractThe complex and variant patterns of costume were important parts of the human cultures in the history. Generally, the early dress of human beings started from the non-woven fabrics such as grass leaves, barks, beast coats and fur, and other natural resources, and developed into woven cloth products of fiber thread with warp and weft structure.The clothing variants are the cultural representation of ethnic groups, showing the different costume traditions and cultural features. In the ethnic cultural system of Asia–Pacific region, the ancient clothing made of cotton, hemp, silk, and wool fibers in the inland region of East Asia centered on the Central Plains has a long tradition since prehistory, represented by the so-called “Clothing and Dressing Civilization” of Huaxia and Han nationality in its sinocentrism, while on the coast of southern China, Southeast Asia, and the Pacific Islands, the non-woven bark cloth of the indigenous Bai Yue system and Austronesian presents another distinctive costume culture.
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Wu, Chunming. "Ethno-Archaeological Investigation to the “Straw and Bark Woven Clothing” of Island Yi and Southern Man in South of China and Southeast Asia." In The Archaeology of Asia-Pacific Navigation. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-4079-7_6.

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AbstractThe complex and variant patterns of costume were important parts of the human cultures in the history. Generally, the early dress of human beings started from the non-woven fabrics such as grass leaves, barks, beast coats and fur, and other natural resources, and developed into woven cloth products of fiber thread with warp and weft structure.The clothing variants are the cultural representation of ethnic groups, showing the different costume traditions and cultural features. In the ethnic cultural system of Asia–Pacific region, the ancient clothing made of cotton, hemp, silk, and wool fibers in the inland region of East Asia centered on the Central Plains has a long tradition since prehistory, represented by the so-called “Clothing and Dressing Civilization” of Huaxia and Han nationality in its sinocentrism, while on the coast of southern China, Southeast Asia, and the Pacific Islands, the non-woven bark cloth of the indigenous Bai Yue system and Austronesian presents another distinctive costume culture.
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HALE, GRACE ELIZABETH. "THE DRESS MAKES THE BAND." In Clothing and Fashion in Southern History. University Press of Mississippi, 2020. http://dx.doi.org/10.2307/j.ctv128fpx3.9.

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"Clothing, Fashion, Dress, and Costume in Venice (c.1450–1650)." In A Companion to Venetian History, 1400-1797. BRILL, 2013. http://dx.doi.org/10.1163/9789004252523_026.

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Czepczyk, Jacek. "Dress code w projektowaniu uniformu pracowników obsługi hotelowej." In Nagość i odzienie. Wydawnictwo Avalon Sp. z o.o., 2022. http://dx.doi.org/10.55288/9788377305812.10.

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Erik Peterson (1934) was convinced that “the German saying Kleider machen Leute – clothes make the man – has a deep theological meaning to it. Clothes not only lend people nobility, but simply make us human. Man is not understandable by himself”. The dress code, in turn, is a set of rules that define and determine how to adjust one’s outfit in order to meet the requirements of savoir-vivre. Dress code is culturally driven; it corresponds to the history of a given region of the world, and in the case of uniforms, it is also an element of the identity of a particular institution. A uniform which matches a specific dress code, as is the case in hotel companies, is also intended to create a personalized relationship between the hotel and its guests, since a “hotel” is to meet not only the client’s expectations as to proper accommodation, but also should offer a friendly atmosphere. In César Ritz’s model, the relationship between the staff, their behavior, the uniforms they wear, and hotel guests was to be two-sided: in line with the principle that if a potential hotel guest is not considered worthy due to the lack of appropriate clothing, they would not be served: “No dress code – no service”. In the European Hotel in Krakow, a family-owned hotel, the important dress-code background is the bourgeois and noble tradition. The “spirit of nobility” is to provide hotel guests with a sufficiently high standard during their stay at the European Hotel, but also a “mental reward” both for guests and the hosts. One of the elements of this “mental reward” is the outfit inspired by tradition, including its colors present in the hotel’s everyday life.
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Stadtlober, Margit. "The Bonnet and the Beret in Medieval and German Renaissance Art." In Antichistica. Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-521-6/009.

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This paper presents an art-historic contribution, examining the bonnet and the beret as characteristic forms of female and male headdresses and their manifold variations and oriental origins. Both types of head coverings are shaped by sociocultural attitudes and evolved in form. Embedded within the wider context of clothing they also, in turn, influence social norms and attitude. Examining their history and genesis also reveals and raises gender-specific perspectives and questions. The depiction and representation of the bonnet and beret during two defining periods in the visual arts, incorporating role-play and creativity, present a considerable knowledge transfer through media. First instances of gender-specific dress codes can be traced back to the Bible and therefore Paul’s rules for head covering for women in 1 Cor 11,2-16 is intensively debated. The following chapter will trace and illustrate the history of female and male head coverings on the example of various works of art. The strict rules outlined in 1 Corinthian 11 prescribing appropriate head coverings in ceremonial settings, which had a significant and lasting impact, have in time been transformed through the creative freedom afforded by the mundanity of fashion.
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Nachmani, Amikam. "In the same boat: European opposition, Muslim migrants, impact on Jews." In Haunted Presents. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781784993078.003.0004.

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European laws and policies directed against Muslims and Islamic religious tenets directly affect the Jewish population in many common denominator issues that unite Jews and Muslims in surprising, contradictory, complex and convoluted ways. The Jews stand between Muslim immigrants and Europe’s attempt to assimilate them. Various European attempts to ban Muslim dress codes, mainly women’s, are made to look discriminatory because Jews, especially the ultra-Orthodox, who also wear conspicuous clothing, are not singled out. The use of fines on women’s headscarves and burqas in Holland and Belgium recall historical taxes levied on Jews. Judaism and Islam share similar methods of animal slaughter that contravene EU laws. In the struggle against restrictions on male circumcision, Muslims leave the battle to the Jewish community, because given recent European history, Jewish arguments and demands are more likely to be heard. Accusations that Muslims control the EU as the Jews control the world link the two groups into one. Wider issues such as the building of mosques, de-Christianizing Europe (banning Christmas trees in public, etc.), and racism and bigotry make cooperation between Muslim migrants and European Jews possible and are even set to further develop, despite the controversies and conflicts between them.
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Reports on the topic "Clothing and dress Australia History"

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Saeidi, Elahe, and Amanda Thompson. Using Clothing to Unify a Country: The History of Reza Shah’s Dress Reform in Iran. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-621.

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