Academic literature on the topic 'Clothingco'

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Journal articles on the topic "Clothingco"

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Setiawan, Deni, Timbul Haryono, and M. Agus Burhan. "Analisis Fungsi Pakaian Karnaval di Yogyakarta Menurut Roland Barthes dan Fungsi Seni Edmund Burke Felmand." Humaniora 6, no. 3 (July 30, 2015): 418. http://dx.doi.org/10.21512/humaniora.v6i3.3368.

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Carnival clothing is one form of artists’ creativities in fine art, created in various functions. Those functions are viewed based on utility value and the purpose that consistently are embedded in an art work. In addition, several functions of carnival clothing were constructed on the basis of social and cultural conditions that are effective in a certain place. Each and every type of clothing raises perception to everyone else who sees it. Promotion of fashion style and industry through carnival clothing results in diverse perceptions acceptable to the viewers. Audience’s perceptions are also not apart from the key functions, social ones, and the physical ones of those carnival clothings themselves. Those three functions are the common ones of each art work created as communication tool with everyone else. The carnival clothings are communication tools of the fashion designer to the customers, communication between one customer and another one. On the carnival clothing there are also sources of knowledge science, history, technology, and many other explainable meanings. Through carnival clothings, the detectable issues in physical and non-physical structures are identifiable as well as they play role as the space to make more exploration on the dynamics of a community culture. This article aims to answer the functions of carnival clothing, using aesthetic approach, through the theory of clothing functions Roland Barthes and Edmund Burke Feldman’s art functions.
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Thelkar, Vishal. "A STUDY ON SUSTAINABLE CLOTHING MARKET WITH REFERENCE TO PUNE CITY." International Journal of Engineering Technologies and Management Research 5, no. 6 (February 27, 2020): 66–79. http://dx.doi.org/10.29121/ijetmr.v5.i6.2018.246.

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The purpose of this study is to understand the buying behavior towards sustainable and ecoclothing. This paper presents the facts, figures and general awareness about eco fashion and eco clothing. It also elaborates the environmental impacts about the raw material and manufacturing process used for clothing and suggests Sustainable Raw Material be preferred for sustainable clothing’s in India, The purpose of this paper is also to examine the relationship between eco fashion and their willingness to pay a premium for eco-clothing’s with the focus on gender and age group. This paper classifies the consumer into 7 types with respect to specific attitude to sustainable and eco-clothing within the sample of 119 in Pune region. The findings will help fast fashion retailers, marketers, environmental activists, ecological researchers, charity institutions and public policy makers.
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Slabotinský, Jiří, and Šárka Bernatíková. "Reaction of the Female Body to Stress in a Chemical Protective Clothing." TRANSACTIONS of the VŠB – Technical University of Ostrava, Safety Engineering Series 11, no. 2 (September 1, 2016): 15–21. http://dx.doi.org/10.1515/tvsbses-2016-0012.

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Abstract This article deals with the reaction of the female body to the use of an insulation chemical protective clothing combined with working - thermal and mental stress to which the female is exposed. The article provides a concise overview of protective chemical clothings and factors affecting their comfort; it describes the regularities corresponding to the physiological reaction, important for the body’s reaction to the use of a chemical protective clothing. Further, the article contains a description of the measurement and evaluation of physiological parameters of non-acclimated women during testing of these clothings and, finally, comparison with the results for males under the same stress which is unfavourable for women.
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Shaharuddin, Siti Shukhaila, and Marzie Hatef Jalil. "Multifunctional Children Clothing Design Process Based on the Eco-Fashion Design Model." Journal of Visual Art and Design 13, no. 1 (July 6, 2021): 35–47. http://dx.doi.org/10.5614/j.vad.2021.13.1.3.

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The purpose of this study was to develop the design of multifunctional children’s clothing that supports sustainability goals. This paper proposes multifunctional clothing that can be recycled and decomposed at the end of the clothing’s lifespan. In particular, the Eco-fashion design model was adopted in this project. After analyzing fashion consumption and problems in children’s product design, four items of multifunctional children’s clothing were developed. Multifunctional children’s clothing design focuses on material selection, zero-waste techniques, design for disassembly and children’s health. Thus, the minimization of material diversity as well as the application of zero-waste design techniques and multifunctional design guidelines for children’s clothing design can be implemented towards sustainability in order to preserve the environment by selecting recyclable materials, promoting profit and human health concerning multifunctional purposes and international standards for children’s clothing design. The findings can be used in various apparel products to help mitigate problems related to environmental pollution and resource depletion in the apparel industry.
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Verlan, Veronica, and Marcela Irovan. "APPLICATIONS OF 3D PRINTING TECHNOLOGIES IN THE GARMENT INDUSTRY." Applied Researches in Technics, Technologies and Education 16, no. 2 (2018): 104–7. http://dx.doi.org/10.15547/artte.2018.02.005.

