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Relevant bibliographies by topics / Clothing and dress – erotic aspects

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Academic literature on the topic 'Clothing and dress – erotic aspects'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Clothing and dress – erotic aspects"

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Bugg, Jessica. "Dancing dress: Experiencing and perceiving dress in movement." Scene 2, no. 1 (2014): 67–80. http://dx.doi.org/10.1386/scene.2.1-2.67_1.

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Clothing design for dance is an area that has been little documented, particularly in relation to the experience and perception of the dancer. Contemporary dance and clothing can both be understood as fundamentally phenomenological and as such there is further potential to investigate the lived experience of wearing clothing in dance. This article approaches dress in the context of the moving and dancing body, and it aims to develop an understanding of the role of dress in dance by focusing on the sensory, embodied experience and perception of the performer. It addresses questions of how cloth

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Jin, Jing, Jie Gao, Yu Xiu Yan, and Jian Wei Tao. "Analysis of Performance of the Clothing Modeling in Shaping the Animation Role." Advanced Materials Research 821-822 (September 2013): 794–97. http://dx.doi.org/10.4028/www.scientific.net/amr.821-822.794.

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With the continuous development of animation industry, the clothing modeling of the animation character is more and more concerned. This paper found the connection of three aspects, which is that shaping the role determines the vitality, creativity and appealingness of the animation, animation dress help to shape the roles and art image, animation apparel modeling is different from the real clothing modeling by means of analyzing the relation between shaping the animation role and the clothing modeling. Through the research of the performance of the clothing modeling in shaping the animation r

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Ikeda, N., A. Harada, K. Umetsu, and T. Suzuki. "A Case of Fatal Suffocation during an Unusual Auto-Erotic Practice." Medicine, Science and the Law 28, no. 2 (1988): 131–34. http://dx.doi.org/10.1177/002580248802800210.

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An unusual case of accidental death during auto-erotic practice, where three skirts, a pinafore dress, a pair of panty hose and a plastic bag were used to wrap the head and produce partial asphyxia, is described.

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Frandita Juwika, Atikah Yesi Duana Sari, Ridho Wahyudi Siregar, and Jendri Jendri. "Penafsiran Ayat Tentang Berpakaian (Berhias)." Akhlak : Jurnal Pendidikan Agama Islam dan Filsafat 2, no. 1 (2024): 275–86. https://doi.org/10.61132/akhlak.v2i1.388.

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This study discusses the concept of dress ethics in Islam, focusing on the dress code for both men and women as well as the ethics that should be applied when dressing. In Islam, dressing is not merely a matter of appearance, but also related to religious teachings that emphasize the importance of covering the aurat, maintaining modesty, and preserving honor. For men, the dress code is strictly regulated by Sharia, including the aurat limitation between the navel and the knee, the prohibition of wearing gold and silk, and the prohibition of imitating women's or non-Muslims' clothing. Meanwhile

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Tukhtasinov, Abror Rustamovich. "The Image of the Modern Teacher and its Place in the Culture of Speech." International Journal of Multidisciplinary Research and Analysis 04, no. 10 (2021): 1441–44. https://doi.org/10.47191/ijmra/v4-i10-16.

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There are aspects of dress that are related to a person's psyche, character, mood, upbringing, and taste. It is important to note that dress and customs did not arise spontaneously. There is no definitive conclusion as to when clothing appeared in human society. Man, who first learned to weave and sew fabrics from leather and wool, later gave comfort and beauty to clothes with the advent of cotton and silk fibers. Hence, the development of human thinking brought civilization to his dress as well. 

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Griffey, Erin. "Re-Dressing the Evidence: Henrietta Maria’s Wardrobe Accounts, 1627–1639." Costume 57, no. 1 (2023): 3–30. http://dx.doi.org/10.3366/cost.2023.0243.

