Relevant bibliographies by topics / Clothing and dress Women's clothing

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Clothing and dress Women's clothing'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Clothing and dress Women's clothing"

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Bian, Xiang Yang, and Ting Rong. "Sihouette and Structure of Huatouyao Women's Dress - Set Huatouyao Women's Dress in Naliang Town, Dongxing City, Guangxi as an Example." Advanced Materials Research 821-822 (September 2013): 685–93. http://dx.doi.org/10.4028/www.scientific.net/amr.821-822.685.

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Yao is a nationality with multiple branches and colorful clothes. Researches on clothing of Yao Nationality are mainly on descriptions of culture and superficial characteristics of their clothes. Few of them carefully research on sihouette,structure and craftsmanship, so are the researches on Huatouyao Clothing. This article has made detailed record and research on Huatouyao Women's Dress at Fangchenggang, Guangxi from sihouette,structure and craft of dress through field investigation and actual measurement. It helps to make people know what Huatouyao Clothing looks like and it provides operable reference while recovering inheritance clothes.
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Atanasova, Radka. "Women’s clothing with eco design features." E3S Web of Conferences 207 (2020): 03005. http://dx.doi.org/10.1051/e3sconf/202020703005.

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In the paper, women’s wear with eco design features is created and manufactured. The object of the study is a dress in a semi-slim silhouette. The patterns of the garment are constructed automatically using a specialized CAD system. Algorithms for geometric construction of pieces and production patterns have been developed. The technology for manufacturing the dress has been composed. Markers for robotic cutting of the articles are planned. Three dresses are sewn. Each dress is decorated differently with elements cut from the fabric waste. The result of the proposed approach is three styles of clothing with three different unique looks with minimized textile waste. The artistic design of clothing with eco features demonstrates creative approach and good textile knowledge on the various methods of design and technological processing of materials. Using the fabric waste after cutting requires innovative thinking in order to make the garment attractive and to be preferred by a wider range of consumers. The production and successful sale of eco-friendly clothing occupies a worthy niche in the market.
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Nguyen, Hien Thi Mong, Vy Tuong Ho, and Thao Thi Hoang. "Creating forms for women’s clothing by draping techniques." Science and Technology Development Journal 18, no. 2 (June 30, 2015): 25–36. http://dx.doi.org/10.32508/stdj.v18i2.1056.

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This paper presents research results of techniques of draping on mannequins to create forms for women’s clothing. In the advanced countries, this method is applied very strongly to patternmaking in the field of fashion design. In Vietnam, it is taught for subjects of costume design at the universities, colleges where fashion design and garment technology have been taught. Subjects for draping are blocks to make stitches in cloth with much kind of styles from basic styles to complex styles, such as dress, evening dress and wedding dress. Draping fabric has content 100% cotton using for draping on the mannequin, main fabrics are satin fabrics, drill fabric with many colors from light color to dark color. These fabrics have content spandex fiber and ironed by heat only. The results show process creates 3D blocks and steps draping for dress ??????/on manequin
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Bahri, Saiful. "The Meaning of Communication in Fashion Style of Muslim Student in Institut Agama Islam (IAI) Al-Aziziyah Samalanga Bireuen Aceh." Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences 3, no. 3 (August 3, 2020): 2124–41. http://dx.doi.org/10.33258/birci.v3i3.1145.

