Relevant bibliographies by topics / Clown and entertainer art

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Clown and entertainer art'

Author: Grafiati
Published: 5 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Clown and entertainer art"

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Nedeljković, Zoran. "Socio-cultural interpretation of the phenomenon of laughter in 'The Joker' (2019): Interpretation of the Western civilization man." Socioloski pregled 54, no. 4 (2020): 1364–90. http://dx.doi.org/10.5937/socpreg54-29133.

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The author has given a socio-cultural interpretation of the phenomenon of laughter in the film "The Joker" (Todd, Phillips, 2019) as an individual as well as a social phenomenon of Western civilization. He considers the difference between the concepts of utopia, dystopia and utopistics as a possible solution to the problem that would avoid an optimistic and pessimistic view of the future of humanity. The author seeks a civilization parallel between the fictional world of film and the cultural elements of today. The necrophilic atmosphere of Gotham City is strikingly reminiscent of the spiritua
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Semenova, E. A. "The Theories of Humor in the Study of the Clown Figure." Art & Culture Studies, no. 1 (March 2023): 30–67. http://dx.doi.org/10.51678/2226-0072-2023-1-30-67.

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This article continues the research of the author in the field of studying the phenomenon of a clown. The author discusses the problem of polar interpretations of the figure of a clown in scientific discourse, where there is a noticeable absence of convincing art history and cultural theories and concepts that can explain the connection between the figure of a clown and the phenomenon of laughter and humour. It is noted that, despite the fact that most studies focus on clown laughter, they do not analyse its specifics. In connection with the problem posed, the author suggests shifting away fro
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Kurz, Oliver. "Der vergessliche Clown." PPH 28, no. 01 (2022): 11–15. http://dx.doi.org/10.1055/a-1641-4049.

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Als Clown in einer pflegerischen Einrichtung auf Menschen mit Demenz zu treffen, ist eine Begegnung im Moment: offen, echt und unbefangen, voller Wertschätzung und Empathie. Warum der Clown für diese Art der Begegnung besonders geeignet ist und wie er die Freude am Sein (wieder-)erweckt, schildert unser Autor, der bei seinen Clown-Visiten selbst schon viele Herzen berührt hat.
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Kurz, Oliver. "Der vergessliche Clown – Demenz mit Humor begegnen." physiopraxis 20, no. 07/08 (2022): 64–67. http://dx.doi.org/10.1055/a-1874-4930.

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Als Clown in einer pflegerischen Einrichtung auf Menschen mit Demenz zu treffen, ist eine Begegnung im Moment: offen, echt und unbefangen, voller Wertschätzung und Empathie. Warum der Clown für diese Art der Begegnung besonders geeignet ist und wie er die Freude am Sein (wieder-)erweckt, schildert unser Autor, der bei seinen Clown-Visiten selbst schon viele Herzen berührt hat.
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Semenova, Elena A. "Cultural potential of the clown art in the formation of pedagogical competences in the mass media era." Yaroslavl Pedagogical Bulletin 5, no. 122 (2021): 247–54. http://dx.doi.org/10.20323/1813-145x-2021-5-122-247-254.

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The article is devoted to the consideration of the art of clowning as a tool for diagnosing pedagogical competencies that are constantly transforming under the influence of the mass-media cultural paradigm.It is suggested that the image of a clown in modern culture translates a conglomerate of behavioral patterns historically entrenched in the mass consciousness, which have a high cultural and pedagogical potential. A hypothesis is proposed, according to which the attitude to the figure of a clown, as to a pattern of cultural and creative behavior, can be a marker of the teacher's professional
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Fonseca Alves, Ricardo Henrique, Getúlio Antero de Deus Júnior, Jonas Augusto Kunzler, and Antonio Marcelino da Silva Filho. "Clown Group - Engineers without Borders (Knowledge Connections): Building a Humanistic Training in Engineering Courses." International Journal on Alive Engineering Education 5, no. 2 (2019): 61–80. http://dx.doi.org/10.5216/ijaeedu.v5i2.54678.