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This article presents evidence about Henrietta Maria's dress from her wardrobe accounts of 1627 to 1639. The accounts, in the National Archives at Kew, include a vast range of loose bills, acquittances and warrants related to textiles, garments, trimmings and accessories supplied and made for the Queen and members of her household. The extraordinary variety and splendour of the Queen's dress as well as the lavish clothing she presented to others is evident. This overview focuses on networks of supply and production, including details of key suppliers and artificers; practical aspects of fittin

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Akanni, Akeem A., and Abdussalam A. Adam. "Muslim Dress Code and Its Health Benefits." Oguaa Journal of Religion and Human Values 7, no. 1 (2023): 49–61. http://dx.doi.org/10.47963/ojorhv.v7i1.1409.

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This article provided an overview of the history and benefits of Muslim dress code. It traced the origins and evolution of modest clothing styles prescribed in Islam and explored regional variations across Muslim majority cultures. Key benefits of adhering to Islamic dress standards around modesty are examined, including spiritual discipline, health aspects of loose fitting garments, and cultural identity affirmation. Common types of traditional Muslim attire such as hijāb, jalbāb and abāya are defined. The paper also looked at modern trends integrating Islamic dress principles with contempora

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VanPool, Christine S., Todd L. VanPool, and Lauren W. Downs. "DRESSING THE PERSON: CLOTHING AND IDENTITY IN THE CASAS GRANDES WORLD." American Antiquity 82, no. 2 (2017): 262–87. http://dx.doi.org/10.1017/aaq.2017.4.

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Casas Grandes Medio–period (A.D. 1200–1450) human effigies are unique in the North American Southwest in that they depict primary and secondary sexual traits, making determination of sex and gender roles possible. Here, we build on previous discussions by considering the importance of depictions of clothing (e.g., belts and sashes), personal adornments (e.g., necklaces and bracelets), facial decorations, and other aspects of dress. We find that Medio-period symbolism for males and females was based on gender complementary that combined the productive, reproductive, and ritual activities of men

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Grigo, Jacqueline. "Visibly Unlike: Religious Dress between Affiliation and Difference." Journal of Empirical Theology 24, no. 2 (2011): 209–24. http://dx.doi.org/10.1163/157092511x603992.

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Abstract This article focuses on the relevance and consequences of visibility of religious identity respectively difference by means of religiously connoted clothing. Based on six case studies it emphasizes the perspective of wearers of religious vestment in the area of Zürich (Switzerland). The project takes account of the fact, that the aspect of visual, respectively embodied (religious) difference is not only of relevance to Muslim headscarf wearers (though, due to eager public discussion, it became here the most obvious, and the main subject of scientific interest), but also for wearers of

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Rahman, Priyanggo Karunia, and Misesa Misesa. "The Teacher's Role in Fostering Dress Ethics Students." LENTERNAL: Learning and Teaching Journal 3, no. 3 (2022): 27–32. http://dx.doi.org/10.32923/lenternal.v3i3.2913.

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This study examines Islamic religious education teachers' influence on student dress. The school's code of conduct emphasizes ethical behavior and dress. Some kids wore long, flowy, non-transparent outfits, while others did not. Students are told to dress appropriately for Muslim students, but reality differs. This study examined how Islamic religious education and morality teachers at SMA Negeri 1 Bangka promote dress ethics. This study used qualitative research. Semi-structured Islamic religious education teacher interviews provided the data. Descriptive analysis followed. Field notes, docum

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Dissertations / Theses on the topic "Clothing and dress – erotic aspects"

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Leung, Ka-kie, and 梁嘉琪. "Dress and gender power." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31953621.

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Rainer-Jeanes, Earline. "Clothing interest, leisure activity continuity and their association to clothing fit satisfaction for women 55 years and older." Thesis, This resource online, 1994. http://scholar.lib.vt.edu/theses/available/etd-07102009-040413/.

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Park, Jae Ok. "Clothing style preference of working women related to self- image/clothing-image congruity and public self-consciousness." Diss., This resource online, 1990. http://scholar.lib.vt.edu/theses/available/etd-07282008-140007/.

