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Journal articles on the topic 'Clothing and Dress'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Bugg, Jessica. "Dancing dress: Experiencing and perceiving dress in movement." Scene 2, no. 1 (October 1, 2014): 67–80. http://dx.doi.org/10.1386/scene.2.1-2.67_1.

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Clothing design for dance is an area that has been little documented, particularly in relation to the experience and perception of the dancer. Contemporary dance and clothing can both be understood as fundamentally phenomenological and as such there is further potential to investigate the lived experience of wearing clothing in dance. This article approaches dress in the context of the moving and dancing body, and it aims to develop an understanding of the role of dress in dance by focusing on the sensory, embodied experience and perception of the performer. It addresses questions of how cloth

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2

Orifjonova, Gulrano R. "PECULIARITIES OF SURKHANDARYA ETHNOCULTURAL CLOTHING." CURRENT RESEARCH JOURNAL OF HISTORY 03, no. 01 (January 1, 2022): 21–25. http://dx.doi.org/10.37547/history-crjh-03-01-05.

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This article analyzes the peculiarities of ethnocultural costumes of Surkhandarya oasis. National dress is a manifestation of material culture. The bright colors of the nation, the beautiful art of local weavers developed under the influence of national traditions, the artistic ornaments on the fabrics are reflected in the dress, which is based on the unique centuries-old traditions of each region. Like other regions of Uzbekistan, in the late XIX and early XX centuries, the Uzbek national costume was almost formed in the Southern Surkhandarya oasis. It was revealed that women’s clothes are se

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3

Zhang, Yu Jing, Ya Nan Liu, Di Tang, Tian Jiao Shao, Xue Chen Wu, and Dong Ming Wang. "The Study on the Smart Reference of Movie Arts Applied in Dress Design." Applied Mechanics and Materials 215-216 (November 2012): 358–61. http://dx.doi.org/10.4028/www.scientific.net/amm.215-216.358.

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As the starting point of the movie, the invisible art of film and television with visible clothing art to be expressed, this is the perfect combination of art. The inseparable relationship between clothing and movies, as an art form, clothing is a national and regional cultural and aesthetic appeal of the carrier. Dress as important elements of costume elements, which lead the development of garment industry. The purpose of this paper is to dress in reproduction from the montage and the screen even as the story two dress designs innovation of new ideas on dress innovative design.

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4

Johnston, Lucy. "Clothing in Context — Nineteenth-Century Dress and Textiles in the Thomas Hardy Archive." Costume 52, no. 2 (September 2018): 261–84. http://dx.doi.org/10.3366/cost.2018.0071.

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This article will consider how dress, textiles, manuscripts and images in the Thomas Hardy Archive illuminate his writing and reveal the accuracy of his descriptions of clothing in novels including Far from the Madding Crowd and Tess of the D'Urbervilles. Rural clothing, fashionable styles, drawings and illustrations will shed new light on his writing through providing an insight into the people's dress he described so eloquently in his writing. The textiles and clothing in the Archive are also significant as nineteenth-century working-class dress is relatively rare. Everyday rural clothing do

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Buse, Christina, and Julia Twigg. "Clothing, Embodied Identity, and Dementia." Age, Culture, Humanities: An Interdisciplinary Journal 2 (January 1, 2015): 71–96. http://dx.doi.org/10.7146/ageculturehumanities.v2i.130611.

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Clothes are central to how we perform our identities. In this article, we show how these processes continue to operate in the lives of people with dementia, exploring the ways in which dress offers a means of maintaining continuity of self at a material, embodied level. The article thus contributes to the wider cultural turn in aging studies, showing how material objects are signifcant in meaning-making, even for this mentally frail group. The article draws on the Economic and Social Research Council (ESRC)-funded study “Dementia and Dress,” which examined the implications of clothing for peop

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Indarti, Indarti, and Asri Setyo Harini. "Dayak Tribe Talawang Motif as a Variety of Bridal Fashion Decoration with Laser Cutting Technique." TEKNOBUGA: Jurnal Teknologi Busana dan Boga 11, no. 1 (July 2, 2023): 15–23. http://dx.doi.org/10.15294/teknobuga.v11i1.43280.