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The Clown Group – Engineers without Borders (Knowledge Connections) is a group of clowns formed by Engineers and Engineering students. The theoretical basis of the Clown Group goes back to the origins of Jerzy Grotowski's “poor theater” (1933–1999). Concerning the use of music, theater and dance to present and promote the pleasure of art, the Group values the interaction with the public and does not worry about the structural elements commonly characterized by the theater as stage and lighting. In this way, the Clown Group promotes a Humanistic Formation of its members by providing a developme
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Amanulla, Rizayev Sardor Mannonov. "IN TRADITIONAL UZBEK CLOWN ART MIME ELEMENTS." INTERNATIONAL BULLETIN OF APPLIED SCIENCE AND TECHNOLOGY 3, no. 4 (2023): 277–81. https://doi.org/10.5281/zenodo.7809857.

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Boa, Elizabeth, and Naomi Ritter. "Art as Spectacle: Images of the Entertainer since Romanticism." Modern Language Review 87, no. 2 (1992): 523. http://dx.doi.org/10.2307/3730765.

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Lukens, Nancy, and Naomi Ritter. "Art as Spectacle: Images of the Entertainer since Romanticism." German Quarterly 65, no. 3/4 (1992): 467. http://dx.doi.org/10.2307/407620.

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Swan, John, and Naomi Ritter. "Art as Spectacle: Images of the Entertainer since Romanticism." Theatre Journal 42, no. 3 (1990): 404. http://dx.doi.org/10.2307/3208107.

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Dissertations / Theses on the topic "Clown and entertainer art"

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Le, Moal-Sommaire Annick. "L'Imaginaire du clown : approche historique, anthropologique et psychanalytique d'un médiateur thérapeutique venu d'ailleurs." Paris 7, 2003. http://www.theses.fr/2003PA070058.

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Depuis 1994 à l'hôpital de jour pour adultes de Dreux, "Môssieu Gaga" clown-thérapeute déambule le vendredi au milieu des différents ateliers, participe à la réunion soignants-soignés et partage le repas avec les patients. Après avoir "déliré" sur le banc de la pause-café il va jouer aux "Jeux de familles" inspirés du psychodrame, à moins qu'il n'aille raconter ou se faire raconter des histoires en tête-à-tête. Avec ses accessoires et bouts de ficelle, il construit tout un monde imaginaire où "il y a du jeu". Dans cet espace transitionnel où se déploient les armes du rire, de l'humour, de la d
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Resende, Marques Da Silva Rafaël. "Développement d’une pédagogie du jeu clownesque : un parcours entre Brésil et Europe." Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30082/document.

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Le dialogue entre la pratique et la théorie est la base de cette étude. Le défi est la réflexion à trois niveaux: la création de numéros et de spectacles par le jeu du clown; la recherche de sa théorie; et les expérimentations pédagogiques. L'interrogation sur le clown a commencé au Brésil et s'est déroulée dans quatre pays européens à travers des spectacles, des résidences artistiques, des ateliers et des rencontres avec des artistes à partir de la Cia da Bobagem. Le clown est une figure populaire et banale à la fois, mais il y a des traces primitives de son jeu. Cette étude met l'accent sur
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Velasquez, Angel Ana Milena. "Le jeu du clown dans la Colombie contemporaine : la renaissance du clown, un acteur social et politique et le rire du spectateur de résistance et de liberté." Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030005/document.

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Le jeu du clown dans la Colombie contemporaine est en voie de développement. Bien que la figure du clown n’ait jamais cessé d’exister dans la société, quelles que fussent ses formes à travers l’histoire, on assiste à la renaissance de l’art du clown dans notre pays depuis ces dix dernières années. L’art du clown devient une possibilité de revalorisation du langage comique et poétique de l’artiste dans la société colombienne actuelle, conférant à l’acteur clown un rôle social et politique et permettant au spectateur de vivre une forme de résistance et de libération de sa réalité quotidienne vio
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Rodrigues, José Alexandre Serrão. "Aparição do Clown: De um mito racional-cristão ao nascimento da poesia." Universidade Federal do Amazonas, 2012. http://tede.ufam.edu.br/handle/tede/2391.

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Made available in DSpace on 2015-04-11T13:49:12Z (GMT). No. of bitstreams: 1 Jose_A_S_Rodrigues.pdf: 570666 bytes, checksum: fcafd3b7cfc7e3f6aea4193d12b71f64 (MD5) Previous issue date: 2012-04-12<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This work, called Appearance of the clown: a rational-christian myth to birth poetry, is an interpretive reading of the poem of the same name by L. Ruas based on some theories about the myth, christianity, philosophy and art. It is, in particular, the ideas of Theodor Adorno, Max Horkheimer and Martin Heidegger on the need of man
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Breikers, Joseph Laurence. "Out of position : the ball park of humour in contemporary art." Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/63942/1/Joseph_Breikers_Thesis.pdf.