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Changes in Muslim fashion trends will not be dammed and will continue to experience changes. Different from the previous year, where the trend of Muslim clothing in Indonesia tends to show an experimental trend. This year, the experimental trend has shifted to a long head covering known as the hijab syar’i. The term shari'i used, refers to Muslim women's clothing where the clothes, according to the Islamic Shari'ah guidance. Therefore, many call this ongoing fashion trend with shar'i hijab. Moving on from that thought, the problem to be investigated in this research is the meaning of Muslimah fashion communication style for Al-Aziziyah Samalanga Bireuen Aceh's Islamic Religion Institute (IAI) students. To uncover the problem thoroughly and deeply, this study uses a qualitative descriptive method that is useful for providing data and facts about the meaning of communication in the style of Al-Aziziyah Samalanga Islamic Institute (IAI) student dress style. Then the data were analyzed with the basis of the thought of George Herbert Mead and the principle of George Ritzer, in order to obtain a deep meaning about the student's fashion style. Meaning is produced from religious background, motives, and social environment. After that, meaning is modified through an interpretive process, and then individuals develop self-concepts through interactions with others. Self-concept provides an important motive for behavior and expression in choosing a style of dress. From the results of the study it was found that the meaning of communication style of Muslim female students of the Islamic Religious Institute (IAI) Al-Aziziyah Samalanga was produced from a background of religiosity, motives, and social environment. Then, individuals do the process of self-communication and produce a meaning that is interpreted through clothing. Some of the meanings of communication of Muslim female student fashion styles The Islamic Religious Institute (IAI) Al-Aziziyah Samalanga are produced based on the female Muslim students' fashion styles, namely: The meaning of Muslimah women's fashion styles as self-identities, the meaning of Muslimah women's fashion styles as a lifestyle, and the meaning of Muslim women's clothing styles as a form of obedience. Fashion communication is produced through the use of various symbols and fashion styles, so that the attitudes and behaviors of the user are reflected and generate direct appreciation through the interaction of people around. Several ways of meaning female students of communication style of Islamic clothing Islamic Institute of Islam (IAI) Al-Aziziyah Samalanga communicates Muslim clothing styles: Dressing in one color from top to bottom, fashion that is in accordance with Islamic law and ignores the trend of the times, follows the trend of Muslim fashion at the time that, dress in colors, mix and match the color of clothing.
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Unsworth, Rebecca. "Hands Deep in History: Pockets in Men and Women's Dress in Western Europe, c. 1480–1630." Costume 51, no. 2 (September 2017): 148–70. http://dx.doi.org/10.3366/cost.2017.0022.

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Pockets are now standard and accepted aspects of clothing, but their presence in dress has not always been so assured. This article examines the use of pockets in western Europe from the late fifteenth to the early seventeenth centuries, demonstrating that pockets were adopted into clothing much earlier than has often been believed. It discusses the physical form of pockets in the dress of both genders and the types of garments into which they were inserted. It also explores the possible reasons for the uptake of pockets, the uses to which they were put and the sorts of objects which were kept in pockets, showing that pockets provided the wearer with an individual and personal space which they could use to transport a wide range of goods hands-free.
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Мельник, Л. М., А. С. Конотоп, and О. П. Кизимчук. "ЗАСТОСУВАННЯ ТРАДИЦІЙНИХ НАЦІОНАЛЬНИХ ЕЛЕМЕНТІВ ОЗДОБЛЕННЯ В СУЧАСНОМУ ОДЯЗІ." Art and Design, no. 2 (June 15, 2018): 51–58. http://dx.doi.org/10.30857/2617-0272.2018.2.6.

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The purpose of this work is to establish the possibility of the decorating of modern women's clothes with artistic elements and ornaments of traditional national clothes of Ukraine different regions and their subsequent reproduction in knitwear. Methods of literary-analytical review and visual-analytical research are used.The elements of clothing decoration that are characteristic of ethnic Ukrainian clothing have been defined during the research. The structures of knitted fabrics based on on openwork, plated and interlooping with unrolling, which simulate different merezhka of traditional Ukrainian embroidery, have been developed in this study. The few variants of simple mesh are offered: narrow one made on the basis of the rib 1 + 1 with an unrolling; narrow complex canvas - on the basis of openwork interlooping; wide (more than 2 cm) canvas - on the basis of a plated interlooping. The model of the women's dress is executed in the semi-regular way on two-bar flat-knitted machine, using the developed variants of knitted fabric structures. Taking into account the traditions of an arrangement of the embroidery decoration elements and modern fashion trends, it is proposed to use a narrow simple snap-net to decorate the neck of the product, a wide snap-net, having a plant ornament to knit 2/3 of the bottom of the sleeve. The narrow canvas is also used as a connecting element of the sleeve parts made with various interlooping. The decoration elements of national Ukrainian clothes have been investigated and reproduced in women's knitted dress by new knitted structure creation taking into account modern technology. Research results can be used to expand the range of modern women's clothing
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Alawiyah, Syarifah, Budi Handrianto, and Imas Kania Rahman. "Adab Berpakaian Wanita Muslimah Sesuai Tuntunan Syariat Islam." Rayah Al-Islam 4, no. 02 (October 28, 2020): 218–28. http://dx.doi.org/10.37274/rais.v4i02.338.

