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Relevant bibliographies by topics / Clothing and dress – oceania

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Academic literature on the topic 'Clothing and dress – oceania'

Author: Grafiati

Published: 29 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Clothing and dress – oceania"

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Alexeyeff, Kalissa, and Geir Henning Presterudstuen. "Fashioning culture: Transforming perspectives from Oceania." Critical Studies in Fashion & Beauty 12, no. 1 (2021): 5–24. http://dx.doi.org/10.1386/csfb_00018_2.

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In this introductory article we discuss what might be gained from examining more familiar areas of anthropological research such as cloth, dress or material culture through fashion as an analytical category and, in turn, how insights from Pacific clothing cultures can broaden understandings of fashion. Our aim is to unsettle the ethnographic gaze that is often brought to bear on non-western cultures of fashion, cloth, clothing, style and innovation. Fashion, as we conceive of it, spans from the physical production and design of garments and objects to everyday appearances, the desire to be ‘in

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Traber, Daniel S. "Clothing and the oceanic identity in Melville’s Redburn." Critical Studies in Men???s Fashion 8, no. 1 (2021): 29–43. http://dx.doi.org/10.1386/csmf_00029_1.

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Herman Melville’s Redburn approaches the topic of corporeal coding via the outer layer of clothing. Throughout the novel, the young protagonist consciously uses clothing as a means of self-representation and expression, deploying fashion to create and position himself in different contexts; for example, taking pride in his ragged clothes amongst well-dressed ship passengers becomes a form of social protest. But Redburn is also used to comic effect because his choices are often based on incorrect assumptions of propriety, such as his notion of the way a sailor is supposed to dress not matching

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Nguyen, Mong Hien Thi. "The simulation modeling to choose styles of torso dresses byfuzzy logic." BOHR International Journal of Smart Computing and Information Technology 4, no. 1 (2023): 62–69. http://dx.doi.org/10.54646/bijscit.2023.38.

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This study presents the use of the fuzzy logic technique in choosing Torso dresses for online shopping. Dressstyles are established based on analyzing three factors that prioritize clothing selection using the Pareto chart.These factors include the dress’s form, thickness, and color fabric of the dress. These are the three inputvariables of this model, and each of them has different membership functions. The first input variable is theform of the modeling, and has two membership functions. The second is the fabric type that can be used fordresses, and has five membership functions. The third i

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Bugg, Jessica. "Dancing dress: Experiencing and perceiving dress in movement." Scene 2, no. 1 (2014): 67–80. http://dx.doi.org/10.1386/scene.2.1-2.67_1.

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Clothing design for dance is an area that has been little documented, particularly in relation to the experience and perception of the dancer. Contemporary dance and clothing can both be understood as fundamentally phenomenological and as such there is further potential to investigate the lived experience of wearing clothing in dance. This article approaches dress in the context of the moving and dancing body, and it aims to develop an understanding of the role of dress in dance by focusing on the sensory, embodied experience and perception of the performer. It addresses questions of how cloth

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Zhang, Yu Jing, Ya Nan Liu, Di Tang, Tian Jiao Shao, Xue Chen Wu, and Dong Ming Wang. "The Study on the Smart Reference of Movie Arts Applied in Dress Design." Applied Mechanics and Materials 215-216 (November 2012): 358–61. http://dx.doi.org/10.4028/www.scientific.net/amm.215-216.358.

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As the starting point of the movie, the invisible art of film and television with visible clothing art to be expressed, this is the perfect combination of art. The inseparable relationship between clothing and movies, as an art form, clothing is a national and regional cultural and aesthetic appeal of the carrier. Dress as important elements of costume elements, which lead the development of garment industry. The purpose of this paper is to dress in reproduction from the montage and the screen even as the story two dress designs innovation of new ideas on dress innovative design.

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Johnston, Lucy. "Clothing in Context — Nineteenth-Century Dress and Textiles in the Thomas Hardy Archive." Costume 52, no. 2 (2018): 261–84. http://dx.doi.org/10.3366/cost.2018.0071.