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Talawang is a traditional shield belonging to the Dayak tribe. This research aimed to describe the results of the finished Talawang motif as a wedding dress decoration. The method used a double diamond consisting of 4 stages: discover, define, develop, and deliver. The results of applying the Talawang motif on bridal clothing were analyzed descriptively using the FEA (function, aesthetic, expressive) model. The laser cutting technology could detail the Talawang motif as a modern wedding dress decoration. Making the Talawang motif of the Dayak tribe uses a particular machine for laser cutting u

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Hapsari, Aprilia Putri. "The Dialectic of Muslim Clothing." JURNAL PENELITIAN KEISLAMAN 20, no. 1 (June 30, 2024): 61–78. http://dx.doi.org/10.20414/jpk.v20i1.9748.

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In today’s era, diverse clothing trends disseminate widely via social media, establishing new fashion norms. One prominent trend is jilboobs, which has sparked concern among researchers due to its divergence from Islamic dress codes for women. This raises questions about the relevance of Quranic verses and hadith on attire in the age of globalization. Researcher investigates whether the jilboobs trend, contrary to legal dress norms, correlates with heightened incidents of sexual harassment. Employing phenomenological research with qualitative methods including surveys and interviews, this stud

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8

Oberhagemann, Lola. "Clothing As Window to the Soul." COMPASS 3, no. 1 (September 29, 2023): 28–36. http://dx.doi.org/10.29173/comp70.

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Individuals’ interaction with the external world is almost always influenced by their clothing, whether through personal choice, their “habitus”, dress codes, etc., through shaping how other view/interact with them, influencing their understanding of their identity, and conversely of influencing how others view them though how they dress. As a result of this, different clothing styles can evoke different connotations based on the viewers assumption of the ideals of the groups or contexts that the wearer’s clothing connects them to, such as formal office dress and LGBTQ+ fashions, whether by ch

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9

Rahmi, Rahmi, Rosmala Dewi, Nurasiah Nurasiah, Fitriana Fitriana, and Abdul Azis. "Consept Analysis: Acehnese Ethnic Style Party Fashion Design." International Journal of Multicultural and Multireligious Understanding 8, no. 10 (October 15, 2021): 276. http://dx.doi.org/10.18415/ijmmu.v8i10.3056.

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In general, this research is an effort to preserve culture, especially the culture of dress, by digging deeper into the current Acehnese ethnic clothing, then using it as a source of ideas to create a party dress design with Acehnese ethnic nuances. The research approach used is qualitative, with ethnographic methods. There are currently 5 ethnic Acehnese clothing, namely coastal Aceh, inland Aceh, mountainous Aceh, Aneuk Jame, and Tamiang. Of the five types of Acehnese ethnic clothing that exist today, there are several differences, namely in the type of material, color of material, form of d

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Tang, Ge. "Contesting the English Sartorial Style in Trollope’s The West Indies and the Spanish Main : Self-Fashioning in the Caribbean." Victorian Review 49, no. 1 (March 2023): 109–24. http://dx.doi.org/10.1353/vcr.2023.a925221.

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Abstract: The article examines Anthony Trollope’s affective responses to dress in the Caribbean, with a view to revealing how they shaped his clothing practices while travelling and informed his resistance to transplanted English sartorial codes. Drawing upon Jane Bennett’s conceptualization of distributive agency, I approach Trollope’s clothed body, his attire, and the tropical environment as interdependent vital forces that affected his relationship to clothing’s materiality and its symbolic significance. I argue that his dress exerted its agentic force through its materiality—the colour, th

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11

Wild, Benjamin Linley. "Critical reflections on cultural appropriation, race and the role of fancy dress costume." Critical Studies in Fashion & Beauty 11, no. 2 (December 1, 2020): 153–73. http://dx.doi.org/10.1386/csfb_00014_1.

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Cultural appropriation in fashionable dress has become an increasingly urgent subject within scholarly and generalist discussions. Few weeks now pass without a news story criticizing a fashion brand for producing and promoting culturally insensitive clothing. A form of clothing most frequently and controversially associated with cultural trespass, but generally marginalized within academic enquiries, is fancy dress costume. This article seeks, first, to promote a critical and continuous academic engagement with fancy dress costume and contribute to a growing body of scholarship that recognizes

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Spahiu, Tatjana, Eriseta Canaj, and Ermira Shehi. "3D printing for clothing production." Journal of Engineered Fibers and Fabrics 15 (January 2020): 155892502094821. http://dx.doi.org/10.1177/1558925020948216.