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This practice-led research project explores how humour can be employed to develop a methodology for examining the socio-political dimensions of contemporary art practice. This research aims to identify and elaborate on how using the evasive strategies and elliptical frameworks associated with ideas of the absurd and nonsense can lead to new ways of understanding the nexus between social, political and cultural practices. This is achieved primarily through an examination of the art practices of Marcel Duchamp, Bruce Nauman, and Martin Kippenberger. These artists contextualise this research beca
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Olendzki, Luciane de Campos. "Palhaçar : máscaras em uma patética-poética por rir." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2009. http://hdl.handle.net/10183/16916.

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Le présent mémoire est composé de scènes d´écriture traversées par des séries hétérogènes de masques qui composent une typologie et une topologie de l´art du clown. Ces masques dramatisent la connaissance et l´historiographie de l´art du clown. Elles opèrent comme des puissances intempestives, traçant un plan de composition et de pensée qui procède par fabulation, entre le théâtre et la philosophie, avec des auteurs comme Nietszche, Deleuze et Artaud. Masqueclown en jeu, par instinct de jeu et variation poétique, avec le pouvoir d´affecter et d´être affecté, élevé à la énième puissance du faux
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Cezard, Delphine. "Les "Nouveaux" Clowns : approche sociologique de l'identité, de la profession et de l'art du clown aujourd'hui." Thesis, Aix-Marseille, 2012. http://www.theses.fr/2012AIXM3070.

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Le clown, personnage culturel et social, se construit par l'interaction avec son public et son milieu d'intervention. Le fait que le clown corresponde si durablement dans les représentations à la caricature d'un personnage de cirque, amène à se demander si le clown n'est pas victime de son image, pourtant si positive il fut un temps. Ce constat amène à réfléchir directement sur l'identité des clowns et leur réalité actuelle. Comprendre comment et pourquoi les clowns ont évolué ces dernières années revient à questionner à la fois les éléments de permanence et d'unicité qui les constituent mais
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Ramos, Luís Eduardo Santos de Oliveira. "Entre a proeza e a bobagem: uma análise sociológica sobre o palhaço e o circo." Universidade Federal da Paraíba, 2016. http://tede.biblioteca.ufpb.br:8080/handle/tede/9725.

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Submitted by Vasti Diniz (vastijpa@hotmail.com) on 2017-12-26T13:46:44Z No. of bitstreams: 1 arquivototal.pdf: 750319 bytes, checksum: 630330eb950cfdd5d10f8badb3c28027 (MD5)<br>Made available in DSpace on 2017-12-26T13:46:44Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 750319 bytes, checksum: 630330eb950cfdd5d10f8badb3c28027 (MD5) Previous issue date: 2016-03-31<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This work search, through historical and sociological aspects, to understand the performance and the social function of the clown starting from its origins
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Silva, Marco Antonio da. "Por uma pedagogia do palhaço: riso, corpo jogador, transgressão e inversão." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-14122016-151218/.

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O presente texto pretende apresentar a investigação, a partir de referenciais práticos e teóricos, sobre as possibilidades, caminhos e princípios da construção de uma Pedagogia do Palhaço, que venho desenvolvendo, desde 2000 - proposta educativa que tem como principais concepções e propostas pedagógicas as técnicas do ator-criador, do arteiro, do atuador, do artivista e do educador para a paz, que se constitui a partir dos elementos da Arte do palhaço, como o riso (enquanto deflagrador do pensamento sério), o corpo jogador, a transgressão e a inversão, na relação com a Educação, na interface c
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Dorneles, Juliana Leal. "Pelo vigor do palhaço." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/15884.

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Made available in DSpace on 2016-04-28T20:40:12Z (GMT). No. of bitstreams: 1 Juliana Leal Dorneles.pdf: 2826387 bytes, checksum: 0a6799478de66766b62c9358f82dcbe7 (MD5) Previous issue date: 2009-08-12<br>Fundação de Amparo a Pesquisa do Estado de São Paulo<br>This study deals with the clown s art inasmuch as art can reawaken something dead in the living. It also deals with the value that contemporary culture nourishes in laughter and humorism in the 21st century. To this purpose, we have developed our sign of art in clown with the help of Deleuze and Guattari s signs theory; through the obse
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Books on the topic "Clown and entertainer art"

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Hardel, Dick. Learning the art of clown ministry. [R.A. Hardel, 1988.