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McCarthy, Bryan. "From fig leaves to skinny jeans : how clothes shape our experience of God, ourselves, and everything else." Thesis, University of Oxford, 2016. http://ora.ox.ac.uk/objects/uuid:74ef707b-7f55-4bda-9873-02b5702ddb8e.

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In the history of sartorial reflection, the usual offerings for human motivations to dress are: protection (i.e. from the elements), modesty, decoration, and socio-political self-expression. The literature on clothing rarely attends, however, to the question of garments' impact on wearers' self-experience. There is some social science research, for example, suggesting that when we wear clothing we associate with individuals who have a high degree of mental focus and attention to detail, it causes us - probably, in most cases, pre-reflectively - to experience ourselves as such and therefore to

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Wani, Catherine. "Perceptions of the veil among a group of Sudanese women: A qualitative study." Thesis, University of the Western Cape, 2004. http://etd.uwc.ac.za/index.php?module=etd&amp.

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The Islamic dress code has been forcibly imposed on the women in Sudan, since 1983, and many feminists researchers have criticized the practices of the veil as a tool to oppress women. This study aimed to explore a group of Sudanese women, currently living in South Africa, experiences and perceptions of the veil, whether the veil is a religious dress code or a tool that has been used to exercise inequality.

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Gim, Geummi Jung. "Clothing acquisition patterns and size information of Oriental female immigrants." Thesis, The University of Arizona, 1988. http://hdl.handle.net/10150/276899.

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The purpose of the study was to investigate Oriental women's clothing acquisition behaviors and to compare their body measurements with the measurements listed in Voluntary Product Standard, PS 42-70. A questionnaire was administered to 101 Oriental women residing in Tucson, Arizona. Thirty-nine body measurements were taken from each subject in the sample. The major type of store used most frequently was department store. It appears that Oriental women were not impulsive buyers or influenced by suggestive selling techniques but highly represented careful shopping characteristics. Fit was the m

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Toerien, Elsje Susanna. "Dimensions of clothing interest: a cross-cultural study." Thesis, Virginia Polytechnic Institute and State University, 1987. http://hdl.handle.net/10919/80058.

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The purpose of this research was to determine and compare the dimensions of clothing interest between Afrikaans female clothing and textile students at The University of Pretoria and female clothing and textile students at Virginia Tech. An additional objective was to test the validity of the measuring instrument by factor analysis. Dimensions of clothing interest for the two groups were measured with the Gurel-Creekmore Clothing Interest Questionnaire, as revised and shortened by Borsari in 1978. T-tests indicated that the group mean scores differed significantly for three of the five dimen

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Liskey, Natalie A. "Clothing interest and self-perception of female adolescents with scoliosis." Thesis, Virginia Tech, 1989. http://hdl.handle.net/10919/43095.

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<p>This research investigated the relationships between clothing interest and self-perception among scoliosis patients and their non-handicapped peers. The objectives were (1) to investigate the differences in selected clothing interest factors and self-perception domains between female adolescents with scoliosis and non-handicapped female adolescents and (2) to investigate relationships between clothing interests and self-perception among female adolescents with scoliosis and non-handicapped female adolescents.</p> <p> Data were obtained from 70 female adolescents of which 35 had

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Darroch, Lynne M. "All dressed up : adornment practices, identity and social structure." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69551.

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This thesis attempts to survey the function of clothing adornment practices as a form social communication. It is shown that clothing enables the formation and distinction of social groups. The ways in which clothing becomes symbolic for a group and the way in which this system is challenged and/or destroyed are also examined. A distinction between fashion and antifashion is made to enable a repositioning of the Western system of dress into a wider context of meaning. Assumptions on the nature of appearance as related to the concept of truth are examined. Chapter One looks at the various and c

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Umscheid, Joan M. "An analysis of the relationship between clothing conformity and personality type in a selected group of adult males." Thesis, Virginia Tech, 1988. http://hdl.handle.net/10919/43064.