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The usage of innovative technologies has become one of the most widespread ways of diversifying the current supply of clothing and footwear products. Therefore, using the 3D printing technologies in the garment production is a remarkable example of the symbiosis of creativity and technology, which creates unusual and fashionable clothing pieces. Although the 3D printing technology is a relatively new technology and allows creating unique garments it must not neglect important features of clothing products such as cost-accessibility, comfort and aesthetic appearance. The research on these aspects is prior to implement this technology in the manufacturing process. The study includes the analysis of the current 3D printing technologies which are used for obtaining three-dimensional objects, the current directions of implementing this technology in the industry, as well as the opportunities of applying this technology in the process of clothing’s creation. Therefore, this paper concludes the study with the creation of a clothing product – a blouse for women, which is including a 3D printed part confirming this way the possibility of creation of clothing products, which would integrate innovative elements which were obtained by implementing the advanced technology of additive manufacturing.
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Martindale, Addie, and Ellen McKinney. "Self-sewn identity: How female home sewers use garment sewing to control self-presentation." Journal of Consumer Culture 20, no. 4 (March 16, 2018): 563–77. http://dx.doi.org/10.1177/1469540518764238.

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Garment sewing was once a necessity for women to present themselves and their families in a socially acceptable manner. Despite societal and economics changes, as well as, an abundance of readily available cheap clothing, there is a resurging interest in personal garment sewing by women. This qualitative study explored the control gained by women who sew their own clothing finding that among the women interviewed personal garment sewing allowed them control over their clothing’s style, fit, and quality, which was not found through purchasing ready-to-wear clothes. Garment sewing permitted these women to present themselves in clothing that they felt more accurately represented their personality and taste. These findings provide insights into the usage of garment sewing by women to control their appearance which allowed them more authority over their clothing selection than their non-sewing peers. Validation of the women’s time spent sewing was established as the findings postulate noteworthy benefits that include increased satisfaction with both their appearance and their presentation of self to others. The findings are explained using theories related to self-presentation and identity.
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Zimniewska, Malgorzata, Mariola Pawlaczyk, Izabella Krucinska, Iwona Frydrych, Przemysław Mikolajczak, Katarzyna Schmidt-Przewozna, Agnieszka Komisarczyk, Lucyna Herczynska, and Barbara Romanowska. "The influence of natural functional clothing on some biophysical parameters of the skin." Textile Research Journal 89, no. 8 (April 17, 2018): 1381–93. http://dx.doi.org/10.1177/0040517518770680.

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The objectives of the study were to develop functional natural fiber clothing with microcapsules containing active herbal extracts with properties enhancing the treatment of dermatoses and to confirm the efficiency of the clothing's activity by testing its effect on the biophysical parameters of human skin. As a result of the work, clothing enriched with green tea and Viola tricolor extracts enclosed in ethyl cellulose microcapsules was produced. The microcapsules were applied on the inner surface of linen knitted fabric, which ensured direct contact of the active substances with the patients' affected skin. The efficiency of the clothing was tested according to our own methodology, which included wearing tests, microbiological tests of the skin and tests of skin moisture, transepidermal water loss and itching intensity. Also, the effect of the active substances present on the fabrics on the in vitro culture of human keratinocytes was evaluated. The test results confirmed that linen clothing enriched with medicinal plant extracts enclosed in microcapsules had an effect on the reduction of itching intensity, an increase in skin moisture, reduction of transepidermal water loss and a reduction of pathogenic bacterial colonies residing on the patients' skin. They confirmed that the new method of administering herbal substances to the skin of dermatological patients via the wearing of functional clothing is effective and leads to symptom relief. The studies allowed for the filing of a patent submission, number P 411869, titled “The clothing acting as a dressing supplement in the therapy of dermatological diseases.”
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Bugg, Jessica. "Dancing dress: Experiencing and perceiving dress in movement." Scene 2, no. 1 (October 1, 2014): 67–80. http://dx.doi.org/10.1386/scene.2.1-2.67_1.