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The phenomenon that afflicts Indonesian society, especially Muslim female students, is a culture of clothing that deviates from the guidance of Islamic law, although there are Muslim women who show how to dress according to Sharia, but the number is relatively small compared to those who are not. The phenomenon of wearing hijab is currently not in accordance with the requirements of Muslim women's clothing where not a few of the clothing models worn by women wearing hijab but still show the shape of the body, made from transparent and so on. Of course this is a problem that must be addressed by parents, educators and those in charge of education, because if it is left unchecked this will become a culture that will continue to develop and eventually become a law that is considered true by future generations. One way to overcome this is to raise awareness among Muslim women about the obligation to cover their genitals by providing sufficient understanding of genitals, the obligation to cover them and the adab of dressing in Islam. This study uses a literature review that synthesizes the theories and concepts of fiqh scholars about the aurat adab dress in Islam which then produces a concept of how to foster awareness of covering one's genitals which can be internalized in the form of dress behavior in Muslim women, especially students.
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Jerca, Legan Cvikl. "A Pioneer of Women’s Liberation." Academicus International Scientific Journal 24 (July 2021): 174–83. http://dx.doi.org/10.7336/academicus.2021.24.11.

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Gabrielle Bonheur “Coco” Chanel is a creative icon who has freed the ‘new’ woman from the millennium of dictated dress codes, stereotypical behaviors and clichéd sexual and status simplification. The little black dress has become synonymous of sophistication, to the femininity she gave the character flavor of relaxation and empowered women with timeless clothing pieces and equipped them with inspiring pieces of jewelry, distinctive decorative accessories and bold fragrances. Since then, with the Chanel fashion women were able to step sovereignly and freely aside of male. Coco resisted the reservation of clothing and decorative pieces and fabrics as exclusively masculine in order to help revolutionary women on their journey to a more a more useful elegance and a more noticeable fatality. Without any doubt she succeeded. She gave the new woman what she could not have before: practicality, youthfulness, timelessness and freedom, which was often scandalous at the time of her creation. But it has paid off with a revolution in the clothing industry and, more importantly, with a historic step in liberating the modern woman.
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Ward, Alex. "Dress and National Identity: Women’s Clothing and the Celtic Revival." Costume 48, no. 2 (June 1, 2014): 193–212. http://dx.doi.org/10.1179/0590887614z.00000000050.

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This paper will focus on an interesting diversion in the history of dress in Ireland: the story of clothing and the Irish cultural revival of the late nineteenth and early twentieth centuries. It will endeavour to address the ideology of so-called Irish costume, and how it was intended to be a visual symbol of an Irish renaissance, one which would help in the effort to counter British influences and establish a strong cultural identity. Although Celtic Revival clothing was worn by both men and women as a signifier of cultural and political sympathies, this paper will look specifically at women’s dress and attempts to promote Irish costume as a tool for nation building, and as a practical solution to the wearing of imported fashions. It will highlight just some examples of where, when and by whom Celtic Revival dress was worn.
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Dewi, Arsy Febrina, Fitri Arnia, and Rusdha Muharar. "Effectiveness of MPEG-7 Color Features in Clothing Retrieval." Bulletin of Electrical Engineering and Informatics 6, no. 2 (June 1, 2017): 166–73. http://dx.doi.org/10.11591/eei.v6i2.619.

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Clothing is a human used to cover the body. Clothing consist of dress, pants, skirts, and others. Clothing usually consists of various colors or a combination of several colors. Colors become one of the important reference used by humans in determining or looking for clothing according to their wishes. Color is one of the features that fit the human vision. Content Based Image Retrieval (CBIR) is a technique in Image Retrieval that give index to an image based on the characteristics contained in image such as color, shape, and texture. CBIR can make it easier to find something because it helps the grouping process on image based on its characteristic. In this case CBIR is used for the searching process of Muslim fashion based on the color features. The color used in this research is the color descriptor MPEG-7 which is Scalable Color Descriptor (SCD) and Dominant Color Descriptor (DCD). The SCD color feature displays the overall color proportion of the image, while the DCD displays the most dominant color in the image. For each image of Muslim women's clothing, the extraction process utilize SCD and DCD. This study used 150 images of Muslim women's clothing as a dataset consistingclass of red, blue, yellow, green and brown. Each class consists of 30 images. The similarity between the image features is measured using the eucludian distance. This study used human perception in viewing the color of clothing.The effectiveness is calculated for the color features of SCD and DCD adjusted to the human subjective similarity. Based on the simulation of effectiveness DCD result system gives higher value than SCD.
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Dissertations / Theses on the topic "Clothing and dress Women's clothing"