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This article will consider how dress, textiles, manuscripts and images in the Thomas Hardy Archive illuminate his writing and reveal the accuracy of his descriptions of clothing in novels including Far from the Madding Crowd and Tess of the D'Urbervilles. Rural clothing, fashionable styles, drawings and illustrations will shed new light on his writing through providing an insight into the people's dress he described so eloquently in his writing. The textiles and clothing in the Archive are also significant as nineteenth-century working-class dress is relatively rare. Everyday rural clothing do

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Turney, Jo. "Editorial." Clothing Cultures 11, no. 1 (2024): 3–6. https://doi.org/10.1386/cc_00085_2.

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This issue of Clothing Cultures challenges common perceptions about garments and dress practices. It addresses scholarship with a global reach and includes articles that address dress behaviours and practices that include the United Kingdom, Mexico, Portugal, Italy and the United States, demonstrating the universality of the significance of dress and dress practices. In this issue authors consider suits, knitwear, aprons and fashion collections in films and dress in mainstream cinema. We consider clothing as costume, as an indicator of gender, as a sign and marker of ethnic and regional identi

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Indarti, Indarti, and Asri Setyo Harini. "Dayak Tribe Talawang Motif as a Variety of Bridal Fashion Decoration with Laser Cutting Technique." TEKNOBUGA: Jurnal Teknologi Busana dan Boga 11, no. 1 (2023): 15–23. http://dx.doi.org/10.15294/teknobuga.v11i1.43280.

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Talawang is a traditional shield belonging to the Dayak tribe. This research aimed to describe the results of the finished Talawang motif as a wedding dress decoration. The method used a double diamond consisting of 4 stages: discover, define, develop, and deliver. The results of applying the Talawang motif on bridal clothing were analyzed descriptively using the FEA (function, aesthetic, expressive) model. The laser cutting technology could detail the Talawang motif as a modern wedding dress decoration. Making the Talawang motif of the Dayak tribe uses a particular machine for laser cutting u

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Buse, Christina, and Julia Twigg. "Clothing, Embodied Identity, and Dementia." Age, Culture, Humanities: An Interdisciplinary Journal 2 (January 1, 2015): 71–96. http://dx.doi.org/10.7146/ageculturehumanities.v2i.130611.

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Clothes are central to how we perform our identities. In this article, we show how these processes continue to operate in the lives of people with dementia, exploring the ways in which dress offers a means of maintaining continuity of self at a material, embodied level. The article thus contributes to the wider cultural turn in aging studies, showing how material objects are signifcant in meaning-making, even for this mentally frail group. The article draws on the Economic and Social Research Council (ESRC)-funded study “Dementia and Dress,” which examined the implications of clothing for peop

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Oberhagemann, Lola. "Clothing As Window to the Soul." COMPASS 3, no. 1 (2023): 28–36. http://dx.doi.org/10.29173/comp70.

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Individuals’ interaction with the external world is almost always influenced by their clothing, whether through personal choice, their “habitus”, dress codes, etc., through shaping how other view/interact with them, influencing their understanding of their identity, and conversely of influencing how others view them though how they dress. As a result of this, different clothing styles can evoke different connotations based on the viewers assumption of the ideals of the groups or contexts that the wearer’s clothing connects them to, such as formal office dress and LGBTQ+ fashions, whether by ch

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Dissertations / Theses on the topic "Clothing and dress – oceania"

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Scott, Margaret Cochrane. "Dress in Scotland 1406-1460." Thesis, Courtauld Institute of Art (University of London), 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.295035.

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Negrao, Nayra Waddington. "Multi-dimensional clothing." Thesis, Cape Peninsula University of Technology, 2010. http://hdl.handle.net/20.500.11838/1346.

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Thesis (BTech (Fashion Design))--Cape Peninsula University of Technology, 2010<br>The main objective of the research is to unfold the necessary theory by using current and relevant information available, in the scientific and fashion department, to substantiate the exploration of dimensions and the associated human interpretation. To produce two separate collections that combined illustrate my personal design identity, but when apart they demonstrate two parallel versions of the same concept. The main collection is divided into two ranges, one commercial and another conceptual. The comme

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Rainer-Jeanes, Earline. "Clothing interest, leisure activity continuity and their association to clothing fit satisfaction for women 55 years and older." Thesis, This resource online, 1994. http://scholar.lib.vt.edu/theses/available/etd-07102009-040413/.