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Clothing design for dance is an area that has been little documented, particularly in relation to the experience and perception of the dancer. Contemporary dance and clothing can both be understood as fundamentally phenomenological and as such there is further potential to investigate the lived experience of wearing clothing in dance. This article approaches dress in the context of the moving and dancing body, and it aims to develop an understanding of the role of dress in dance by focusing on the sensory, embodied experience and perception of the performer. It addresses questions of how clothing is perceived in movement by the performer, how and if clothing’s design intention, materiality and form motivate physical response, and what conscious or unconscious cognitive processes may be at play in this interaction between the active body and clothing. The intention is to propose developed methods for designers across clothing disciplines to contribute in a meaningful way to the overall dance work. The article draws on an analysis of my practice-led research that employs embodied experience of dress to inform the design and development of clothing as communication and performance. The research has involved close collaboration with a dancer, analysis of recorded interviews, and visual documentation of design and movement. The research has produced data on the dancer’s experience and perception of garments in performance and this is discussed here in relation to writings on perception, performance, the body and cognition. The research is approached through theory and practice and draws on interviews, observation and lived experience. This article is developed from an earlier conference paper that investigated the role and developed potential of clothing in contemporary dance that was presented at the 4th Global Conference: Performance: Visual Aspects of Performance Practice, Inter-Disciplinary.Net, held in Oxford on 17–19 September 2013.
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Wu, Chun Yan, Guo Wen Song, Chang Feng Qu, and Lan Bing Xu. "Protective Clothing’s Function and Application - Analysis of Outdoor Protective Clothing Design and Comfort Performance." Advanced Materials Research 627 (December 2012): 581–84. http://dx.doi.org/10.4028/www.scientific.net/amr.627.581.

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Function and comfort are the main two aspects of outdoor protective clothing design. Outdoor clothing industry market has grown rapidly in recent years. There exists a strong market competation in apparel industry. Satisfaction in consumer's demands is the crucial. In this paper, the trends of demands from four aspects factors were analyzed. Thses trends include potential consumer's market; consumer's aesthetic and fit demands, functions and fashion construction design demands, optimization construction design and wear comfort demands. Optimization construction design directly impacts air gap size and distribution, the air gap layers between skin and clothing is determined by clothing construction design. 3D scanning provides a novel method to visualize and quantify the air gaps. But optimization construction design need more experiences and tests.
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Currie, Elizabeth. "Health Hazards." Bulletin of the John Rylands Library 95, no. 2 (September 1, 2019): 115–33. http://dx.doi.org/10.7227/bjrl.95.2.6.

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Studies of early modern dress frequently focus on its connection with status and identity, overlooking clothing’s primary function, namely to protect the body and promote good health. The daily processes of dressing and undressing carried numerous considerations: for example, were vital areas of the body sufficiently covered, in the correct fabrics and colours, in order to maintain an ideal body temperature? The health benefits of clothing were countered by the many dangers it carried, such as toxic dyes, garments that were either too tight or voluminous, or harboured dirt and diseases that could infect the body. This article draws on medical treatises and health manuals printed and read in Italy and England, as well as personal correspondence and diaries, contextualised with visual evidence of the styles described. It builds on the current, wider interest in preventative medicine, humoral theory, health and the body in the early modern period by focusing in depth on the role of clothing within these debates.
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Dissertations / Theses on the topic "Clothingco"

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Bain, Lynda M., of Western Sydney Nepean University, and Faculty of Commerce. "Choice of labour flexibility vehicle within the Australian clothing industry : a case study." THESIS_FCOM_XXX_Bain_L.xml, 1996. http://handle.uws.edu.au:8081/1959.7/508.

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Existing theories and literature seeking to explain small business reticence to engage in enterprise bargaining, at times adopt a generalised approach which precludes or at least limits their relevance and ability to explain small business choice at the industry and even organisational level. Such explanations cannot be detached from the external contextual framework in which an organisation operates and its own, often unique, strategic corporate response to the environmental influences which are challenging it. Labour flexibility vehicles including bargaining, if chosen to facilitate broader corporate strategies, can thereby, be regarded as functionally dependent upon and interactive with the corporate orientations and objectives of the organisation which in turn are environmentally influenced and shaped. The research principally provides a focused description and analysis of the experiences of Clothingco, a small, up market, vertically integrated clothing manufacturer and retailer, which has undergone various strategic readjustments at the corporate and industrial relations level throughout the 1990s, in response to externally driven pressures. The research presents firm evidence to suggest that Clothingco has selected its labour flexibility mechanisms so that they are consistent with and able to accomodate prevailing corporate strategies and orientations. Its strategic corporate readjustments throughout the 90s, which can be perceived as falling along the continuum of cost minimisation to productivity enhancement, have in particular registered differing choices with respect to labour flexibility vehicle and strategies. In the light of the findings, the research as a preferred labour flexibility vehicle at Clothingco. These are identified as: an increasing corporate focus towards cost minimisation throughout the 1990s, coupled with an inability by management to countenance union intervention in enterprise bargaining procedures. The interaction of both these factors, rendered enterprise bargaining from the point of view of management, both a strategically and industrially inferior labour flexibility vehicle to the use of contract labour. The research's strength lies in these areas which have been highlighted and which can be monitored and tested more comprehensively in future research.
Master of Commerce (Hons)
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Elkins, Anne Fleet Dillard. "Roles of Perceptions of Reference Groups, Clothing Symbolism, and Clothing Involvement in Female Adolescents' Clothing Purchase Intentions and Clothing Behavior." Diss., Virginia Tech, 2010. http://hdl.handle.net/10919/77222.