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Xu, Yongchao. "An analysis of the visual structure and meaning in the evolution of Qipao." Pullman, Wash. : Washington State University, 2009. http://www.dissertations.wsu.edu/Thesis/Spring2009/y_xu_041309.pdf.

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Thesis (M.A. in apparel, merchandising, design and textiles)--Washington State University, May 2009.
Title from PDF title page (viewed on Apr. 12, 2010). "Department of Apparel, Merchandising, Design and Textiles." Includes bibliographical references (p. 94-101).
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Almila, Anna-Mari. "Hijab as dress : Muslim women's clothing strategies in contemporary Finland." Thesis, University of Aberdeen, 2014. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=211282.

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This thesis concerns female Islamic dress, the hijab, in contemporary urban Finland. The hijab is not merely a symbol or an inevitable embodiment of either female oppression or agency, but rather is a form of dress that is simultaneously social, mental, material, and spatial. The approach developed here captures the multiple dimensions of the hijab as it is lived and experienced. The thesis draws upon ideas from a range of social theorists, including Bourdieu, Lefebvre, Goffman, and Gramsci. These ideas are deployed to understand the conscious and semi-conscious dress strategies and practices that veiling Muslim women use to manage various everyday issues and challenges. I investigate questions concerning how social, material and spatial relations both impact upon, and are negotiated by, the wearing of the hijab. The research was conducted in Helsinki using ethnographic methods, such as semi-structured interviews and participant observation. The main groups of informants were Finnish converts to Islam, Somalis, and Shi'a Muslims from Iran, Afghanistan and Iraq, and the sample covered women of various ages, educational backgrounds, and professional positions. The empirical chapters are organised according to four major themes: Politics, Materiality, Performance, and Visibility in Public Space. According to the findings, Muslim women in Finland negotiate their dress strategies with reference to Finnish ‘mainstream' society, religious doctrine and the demands of their particular ethnic communities. Dress strategies and practices are found to be bound up in complex but identifiable ways with factors such as fashion markets and dress availability, diverse modes of embodiment and habituation, and the socio-spatial relations which produce and are produced by the Finnish built environment. In sum, by focussing on the lived experience of wearing the hijab, many of the more simplistic politicised understandings of Muslim women and their characteristic forms of dress can be challenged and superseded.
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Jones, Stacey Elizabeth. "Why women's clothing? a critical history of clothing collections : a regional case study /." Connect to PDF file Connect to PDF file, 2005. http://purl.fcla.edu/fcla/etd/UFE0009404.

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Huckabay, Dabney A. "Perceived body cathexis and garment fit and style proportion problems of petite women." Thesis, This resource online, 1992. http://scholar.lib.vt.edu/theses/available/etd-10062009-020234/.

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DeWeese, Gail. "The impact of married women's employment on household expenditures for clothing." Diss., Virginia Polytechnic Institute and State University, 1987. http://hdl.handle.net/10919/49845.

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The objective of this research was to analyze the impact of wives’ employment status and occupation on household expenditures for clothing, when controlling for income and various sociodemographic variables. The sample consisted of 2,285 households selected from the public use tapes of the Quarterly Interview component of the 1980-81 Consumer Expenditure Survey conducted by the Bureau of Labor Statistics. A four-stage econometric analysis of the data included: (1) probit analysis to obtain predicted probabilities of wives’ labor force participation; (2) tobit analysis to predict wives’ wage rates; (3) tobit analyses of six separate clothing expenditure models that contained predicted values from (1) and (2); and (4) tobit analysis of a clothing expenditure model that contained predicted values from (2) in addition to dummy variables for wives’ occupations. The predicted probability of the wife’s employment status was not significant in explaining expenditures for household, women’s, boy’s, or infant’s clothing. Expenditures for men’s clothing were positively affected by an increase in the predicted probability of the wife’s employment, while expenditures for girl’s clothing were negatively impacted by an increase in the predicted probability. Households with women employed in Professional, Traditional, or Uniformed occupations exhibited higher expenditures for clothing than did households with women who were homemakers.
Ph. D.
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Rainer-Jeanes, Earline. "Clothing interest, leisure activity continuity and their association to clothing fit satisfaction for women 55 years and older." Thesis, This resource online, 1994. http://scholar.lib.vt.edu/theses/available/etd-07102009-040413/.

