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Relevant bibliographies by topics / Clothing and dress – Social aspects – Nigeria

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Journal articles

Academic literature on the topic 'Clothing and dress – Social aspects – Nigeria'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Clothing and dress – Social aspects – Nigeria"

1

Jin, Jing, Jie Gao, Yu Xiu Yan, and Jian Wei Tao. "Analysis of Performance of the Clothing Modeling in Shaping the Animation Role." Advanced Materials Research 821-822 (September 2013): 794–97. http://dx.doi.org/10.4028/www.scientific.net/amr.821-822.794.

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With the continuous development of animation industry, the clothing modeling of the animation character is more and more concerned. This paper found the connection of three aspects, which is that shaping the role determines the vitality, creativity and appealingness of the animation, animation dress help to shape the roles and art image, animation apparel modeling is different from the real clothing modeling by means of analyzing the relation between shaping the animation role and the clothing modeling. Through the research of the performance of the clothing modeling in shaping the animation r

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2

Grigo, Jacqueline. "Visibly Unlike: Religious Dress between Affiliation and Difference." Journal of Empirical Theology 24, no. 2 (2011): 209–24. http://dx.doi.org/10.1163/157092511x603992.

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Abstract This article focuses on the relevance and consequences of visibility of religious identity respectively difference by means of religiously connoted clothing. Based on six case studies it emphasizes the perspective of wearers of religious vestment in the area of Zürich (Switzerland). The project takes account of the fact, that the aspect of visual, respectively embodied (religious) difference is not only of relevance to Muslim headscarf wearers (though, due to eager public discussion, it became here the most obvious, and the main subject of scientific interest), but also for wearers of

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3

Arista Jaya, I. Kadek, Heny Perbowosari, and I. Gede Sedana Suci. "Penyimpangan Nilai-Nilai Etika Dalam Berbusana Adat Ke Pura Di Desa Penarungan Kecamatan Mengwi Kabupaten Badung." Metta : Jurnal Ilmu Multidisiplin 1, no. 1 (2021): 7–19. http://dx.doi.org/10.37329/metta.v1i1.1305.

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The development of global currents has an impact on various aspects of life, including community culture. One of them is in terms of clothing which is influenced by foreign cultures. This of course degrades ethical values in the use of clothing, especially clothing used at social events or places of worship such as traditional clothing to temples. The influence of outside culture that is abused certainly causes deviations in ethical values in the use of traditional clothing to the temple, one of the villages affected by the deviation is Penarungan Village. As a tourism destination, the peo

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4

Loewenthal, Kate Miriam, and Lamis S. Solaim. "Religious Identity, Challenge, and Clothing: Women’s Head and Hair Covering in Islam and Judaism." Journal of Empirical Theology 29, no. 2 (2016): 160–70. http://dx.doi.org/10.1163/15709256-12341344.

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This qualitative research examined the issues of women’s head covering in Islam and Judaism. It focuses on the role played by head-covering decisions in the development of religious identity. Translated sources of Islamic and Jewish law on modest dress set the context of religious rulings in which women wrestle with decisions about head-covering. Ten practising Muslim and Jewish women were interviewed about their experiences of head/hair covering. Head/hair covering was seen as an expression of identity, and as a way of managing identity. It is a key topic for both Muslim and Jewish women, cen

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5

Twigg, Julia. "Dress, gender and the embodiment of age: men and masculinities." Ageing and Society 40, no. 1 (2018): 105–25. http://dx.doi.org/10.1017/s0144686x18000892.

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AbstractThe study explores the role of clothing in the constitution of embodied masculinity in age, contrasting its results with an earlier study of women. It draws four main conclusions. First that men's responses to dress were marked by continuity both with their younger selves and with mainstream masculinity, of which they still felt themselves to be part. Age was less a point of challenge or change than for many women. Second, men's responses were less affected by cultural codes in relation to age. Dress was not, by and large, seen through the lens of age; and there was not the sense of cu

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6

Bullock, Katherine. "Pious Fashion: How Muslim Women Dress." American Journal of Islamic Social Sciences 35, no. 3 (2018): 87–90. http://dx.doi.org/10.35632/ajiss.v35i3.486.

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This book is a very welcome addition to the literature on Muslim women’s dress. It is part of a growing trend to treat Muslim women and their sarto- rial choices through sophisticated theories that recognise the agency, even humanity, of Muslim women. We are far from the days when an Ameri- can author would simply read a headscarf as a symbol of oppression, and Muslim women in need of rescue—at least in the academic realm, though certainly not in the political and journalistic realms. Easy to read and en- gaging (but not simplistic) studies like Bucar’s will, hopefully, eventually trickle out

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7

Bullock, Katherine. "Pious Fashion: How Muslim Women Dress." American Journal of Islam and Society 35, no. 3 (2018): 87–90. http://dx.doi.org/10.35632/ajis.v35i3.486.

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Abstract:

This book is a very welcome addition to the literature on Muslim women’s dress. It is part of a growing trend to treat Muslim women and their sarto- rial choices through sophisticated theories that recognise the agency, even humanity, of Muslim women. We are far from the days when an Ameri- can author would simply read a headscarf as a symbol of oppression, and Muslim women in need of rescue—at least in the academic realm, though certainly not in the political and journalistic realms. Easy to read and en- gaging (but not simplistic) studies like Bucar’s will, hopefully, eventually trickle out

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8

Pazzini, Claudia. "L’abito immaginato. Abbigliamento e identità nell’albo illustrato moderno." Journal of Literary Education, no. 3 (December 12, 2020): 160. http://dx.doi.org/10.7203/jle.3.17235.

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The essay focuses on the examination of a selection of children’s picture books on the theme of clothing as an element of identity and as a means of personal and social transformation. The gender stereotype has always deprived children of the freedom to imagine themselves different from the imposed social model. Modern quality literature aims to free childhood from these constraints through stories that encourage the free expression of one's personality. "Clothing and childhood" is one of the binomial in which these themes appear most evident. While developing different plots, each selected bo

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9

Watkinson, Caroline. "English Convents in Eighteenth-Century Travel Literature." Studies in Church History 48 (2012): 219–31. http://dx.doi.org/10.1017/s0424208400001339.

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‘A Nun’s dress is a very becoming one’, wrote Cornelius Cayley in 1772. Similarly, Philip Thicknesse, witnessing the clothing ceremony at the English Augustinian convent in Paris, observed that the nun’s dress was ‘quite white, and no ways unbecoming … [it] did not render her in my eyes, a whit less proper for the affections of the world’. This tendency to objectify nuns by focusing on the mysterious and sexualized aspects of conventual life was a key feature of eighteenth-century British culture. Novels, poems and polemic dwelt on the theme of the forced vocation, culminating in the dramatic

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10

McGuire, Jenifer K., and Andrew Reilly. "Aesthetic Identity Development Among Trans Adolescents and Young Adults." Clothing and Textiles Research Journal, December 2, 2020, 0887302X2097538. http://dx.doi.org/10.1177/0887302x20975382.

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Dress is used by transgender and nonbinary (TNB) individuals as a way to develop and maintain identity, whether to reinforce a binary gender code or disrupt social expectations. However, safety issues of living in a society where TNB persons are discriminated against, harassed, and assaulted, and where binary gender violations are met with resistance, creates tension between expression of authentic gender identity and navigation of social systems. A framework for creating an aesthetic identity based on dress and identity development scholarship was created and used to analyze responses from in

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