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The youth market has been characterized as one of the most coveted market segments because of its spending power and tremendous potential for becoming lifetime customers (Bush, Martin, & Bush, 2004). The product market for adolescents is expected to grow to more than $208 billion by 2011, according to a report from market research firm Packaged Facts (Sass, 2007). Apparel, jewelry, and cosmetics are top product categories for adolescent girls and are important products used by adolescents to portray personal identity (Ossorio, 1995). Because of adolescents' buying power and the important role apparel plays in adolescents' lives, it is important for apparel marketers to understand the adolescent consumer market. The purpose of this research was to examine the relationship between each of three independent variables (i.e., reference groups, clothing symbolism, and clothing involvement) and adolescents' clothing purchase intentions and clothing behavior, and whether the three variables are predictors of adolescents' clothing purchase intentions and clothing behavior. Reference groups are a source of instrumental and emotional support, offering adolescents a sense of belonging during their physical, emotional, and cognitive adjustment (Blackwell, Miniard, & Engel, 2001). Adolescents may have many different types of reference groups. The reference groups included in the currents study were friends, popular girls, and parents. Specifically in the current study, ninth grade girls' perceptions of friends' clothing behavior, popular girls' clothing behavior, and parents' opinions concerning clothing behavior were examined for their relationship to the ninth grade girls' clothing purchase intentions and behavior. The second independent variable was clothing symbolism. Adolescents may use clothing as a symbol (i.e., clothing symbolism) to express their actual self-concepts or to attain their ideal self-concepts (Erickson, 1983; Solomon & Rabolt, 2004). Two types of clothing symbolism were included in the study: the degree of congruity between actual self-concept and the perceived images of four outfits (i.e., actual self and clothing image congruity) and the degree of congruity between ideal self-concept and the perceived images of four outfits (i.e., ideal self and clothing image congruity). The third independent variable was clothing involvement. Viera (2009) found that young consumers are highly involved with clothing. The degree of clothing involvement may be closely related to adolescent girls' clothing purchase intentions and their clothing behavior. A conceptual model that formed the framework for this study was developed by integrating several theories, propositions, and research findings in the literature. Based on the framework, 16 research questions were formulated. Focus groups provided input for questionnaire development, and four outfit images, one each considered sexy, conservative, springy, or sporty, were identified and included in the questionnaire. Before the main data collection, the questionnaire was pilot tested and revised. Data collection was conducted at three high schools in central Virginia, and 353 female students in the ninth grade participated. Standard and stepwise multiple regression analyses were used to address the research questions. Among the four outfit images, that with a sexy image was found to have the highest mean score for ideal self-concept, indicating that participants would most like to view themselves sexy. Results of a factor analysis for clothing involvement revealed three factors: clothing importance, clothing expressions, and clothing brand perceptions. Participants had fairly high mean scores for all three clothing involvement factors. Among those three factors, clothing importance had the highest mean. In addition, results showed that participants perceived that their friends and popular girls would most often wear the outfit with a sporty image, and they also perceived that their parents would most like them to wear an outfit with a sporty image. The sporty outfit image also had the highest mean for participants' clothing purchase intentions and clothing behavior among the four outfit images. Results of one of the stepwise regressions, for the sexy outfit image showed that perceptions of reference groups' clothing behavior or opinions (i.e., friends' clothing behavior, parents' opinions concerning clothing behavior, popular girls' clothing behavior), one type of clothing symbolism (i.e., ideal self and clothing image congruity), and one clothing involvement factor (i.e., clothing importance) predicted adolescent girls' purchase intentions for the outfit with a sexy image. The results for wearing clothing with a sexy image when hanging out with friends were slightly different from those for purchase intentions. For the behavior of wearing an outfit with a sexy image, the variable "perceptions of popular girls' clothing behavior" was not a predictor, but actual self and clothing image congruity was. For the springy outfit image, all the perceptions of reference groups' clothing behavior or opinions and actual self and clothing image congruity were the best predictors of participants' clothing behavior; however only friends' clothing behavior and popular girls' clothing behavior were significant predictors of adolescent girls' purchase intentions for this outfit image. For the conservative and sporty outfit images, only the perceptions of reference groups' clothing behavior or opinions predicted adolescent girls' clothing purchase intentions and clothing behavior. In conclusion, the research findings suggest a powerful relationship between adolescent girls' perceptions of reference groups' clothing behavior or opinions about clothing behavior and the girls' own clothing behavior and purchase intentions. Participants' perceptions of reference groups' clothing behavior or opinions were the best predictors of the participants' clothing behavior and purchase intentions for all four outfits. Furthermore, clothing symbolism (e.g., using a sexy outfit to express or attain a sexy image) appears to motivate ninth grade girls to wear clothing with a sexy or springy image. The girls would wear a sexy outfit to portray their actual self-concepts and attain their ideal self-concepts. They also would wear outfits with a springy image to portray themselves. Additionally, the more the participants in this study considered clothing to be important, the more likely they were to purchase and wear a sexy image outfit; however the participants indicated that, of the four outfit images in the study, they most purchase and wear clothing like the sporty image outfit the most for hanging out with friends in comparison to the other three outfit images. Based on the findings, suggestions and implications for parents, educators, and marketers were provided.
Ph. D.
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Cunningham, Phillip Scott. "Hello, Clothing." FIU Digital Commons, 2008. http://digitalcommons.fiu.edu/etd/2694.