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Keller-Drescher, Lioba. "Die Ordnung der Kleider : ländliche Mode in Württemberg 1750 - 1850 /." Tübingen : Tübinger Vereinigung für Volkskunde, 2003. http://www.h-net.org/review/hrev-a0d5x6-aa.

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Batchelor, Jennie Elizabeth. "Dress, distress and desire : clothing and sentimental literature." Thesis, Queen Mary, University of London, 2002. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1441.

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This study explores representations of the adorned female body in sentimental literature. In particular, it addresses the intersection of the discourses of dress, fashion and sensibility and the political anxieties such intersections expose. These concerns are located within current critical debate upon the implications of the feminine sentimental ideal for women readers and writers. Building upon recent scholarship, the introduction argues that sensibility was predicated upon a concept of the body as an index of feeling. This argument is subsequently complicated, through a reading of More's `

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Hamilton, Polly. "Haberdashery for use in dress 1550-1800." Thesis, University of Wolverhampton, 2007. http://hdl.handle.net/2436/14406.

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This study investigates the supply, distribution and use of haberdashery wares in England in the late sixteenth, seventeenth and eighteenth centuries, with especial reference to the paired counties of Cumbria and Lancashire, Warwickshire and Leicestershire, Hampshire and West Sussex. A brief comparison is also made with London. Through examination of documentary evidence and extant examples, it aims to set the provision and use of haberdashery for dress into the context of the Early Modern period, and challenges widely held assumptions concerning the availability of wares through the country.

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Leung, Ka-kie. "Dress and gender power." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262063.

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Wolf, Allyson Arbury. "Dressing wounds and healing justice a journey of individual and national transformation /." Pullman, Wash. : Washington State University, 2010. http://www.dissertations.wsu.edu/Dissertations/Spring2010/a_wolf_031310.pdf.

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Chenault, Lindsay. "About tailored wearable design /." unrestricted, 2008. http://etd.gsu.edu/theses/available/etd-04202008-101336/.

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Thesis (M.F.A.)--Georgia State University, 2008.<br>Title from file title page. Stan Anderson, committee chair; Nancy Floyd, Elizabeth Floop, committee members. Electronic text (55 p. : col. ill.) : digital, PDF file. Description based on contents viewed June 6, 2008. Includes bibliographical references (p. 53-55).

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Silverstein, Cory Carole. "Clothed encounters : the power of dress in relations between Anishnaabe and British peoples in the Great Lakes Region, 1760-2000 /." *McMaster only, 2000.

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Books on the topic "Clothing and dress – oceania"

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Chloë, Colchester, ed. Clothing the Pacific. Berg, 2003.

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Archive, North West Sound. Clothing & dress. North West Sound Archive, 1995.

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Services, Incomes Data, ed. Corporate clothing & dress codes. Incomes Data Services, 2001.

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Rourke, Arlene C. Clothing. Rourke Publications, 1987.

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Parks, Peggy J. Clothing. Kidhaven Press, 2004.

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Art, Katonah Museum of, ed. Dress codes: Clothing as metaphor. Katonah Museum of Art, 2009.

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Wilson, Verity. Chinese dress. Bamboo Publishing in association with the Victoria and Albert Museum, 1990.

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1982-, Kuehl Adam, and Savannah College of Art and Design, eds. Little black dress. Skira Rizzoli, 2012.

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Amy, De La Haye, and Wilson Elizabeth 1936-, eds. Defining dress: Dress as object, meaning, and identity. Manchester University Press, 1999.

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Casey, Moe. Dress up. Copper Beech Books, 1997.

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Book chapters on the topic "Clothing and dress – oceania"

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Lemire, Beverly. "Margins and Mainstream: Jews in the English Clothing Trades." In Dress, Culture and Commerce. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230372757_4.

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Batchelor, Jennie. "Re-clothing the Female Reader: Dress and the Eighteenth-Century Magazine." In Dress, Distress and Desire. Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230508200_4.

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Morgan, Faith Pennick. "The Construction and Re-Use of Clothing in the Late Antique Period." In Byzantine Dress: A Guide. Routledge, 2024. https://doi.org/10.4324/9781003096023-9.

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Manning, Erin. "Dress Becomes Body." In The Funambulist Papers, Volume 2. punctum books, 2015. https://doi.org/10.21983/p3.0098.1.19.