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3D printing is a well-known technology for creating 3D objects by laying down successive layers of various materials. Among the wide range of applications, fashion industry has adapted these technologies to revolutionize their brands. But due to the unique characteristics of textiles like comfort, flexibility, and so on, attempts have been made to create similar structures as textiles. The work presented here is part of a project to create garments using fused deposition modeling as 3D printing technology. Structures with various geometries are designed and tested with different materials star

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13

Keen, Suzanne. "QUAKER DRESS, SEXUALITY, AND THE DOMESTICATION OF REFORM IN THE VICTORIAN NOVEL." Victorian Literature and Culture 30, no. 1 (March 2002): 211–36. http://dx.doi.org/10.1017/s1060150302301104.

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WHY ARE JANE EYRE AND DOROTHEA BROOKE clad by their creators in “Quakerish” garb? The oppositional plainness and simplicity of Quakerish heroines have often been read as signs of classlessness and sexlessness.1 Plain and simple clothing seems, to both Victorian and contemporary eyes, part of the package of reticence, reserve, and repression associated with the evangelical wing of nineteenth-century dissenting sects.2 The typical sociological view of the function of dress within conservative religious groups holds that “strict dress codes are enforced because dress is considered symbolic of rel

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Cosbey, Sarah. "CLOTHING INTEREST, CLOTHING SATISF ACTION, AND SELF-PERCEPTIONS OF SOCIABILITY, EMOTIONAL STABILITY, AND DOMINANCE." Social Behavior and Personality: an international journal 29, no. 2 (January 1, 2001): 145–52. http://dx.doi.org/10.2224/sbp.2001.29.2.145.

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The purpose of this study was to examine clothing interest as a mediating factor in self-perceptions of sociability, emotional stability, and dominance when either satisfaction or dissatisfaction with clothing was specified. A questionnaire was designed to measure five dimensions of clothing interest as well as each of the three traits both with, and without, a “clothing satisfaction variable,” or reference to whether the subject felt satisfied or dissatisfied with her dress. A MANOVA analysis revealed that specific dimensions of clothing interest suggesting a risk-avoiding orientation toward

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Rahmanidinie, Anitia, and Astri Irtiani Faujiah. "Adaptasi Busana Muslimah Era Millenial: Antara Trend dan Syariat." Islamika : Jurnal Ilmu-Ilmu Keislaman 22, no. 01 (June 30, 2022): 82–95. http://dx.doi.org/10.32939/islamika.v22i01.1116.

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Muslimah clothing is faced with the challenges of developing fashion trends that are developing in this millennial era. This paper intends to understand and explain how the findings of adaptation of Muslim clothing occurred in the millennial era. The method used is a survey method as well as library research where this survey method is carried out randomly on Muslim women aged 15-30 years to answer about understanding the adaptation of Muslim clothing that occurs in the millennial era and understanding clothing that is in accordance with Islamic law. The results of this study indicate that Mus

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Lukavsky, Julie, Sara Butler, and Amy J. Harden. "Perceptions of an Instructor: Dress and Students' Characteristics." Perceptual and Motor Skills 81, no. 1 (August 1995): 231–40. http://dx.doi.org/10.2466/pms.1995.81.1.231.

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This study examined the influence of a female instructor's clothing style on students' perceptions of an instructor's characteristics. Social perception provided the theoretical framework. Formality of clothing style, students' clothing interest, and students' gender were the independent variables. Perception of the instructor's characteristics was the dependent variable. A 25-item questionnaire was administered to 216 college students from three universities. Perceptions of the instructor's characteristics varied significantly with formality of clothing style. The students' clothing interest

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17

Yang, Rong, and Xiaoming Yang. "Literature Review of Taoism Dress Culture in China." Asian Social Science 16, no. 1 (December 31, 2019): 49. http://dx.doi.org/10.5539/ass.v16n1p49.