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Papa, Sindiswa Delia. "Corporate identity for the young fuller figured women." Thesis, Cape Peninsula University of Technology, 2010. http://hdl.handle.net/20.500.11838/1348.

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Thesis (BTech (Fashion Design))--Cape Peninsula University of Technology, 2010
A research was conducted in order to assist the Young Fuller Figured Women entering and already working in the corporate environment with clothing for the work environment. This research was conducted so that these women may notice a smaller number of incorrect fitting clothes when they shop for formal wear and also to give them guidance on suitable, elegant and stylish clothes for their body size and shape. Two theories namely: 'dress for success' by John Molloy and 'clothing is a code' by Fred Davis were the guidelines jn discovering, understanding and solving the dress problem for the young full figured women. In order to deal with the problem I had to interview some of these women to understand their challenges and frustration regarding dressing suitably for the corporate environment. The results of the interviews showed that the origin of the problem, are the basic block pattems. This was the solution for most of the garment fitting problems that the young fuller figured women experienced daily. A range was designed to serve as an example of how these women can dress for the corporate environment using various suitable fabrics and colours. This range appears formal and yet has a feminine twist to it, making it suitable for the woman who wants to be taken seriously and yet maintain her femininity and elegance. I hope that this research will be a useful tool for the retailers who currently cater for the fuller fIgured women to assist them with the current garment fitting problems and for the designers who plan to enter the fuller figured market: to enter it cautiously and taking the requirements of their potential customers into consideration If the information in this research is applied clothes that the fuller figured women buy will fit correctly the first time and they will not have to pay extra to alter new garments.
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Lee, Brenna. "Clothing and fit preferences of female baby boomers at the University of Wisconsin-Stout." Menomonie, WI : University of Wisconsin--Stout, 2005. http://www.uwstout.edu/lib/thesis/2005/2005leeb.pdf.

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Harps-Logan, Yvette. "Clothing values and clothing buying practices of black and white middle income women." Diss., Virginia Tech, 1990. http://hdl.handle.net/10919/39907.

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The purpose of this study was to determine if there were differences in clothing values between Black and White middle-income women patronizing the primary and second-order markets, and to determine if there were differences in the clothing buying practices between these groups in the two markets. A self-administered questionnaire was distributed to a purposive sample of 250 Black and White women residing in three metropolitan areas. The clothing values measured were economic, political, religious, and conformity. Eighteen clothing buying practices were included in this study. N1ne practices were speclfical1y directed toward the second-order market shoppers. Variations were found in the rank order of clothing values within the two groups. Blacks ranked the religious value higher and conform1ty lower than the Whites. Blacks scored higher on the economic and re1igous clothing values while Whites scored higher on conformity. Significant differences between Black and White middle-income women in their clothing buying practices were found in: (1) the method used to acquire the majority of clothing; (2) the percentage of personal clothing items purchased in primary stores; and (3) buying pattern for a dress costing more than $50.00. Significant differences between Black and White middle-income women who used the second-order market were found in: (1) length of time respondents had purchased used-clothing; (2) satisfaction with price when making used-clothing purchases; (3) shopping the Salvation Army, Goodwill, and thrift stores; purchasing of (4) pants; and buying used-clothing to wear for (5) work and (6) school. Middle-income women who used the primary market exclusively scored higher on the conformity clothing value than did those who used the second-order market. Black consumers who used the second-order market held higher religious clothing values and lower conformity values than did the White women.
Ph. D.
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Park, Jae Ok. "Clothing style preference of working women related to self- image/clothing-image congruity and public self-consciousness." Diss., This resource online, 1990. http://scholar.lib.vt.edu/theses/available/etd-07282008-140007/.

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Books on the topic "Clothing and dress Women's clothing"

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New women's dress for success. New York: Warner Books, 1996.