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“Cut to invent anew,” proposes Rei Kawakubo, owner and designer of the fashion label Comme des Garçons. “Make an abstract image.” “Break the idea of clothes.”“Break the idea of clothes,” has been Kawakubo’s call for over 40 years, a call that has motivated the creation of some of the most intriguing clothing of the late 20th and early 21st centuries, opening up the field of fashion to an architectural potential perhaps unprecedented. With Kawakubo’s insistence that clothes are not a predetermined category, but a proposition according to which a body is invited to continuously reinvent itself,

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Lemire, Beverly. "Bobby Shafto’s Shirt and Britches: Contracted Clothing and the Transformation of the Trade." In Dress, Culture and Commerce. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230372757_2.

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Lemire, Beverly. "Disorderly Women and the Consumer Market: Women’s Work and the Second-Hand Clothing Trade." In Dress, Culture and Commerce. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230372757_5.

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Lemire, Beverly. "Redressing the History of the Clothing Trade: Ready-Made Apparel, Guilds and Women Outworkers, 1650–1800." In Dress, Culture and Commerce. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230372757_3.

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Snyder, Janet. "From Content to Form: Court Clothing in Mid-Twelfth-Century Northern French Sculpture." In Encountering Medieval Textiles and Dress. Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-08394-4_6.

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Métraux, Guy P. R. "14. Prudery and Chic in Late Antique Clothing." In Roman Dress and the Fabrics of Roman Culture, edited by Alison Keith. University of Toronto Press, 2008. http://dx.doi.org/10.3138/9781442689039-019.

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El-Ali, Leena. "Clothing: There Is No Dress Code for Women Beyond Covering their Private Parts, as with Men." In Sustainable Development Goals Series. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-83582-8_16.

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AbstractMost of us grow up assuming that the Qur’an stipulates that women must cover their hair and wear clothing that covers all skin except for the face, hands and feet. Yet there is no dress code whatsoever for either men or women beyond covering their private parts (and there is no ambiguity whatsoever in the Qur’an about what those are). Meanwhile the Qur’an refers to clothing as something that is meant to be beautiful, a gift from God that no one can forbid and states that, nonetheless, no clothing can rival the clothing of reverence. Why do we never hear of these beautiful verses?

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Conference papers on the topic "Clothing and dress – oceania"

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Raja, D. Prem, Kailasam Selvaraj, A. Baranidharan, Rajkumar Pandiarajan, V. Sivakumar, and V. Baby Shalini. "Identification of Human Image Mapped with Clothing for Dress Selection." In 2025 International Conference on Multi-Agent Systems for Collaborative Intelligence (ICMSCI). IEEE, 2025. https://doi.org/10.1109/icmsci62561.2025.10894462.

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Wang, Wenbo, Hsuan-I. Ho, Chen Guo, et al. "4D-DRESS: A 4D Dataset of Real-World Human Clothing with Semantic Annotations." In 2024 IEEE/CVF Conference on Computer Vision and Pattern Recognition (CVPR). IEEE, 2024. http://dx.doi.org/10.1109/cvpr52733.2024.00059.

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Taro, Koyama. "KIMONO (TRADITIONAL JAPANESE DRESS) AS LUXURY CLOTHING." In Bridging Asia and the World: Globalization of Marketing & Management Theory and Practice. Global Alliance of Marketing & Management Associations, 2014. http://dx.doi.org/10.15444/gmc2014.05.03.01.

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Ma, Qianli, Jinlong Yang, Anurag Ranjan, et al. "Learning to Dress 3D People in Generative Clothing." In 2020 IEEE/CVF Conference on Computer Vision and Pattern Recognition (CVPR). IEEE, 2020. http://dx.doi.org/10.1109/cvpr42600.2020.00650.

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Rochana, B. Sheryl, and Sujitha Juliet. "Virtual Dress Trials: Leveraging GANs for Realistic Clothing Simulation." In 2024 3rd International Conference on Artificial Intelligence For Internet of Things (AIIoT). IEEE, 2024. http://dx.doi.org/10.1109/aiiot58432.2024.10574621.

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Marteli, Leticia, Luis Carlos Paschoarelli, Fernando Moreira Da Silva, Paula Trigueiros, and Fabio Barbieri. "Care systems for people with Parkinson's disease and their interaction with clothing: case study in Portugal." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001962.