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Religious dress is a special kind of dress, which often embodies the thoughts and cultural ideas of a certain religion, but it is also likely to show the deeply cultural deposits of a certain national culture. Taoist clothing is a kind of clothing and accessories with obvious Taoism cultural connotation formed by absorbing, integrating and extending Taoism doctrines on the basis of Chinese traditional dress, which is of great significance to study of Chinese traditional culture and worth in-depth study in further.

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18

Horton, Laurel, and Paul Jordan-Smith. "Deciphering Folk Costume: Dress Codes among Contra Dancers." Journal of American Folklore 117, no. 466 (October 1, 2004): 415–40. http://dx.doi.org/10.2307/4137718.

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Abstract For many schorlars, "folk costume" is an outmoded term that refers to a narrow range of ethnic, sectarian, and occupational clothing traditions. At the same time, folklorists tend to overlook some kinds of clothing choices because they seem merely to reflect "everyday dress." In this article, the authors examine how and why contra dancers choose what they wear to dance events as an example of how semiotic approaches introduced by Bogatyrev and others can reveal underlying clothing traditions-dress codes-applied to a subset of so-called everyday dress. Two instances of clothing behavio

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ROSS, ROBERT. "Cross-continental cross-fertilization in clothing." European Review 14, no. 1 (January 3, 2006): 135–47. http://dx.doi.org/10.1017/s1062798706000123.

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In this article, an attempt is made to explain the homogenization of world dress, particularly for men, and at the same time to understand why – in a number of places – that homogenization has been resisted, and specific forms of supposedly local clothing have been used as markers of identity. The argument revolves around two main themes. First, the development of continent, and later worldwide, systems of manufacturing and distribution of clothing, beginning in New York in the middle of the 19th century, allowed the spread of particular forms of dress. Secondly, this dress was seen as being m

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Pranoto, Pranoto, Srinata Dwijaningtyas, Angel Livansyah, Kusnul Khotimah, Raviendo Trisnanda, and Najmuddin Najmuddin. "ISLAMIC FASHION TREND PHENOMENON IN SEMARANG OLD CITY AREA." International Journal Mathla’ul Anwar of Halal Issues 4, no. 1 (March 31, 2024): 60–66. http://dx.doi.org/10.30653/ijma.202441.105.

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Tourism in Semarang's Old Town is a phenomenon that has a significant impact on tourists' dress preferences. This article presents an observational analysis of how age, economy, and culture influence tourists' dress choices in the context of Semarang's Old Town. The research method used is an ethnographic approach involving in-depth observations, interviews, and active participation in the traveller community. The results revealed age variations among tourists, with young people and older generations visiting. The implications of age are reflected in dress preferences, with the younger generat

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21

Sneha, S., and Rajeev Kumar. "Importance of Style and Dressing in Business World." International Journal of Research Publication and Reviews 03, no. 12 (2022): 838–44. http://dx.doi.org/10.55248/gengpi.2022.31219.

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Clothes can be used to create an identity. Clothing can also enhance the existing identity and is therefore an important part of establishing a professional status. In creative professions dress codes were minimal or did not exist. The strictest dress codes were in conservative professions such as banks. Trust could be created with professional clothing. On the other hand, people wearing casual dress were seen more approachable. Companies, who have dress codes as a part of their policy, can use it to monitor their employees. In business world looking professional is an important factor. Busy p

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Lessard, F. Dennis, and Ronald P. Koch. "Dress Clothing of the Plains Indians." American Indian Quarterly 16, no. 2 (1992): 273. http://dx.doi.org/10.2307/1185441.

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23

Wang, Shanshan, Lei Zhang, and Jinlong Zhao. "Study on the Protection path of Intangible Cultural Heritage of Chinese Traditional Dress -- Taking Tang Dynasty Dress as an Example." SHS Web of Conferences 162 (2023): 01015. http://dx.doi.org/10.1051/shsconf/202316201015.

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China has been known as the “big country of clothing” and “the country of silk” since ancient times, and has a very rich heritage of traditional clothing culture. But now these traditional costumes are declining. In order to promote the cultural development of traditional Chinese clothing and protect and inherit China’s intangible cultural heritage, this study first takes the traditional Chinese clothing of Tang Dynasty as an example, reviews the culture and value of traditional Chinese clothing, then introduces the protection and development of intangible cultural heritage at home and abroad,

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Nguyen, Hien Thi Mong, Vy Tuong Ho, and Thao Thi Hoang. "Creating forms for women’s clothing by draping techniques." Science and Technology Development Journal 18, no. 2 (June 30, 2015): 25–36. http://dx.doi.org/10.32508/stdj.v18i2.1056.