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HELLO, CLOTHING is a collection of lyric poems about the connections between human beings, following an ekphrastic model that seeks truths about the world “second-hand”: through the language and images of other artists. A large section of the poems address the life and work of composer Morton Feldman, while many others explore the world of cinema or photography. The poems are particularly conscious of received forms. The collection takes to heart Harold Bloom’s assertion that “every poem is about another poem” and interprets this dictum as a celebration of formal structure. Whether through a traditional model such as the sonnet, sestina or villanelle; a stanzaic form derived from Elizabeth Bishop; or the re-writing of a single line by Denis Johnson, the book attempts to re-invent the work of its own inspiration, with the goal of discovering the inexhaustable pleasure of repetition.
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Negrao, Nayra Waddington. "Multi-dimensional clothing." Thesis, Cape Peninsula University of Technology, 2010. http://hdl.handle.net/20.500.11838/1346.

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Thesis (BTech (Fashion Design))--Cape Peninsula University of Technology, 2010
The main objective of the research is to unfold the necessary theory by using current and relevant information available, in the scientific and fashion department, to substantiate the exploration of dimensions and the associated human interpretation. To produce two separate collections that combined illustrate my personal design identity, but when apart they demonstrate two parallel versions of the same concept. The main collection is divided into two ranges, one commercial and another conceptual. The commercial pieces will present a more affordable ready-to-wear range to the consumer while the conceptual pieces will represent my own interpretation of the concept chosen for this research. Together these designs will formulate a vision for the overall collection, reflecting my own meaning and interpretation of what dimensions are and the various techniques of representing them. Extensive research will be done to unfold all the theory needed to substantiate my findings during this exploration into dimensions and the universe we live in.
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Álvarez, Inostroza Camila Andrea. "Using automatic clothing labeling to improve the quality of clothing retrieval systems." Tesis, Universidad de Chile, 2018. http://repositorio.uchile.cl/handle/2250/168039.