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The purpose of this study was to investigate the relationships between clothing conformity and personality type according to the Myers-Briggs Type Indicator (MBTI), of a selected group of adult males. Past research indicated that the MBTI had been used in relation to many characteristics such, as creativity, management style, and conformity. Clothing conformity had been investigated in relation to group membership and self-esteem. The researcher was unable to find any research done prior to this study in which clothing conformity and the MBTI had been used to study the relationship b

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Books on the topic "Clothing and dress – erotic aspects"

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Müller, Florence. Excentriques. Chêne, 2001.

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Housk, Randall, ed. The customized body. Serpent's Tail, 2000.

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Serge, Tisseron, ed. L' érotisme du toucher des étoffes. Libr. Séguier, 1987.

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Barrère, Hubert. Corset. Rouergue, 2011.

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Parks, Peggy J. Clothing. Kidhaven Press, 2004.

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Amy, De La Haye, and Wilson Elizabeth 1936-, eds. Defining dress: Dress as object, meaning, and identity. Manchester University Press, 1999.

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Tarlo, Emma. Clothing matters: Dress and identity in India. Hurst, 1996.

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Tarlo, Emma. Clothing matters: Dress and identity in India. University of Chicago Press, 1996.

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Steele, Valerie. Fetish: Fashion, sex, and power. Oxford University Press, 1996.

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Joseph, N. Uniforms and nonuniforms: Communication through clothing. Greenwood, 1987.

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Book chapters on the topic "Clothing and dress – erotic aspects"

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Argenziano, Raffaele. "L’iconografia di Giovanni Colombini (1304-1367): fondatore dei gesuati." In Le vestigia dei gesuati. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-228-7.08.

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This work will try to follow the development of the iconography of Blessed Giovanni Colombini from the first images handed down to us throughout the XV century. By reading the hagiographic sources, we will try to go back to when the choice of the Jesuati habit started and whether this remains unchanged over the years. The iconographic evidences will be of help to this end. The change in Colombini's social status led him to a radical change in his clothing, which, for some aspects, is very close to that of penitents. We will also try to understand what influence the decision (made towards the m

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North, Susan. "Flowers and Dress: Decorative, Dynastic, and Symbolic." In Floral Culture and the Tudor and Stuart Courts. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463722490_ch04.

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Flowers adorned the clothing and jewellery of royal and aristocratic men and women at the Tudor and Stuart courts. The textiles with which clothes were made were not gendered, nor was the ornamentation of fabrics, clothing, accessories, and jewellery, except for armour and weapons, worn exclusively by men but also ornamented with floral motifs. The application of flowers to these media was dictated by technical aspects of weaving, embroidery, and metalwork and they fall into three categories: decorative, dynastic, and symbolic. This chapter explores these aspects of floral embellishment and th

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Gurr, Andrew, and Mariko Ichikawa. "Other Aspects of Shakespearian Staging." In Staging in Shakespeare’s Theatres. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198711599.003.0003.

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Abstract Everything used to dress and equip the players on the early stages was symbolic. Because resources at the early venues were unpredictable, all the staging had to be flexible and all the properties had to be portable. Every object and item of clothing worked as a signifier. A cloak signified an outdoor location, riding boots indicated a traveller, a night-cap showed someone roused from his bed. Special signifiers augmented the routine signs. A sword in its scabbard made a gentle man, velvet cloth a lady, gold lace a nobleman or woman. A ghost wore a recognizable shroud, ‘antics’ or clo

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Kraus, Christina Shuttleworth. "Hair, Hegemony, and Historiography: Caesar’s Style and its Earliest Critics." In Aspects of the Language of Latin Prose. British Academy, 2005. http://dx.doi.org/10.5871/bacad/9780197263327.003.0005.