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This paper presents research results of techniques of draping on mannequins to create forms for women’s clothing. In the advanced countries, this method is applied very strongly to patternmaking in the field of fashion design. In Vietnam, it is taught for subjects of costume design at the universities, colleges where fashion design and garment technology have been taught. Subjects for draping are blocks to make stitches in cloth with much kind of styles from basic styles to complex styles, such as dress, evening dress and wedding dress. Draping fabric has content 100% cotton using for draping

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Martin, Phyllis M. "Contesting Clothes in Colonial Brazzaville." Journal of African History 35, no. 3 (November 1994): 401–26. http://dx.doi.org/10.1017/s0021853700026773.

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The significance of dress in mediating social relations was deeply rooted in the Central African experience. In pre-colonial times, clothing, jewellery and insignia conveyed identity, status, values and a sense of occasion. Those with access to European trade cloth and second-hand clothes integrated them into their dress. Central Africans had a strong sense of the “politics of costume” long before new sources and ideas of clothing arrived with colonialism.Brazzaville, the capital of French Equatorial Africa, then became the scene of opportunity, experimentation and choice. Foreign workers from

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Presley, Ann Beth, and Whitney Upchurch Campassi. "Measuring Clothing Color and Design Symbolism Preferences and Purchase Intentions of Asian Indian Females at Different Levels of Acculturation." ISRN Textiles 2013 (July 18, 2013): 1–8. http://dx.doi.org/10.1155/2013/859419.

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The purpose of this study was to develop a reliable and valid instrument to measure color, design clothing preferences, and purchase intentions of Asian-Indian female consumers; secondarily, to determine if westernized clothes with Asian-Indian ethnic dress elements might be purchased more often than westernized clothing with design attributes primarily symbolic of American culture at different levels of acculturation. The instrument included a modified acculturation scale, limited demographics, and the developed Clothing Preferences and Purchase Intention Instrument. The instrument consisted

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Andersson, Eva I. "Swedish Burghers' Dress in the Seventeenth Century." Costume 51, no. 2 (September 2017): 171–89. http://dx.doi.org/10.3366/cost.2017.0023.

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This article discusses dress, and the consumption of clothing among the burghers of seventeenth-century Stockholm. Clothing was one of the most important ways in which early modern people displayed and claimed their position in society. Through fine materials and fashionable cut, wealth and status, as well as the less tangible capital of knowledge of style and trends, could be expressed in a way that was visible to all. Clothing was therefore also a way that society was made comprehensible.

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Jin, Jing, Jie Gao, Yu Xiu Yan, and Jian Wei Tao. "Analysis of Performance of the Clothing Modeling in Shaping the Animation Role." Advanced Materials Research 821-822 (September 2013): 794–97. http://dx.doi.org/10.4028/www.scientific.net/amr.821-822.794.

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With the continuous development of animation industry, the clothing modeling of the animation character is more and more concerned. This paper found the connection of three aspects, which is that shaping the role determines the vitality, creativity and appealingness of the animation, animation dress help to shape the roles and art image, animation apparel modeling is different from the real clothing modeling by means of analyzing the relation between shaping the animation role and the clothing modeling. Through the research of the performance of the clothing modeling in shaping the animation r

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Bian, Xiang Yang, and Ting Rong. "Sihouette and Structure of Huatouyao Women's Dress - Set Huatouyao Women's Dress in Naliang Town, Dongxing City, Guangxi as an Example." Advanced Materials Research 821-822 (September 2013): 685–93. http://dx.doi.org/10.4028/www.scientific.net/amr.821-822.685.