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Magíster en Ciencias, Mención Computación. Ingeniera Civil en Computación
Desde hace varios años que el mercado de las ventas en línea presenta un crecimiento sostenido debido a la oportunidad y facilidad que le entrega a usuarios de las nuevas tecnologías para adquirir lo que ellos deseen sin tener que salir de sus casas. Un caso particular de este fenómeno es la industria de la moda. Esto último se ve favorecido principalmente por el uso masivo de redes sociales, las cuales le permiten a los usuarios compartir la manera en que se visten convirtiéndose en iconos de la moda solo al subir fotos. Varias tiendas y redes sociales han visto este hecho como una oportunidad de negocio, la cual consiste en permitirle a sus usuarios tomar fotos de sus ídolos de moda y buscar en diferentes tiendas prendas similares a las que ellos ocupan, de manera de ``compartir'' su estilo. En la comunidad de visión por computadora este proceso se trata como un problema de búsqueda por similitud. Esto es, dada una consulta, mostrar al usuario los productos que se parecen más al objeto buscado. En el caso de la moda la problemática surge al intentar comparar las consultas con las imágenes de los catálogos de diferentes tiendas, ya que estas últimas tienden a presentar a una modelo usando más de una prenda que la imagen trata de representar, lo que se traduce en que la imagen de consulta y las de los catálogos no son comparables directamente. Este último punto empeora la calidad de los resultados de cualquier sistema de recuperación. Considerando el problema anterior es que este trabajo busca estudiar métodos de etiquetado (o detección) de ropa que permitan descubrir las reales zonas de interés de las imágenes de los catálogos de manera de poder comparar estas regiones con las consultas. De esta manera nuestra hipótesis es que el usar métodos de etiquetado de ropa para preprocesar los catálogos mejora la calidad de los sistemas de recuperación con respecto a los resultados obtenidos sin pre procesarlos. Entrenamos Faster R-CNN y YOLOv2 como métodos de etiquetado, de los cuales Faster R-CNN presenta mejores resultados. Para entrenar estos métodos recolectamos un dataset con alrededor de 150,000 imágenes etiquetadas. Los datos se recolectan usando crowd sourcing. Una vez entrenados dos métodos de etiquetado presentamos experimentos que permiten medir la calidad del etiquetado, y luego otros que permiten validar nuestra hipótesis. Estos últimos experimentos miden la calidad de la recuperación con respecto al estado del arte en función de dos puntos: calidad de los resultados y usabilidad en una aplicación real. Vemos que la calidad de los resultados al usar el etiquetado es similar a la de los métodos del estado del arte, sin embargo, nuestro método se traduce en tiempos de búsqueda 18x menores. Finalmente presentamos los resultados de dichos experimentos presentando métricas estándar que permiten medir la calidad de los resultados. Además se analiza la usabilidad de las técnicas presentadas. Mostramos además ejemplos visuales de los resultados obtenidos.
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Grimslätt, Tove, and Sofia Freiholtz. "SMAX : Smart clothing racks." Thesis, Högskolan i Halmstad, Akademin för ekonomi, teknik och naturvetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-37531.

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Makins, Courtney. "Clothing Darwinism : Absent Bodies." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-22029.

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Garments are everywhere in today’s society and often presented on the body, although the absence of the body in design can have an integral impact on how they are perceived by an audience. An experimental material coating, aided garments to become sculptural by portraying the essence of the body. This essay argues that garments are challenged through their perception and purpose by the absence of the body, allowing the sculptures to develop a language in their own right. Through means of forming methods, absence of the body and materiality, garments are able to evolve to communicate an idea challenging one’s preconceived garment notions and broadening the spectrum of situational presentational methods.
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Fozzard, Gary James Walter. "Simulation of clothing manufacture." Thesis, Manchester Metropolitan University, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.329525.

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There is considerable pressure on the U.K. clothing industry to remain competitive in the face of foreign competition. Market forces and the trend of decreasing contract sizes have produced perceived problems with current methods of production which, coupled with the inertia to radical change, justify research. Computer simulation is an established production management tool but its potential in clothing manufacture could not be inferred. Concentrating on progressive bundle systems as the dominant method of production, this research considers the capacity of simulation in this context. Factory-based studies identified factors affecting system performance which allowed a conceptual model with high face validity to be defined. The requirement to handle complex supervisory control strategies led to the identification of visual interactive simulation as an experimental route. A computerised model, with an appropriate user interface and reporting facilities, was developed in the ~Siman si@ulat~£~~Dguage __ This was supported by animated graphics which played a substantial role in the attainment of face validity. Replication was considered to be essential for sound estimates of system performance to be obtained from this stochastic model but, as interactive control works against replication, steps were taken to reduce compromise. Software development facilitated an experimental technique that employed interaction to develop a control strategy, which then became embedded in the model for replication. By providing control consistency between replications, a more reliable assessment of system sensitivity to stochastic variability was possible. Pilot runs and single factor analysis enabled the effect of controllable factors on system performance to be quantified. Supervisory control was found to have a major effect on system performance so that the need for consistency in interaction was amplified. Considering alternative experimental methods and the practical use of the model, application areas for simulation in the absence of real time data capture were identified and demonstrated. Each application offered significant advantage over currently available planning methods and the use of simulation was supported. Information from the model can be gained about the design and control of progressive bundle lines at the pre-production phase, and the output of performance indicators can be useful in assessing real production lines. The evidence presented by this research illustrates that animated simulation can provide insight that is otherwise unobtainable.
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Jones, Stacey Elizabeth. "Why women's clothing? a critical history of clothing collections : a regional case study /." Connect to PDF file Connect to PDF file, 2005. http://purl.fcla.edu/fcla/etd/UFE0009404.

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Smith, Marcia Tavares. "Digital clothing manufacture : new models for the clothing industry in the digital economy." Thesis, Lancaster University, 2014. http://eprints.lancs.ac.uk/125204/.

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Books on the topic "Clothingco"

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Macleod, Sinclair. Clothing. Aylesbury: Ginn, 1989.