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Dress like a star. London: Aurum, 2008.

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Tuo yi shu: Dress, undress. Taibei Shi: Da kuai wen hua chu ban gu fen you xian gong si, 2005.

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Stehlin-Alzadjali, Julia M. The traditional women's dress of Oman. Edited by Cross Kelly J and Centre for Omani Dress. Ruwi, Sultatnate of Oman: Muscat Press & Publishing House, 2010.

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Giafferri, Paul Louis de. Women's costume of the ancient world. Mineola, NY: Dover Publications, 2005.

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Welters, Linda. Women's traditional costume in Attica Greece. Nafplion: Peloponnesian Folklore Foundation, 1988.

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Dress for the job you want. Charleston, SC: [publisher not identified], 2011.

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Sommers, Susan. French chic: How to dress like a Frenchwoman. New York: Villard Books, 1988.

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Sommers, Susan. French chic: How to dress like a Frenchwoman. London: Arlington, 1988.

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Molloy, John T. New Women's Dress for Success. New York: Grand Central Publishing, 2008.

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Book chapters on the topic "Clothing and dress Women's clothing"

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Lemire, Beverly. "Disorderly Women and the Consumer Market: Women’s Work and the Second-Hand Clothing Trade." In Dress, Culture and Commerce, 95–120. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230372757_5.

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Lemire, Beverly. "Redressing the History of the Clothing Trade: Ready-Made Apparel, Guilds and Women Outworkers, 1650–1800." In Dress, Culture and Commerce, 43–74. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230372757_3.

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Lemire, Beverly. "Margins and Mainstream: Jews in the English Clothing Trades." In Dress, Culture and Commerce, 75–94. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230372757_4.

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Batchelor, Jennie. "Re-clothing the Female Reader: Dress and the Eighteenth-Century Magazine." In Dress, Distress and Desire, 83–119. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230508200_4.

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Métraux, Guy P. R. "14. Prudery and Chic in Late Antique Clothing." In Roman Dress and the Fabrics of Roman Culture, edited by Alison Keith, 271–94. Toronto: University of Toronto Press, 2008. http://dx.doi.org/10.3138/9781442689039-019.

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Lemire, Beverly. "Bobby Shafto’s Shirt and Britches: Contracted Clothing and the Transformation of the Trade." In Dress, Culture and Commerce, 9–41. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230372757_2.

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Snyder, Janet. "From Content to Form: Court Clothing in Mid-Twelfth-Century Northern French Sculpture." In Encountering Medieval Textiles and Dress, 85–101. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-08394-4_6.

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Vandeburie, Jan. "Dress to Impress: Jacques de Vitry’s Clothing and Episcopal Self-Fashioning." In Europa Sacra, 233–52. Turnhout, Belgium: Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.es-eb.5.118968.

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Anderson, Linda. "“As Proud as a Dog in a Doublet”: The Importance of Clothing in The Shoemaker’s Holiday." In Encountering Medieval Textiles and Dress, 223–31. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-08394-4_14.

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Yanson, Margarita. "“Christ as a Windblown Sleeve”: The Ambiguity of Clothing as Sign in Gottfried von Straßburg’s Tristan." In Encountering Medieval Textiles and Dress, 121–36. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-08394-4_8.

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Conference papers on the topic "Clothing and dress Women's clothing"

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Taro, Koyama. "KIMONO (TRADITIONAL JAPANESE DRESS) AS LUXURY CLOTHING." In Bridging Asia and the World: Globalization of Marketing & Management Theory and Practice. Global Alliance of Marketing & Management Associations, 2014. http://dx.doi.org/10.15444/gmc2014.05.03.01.

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Ma, Qianli, Jinlong Yang, Anurag Ranjan, Sergi Pujades, Gerard Pons-Moll, Siyu Tang, and Michael J. Black. "Learning to Dress 3D People in Generative Clothing." In 2020 IEEE/CVF Conference on Computer Vision and Pattern Recognition (CVPR). IEEE, 2020. http://dx.doi.org/10.1109/cvpr42600.2020.00650.

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Peng, Yu. "The Plaid Fabric Application in Fashion Women's Clothing." In 2017 International Conference on Society Science (ICoSS 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icoss-17.2017.31.