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Yao is a nationality with multiple branches and colorful clothes. Researches on clothing of Yao Nationality are mainly on descriptions of culture and superficial characteristics of their clothes. Few of them carefully research on sihouette,structure and craftsmanship, so are the researches on Huatouyao Clothing. This article has made detailed record and research on Huatouyao Women's Dress at Fangchenggang, Guangxi from sihouette,structure and craft of dress through field investigation and actual measurement. It helps to make people know what Huatouyao Clothing looks like and it provides operab

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HARINI, LUH PUTU IDA, KARTIKA SARI, and MADE SUSILAWATI. "ANALISIS FAKTOR PERSEPSI AKADEMISI TERHADAP PENGGUNAAN BUSANA ADAT DI LINGKUNGAN SEKOLAH." E-Jurnal Matematika 10, no. 3 (September 17, 2021): 179. http://dx.doi.org/10.24843/mtk.2021.v10.i03.p340.

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Traditional Balinese clothing is a typical Balinese clothing that is characterized by Balinese customs used as a form of cultural protection that reflects the nature of politeness, shade, peace, and pride for the wearer. The Governor of Bali in the Regulation of the Governor of Bali Number 79 of 2018, concerning the Day for the Use of Balinese Traditional Clothing states that one of the objectives of using Balinese traditional clothing is to maintain and maintain the preservation of Balinese Traditional Clothing in order to strengthen identity, character and character, to recognize the values

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AS, Nasruddin. "Pergeseran Budaya Masyarakat Perlak Asan: Studi Kasus tentang Pakaian Adat." Jurnal Adabiya 20, no. 1 (April 16, 2020): 1. http://dx.doi.org/10.22373/adabiya.v20i1.6775.

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The shift of traditional clothing in society is very common to happen because of an attempt to adapt with new need. The happening of shift in traditional clothing of marriage in Perlak Asan village, Sakti Sub-dis- trict, Pidie Regency focus more on the clothes during religious rite and cultural rite of marriage. This research is using qualitative method which is observation, interview and documentation. The result of research show that traditional clothing for marriage is changing from traditional into modern. But the shift is about the mod- ernization of the clothes which show the process of

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Atanasova, Radka. "Women’s clothing with eco design features." E3S Web of Conferences 207 (2020): 03005. http://dx.doi.org/10.1051/e3sconf/202020703005.

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In the paper, women’s wear with eco design features is created and manufactured. The object of the study is a dress in a semi-slim silhouette. The patterns of the garment are constructed automatically using a specialized CAD system. Algorithms for geometric construction of pieces and production patterns have been developed. The technology for manufacturing the dress has been composed. Markers for robotic cutting of the articles are planned. Three dresses are sewn. Each dress is decorated differently with elements cut from the fabric waste. The result of the proposed approach is three styles of

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Edwards, Tim. "Living dolls? The role of clothing and fashion in ‘sexualisation’." Sexualities 23, no. 5-6 (September 6, 2018): 702–16. http://dx.doi.org/10.1177/1363460718757951.

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This article considers the role that clothing and fashion have played, or continue to play, in ‘sexualisation’. It is pointed out that fashion, as in clothing, has often played a very small part in much wider discussions about ‘sexualisation’ much of which fails to problematise the meaning of the clothing concerned. The article thus considers what might constitute ‘sexualised’ clothing or fashion – whether this is simply baring of flesh, too ‘adult’, or somehow ‘pornographic’ in its derivations or connotations. In addition, fashion and dress have a long history of forming heated concern for fe

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Poiana, Peter. "Choses d'apparat: The poetics of dress in Michel Leiris's L'Afrique fantôme." International Journal of Francophone Studies 22, no. 3 (December 1, 2019): 213–31. http://dx.doi.org/10.1386/ijfs_00002_1.

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Abstract Michel Leiris's treatment of clothing in L'Afrique fantôme, his diary account of his journey through Africa as part of an ethnographic expedition, demonstrates how dress habits constitute a value-laden system. Clothing belongs to a category of objects, which includes talismans and masks, that Leiris calls 'choses d'apparat' because of their tendency to acquire a ceremonial significance. As such, they mark indelibly the travellers' first impressions of the men and women they encounter. Leiris's substantial body of autobiographical writing shows that his interest in clothing is not limi

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Cai, Xiaofeng. "Gender Stereotypes in Female Contemporary Dress Aesthetics." Lecture Notes in Education Psychology and Public Media 5, no. 1 (May 17, 2023): 290–95. http://dx.doi.org/10.54254/2753-7048/5/20220537.