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UQAM, Galerie, and Plug In Inc (Gallery), eds. Francis Alys, the last clown. Galerie de l'UQAM, 2000.

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Canevaro, Walter. Clown: La risa, una historia inconclusa. Del Centro Editores, 2020.

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Calan, Claude de. Le clown et le savant. O. Jacob, 2004.

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Pons, Nadine. Clown à l'hôpital: Quand le clown rencontre l'enfant malade. Champ social, 2006.

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Hamburg, Kunstverein in, ed. Tal R: The elephant behind the clown. Snoeck, 2011.

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Patkin, Izhar. Izhar Patkin, the black paintings: Based on "The blacks, a clown show" by Jean Genet. Edited by DeAk Edit. Kyoto Shoin, 1989.

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Jenkins, Ronald Scott. Acrobats of the soul: Comedy and virtuosity in contemporary American theatre. Theatre Communications Group, 1988.

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Fields, Armond. Tony Pastor, father of vaudeville. McFarland & Co., 2007.

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Lust, Annette. From the Greek mimes to Marcel Marceau and beyond: Mimes, actors, Pierrots, and clowns : a chronicle of the many visages of mime in the theatre. Scarecrow Press, 2003.

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Book chapters on the topic "Clown and entertainer art"

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Laski, Audrey. "The Detective as Clown: a Taxonomy." In The Art of Detective Fiction. Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1007/978-1-349-62768-4_8.

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"11. Exit Clown, Speaking Anything." In Modern Art. University of Chicago Press, 2023. http://dx.doi.org/10.7208/chicago/9780226824932.003.0012.

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"The Art of Observation." In The Clown Doctor Chronicles. Brill | Rodopi, 2004. http://dx.doi.org/10.1163/9789004433564_056.

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"Clown-Inspired Elements Present In Everyday Clothing." In Art and Research – Contemporary Challenges. Sciendo, 2020. http://dx.doi.org/10.2478/9788366675193-010.

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Kang, Soo Y. "Bakhtinian Carnivalesque in the Clown Images of Rouault." In Parody and Festivity in Early Modern Art. Routledge, 2017. http://dx.doi.org/10.4324/9781315090061-9.

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"Who, What, Why, Where, And How Is The Clown Today?" In Art and Research – Contemporary Challenges. Sciendo, 2020. http://dx.doi.org/10.2478/9788366675193-009.

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"TWO. Ghazal and Khamriya: The Poet as Ritual Clown." In On the Art of Medieval Arabic Literature. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400869350-004.

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Guo, Li. "Cross-Gender “Acting” and Gender-Bending Rhetoric at a Princely Party." In In the Presence of Power. NYU Press, 2017. http://dx.doi.org/10.18574/nyu/9781479879366.003.0010.

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This chapter focuses on episodes from “The Phantom,” by Ibn Dāniyāl (d. 1310), showing how they contain a substantial amount of cross-gender acting. Guo also argues that such gender-bending is to a certain degree a literary device for characterization. It was also an element of the art of a one-man-band type of performer, who was able not only to play both sexes but also to sing and dance—and was thus a highly versatile entertainer.
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Caminha, Melissa Lima. "Old Dick Donald and Drag King Delicious Melicious: Embodied inquiry through an arts- -based research on woman clown transvestism." In Engaged Art Education. InSEA Publications, 2019. http://dx.doi.org/10.24981/tess.2019-10.

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Salay, Hemdat. "Reflection and Aruḷ". У Two Masterpieces of Kūṭiyāṭṭam. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199483594.003.0006.

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This essay focuses on the role of Lord Śiva, the deity who is the main subject of the Mattavilāsam, a three-day Kūṭiyāṭṭam masterpiece that also explores the origin of this art form; but also on Śiva as the crypto-identity of Vasantaka, the clown narrator of Mantrāṅkam. Hemdat Salay shows how through the performance of these two texts, the deity is made present in visible form on stage. The call to Śiva is the aruḷ driving the plot and the play, meaning the active and full presence of the deity in his complete, multifaceted, and contradictory form. In this case, the comic and ridiculous nature
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