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Peng, Qinghui. "Aesthetic Expression Of Chinese Elements In Modern Women's Clothing." In International Conference on Electronics, Mechanics, Culture and Medicine. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/emcm-15.2016.132.

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Yan, Yuxiu, Jie Gao, Wenjuan He, Zimin Jin, and Jianwei Tao. "Study on the Pressure Comfort of Women's Seamless Gymnastics Clothing." In 2012 5th International Symposium on Computational Intelligence and Design (ISCID). IEEE, 2012. http://dx.doi.org/10.1109/iscid.2012.280.

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Xie, Bo’er, and Lizhi Xiao. "Techniques of Formal Aesthetic Sense of Women's Clothing Styling Design." In Proceedings of the 3rd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iccese-19.2019.61.

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Price, J. Mark. "Making the Optimal Decsion in Selecting Protective Clothing." In The 11th International Conference on Environmental Remediation and Radioactive Waste Management. ASMEDC, 2007. http://dx.doi.org/10.1115/icem2007-7135.

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Abstract:
Protective Clothing plays a major role in the decommissioning and operation of nuclear facilities. Literally thousands of employee dress-outs occur over the life of a decommissioning project and during outages at operational plants. In order to make the optimal decision on which type of protective clothing is best suited for the decommissioning or maintenance and repair work on radioactive systems, a number of interrelating factors must be considered, including: – Protection; – Personnel Contamination; – Cost; – Radwaste; – Comfort; – Convenience; – Logistics/Rad Material Considerations; – Reject Rate of Laundered Clothing; – Durability; – Security; – Personnel Safety including Heat Stress; – Disposition of Gloves and Booties. In addition, over the last several years there has been a trend of nuclear power plants either running trials or switching to Single Use Protective Clothing (SUPC) from traditional protective clothing. In some cases, after trial usage of SUPC, plants have chosen not to switch. In other cases after switching to SUPC for a period of time, some plants have chosen to switch back to laundering. Based on these observations, this paper reviews the “real” drivers, issues, and interrelating factors regarding the selection and use of protective clothing throughout the nuclear industry.
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Seferbekov, R. I. "Modern Urban Women's Clothing As A Component Of Regional Fashion In Dagestan." In SCTCGM 2018 - Social and Cultural Transformations in the Context of Modern Globalism. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.03.02.302.

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Feng, Lin. "The change of the modern women's clothing structural design of provincial road and applications." In 2016 International Conference on Economy, Management and Education Technology. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemet-16.2016.89.

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Mengyao, Liu, and Shan Hongzhong. "Research on the Implementation of China's High-end Women's Clothing Brand ELLASSAY International Strategy." In Proceedings of the 4th International Conference on Economics, Management, Law and Education (EMLE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/emle-18.2018.86.

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Reports on the topic "Clothing and dress Women's clothing"

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Jaffe, Hilde. Development of Patterns and Clothing Prototypes for Navy Women's Dress Uniforms. Fort Belvoir, VA: Defense Technical Information Center, April 1991. http://dx.doi.org/10.21236/ada238715.

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Martindale, Addie, and Ellen McKinney. Women's Motivations to Sew Clothing for Themselves. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-380.

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Shin, Su-Jeong Hwang, and Hyo Jung (Julie) Chang. Different Perceptions of the Elderly Women's Clothing Image Traits. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-356.

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Janigo, Kristy, Marilyn Revell DeLong, and Juanjuan Wu. Redesigning Fashion: An Analysis and Categorization of Women's Clothing Redesign Behavior. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1380.

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Saeidi, Elahe, and Amanda Thompson. Using Clothing to Unify a Country: The History of Reza Shah’s Dress Reform in Iran. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-621.

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Brown, Victoria, and Nancy Hodges. An Exploration of Dress and Identity among New Mothers: The Implications of Breastfeeding for Clothing Choice. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-164.

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Vuruskan, Arzu, and Susan Ashdown. Development of Half Scale Dress Forms in Active Body Positions for Bicycle Clothing Design and Fit. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-10.

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Gómez de Travesedo Rojas, Ruth, and Marta Gil Ramirez. Vestir la política: la indumentaria como estrategia en comunicación electoral/Dress politics: clothing as strategy in electoral communication. Revista Internacional de Relaciones Publicas, December 2019. http://dx.doi.org/10.5783/rirp-18-2019-06-95-118.

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