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People always follow trends that are preferred by the mass, and stereotypes are generated as the trends spread out. Stereotypical aesthetics is somehow dominating society, because of the so-called norms of clothing and requirements. There are some potential problems with stereotypical aesthetics in females dress codes. The paper discusses the stereotypes of females dress code in the workplace, in daily fashionable wearing, and for different ages. The stereotype can be revealed from the clothes design, the brand concepts, and the emphasis on design. It is found that the stereotypes of female dr

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FUJII, MIEKO. "Dress Design HCS(Human Clothing Science) System." Japanese journal of ergonomics 34, Supplement (1998): 410–11. http://dx.doi.org/10.5100/jje.34.supplement_410.

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Barnes, Ruth, Emma Tarlo, and Hildi Hendrickson. "Clothing Matters: Dress and Identity in India." Journal of the Royal Anthropological Institute 4, no. 3 (September 1998): 606. http://dx.doi.org/10.2307/3034217.

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Franklin, Alex. "Phenomenal dress! A personal phenomenology of clothing." Clothing Cultures 1, no. 1 (October 1, 2013): 83–91. http://dx.doi.org/10.1386/cc.1.1.83_1.

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Tynan, J. "Dress Behind Bars: Prison Clothing as Criminality." Journal of Design History 24, no. 1 (February 22, 2011): 92–94. http://dx.doi.org/10.1093/jdh/epq051.

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TWIGG, JULIA. "Clothing, age and the body: a critical review." Ageing and Society 27, no. 2 (February 15, 2007): 285–305. http://dx.doi.org/10.1017/s0144686x06005794.

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Clothes are central to the ways older bodies are experienced, presented and understood within culture, so that dress forms a significant, though neglected, element in the constitution and experience of old age. Drawing on a range of secondary literature, this article traces how clothing intersects with three key debates in social gerontology, concerning the body, identity and agency. It examines the part played by clothing in the expression of social difference, and explores the role of age-ordering in determining the dress choices of older people, and its enforcement through moral discourses

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Hajdú, Noémi, and László Molnár. "Teacher Attire and Student Impressions: A Closer Look." Theory, Methodology, Practice 20, no. 1 (February 22, 2024): 13–20. http://dx.doi.org/10.18096/tmp.2024.01.02.

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Our choice of clothing has a great impact on how we are perceived by others. The official dress code of the university has changed a lot. From a more formal and exquisite dress code to a range of informal styles, such as business casual and smart casual. This change raises the question of whether dress has an impact on how students develop first impressions and opinions in our campus community. This study, which took place in November and December 2022, involved 414 individuals from a heterogeneous sample who responded to an online questionnaire provided on campus. The basis of this study is t

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Zhang, Yang, and Xuetao Wang. "A Comparative Study of Heilongjiang Minority Costumes and Customs (taking Oroqen and Manchu as examples)." Historical and social-educational ideas 13, no. 1 (February 28, 2021): 79–92. http://dx.doi.org/10.17748/2075-9908-2021-13-1-79-92.

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National clothes and jewelry, one might say, are the symbol of a particular nation. Such factors of influence as, different living conditions, culture, history and others, lead to their great diversity. Each nation has its own unique clothing and jewelry, exploring them you can even deeper understand the national culture and see the unique cultural value. Using the analytical method, and taking as an example the small peoples of Heilunjiang, let us compare the national dress, jewelry and customs, study the clothing and jewelry of the Manchus and Orochon. Analyzing from the point of view of clo

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Lehtinen, Ildikó. "Behind the Scene." Ethnologia Fennica 48, no. 2 (December 22, 2021): 5–40. http://dx.doi.org/10.23991/ef.v48i2.103024.

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In this article, I analyze teacher’s attire as a political phenomenon in the context of the Mari people, a Finno-Ugric minority living in Central Russia. The material for this study is based on observations and interviews made by the author during 1987‒2019 in different places of the Mari region. The Mari teacher’s dress code, a dark dress with a white collar, is usually considered self-evident, but as I argue in this article, in the Soviet Union, and in Russia at the post-socialist time, the Mari female teacher’s dress served two practices. Firstly, clothing represented position and agency of

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Farli, Vina Febria, Mega Kencana, and Wirma Surya. "BUSANA CASUAL DAN GAUN PESTA MALAM INSPIRASI BUNGA RAFFLESIA ARNOLDII." Style : Journal of Fashion Design 3, no. 1 (December 27, 2023): 20. http://dx.doi.org/10.26887/style.v3i1.4115.