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The ancient term commentarius designates works ranging from official records to collections of anecdotes to historical narrative. The ancient historiographical commentarius tended to be represented as an emperor in search of new clothes, as it were – clothing that would provide the copia, ornatus, and completeness appropriate to a work of artistic prose. The three ancient critics presented testify to the frustrations inherent in evaluating a Caesarian commentarius. Additionally, some ways in which the ancient reactions to the Commentarii are reflected in modern criticism (primarily of the Bell

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Sousa, Lisa. "Gender and the Body." In The Woman Who Turned Into a Jaguar, and Other Narratives of Native Women in Archives of Colonial Mexico. Stanford University Press, 2017. http://dx.doi.org/10.11126/stanford/9780804756402.003.0002.

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Chapter 2 draws on theories of the body, gender performativity, and dress, to show how gender was inscribed on the body to create the appearance of difference, which, in turn, shaped all social relations. The chapter analyzes aspects of indigenous gender ideology and concepts of the body as expressed in life-cycle rituals, native-language metaphors and terminology, and beliefs pertaining to the calendar, tonalism, and nahualism. The chapter argues that concepts concerning the fluidity of the body and gender identity undermined essentializing ideologies. The work examines the construction of ge

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Frankel, Noralee. "Strip Around the World." In Stripping Gypsy. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195368031.003.0016.

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Abstract Sweden’s nude bathing surprised Gypsy. “I guess I’m more easily shocked than the average person,” she told a local interviewer, who thought she was joking. Ten-year-old Erik surpassed his mother’s punch line by adding, “The YMCA or the YWCA is the only place you can do that in America.” Aspects of the European trip challenged Gypsy, but most audiences reacted favorably to the old routines. Throughout Europe, Gypsy created a variation of her carnival show. Four women, usually recruited from the host country, in fishnet stockings and strategically placed sequins sauntered onstage with a

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Keller, Rudi. "Introduction." In A Theory of Linguistic Signs. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198237334.003.0001.

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Abstract Signs shape our lives. This is true not only of the signs of language: we are surrounded by signs, we surround ourselves with signs, and usually we are completely unaware of them. Frequently, we become aware of the complete semiotic saturation of our lives only when the signs we use, and with which we surround ourselves, lead to unexpected interpretations. My car is a sign, and so is my bicycle. Even if I have no car, this too is a sign. Eating oysters is just as much a sign as gobbling hamburgers. It’s a sign when I wear a tie, and just as much so when I refrain from wearing one. The

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Conference papers on the topic "Clothing and dress – erotic aspects"

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Zhang, Yunfan, and Eakachat Joneurairatana. "Integrating Tradition with Modernity: Transformation of Tang Dynasty Aesthetics in Contemporary Costume Design Through Dunhuang Mural Inspirations." In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004913.

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This study delves into the aesthetic elements of clothing in China's Dunhuang murals from the Tang Dynasty, aiming to understand their transformation and inheritance in contemporary costume design. It seeks to reveal the integration of traditional culture with modern fashion, emphasizing the fusion of ancient and modern aesthetics and its impact on the contemporary costume industry. The methodology involves analyzing Tang Dynasty costume characteristics as portrayed in Dunhuang murals, focusing on aspects like smooth lines, simplicity, and color coordination. It then examines how these aesthet

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Wang, Chenhui, Tao Chen, Zhihao Chen, et al. "FLDM-VTON: Faithful Latent Diffusion Model for Virtual Try-on." In Thirty-Third International Joint Conference on Artificial Intelligence {IJCAI-24}. International Joint Conferences on Artificial Intelligence Organization, 2024. http://dx.doi.org/10.24963/ijcai.2024/151.

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Despite their impressive generative performance, latent diffusion model-based virtual try-on (VTON) methods lack faithfulness to crucial details of the clothes, such as style, pattern, and text. To alleviate these issues caused by the diffusion stochastic nature and latent supervision, we propose a novel Faithful Latent Diffusion Model for VTON, termed FLDM-VTON. FLDM-VTON improves the conventional latent diffusion process in three major aspects. First, we propose incorporating warped clothes as both the starting point and local condition, supplying the model with faithful clothes priors. Seco

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