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Clothing products can be stigmatizing when they do not include the users’ needs in their technical-functional and aesthetic characteristics. People with Parkinson’s disease may have difficulties and an inability to dress. As a result, they may need assistance from caregivers and professionals to perform the activity. This article investigated how assisting care can help to promote independence in dress/undress activity for people with Parkinson’s disease in Portugal. The results indicated that the patient’s functional symptoms, the care place, the type of assistance they receive as a stimulus

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Price, J. Mark. "Making the Optimal Decsion in Selecting Protective Clothing." In The 11th International Conference on Environmental Remediation and Radioactive Waste Management. ASMEDC, 2007. http://dx.doi.org/10.1115/icem2007-7135.

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Protective Clothing plays a major role in the decommissioning and operation of nuclear facilities. Literally thousands of employee dress-outs occur over the life of a decommissioning project and during outages at operational plants. In order to make the optimal decision on which type of protective clothing is best suited for the decommissioning or maintenance and repair work on radioactive systems, a number of interrelating factors must be considered, including: – Protection; – Personnel Contamination; – Cost; – Radwaste; – Comfort; – Convenience; – Logistics/Rad Material Considerations; – Rej

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Takahashi, Haruko. "Acculturation of the Clothing Life in Japan Seen from Digital Archives of Dress, Fashion and Behavior." In 2013 International Conference on Culture and Computing (Culture Computing). IEEE, 2013. http://dx.doi.org/10.1109/culturecomputing.2013.59.

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Zhang, Yunfan, and Eakachat Joneurairatana. "Integrating Tradition with Modernity: Transformation of Tang Dynasty Aesthetics in Contemporary Costume Design Through Dunhuang Mural Inspirations." In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004913.

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This study delves into the aesthetic elements of clothing in China's Dunhuang murals from the Tang Dynasty, aiming to understand their transformation and inheritance in contemporary costume design. It seeks to reveal the integration of traditional culture with modern fashion, emphasizing the fusion of ancient and modern aesthetics and its impact on the contemporary costume industry. The methodology involves analyzing Tang Dynasty costume characteristics as portrayed in Dunhuang murals, focusing on aspects like smooth lines, simplicity, and color coordination. It then examines how these aesthet

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Ворошилова, О. М., and А. Н. Ворошилов. "GOLD IN FUNERAL CLOTHING OF LATE ANTIQUE PHANAGORIA." In Hypanis. Труды отдела классической археологии ИА РАН. Crossref, 2023. http://dx.doi.org/10.25681/iaras.2022.978-5-94375-381-7.53-68.

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Статья посвящена костюму жителей позднеантичной Фанагории, украшенному золотом. Женский убор с золотыми бляшками, типичный для варварской аристократии гуннского времени, связан с Боспором и широко известен в комплексах позднеантичного времени. Однако погребений, где элементы костюма сохранились in situ немного. В Фанагории нашивные украшения одежды происходят из девяти престижных погребальных комплексов. Эти материалы позволяют реконструировать женский погребальный костюм Боспора Киммерийского в позднеантичное время. Особую ценность имеет комплекс из северной камеры склепа 315/2019, в котором

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Reports on the topic "Clothing and dress – oceania"

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Jaffe, Hilde. Development of Patterns and Clothing Prototypes for Navy Women's Dress Uniforms. Defense Technical Information Center, 1991. http://dx.doi.org/10.21236/ada238715.

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Saeidi, Elahe, and Amanda Thompson. Using Clothing to Unify a Country: The History of Reza Shah’s Dress Reform in Iran. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-621.

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Vuruskan, Arzu, and Susan Ashdown. Development of Half Scale Dress Forms in Active Body Positions for Bicycle Clothing Design and Fit. Iowa State University, Digital Repository, 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-10.

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Brown, Victoria, and Nancy Hodges. An Exploration of Dress and Identity among New Mothers: The Implications of Breastfeeding for Clothing Choice. Iowa State University, Digital Repository, 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-164.

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Gómez de Travesedo Rojas, Ruth, and Marta Gil Ramirez. Vestir la política: la indumentaria como estrategia en comunicación electoral/Dress politics: clothing as strategy in electoral communication. Revista Internacional de Relaciones Publicas, 2019. http://dx.doi.org/10.5783/rirp-18-2019-06-95-118.

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