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The work report entitled "Casual Clothing and Evening Party Dresses Inspired by Rafflesia Arnoldii Flowers" in the form of casual clothes and evening party dresses. Casual clothing means relaxed and simple where this clothing is worn in everyday life and in informal events. Evening party dress clothing is clothing that is used on the occasion of a party event at night. This fashion work was inspired by the Rafflesia Arnoldii flower. The Rafflesia Arnoldii flower, the largest flower, reaches 70 to 110 in diameter with a height of 50 cm consisting of five large, thick and leathery petals which a

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Butler, Sara, and Kathy Roesel. "Students' Perceptions of Male Teachers: Effects of Teachers' Dress and Students' Characteristics." Perceptual and Motor Skills 73, no. 3 (December 1991): 943–51. http://dx.doi.org/10.2466/pms.1991.73.3.943.

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The purpose of this study was to explore the effects of a male teacher's clothing and selected students' characteristics on students' perceptions of teachers' characteristics. The sample consisted of 152 male and female high school students. Respondents selected one of four photographs of a male teacher model dressed in four different clothing styles for each of 20 teachers' characteristic statements. The mediating effects of students' gender, formality of clothing, and perceptions of the importance of clothing were also investigated. Significant differences among the four clothing styles were

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Wang, Lijuan, Zekun He, and Mengran Li. "A thermodynamic model for official clothing insulation." Thermal Science 25, no. 3 Part B (2021): 2143–48. http://dx.doi.org/10.2298/tsci191227099w.

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Clothing insulation is an important factor in the thermal comfort research, and thus an accurate clothing insulation model is much required. This study develops a new model, which takes into account the sex difference for the dress. Its accuracy was verified experimentally, and the established thermodynamic model is useful to predict occupants? clothing behavior and to evaluate thermal comfort.

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King, Donald. "Roman and Byzantine Dress in Egypt." Costume 30, no. 1 (January 1, 1996): 1–15. http://dx.doi.org/10.1179/cos.1996.30.1.1.

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Singh, Garima. "Impact of dress on human psychology." ASIAN JOURNAL OF HOME SCIENCE 15, no. 2 (December 15, 2020): 424–28. http://dx.doi.org/10.15740/has/ajhs/15.2/424-428.

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Clothes have a strong influence over the way other people perceive us; you may be talented and qualified, but sweatpants at a job interview probably won’t communicate your ambition to a potential boss. “The formality of clothing might not only influence the way others perceive a person, and how people perceive themselves, but could influence decision making in important ways through its influence on processing style.” Fashion trend today does not give precedence to comforts and practicality. Sometimes the dress, that goes beyond modesty and simplicity, which does not allow someone to sit or wa

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Chen, Zhi Ge, and Jing Ye. "The Evaluation of Dynamic Clothing Pressure." Advanced Materials Research 796 (September 2013): 584–87. http://dx.doi.org/10.4028/www.scientific.net/amr.796.584.

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With the improvement of living standards, people are increasingly more demands on the dress. Study on the clothing comfort more and more. Clothing pressure comfort is an important aspect of clothing comfort. Dynamic clothing pressure is the interaction between human body and clothing. It is related to clothing styles, fabrics property, clothing structure, body motions, etc. The clothing pressure on different position of body was measured when arms were raised to different position. The pressures on the back, shoulder, arms, waist were discussed in this paper. The biggest pressure was on arms,

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Fülemile, Ágnes. "Social Change, Dress and Identity." Acta Ethnographica Hungarica 65, no. 1 (November 11, 2020): 107–86. http://dx.doi.org/10.1556/022.2020.00007.

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The article, based on extensive ethnographic fieldwork, studies the process of the disintegration of the traditional system of peasant costume in the 20th century in Hungary in the backdrop of its socio-historic context. There is a focused attention on the period during socialism from the late 1940s to the end of the Kádár era, also called Gulyás communism. In the examined period, the wearing and abandonment of folk costume in local peasant communities was primarily characteristic of women and an important part of women’s competence and decision-making. There was an age group that experienced

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