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Parks, Peggy J. Clothing. Detroit: Kidhaven Press, 2004.

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Clothing. Oxford: Heinemann Library, 2007.

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Clothing. New York: Marshall Cavendish Benchmark, 2012.

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Rourke, Arlene C. Clothing. Vero Beach, FL: Rourke Publications, 1987.

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Clothing. Minneapolis: Fortress Press, 2012.

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Clothing. New York: Marshall Cavendish Benchmark, 2010.

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Canada. Industry, Science and Technology Canada. Clothing. Ottawa: Business Centre, Communications Branch, Industry, Science and Technology Canada, 1988.

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Willats, Stephen. Multiple clothing. London: S. Willats, 1992.

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Hua, Mei. Chinese clothing. Beijing: China International Press, 2004.

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Book chapters on the topic "Clothingco"

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Foussereau, Jean. "Clothing." In Textbook of Contact Dermatitis, 504–15. Berlin, Heidelberg: Springer Berlin Heidelberg, 1995. http://dx.doi.org/10.1007/978-3-662-03104-9_25.

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Foussereau, J. "Clothing." In Textbook of Contact Dermatitis, 503–14. Berlin, Heidelberg: Springer Berlin Heidelberg, 1992. http://dx.doi.org/10.1007/978-3-662-13119-0_25.

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Zarach, Stephanie. "Clothing." In British Business History, 79–85. London: Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-13185-3_16.

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Zarach, Stephanie. "Clothing." In Debrett’s Bibliography of Business History, 64–68. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-08984-0_16.

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Ladenthin, Volker. "Clothing." In The Bonn Handbook of Globality, 115–24. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-90377-4_9.

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Le Coz, Christophe-J. "Clothing." In Contact Dermatitis, 793–817. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-03827-3_40.

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Gilligan, Ian. "Clothing." In Encyclopedia of Evolutionary Psychological Science, 1–8. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-16999-6_3009-1.

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Le Coz, Christophe-J. "Clothing." In Textbook of Contact Dermatitis, 725–49. Berlin, Heidelberg: Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/978-3-662-10302-9_34.

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Wissler, Eugene H. "Clothing." In Human Temperature Control, 289–336. Berlin, Heidelberg: Springer Berlin Heidelberg, 2018. http://dx.doi.org/10.1007/978-3-662-57397-6_8.

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Prieto, Laura R. "Clothing." In Approaching Historical Sources in their Contexts, 182–206. New York : Routledge, 2020. | Series: Routledge guides to using historical sources: Routledge, 2020. http://dx.doi.org/10.4324/9781351106573-11.

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Conference papers on the topic "Clothingco"

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Mann, Steve. "“Smart clothing”." In the fourth ACM international conference. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/244130.244184.

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Igarashi, Takeo, and John F. Hughes. "Clothing manipulation." In the 15th annual ACM symposium. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/571985.571999.

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Igarashi, Takeo, and John F. Hughes. "Clothing manipulation." In ACM SIGGRAPH 2003 Papers. New York, New York, USA: ACM Press, 2003. http://dx.doi.org/10.1145/1201775.882328.

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Igarashi, Takeo, and John F. Hughes. "Clothing manipulation." In ACM SIGGRAPH 2007 courses. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1281500.1281540.

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Igarashi, Takeo, and John F. Hughes. "Clothing manipulation." In ACM SIGGRAPH 2006 Courses. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1185657.1185782.

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Ji, Wei, Xi Li, Yueting Zhuang, Omar El Farouk Bourahla, Yixin Ji, Shihao Li, and Jiabao Cui. "Semantic Locality-Aware Deformable Network for Clothing Segmentation." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. California: International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/106.

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Clothing segmentation is a challenging vision problem typically implemented within a fine-grained semantic segmentation framework. Different from conventional segmentation, clothing segmentation has some domain-specific properties such as texture richness, diverse appearance variations, non-rigid geometry deformations, and small sample learning. To deal with these points, we propose a semantic locality-aware segmentation model, which adaptively attaches an original clothing image with a semantically similar (e.g., appearance or pose) auxiliary exemplar by search. Through considering the interactions of the clothing image and its exemplar, more intrinsic knowledge about the locality manifold structures of clothing images is discovered to make the learning process of small sample problem more stable and tractable. Furthermore, we present a CNN model based on the deformable convolutions to extract the non-rigid geometry-aware features for clothing images. Experimental results demonstrate the effectiveness of the proposed model against the state-of-the-art approaches.
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Cournoyer, Michael E., David L. Wannigman, and Robert L. Dodge. "Pollution Prevention Benefits of Dissolvable Protective Clothing." In ASME 2011 14th International Conference on Environmental Remediation and Radioactive Waste Management. ASMEDC, 2011. http://dx.doi.org/10.1115/icem2011-59003.

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Programmatic operations at the Los Alamos National Laboratory Plutonium Facility (TA-55) involve working with various amounts of plutonium and other highly toxic, alpha-emitting materials. The spread of radiological contamination on surfaces, airborne contamination, and excursions of contaminants into the operator’s breathing zone are controlled through the radiological protection program. A key element of this program is the proper selection of protective clothing. Re-useable, launderable protective clothing has been the standard for several decades. Over the years, radioactive waste disposal costs have increased and disposal options have become more limited. This has prompted the development of single-use, dissolvable protective clothing. Single-use, dissolvable protective clothing is under evaluation as a replacement for launderable woven textile garments at TA-55. We examined re-useable, launderable and single-use, dissolvable protective clothing, addressed management issues (residual contamination, cost, environmental footprint, quality assurance), and waste minimization benefits. Replacement of launderable garments with single-use, dissolvable protective clothing improves the safety configuration of TA-55 by reducing LLW waste generation.
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Chen, Yugang. "Digital movie clothing with film clothing visual art representation." In 2016 International Conference on Economics, Social Science, Arts, Education and Management Engineering. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/essaeme-16.2016.49.

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Truong, Thomas, and Svetlana Yanushkevich. "Relatable Clothing: Detecting Visual Relationships between People and Clothing." In 2020 25th International Conference on Pattern Recognition (ICPR). IEEE, 2021. http://dx.doi.org/10.1109/icpr48806.2021.9413149.

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Limarenko, O. V. "NEW STAGE OF MODELING AND DECORATION OF CLOTHING THROUGH MODERN TECHNOLOGIES." In TWEET-FENTS. Новосибирский государственный университет архитектуры, дизайна и искусств им. А.Д. Крячкова, 2020. http://dx.doi.org/10.37909/978-5-89170-266-0-2020-1006.

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Today, there are significant changes in clothing modeling related to digitalization. Fashion designers work with experts from the technological sphere to create not just a seemingly pleasant thing, but also to fill it with various functions. In the process of modeling clothing, new approaches are used to make a virtual fitting. Virtual clothing will inevitably lead to changes in the fashion industry.
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Reports on the topic "Clothingco"

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Collins, LaShaun M., Seoha Min, and Jennifer Yurchisin. Sustainability of African-Americans' HMD clothing within the Clothing Life Cycle. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1854.

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Shaw, Dierdre, and Katherine Duffy. Save Your Wardrobe: Digitalising Sustainable Clothing Consumption. University of Glasgow, June 2019. http://dx.doi.org/10.36399/gla.pubs.188107.

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This preliminary research examines the role of digitalisation in changing how consumers respond to, manage and maintain more sustainable approaches to clothing. It brings together the mission and vision of Save Your Wardrobe, with expert consumer researchers from University of Glasgow. Using a qualitative approach (in-depth consumer interviews and wardrobe audits) we explore existing clothing behaviours and how the Save Your Wardrobe (SYW) application (app) could be used as a digital wardrobe management solution.
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BROWN, R. L. REDUCED PROTECTIVE CLOTHING DETERMINATIONS. Office of Scientific and Technical Information (OSTI), June 2003. http://dx.doi.org/10.2172/812339.

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ADVANTECH INC ANNAPOLIS MD. Recruit Clothing Supply Chain Assessment. Fort Belvoir, VA: Defense Technical Information Center, August 2001. http://dx.doi.org/10.21236/ada410577.

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Stern, B. Clothing creator trademark : Business plan. Office of Scientific and Technical Information (OSTI), October 1990. http://dx.doi.org/10.2172/6318055.

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Goldsmith, Ronald E., Leisa R. Flynn, and Elizabeth B. Goldsmith. Profiling the Frequent Clothing Shopper. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-491.

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Havel, Mickael, Dale W., Naiping Hu, and Tom Martin. Chemical and Biological Resistant Clothing. Fort Belvoir, VA: Defense Technical Information Center, April 2013. http://dx.doi.org/10.21236/ada582844.

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Caskey, Kristin. Clothing Design for Conjoined Twins. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-449.

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Prasad, Kuldeep, Hoang Minh Ho Dac, and Scott Kukuck. Thermal performance of fire fighters' protective clothing. 2. protective clothing performance simulator - user's manual. Gaithersburg, MD: National Institute of Standards and Technology, 2003. http://dx.doi.org/10.6028/nist.ir.6901.

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Chen, Wei-Chen. How Proximity of Clothing to Self Affects Clothing Purchase Cirteria by Taiwanese Older Adults. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1304.

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